The Riddle Of The Rocks Part 2

Back of the cabin, which was situated on a limited terrace, the great alt.i.tudes of the mountain rose into the infinity of the night.

The drawling conversation was beset, as it were, by faint fleckings of sound, lightly drawn from a crazy old fiddle under the chin of a gaunt, yellow-haired young giant, one Ephraim Blinks, who lolled on a log, and who by these vague harmonies unconsciously gave to the talk of his comrades a certain theatrical effect.

Grinnell slouched up and sat down among them, responding with a nod to the unceremonious "Hy're, Job?" of the blacksmith, who seemed thus to do the abbreviated honors of the occasion. The others did not so formally notice his coming.

The subject of conversation was the same that had pervaded his own thoughts. He was irritated to observe how Purdee had usurped public attention, and yet he himself listened with keenest interest.

"Waal," said the ponderous blacksmith, "I kin onderstan' mighty well ez Moses would hev been mighty mad ter see them folks a-worshippin' o' a calf--senseless critters they be! 'Twarn't no use flingin' down them rocks, though, an' gittin' 'em bruk. Sandstone ain't like metal; ye can't heat it an' draw it down an' weld it agin."

His round black head shone in the moonlight, glistening because of his habit of plunging it, by way of making his toilet, into the barrel of water where he tempered his steel. He crossed his huge folded bare arms over his breast, and leaned back against the door on two legs of the rickety chair.

"Naw, sir," another chimed in. "He mought hev knowed he'd jes hev ter go ter quarryin' agin."

"They air always a-crackin' up them folks in the Bible ez sech powerful wise men," said another, whose untrained mind evidently held the germs of advanced thinking. "'Pears ter me ez some of 'em conducted tha.r.s.elves ez foolish ez enny folks I know--this hyar very Moses one o' 'em.

Throwin' down them rocks 'minds me o' old man Pinner's tantrums. Sher'ff kem ter his house 'bout a jedgmint debt, an' levied on his c.r.a.ps. An'

arter he war gone old man tuk a axe an' gashed bodaciously inter the loom an' hacked it up. Ez ef that war goin' ter do enny good! His wife war the mos' outed woman I ever see. They 'ain't got nare nother loom nuther, an' hain't hearn no advices from the Lord."

The violinist paused in his playing. "They 'lowed Moses war a meek man too," he said. "He killed a man with a brick-badge an' buried him in the sand. Mighty meek ways"--with a satirical grimace.

The others, divining that this was urged in justification and precedent for devious modern ways that were not meek, did not pursue this branch of the subject.

"S'prised me some," remarked the advanced thinker, "ter hear ez them tables o' stone war up on the bald o' the mounting thar. I hed drawed the idee ez 'twar in some other kentry somewhar--I dunno--" He stopped blankly. He could not formulate his geographical ignorance. "An' I never knowed," he resumed, presently, "ez thar war enough gold in Tennessee ter make a gold calf; they fund gold hyar, but 'twar mighty leetle."

"Mebbe 'twar a mighty leetle calf," suggested the blacksmith.

"Mebbe so," a.s.sented the other.

"Mebbe 'twar a silver one," speculated a third; "plenty o' silver they 'low thar air in the mountings."

The violinist spoke up suddenly. "Git one o' them Injuns over yander ter Quallatown right seasonable drunk, an' he'll tell ye a power o' places whar the old folks said thar war silver." He bowed his chin once more upon the instrument, and again the slow drawling conversation proceeded to soft music.

"Ef ye'll b'lieve me," said the advanced thinker, "I never war so confl.u.s.ticated in my life ez I war when he stood up in meetin' an' told 'bout'n the tables of the law bein' on the bald! I 'lowed 'twar somewhar 'mongst some sort'n people named 'Gyptians."

"Mebbe some o' them Injuns air named 'Gyptians'," suggested Spears, the blacksmith.

"Naw, sir," spoke up the fiddler, who had been to Quallatown, and was the ethnographic authority of the meeting. "Tennessee Injuns be named Cher'-kee, an' Chick'saw, an' Creeks."

There was a silence. The moonlight sifted through the dark little shanty of a shop; the fretting and foaming of a mountain stream arose from far down the steep slope, where there was a series of cascades, a fine water-power, utilized by a mill. The sudden raucous note of a night-hawk jarred upon the air, and a shadow on silent wings sped past. The road was dusty in front of the shop, and for a s.p.a.ce there was no shade. Into the full radiance of the moonlight a rabbit bounded along, rising erect with a most human look of affright in its great shining eyes as it tremulously gazed at the motionless figures. It too was motionless for a moment. The young musician made a lunge at it with his bow; it sprang away with a violent start--its elongated grotesque shadow bounding kangaroo-like beside it--into the soft gloom of the bushes. There was no other traveller along the road, and the talk was renewed without further interruption. "Waal, sir, ef'twarn't fur the testimony o' the words he reads ez air graven on them rocks, I couldn't-git my cornsent ter b'lieve ez Moses ever war in Tennessee," said the advanced thinker.

