The River and I Part 3

What a picture I made out of their kaleidoscopic chatter; beautifully inaccurate, impossibly romantic picture, in which big muscley men had fights with yawping painted savages that always got gloriously licked, in the approved story-book manner! I could shut my eyes and see it all very plainly, away off there half-way to the moon. And I used to wonder how my father could be such a strong man and never have any hankering to go up there at all! The two facts were quite incompatible. He should have been a captain and taken me on for cub pilot, or at least a "striker" engineer; though I wouldn't have objected seriously to the business of a cabin boy. I thought it would be very nice to engage in the mountain trade.

And then, after a while, in the new light that creeps in with years, I began to rearrange my picture of things up there; and Benton crept a wee bit closer--until I could see its four adobe walls and its two adobe bastions, stern with portholes, sitting like bulldogs at the opposite corners ready to bark at intruders. And in and out at the big gate went the trappers--st.u.r.dy, rough-necked, hirsute fellows in buckskins, with Northwest fusils on their shoulders; lean-bodied, capable fellows, with souls as lean as their bodies, survivors of long hard trails, men who could go far and eat little and never give up. I was very fond of that sort of man.

Little by little the picture grew. Indian bull boats flocked at the river front beneath the stern adobe walls; moored mackinaws swayed in the current, waiting to be loaded with peltries and loosed for the long drift back to the States; and the keel-boats, looking very fat and lazy, unloaded supplies in the late fall that were loaded at St. Louis in the early spring. And these had come all the way without the stroke of a piston or the crunch of a paddle-wheel or a pound of steam. Nothing but grit and man-muscle to drag them a small matter of two or three thousand miles up the current of the most eccentric old duffer of a river in the world!

What men it did take to do that! I saw them on the wild shelterless banks of the yellow flood--a score or so of them--stripped and sweating under the prairie sun, with the cordelle on their calloused shoulders, straightening out to the work like honest oxen. What _males_ those cordelle men were--what _stayers_! Fed on wild, red meat, lean and round of waist, thick of chest, thewed for going on to the finish. Ten or fifteen miles a day and every inch a fight! Be sure they didn't do it merely for the two or three hundred dollars a year they got from the Company. They did it because they were that sort of men, and had to express themselves. Everything worth while is done that way.

Do they raise that breed now? Never doubt it! You need only find your keel-boats or their equivalents, and the men will come around for the job, I'm sure. But when you speak enthusiastically of the old Greek doers of things, I'd like to put in a few words for those old up-river men. They belong to the unwritten American epic.

And then the keel-boats and the bull-boats and the mackinaws and the up-river men flashed out--like a stereopticon picture when the man moves the slide; and I saw a little ragged village of log houses scattered along the water front. I saw the levees piled with merchandise, and a score or more of packets rushing fresh cargoes ash.o.r.e--mates bawling commands down the gangplanks where the roustabouts came and went at a trot. Gold-mad hundreds thronged the wagon-rutted streets of this raw little village, the commercial center of a vast new empire. Six-horse freighters trundled away toward the gold fields; and others trundled in, their horses jaded with the precious freight they pulled. And I saw steamers dropping out for the long voyage back to the States, freighted with cargoes of gold dust--really truly story-book treasure-ships that would have made old Captain Kidd's men mad with delight.

As I lay dreaming in the bunch-gra.s.s, it all grew up so real that I had to get up and take my first look, half expecting to find it all there just as in the old days.

We stood at the rim of the bluff and looked down into a cup-like valley upon a quiet little village, winking with scattered lights in the gloaming. Past it swept the river--glazed with the twilight and silver-splotted with early stars.

This was Benton--it could have been almost any other town as well. And yet, once upon a time, it had filled my day-dreams with wonders--this place that seemed half-way to the moon.

The shrill shriek of a Great Northern locomotive, trundling freight cars through the gloom, gave the death-stroke to the old boy-dream. It was the cry of modernity. This boisterous, bustling, smoke-breathing thing, plunging through the night with flame in its throat, had made the change, dragged old Benton out of the far-off lunar regions and set what is left of it right down in the back yard of the world. Even a very little boy could get there now.

"And yet," thought I, as we set out rapidly for the village in the valley, "the difference between the poetry of mackinaws and Great Northern locomotives is merely a matter of perspective. If those old cordelle men could only come back for a while from their Walhalla, how they would crowd about that wind-splitting, fire-eating, iron beast, panting from its long run, and catching its breath for another plunge into the waste places and the night! And I? I would be gazing wide-mouthed at the cordelle men. It's only the human curiosity about the other side of the moon. How perfect the nights would be if we could only see that lost Pleiad!"

Ankle-deep in the powdery sand, we entered the little town with its business row facing the water front. One glance at the empty levees told you of the town's dead glory. Not a steamboat's stacks, blackening in the gloom, broke the peaceful glitter of the river under the stars. But along the sidewalk where the electric-lighted bar-rooms buzzed and hummed, brawny cow-men, booted and spurred, lounged about, talking in that odd but not unpleasant Western English that could almost be called a dialect.

