The Right of Way Part 53

As the door closed behind him, she drew herself proudly up.

"I have never been deceived," she said aloud. "I love him--love him--love him."

CHAPTER LIV. M. ROSSIGNOL SLIPS THE LEASH

It was the last day of the Pa.s.sion Play, and the great dramatic mission was drawing to a close. The confidence of the Cure and the Seigneur was restored. The prohibition against strangers had had its effect, and for three whole days the valley had been at rest again. Apparently there was not a stranger within its borders, save the Seigneur's brother, the Abbe Rossignol, who had come to see the moving spectacle.

The Abbe, on his arrival, had made inquiries concerning the tailor of Chaudiere and Jo Portugais, as persistently about the one as the other.

Their secrets had been kept inviolate by him.

It was disconcerting to hear the tales people told of the tailor's charity and wisdom. It was all dangerous, for what was, accidentally, no evil in this particular instance, might be the greatest disaster in another case. Principle was at stake. He heard in stern silence the Cure's happy statement that Jo Portugais had returned to the bosom of the Church, and attended Ma.s.s regularly.

"So it may be, my dear Abbe," said M. Loisel, "that the friendship between him and our 'infidel' has been the means of helping Portugais. I hope their friendship will go on unbroken for years and years."

"I have no idea that it will," said the Abbe grimly. "That rope of friendship may snap untimely."

"Upon my soul, you croak like a raven!" testily broke in M. Rossignol, who was present. "I didn't know there was so much in common between you and my surly-jowled groom. He gets his pleasure out of croaking. 'Wait, wait, you'll see--you'll see! Death, death, death--every man must die!

The devil has you by the hair--death--death--death!' Bah! I'm heartily sick of croakers. I suppose, like my grunting groom, you'll say about the Pa.s.sion Play, 'No good will come of it--wait--wait--wait!' Bah!"

"It may not be an unmixed good," answered the ascetic.

"Well, and is there any such thing on earth as an unmixed good? The play yesterday was worth a thousand sermons. It was meant to serve Holy Church, and it will serve it. Was there ever anything more real--and touching--than Paulette Dubois as Mary Magdalene yesterday?"

"I do not approve of such reality. For that woman to play the part is to destroy the impersonality of the scene."

"You would demand that the Christus should be a good man, and the St.

John blameless--why shouldn't the Magdalene be a repentant woman?"

"It might impress the people more, if the best woman in your parish were to play the part. The fall of virtue, the ruin of innocence, would be vividly brought home. It does good to make the innocent feel the terror and shame of sin. That is the price the good pay for the fall of man--sorrow and shame for those who sin." The Seigneur, rising quickly from the table, and kicking his chair back, said angrily: "d.a.m.n your theories!" Then, seeing the frozen look on his brother's face, continued, more excitedly: "Yes, d.a.m.n, d.a.m.n, d.a.m.n your theories! You always took the cra.s.s view. I beg your pardon, Cure--I beg your pardon."

He then went to the window, threw it open, and called to his groom.

"Hi, there, coffin-face," he said, "bring round the horses--the quietest one in the stable for my brother--you hear? He can't ride," he added maliciously.

This was his fiercest stroke, for the Abbe's secret vanity was the belief that he looked well on a horse, and rode handsomely.

CHAPTER LV. ROSALIE PLAYS A PART

From a tree upon a little hill rang out a bell--a deep-toned bell, bought by the parish years before for the missions held at this very spot. Every day it rang for an instant at the beginning of each of the five acts. It also tolled slowly when the curtain rose upon the scene of the Crucifixion. In this act no one spoke save the abased Magdalene, who knelt at the foot of the cross, and on whose hair red drops fell when the Roman soldier pierced the side of the figure on the cross. This had been the Cure's idea. The Magdalene should speak for mankind, for the continuing world. She should speak for the broken and contrite heart in all ages, should be the first-fruits of the sacrifice, a flower of the desert earth, bedewed by the blood of the Prince of Peace.

So, in the long nights of the late winter and early spring, the Cure had thought and thought upon what the woman should say from the foot of the cross. At last he put into her mouth that which told the whole story of redemption and deliverance, so far as his heart could conceive it--the prayer for all sorts and conditions of men and the general thanksgiving of humanity.

During the last three days Paulette Dubois had taken the part of Mary Magdalene. As Jo Portugais had confessed to the Abbe that notable day in the woods at Vadrome Mountain, so she had confessed to the Cure after so many years of agony--and the one confession fitted into the other: Jo had once loved her, she had treated him vilely, then a man had wronged her, and Jo had avenged her--this was the tale in brief. She it was who laughed in the gallery of the court-room the day that Joseph Nadeau was acquitted.

It had pained and shocked the Cure more than any he had ever heard, but he urged for her no penalty as Portugais had set for himself with the austere approval of the Abbe. Paulette's presence as the Magdalene had had a deep effect upon the people, so that she shared with Mary the Mother the painfully real interest of the vast audience.