"I ain't onder-takin' ter say what State he settled in, but I 'lowed 'twarn't hyar. It mus' hev been, though, 'count o' the scripture on them broken tables."

"I never knowed a meetin' woke ter sech a pint o' holiness. The saints jes rampaged around till it fairly sounded like the cavortin's o' the unG.o.dly," a retrospective voice chimed in.

"I raised thirty-two hyme chunes," said the musician, who had a great gift in quiring, and was the famed possessor of a robust tenor voice. "A leetle mo' gloryin' aroun' an' I'd hev kem ter the eend o' my row, an'

hev hed ter begin over agin." He spoke with acrimony, reviewing the jeopardy in which his _repertoire_ had been placed.

"Waal," said the blacksmith, pa.s.sing his hand over his black head, as sleek and shining as a beaver's, "I'm a-goin' up ter the bald o' the mounting some day soon, ef so be I kin make out ter shoe that mare o'

mine"--for the blacksmith's mount was always barefoot--"I'm afeard ter trest her unshod on them slippery slopes; I want ter read some o' them sayin's on the stone tables myself. I likes ter git a tex' or the eend o' a hyme set a-goin' in my head--seems somehow ter teach itself ter the anvil, an' then it jes says it back an' forth all day. Yestiddy I never seen its beat--'Christ--war--born--in--Bethlehem.' The anvil jes rang with that ez ef the actial metal hed the gift o' prayer an' praise."

"Waal, sir," exclaimed Job Grinnell, who had been having frequent colloquies aside with the companionable jug, "ye mought jes ez well save yer shoes an' let yer mare go barefoot. Thar ain't nare sign o' a word writ on them rocks."

They all sat staring at him. Even the singing, long-drawn vibrations of the violin were still.

"By Hokey!" exclaimed the young musician, "I'll take Purdee's word ez soon ez yourn."

The whiskey which Grinnell had drunk had rendered him more plastic still to jealousy. The day was not so long past when Purdee's oath would have been esteemed a poor dependence against the word of so zealous a brother as he--a pillar in the church, a shining light of the congregation. He noted the significant fact that it behooved him to justify himself; it irked him that this was exacted as a tribute to Purdee's newly acquired sanct.i.ty.

"Purdee's jes a-lyin' an' a-foolin' ye," he declared. "Ever been up on the bald?"

They had lived in its shadow all their lives.

Even by the circuitous mountain ways it was not more than five miles from where they sat. But none had chanced to have a call to go, and it was to them as a foreign land to be explored.

"Waal, I hev, time an' agin," said Grinnell. "I dunno who gin them rocks the name of Moses' tables o' the Law. Moses must hev hed a powerful block an' tackle ter lift sech tremenjious rocks. I hev known 'em named sech fur many a year. But I seen 'em not three weeks ago, an' thar ain't nare word writ on 'em. Thar's the mounting; thar's the rocks; ye kin go an' stare-gaze 'em an' sati'fy yerse'fs."

Whether it were by reason of the c.u.mulative influences of the continual references to the jug, or of that sense of reviviscence, that more alert energy, which the cool Southern nights always impart after the sultry summer days, the suggestion that they should go now and solve the mystery, and meet the dawn upon the summit of the bald, found instant acceptance, which it might not have secured in the stolid daylight.

The moon, splendid, a l.u.s.trous white encircled by a great halo of translucent green, swung high above the duskily purple mountains. Below in the valleys its progress was followed by an opalescent gossamer presence that was like the overflowing fulness, the surplusage, of light rather than mist. The shadows of the great trees were interlaced with dazzling silver gleams. The night was almost as bright as the day, but cool and dank, full of sylvan fragrance and restful silence and a romantic liberty.

The blacksmith carried his rifle, for wolves were often abroad in the wilderness. Two or three others were similarly armed; the advanced thinker had a hunting-knife, Job Grinnell a pistol that went by the name of "shootin'-iron." The musician carried no weapon. "I ain't 'feared o'

no wolf," he said; "I'll play 'em a chune." He went on in the vanguard, his tousled yellow hair idealized with many a shimmer in the moonlight as it hung curling down on his blue jeans coat, his cheek laid softly on the violin, the bow glancing back and forth as if strung with moonbeams as he played. The men woke the solemn silences with their loud mirthful voices; they startled precipitate echoes; they fell into disputes and wrangled loudly, and would have turned back if sure of the way home, but Job Grinnell led steadily on, and they were fain to follow. They lagged to look at a spot where some man, unheeded even by tradition, had dug his heart's grave in a vain search for precious metal. A deep excavation in the midst of the wilderness told the story; how long ago it was might be guessed from the age of a stalwart oak that had sunk roots into its depths; the shadows were heavy about it; a sense of despair brooded in the loneliness. And so up and up the endless ascent; sometimes great chasms were at one side, stretching further and further, and crowding the narrow path--the herder's trail--against the sheer ascent, till it seemed that the treacherous mountains were yawning to engulf them. The air was growing colder, but was exquisitely clear and exhilarating; the great dewy ferns flung silvery fronds athwart the way; vines in stupendous lengths swung from the tops of gigantic trees to the roots.