But it was not the Benton of the cow-men that I felt about me. It was still for me the Benton of the fur trade and the steamboats and the gold rush--my boyhood's Benton half-way to the moon--the ghost of a dead town.

At Goodale I had sought a substantial town and found a visionary one. At Benton I had sought a visionary town and found a substantial one.

Philosophy was plainly indicated as the proper thing. And, after all, a steaming plate of lamp chops in a Chinese chuck-house of a substantial though disappointing town, is more acceptable to even a dreamer than the visionary beefsteak I ate out there in that latent restaurant of a potential village.

This was a comfortable thought; and for a quarter of an hour, the far weird cry of things that are no more, was of no avail. The rapid music of knife and fork drowned out the asthmatic snoring of the ghostly packets that buck the stream no more. How grub does win against sentiment!

Swallowing the last of the chops, "Where will I find the ruins of the old fort?" I asked of my bronze-faced neighbor across the wreck of supper. He looked bored and stiffened a h.o.r.n.y practical thumb in the general direction of the ruins. "Over there," he said laconically.

I caught myself wondering if a modern Athenian would thus carelessly direct you to the Acropolis. Is the comparison faulty? Surely a ruin is sacred only for what men did there. We are indeed a headlong race. We keep our ruins behind us. Perhaps that is why we get somewhere. And yet, what beauty blooms flowerlike to the backward gaze! Music and poetry--all the deepest, purest sentiments of the heart--are fed greatly upon the memory of the things that were but can never be again.

Mnemosyne is the mother of all the Muses.

I got up and went out. By the light of a thin moon, I found the place "over there." An odd, pathetic little ruin it is, to be sure. Nothing imposing about it. It doesn't compel through admiration: it woos through pity--the great, impersonal kind of pity.

"A single little turret that remains On the plains"--

Browning tells about all there is to tell about it, though he never heard of it; only they called it a "bastion" in the old days--the little square adobe blockhouse that won't stand much longer. One crumbling bastion and two gaunt fragments of adobe walls in a waste of sand beside the river--that's Fort Benton.

A thin pale grudging strip of moon lit it up: just the moon by which to see ruins--a moon for backward looking and regrets. A full round love-moon wouldn't have served at all.

Out of pure moon-haze I restored the walls of the house where the bourgeois lived. The fireplace and the great mud chimney are still there, and the s.m.u.t of the old log fires still clings inside. The man who sat before that hearth was an American king. A simple word of command spoken in that room was the thunder of the law in the wilderness about, and men obeyed. There's a bat living there now. He tumbled about me in the dull light, filling the silence with the harsh whir of pinions.

I thought about that night a long, long time ago when all the people under the protection of the newly erected fort, gathered here for a house-warming. How clearly I could hear that squawking, squeaking, good-natured fiddle and the din of dancing feet! Only the sound got mixed up with the dim, weird moonlight, until you didn't know whether you were hearing or seeing or feeling it--the music of the fiddles and the feet. Oh, the dim far music!

I thought about the other ruins of the world, the exploited, tourist-haunted ruins; and I wondered why the others attract so much attention while this one attracts practically none at all. How they do dig after old Troy--poor old long-buried, much-abused Troy! And n.o.body even cares to steal a brick from this ruined citadel that took so great a part in the American epic. Indeed, you would not be obliged to steal a brick; there are no guards.

Some one has said that the history of our country as taught in the common schools is the history of a narrow strip of land along the Atlantic coast. The statement is significant. The average school-teacher knows very little about Fort Benton, I suspect.

And yet, one of the most tremendous of all human movements centered about it--the movement that brought about the settlement of the Northwest. One of these days they will plant a potato patch there!

But modern Benton?

Get on a train in the East, snuggle up in your berth, plunge on to the Western coast, and you run through the real West in the night. They are getting Eastern out there at the rim of the big sea. Benton is in the West--the big, free, heart-winning West; and it gives promise of staying there for a while yet.

Charter a bronco and canter out across the river for an hour, and it will be very plain to you that the romantic West still lives--the West of the cowboy and the bronco and the steer. Not the average story-book West, to be sure. Perhaps that West never existed. But it is the West that has bred and is still breeding a race of men as beautiful in a virile way (and how else should men be beautiful?) as this dear old mother of an Earth ever suckled.

I stood once on the yellow slope of a hill and watched a round-up outfit pa.s.sing in the gulch below. Four-horse freighters grumbling up the dusty trail; cook wagons trundling after; whips popping over the sweating teams; a hundred or more saddle ponies trailing after in rolling clouds of glinting dust; a score of bronze-faced, hard-fisted outriders, mounted on gaunt, tough, wise little horses--such strong, outdoor, masterful Americans, truly beautiful in a big manly way!

The sight of it all put that glorious little achy feeling in my throat that you get when they start the fife and drum, or when a cavalry column wheels at the word of command, or when a regiment swings past with even tread, or when you stand on a dock and watch a liner dropping out into the fog. It's the feeling that you're a man and mighty proud of it. But somehow it always makes you just a little sad.

I felt proud of that bunch of strong capable fellows--proud as though I had created them myself.

[Ill.u.s.tration: "THIS WAS BENTON."]