Five times had the bell rung out in the perfect spring air, upon which the balm of the forest and the refreshment of the ardent sun were poured. The quick anger of M. Rossignol had pa.s.sed away long before the Cure, the Abbe, and himself had reached the lake and the great plateau.

Between the acts the two brothers walked up and down together, at peace once more, and there was a suspicious moisture in the Seigneur's eyes.

The demeanour of the people had been so humble and rapt that the place and the plateau and the valley seemed alone in creation with the lofty drama of the ages.

The Cure's eyes shone when he saw on a little knoll in the trees, apart from the worshippers and spectators, Charley and Jo Portugais. His cup of content was now full. He had felt convinced that if the tailor had but been within these bounds during the past three days, a work were begun which should end only at the altar of their parish church. To-day the play became to him the engine of G.o.d for the saving of a man's soul.

Not long before the last great tableau was to appear he went to his own little tent near the hut where the actors prepared to go upon the stage.

As he entered, some one came quickly forward from the shadow of the trees and touched him on the arm.

"Rosalie!" he cried in amazement, for she wore the costume of Mary Magdalene.

"It is I, not Paulette, who will appear," she said, a deep light in her eyes.

"You, Rosalie?" he asked dumfounded. "You are distrait. Trouble and sorrow have put this in your mind. You must not do it."

"Yes, I am going there," she said, pointing towards the great stage.

"Paulette has given me these to wear"--she touched the robe--"and I only ask your blessing now. Oh, believe, believe me, I can speak for those who are innocent and those who are guilty; for those who pray and those who cannot pray; for those who confess and those who dare not! I can speak the words out of my heart with gladness and agony, Monsieur," she urged, in a voice vibrating with feeling.

A luminous look came into the Cure's face. A thought leapt up in his heart. Who could tell!--this pure girl, speaking for the whole sinful, unbelieving, and believing world, might be the one last conquering argument to the man.

He could not read the agony of spirit which had driven Rosalie to this--to confess through the words of Mary Magdalene her own woe, to say it out to all the world, and to receive, as did Paulette Dubois, every day after the curtain came down, absolution and blessing. She longed for the old remembered peace.

The Cure could not read the struggle between her love for a man and the ineradicable habit of her soul; but he raised his hand, made the sacred gesture over leer, and said: "Go, my child, and G.o.d be with you."

He could not see her for tears as she hurried away to where Paulette Dubois awaited her--the two at peace now. At the hands of the lately despised and injurious woman Rosalie was made ready to play the part in the last act, none knowing save the few who appeared in the final tableau, and they at the last moment only.

The bell began to toll.

A thousand people fell upon their knees, and with fascinated yet abashed and awe-struck eyes saw the great tableau of Christendom: the three crosses against the evening sky, the Figure in the centre, the Roman populace, the trembling Jews, the pathetic groups of disciples. A cloud pa.s.sed across the sky, the illusion grew, and hearts quivered in piteous sympathy. There was no music now--not a sound save the sob of some overwrought woman. The woe of an oppressed world absorbed them. Even the stolid Indians, as Roman soldiers, shrank awe-stricken from the sacred tragedy. Now the eyes of all were upon the central Figure, then they shifted for a moment to John the Beloved, standing with the Mother.

"Pauvre Mere! Pauvre Christ!" said a weeping woman aloud.

A Roman soldier raised a spear and pierced the side of the Hero of the World. Blood flowed, and hundreds gasped. Then there was silence--a strange hush as of a prelude to some great event.

"It is finished. Father, into Thy hands I commend my spirit," said the Figure.

The hush was broken by such a sound as one hears in a forest when a wind quivers over the earth, flutters the leaves, and then sinks away--neither having come nor gone, but only lived and died.

Again there was silence, and then all eyes were fixed upon the figure at the foot of the cross-Mary the Magdalene.

Day after day they had seen this figure rise, come forward a step, and speak the epilogue to this moving miracle-drama. For the last three days Paulette Dubois had turned a sorrowful face upon them, and with one hand upraised had spoken the prayer, the prophecy, the thanksgiving, the appeal of humanity and the ages. They looked to see the same figure now, and waited. But as the Magdalene turned, there was a great stir in the mult.i.tude, for the face bent upon them was that of Rosalie Evanturel.

Awe and wonder moved the people.

Apart from the crowd, under a clump of trees, knelt a woodsman from Vadrome Mountain, and the tailor of Chaudiere stood beside him.

When Charley, touched by the heavy scene, saw the figure of the Magdalene rise, he felt a curious thrill of fascination. When she turned, and he saw the face of Rosalie, the blood rushed to his face; then his heart seemed to stand still. Pain and shame travelled to the farthest recesses of his nature. Jo Portugais rose to his feet with a startled exclamation.

Rosalie began to speak. "This is the day of which the hours shall never cease--in it there shall be no night. He whom ye have crucified hath saved you from the wrath to come. He hath saved others, Himself He would not save. Even for such as I, who have secretly opened, who have secretly entered, the doors of sin--"