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The Romance of a Plain Man Part 2

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"Thar's plenty of time yet, Susan," returned my father cheerfully, while he sawed at the cold cornbread on the table. "You've got a good hour an'

mo' befo' you."

"An' the things to wash up an' the house to tidy in my veil and bonnet.

Thar ain't many women, I reckon, that would wash up china in a c.r.a.pe veil, but I've done it befo' an' I'm used to it."

"Why don't you lay off yo' black things till you're through?"

His suggestion was made innocently enough, but it appeared, as he uttered it, to be the one thing needed to sharpen the edge of my mother's temper. The three frowning lines deepened across her forehead, and she stared straight before her with her perplexed and anxious look under her rustling c.r.a.pe.

"Yes, I'll take 'em off an' lay 'em away an' git back to work," she rejoined. "It did seem as if I might have taken a holiday at a time like this--my next do' neighbour, too, an' I'd al'ays promised him I'd see him laid safe in the earth. But, no, I can't do it. I'll go take off my veil an' bonnet an' stay at home."

Before this attack my father grew so depressed that I half expected to see tears fall into his cup of coffee, as they had into mine. His handsome gayety dropped from him, and he looked as downcast as was possible for a face composed of so many flagrantly cheerful features.

"I declar, Susan, I wa'nt thinkin' of that," he returned apologetically, "it just seemed to me that you'd be mo' comfortable without that sheet of c.r.a.pe floatin' down yo' back."

"I've never been comfortable in my life," retorted my mother, "an' I don't expect to begin when I dress myself to go to a funeral. It's got to be, I reckon, an' it's what I'm used to; but if thar's a man alive that would stand over a stove with a c.r.a.pe veil on his head, I'd be obliged to him if he'd step up an' show his face."

At this point; the half-grown girl who had promised to look after the baby arrived, and with her a.s.sistance, my mother set about putting the house in order, while my father, as soon as his luncheon basket was packed, wished us a pleasant drive, and started for old Timothy Ball's marble yard, where he worked. At the sink in the kitchen my mother, with her c.r.a.pe veil pinned back, and her bombazine sleeves rolled up, stood with her arms deep in soapsuds.

"Ma," I asked, going up to her and turning my back while she unfastened my bib with one soapy hand, "did you ever hear anybody call you common?"

"Call me what?"

"Common. What does it mean when anybody calls you common?"

"It means generally that anybody is a fool."

"Then am I, ma?"

"Air you what?"

"Am I common?"

"For the Lord's sake, Benjy, stop yo' pesterin'. What on earth has gone an' set that idee workin' inside yo' head?"

"Is pa common?"

She meditated an instant. "Wall, he wa'nt born a Savage, but I'd never have called him common--exactly," she answered.

"Then perhaps you are?"

"You talk like a fool! Haven't I told you that I wa'nt?" she snapped.

"Then if you ain't an' pa ain't exactly, how can I be?" I concluded with triumph.

"Whoever said you were? Show me the person."

"It wa'nt a person. It was a little girl."

"A little girl? You mean the half-drowned brat I wrapped up in yo'

grandma's old blanket shawl I set the m.u.f.fin dough under? To think of my sendin' yo' po' tired pa splashin' out with 'em into the rain. So she called you common?"

But the sound of a carriage turning the corner fell on my ears, and running hastily into the sitting-room, I opened the door and looked out eagerly for signs of the approaching funeral.

A bright morning had followed the storm, and the burnished leaves, so restless the day before, lay now wet and still under the sunshine. I had stepped joyously over the threshold, to the sunken brick pavement, when my mother, moved by a sudden anxiety for my health, called me back, and in spite of my protestations, wrapped me in a grey blanket shawl, which she fastened at my throat with the enormous safety-pin she had taken from her own waist. Much embarra.s.sed by this garment, which dragged after me as I walked, I followed her sullenly out of the house and as far as our neighbour's doorstep, where I was ordered to sit down and wait until the service was over. As the stir of her c.r.a.pe pa.s.sed into the little hall, I seated myself obediently on the single step which led straight from the street, and made faces, during the long wait, at the merry driver of the hea.r.s.e--a decrepit negro of ancient days, who grinned provokingly at the figure I cut in my blanket shawl.

"Hi! honey, is you got on swaddlin' close er a windin' sheet?" he enquired. "I'se a-gittin' near bline en I cyarn mek out."

"You jest wait till I'm bigger an' I'll show you," was my peaceable rejoinder.

"Wat's dat you gwine sho' me, boy? I reckon I'se done seed mo' curus things den you in my lifetime."

I looked up defiantly. Between the aristocratic, if fallen, negro and myself there was all the instinctive antagonism that existed in the Virginia of that period between the "quality" and the "poor white trash."

"If you don't lemme alone you'll see mo'n you wanter."

"Whew! I reckon you gwine tu'n out sump'im' moughty outlandish, boy.

I'se a-lookin' wid all my eyes an I cyarn see nuttin' at all."

"Wait till I'm bigger an' you'll see it," I answered.

"I'se sho'ly gwine ter wait, caze ef'n hits mo' curus den you is en dat ar windin' sheet, hit's a sight dat I'se erbleeged ter lay eyes on.

Wat's yo' name, suh?" he enquired, with a mocking salute.

"I am Ben Starr," I replied promptly, "an' if you wait till I get bigger, I'll bus' you open."

"Hi! hi! wat you wanter bus' me open fur, boy? Is you got a pa?"

"He's Thomas Starr, an' he cuts lambs and doves on tombstones. I've seen 'em, an' I'm goin' to learn to cut 'em, too, when I grow up. I like lambs."

The door behind me opened suddenly without warning, and as I scrambled from the doorstep, my enemy, the merry driver, backed his creaking vehicle to the sidewalk across which the slow procession of mourners filed. A minute later I was caught up by my mother's hand, and borne into a carriage, where I sat tightly wedged between two sombre females.

"So you've brought yo' little boy along, Mrs. Starr," remarked a third from the opposite seat, in an aggressive voice.

"Yes, he had a cold an' I thought the air might do him good," replied my mother with her society manner.

"Wall, I've nine an' not one of 'em has ever been to a funeral,"

returned the questioner. "I've al'ays been set dead against 'em for children, ain't you, Mrs. Boxley?"

Mrs. Boxley, a placid elderly woman, who had already begun to doze in her corner, opened her eyes and smiled on me in a pleasant and friendly way.

"To tell the truth I ain't never been able really to enjoy a child's funeral," she replied.

"I'm sure we're all mighty glad to have him along, Mrs. Starr," observed the fourth woman, who was soft and peaceable and very fat. "He's a fine, strong boy now, ain't he, ma'am?"

"Middlin' strong. I hope he ain't crowdin' you. Edge closer to me, Benjy."

I edged closer until her harsh bombazine sleeve seemed to scratch the skin from my cheek. Mrs. Boxley had dozed again, and sinking lower on the seat, I had just prepared myself to follow her example, when a change in the conversation brought my wandering wits instantly together, and I sat bolt upright while my eyes remained fixed on the small, straggling houses we were pa.s.sing.

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The Romance of a Plain Man Part 2 summary

You're reading The Romance of a Plain Man. This manga has been translated by Updating. Author(s): Ellen Anderson Gholson Glasgow. Already has 571 views.

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