[Ill.u.s.tration: RUINS OF OLD FORT BENTON.]

[Ill.u.s.tration: THE HOUSE OF THE BOURGEOIS.]

And once again the glorious little achy feeling in the throat came. The Congressman from Choteau County had returned from Washington with fresh laurels; and Benton turned out to welcome her Great Man. Down the dusty, poorly lighted, front street came the little band--a shirt-sleeved squad. Halting under the dingy glow of a corner street-lamp, they struck up the best-intentioned, noisiest noise I ever heard. The tuba raced lumberingly after the galloping cornet, that ran neck-and-neck with the wheezing clarinet; and the drums beat up behind, pounding like the hoofs of stiff-kneed horses half a stretch behind.

It was a mad, exciting race of sounds--a sort of handicap. The circular glow of the street-lamp became the social center of Benton. At last the mad race was ended. I think it was the cornet that won, with the clarinet a close second. The tuba, as I recollect it, complacently claimed third money, and the ba.s.s-drum finished last with a shameless, resolute boom!

A great hoa.r.s.e cry went up--probably for the winning cornet; a big-lunged, generous, warrior cry that made you think of a cavalry charge in the face of bayonets. And the shirt-sleeved band swung off down the street in the direction of the little cottage where the Great Man lived. All Benton fell in behind--clerks and bar-keeps and sheepmen and cowboys tumbling into fours. Under the yellow flare of the kerosene torches they went down the street like a campaigning company in rout step, scattering din and dust.

Great, deep-chested, happy-looking, open air fellows, they were; big lovers, big haters, good laughers, eaters, drinkers--and every one of them potentially a fighting man.

And suddenly, as I watched them pa.s.s, something deep down in me cried out: "Great G.o.d! What a fighting force we can drum up out of the cactus and the sagebrush when the time comes!" And when I looked again, not one of the sun-bronzed faces was strange to me, but every one was the face of a brother. Choteau's Congressman was my Congressman! Benton's Great Man was my Great Man! I fell into line alongside a big bronco-buster with his high-heeled boots and his clanking spurs and his bandy-legged, firm-footed horseman's stride. Thirty yards farther on we were old comrades. That is the Western way.

Once again the little band struck up a march, which was very little more than a rhythmic snarling and booming of the drums, with now and then the shrill savage cry of the clarinet stabbing the general dim. Irresistibly the whole line swung into step.

What is it about the rhythmic stride of many men down a dusty road that grips you by the throat and makes your lungs feel like overcharged balloons? I felt something like the maddening, irritating tang of powder-smoke in my throat. Trumpet cries that I had never heard, yet somehow dimly remembered, wakened in the night about us--far and faint, but haughty with command. It took very little imagination for me to feel the whirlwind of battles I may never know, to hear the harsh metallic snarl of high-power bullets I may never face. For, marching there in the dusty, torch-painted night, with that ragged procession of Westerners, a deep sense of the essential comradeship of free men had come upon me; and I could think of these men in no other way than as potential fighting men--the stern hard stuff with which you build and keep your empires. What a row Napoleon could have kicked up with half a million of these sagebrush boys to fling foeward under his cannon-clouds!

We reached the cottage of the Great Man with the fresh laurels. He met us at the gate. He called us Jim and Bill and Frank and Kid something or other. We called him Charlie. And he wasn't the least bit stiff or proud, though we hadn't the least doubt that half of Washington was in tears at his departure for the West.

The sudden flare of a torch betrayed his moist eyes as he told us how he loved us. And I'm sure he meant it. He said, with that Western drawl of his: "Boys, while I was back there trying to do a little something for you in Congress, I heard a lot of swell bands; but I didn't hear any such music as this little old band of ours has made to-night!" The unintentional humor somehow didn't make you want to laugh at all.

We're all riding with his outfit; and next year we're going to send Charlie back East again. May we all die sheepmen if we don't--and that's the limit in Montana!

Talking about sheepmen, reminds me of Joe, the big bronco-buster, and his _mot_. I was doing the town with Joe, and he was carefully educating me in the Western mysteries. He told me all about "day-wranglers" and "night-hawks" and "war-bags" and "round-ups"; showed me how to tie a "bull-noose" and a "sheep-shank" and a "Mexican hacamore"; put me onto the twist-of-the-wrist and the quick arm-thrust that puts half-hitches 'round a steer's legs; showed me how a cowboy makes dance music with a broom and a mouth-harp--and many other wonderful feats, none of which I can myself perform.

I wanted to feel the mettle of the big typical fellow, and so I said playfully: "Say, Joe, come to confession--you're a sheepman, now aren't you?"

He clanked down a gla.s.s of long-range liquid, and glared down at me with a monitory forefinger pointing straight between my eyes: "Now you look here, Shorty," he drawled; "you're a friend of mine, and whatever you say _goes_, as long as I ain't all caved in! But you cut that out, and don't you say that out loud again, or you and me'll be having to sc.r.a.p the whole outfit!"

He resumed his gla.s.s. I told him, still playfully, that a lot of mighty good poetry had been written about sheep and sheepmen and crooks and lambs and things like that, and that I considered my question complimentary.