Hark! among them birds chirp; a matutinal impulse seems astir in the woods; the moon is undimmed; the stars faint only because of her splendors; but one can feel that the earth has roused itself to a sense of a new day. And there, with such feathery flashes of white foam, such brilliant straight lengths of translucent water, such a leaping grace of impetuous motion, the currents of the mountain stream, like the arrows of Diana, shoot down the slopes. And now a vague mist is among the trees, and when it clears away they seem shrunken, as under a spell, to half their size. They grow smaller and smaller still, oak and chestnut and beech, but dwarfed and gnarled like some old orchard. And suddenly they cease, and the vast gra.s.sy dome uprises against the sky, in which the moon is paling into a dull similitude of itself; no longer wondrous, transcendent, but like some lily of opaque whiteness, fair and fading.

Beneath is a purple, deeply serious, and sombre earth, to which mists minister, silent and solemn; myriads of mountains loom on every hand; the half-seen mysteries of the river, which, charged with the red clay of its banks, is of a tawny color, gleams as it winds in and out among the white vapors that reach in fantastic forms from heaven above to the valley below. There is a certain relief in the mist--it veils the infinities of the scene, on which the mind can lay but a trembling hold.

"Folks tell all sort'n cur'ous tales 'bout'n this hyar spot," said Job Grinnell, his square face, his red hair hanging about his ears, and his ragged red beard visible in the dull light of the coming day.

"I hev hearn folks 'low ez a pa'tridge up hyar will look ez big ez a Dominicky rooster. An' ef ye listens ye kin hear words from somewhar.

An' sometimes in the cattle-herdin' season the beastises will kem an'

crowd tergether, an' stan' on the bald in the moonlight all night."

"I dunno," said the advanced thinker, "ez I be s'prised enny ef Purdee, ez be huntin' up hyar so constant, hev got sorter teched in the head, ter take up sech a cur'ous notion 'bout'n them rocks."

He glanced along the slope at the spot, visible now, where Moses flung the stone tables and they broke in twain. And there, standing beside them, was a man of great height, dressed in blue jeans, his broad-brimmed hat pushed from his brow, and his meditative dark eyes fixed upon the rocks; a deer, all gray and antlered, lay dead at his feet, and his rifle rested on the ground as he leaned on the muzzle.

A glance was interchanged between the others. Their intention, the promptings of curiosity, had flagged during the long tramp and the gradual waning of the influence of the jug. The coincidence of meeting Purdee here revived their interest. Grinnell, remembering the ancient feud, held back, being unlikely to elicit Purdee's views in the face of their contradiction. The blacksmith and the young fiddler took their way down toward him.

He looked up with a start, seeing them at some little distance. His full, contemplative eyes rested upon them for a moment almost devoid of questioning. It was not the face of a man who finds himself confronted with the discovery of his duplicity and his hypocrisy. There was a strange doubt stirring in the blacksmith's heart As he approached he looked upon the storied c.o.c.ks with a sort of solemn awe, as if they had indeed been given by the hand of the Lord to his servant, who broke them here in his wrath. He knew that the step of the musician slackened as he followed. What holy mysteries were they not rushing in upon? He spoke in a bated voice.

"Roger," he said, "we'uns hearn ye tell 'bout the scriptures graven on these hyar tables ez Moses flung down, an' we'uns 'lowed we'uns would kem an' read some fur ourselves."

[Ill.u.s.tration: Tables of the Law 347]

Purdee did not speak nor hesitate; he moved aside that the blacksmith might stand where he had been--as it were at the foot of the page.

But what transcendent glories thronged the heavens--what august splendors of dawn! Had the sun ever before risen like this, with the sky an emblazonment of red, of gold, of darting gleams of light; with the mountains most royally purple or most radiantly blue; with the prismatic mists in flight; with the slow climax of the dazzling sphere ascending to dominate it all?

The blacksmith knelt down to read. The musician, his silent violin under his chin, leaned over his comrade's shoulder. The hunter stood still, expectant.

Alas! the corrugations of time; the fissile results of the frost; the wavering line of ripple-marks of Seas that shall ebb no more; growth of lichen; an army of ants in full march; a pa.s.sion-flower trailing from a crevice, its purple blooms lying upon the gray stone near where it is stamped with the fossil imprint of a sea-weed, faded long ago and forgotten. Or is it, alas! for the eyes that can see only this?