The Reign of Greed Part 20

"But you must remember," remarked another in the group, a friend of the officers on the commission, "that while it's true they go barefoot in the towns, it's not the same as moving about under orders in the service. They can't choose the hour, nor the road, nor rest when they wish. Remember, madam, that, with the noonday sun overhead and the earth below baking like an oven, they have to march over sandy stretches, where there are stones, the sun above and fire below, bullets in front--"

"It's only a question of getting used to it!"

"Like the donkey that got used to not eating! In our present campaign the greater part of our losses have been due to wounds on the soles of the feet. Remember the donkey, madam, remember the donkey!"

"But, my dear sir," retorted the lady, "look how much money is wasted on shoe-leather. There's enough to pension many widows and orphans in order to maintain our prestige. Don't smile, for I'm not talking about myself, and I have my pension, even though a very small one, insignificant considering the services my husband rendered, but I'm talking of others who are dragging out miserable lives! It's not right that after so much persuasion to come and so many hardships in crossing the sea they should end here by dying of hunger. What you say about the soldiers may be true, but the fact is that I've been in the country more than three years, and I haven't seen any soldier limping."

"In that I agree with the lady," said her neighbor. "Why issue them shoes when they were born without them?"

"And why shirts?"

"And why trousers?"

"Just calculate what we should economize on soldiers clothed only in their skins!" concluded he who was defending the army.

In another group the conversation was more heated. Ben-Zayb was talking and declaiming, while Padre Camorra, as usual, was constantly interrupting him. The friar-journalist, in spite of his respect for the cowled gentry, was always at loggerheads with Padre Camorra, whom he regarded as a silly half-friar, thus giving himself the appearance of being independent and refuting the accusations of those who called him Fray Ibanez. Padre Camorra liked his adversary, as the latter was the only person who would take seriously what he styled his arguments. They were discussing magnetism, spiritualism, magic, and the like. Their words flew through the air like the knives and b.a.l.l.s of jugglers, tossed back and forth from one to the other.

That year great attention had been attracted in the Quiapo fair by a head, wrongly called a sphinx, exhibited by Mr. Leeds, an American. Glaring advertis.e.m.e.nts covered the walls of the houses, mysterious and funereal, to excite the curiosity of the public. Neither Ben-Zayb nor any of the padres had yet seen it; Juanito Pelaez was the only one who had, and he was describing his wonderment to the party.

Ben-Zayb, as a journalist, looked for a natural explanation. Padre Camorra talked of the devil, Padre Irene smiled, Padre Salvi remained grave.

"But, Padre, the devil doesn't need to come--we are sufficient to d.a.m.n ourselves--"

"It can't be explained any other way."

"If science--"

"Get out with science, _punales_!"

"But, listen to me and I'll convince you. It's all a question of optics. I haven't yet seen the head nor do I know how it looks, but this gentleman"--indicating Juanito Pelaez--"tells us that it does not look like the talking heads that are usually exhibited. So be it! But the principle is the same--it's all a question of optics. Wait! A mirror is placed thus, another mirror behind it, the image is reflected--I say, it is purely a problem in physics."

Taking down from the walls several mirrors, he arranged them, turned them round and round, but, not getting the desired result, concluded: "As I say, it's nothing more or less than a question of optics."

"But what do you want mirrors for, if Juanito tells us that the head is inside a box placed on the table? I see in it spiritualism, because the spiritualists always make use of tables, and I think that Padre Salvi, as the ecclesiastical governor, ought to prohibit the exhibition."

Padre Salvi remained silent, saying neither yes nor no.

"In order to learn if there are devils or mirrors inside it,"

suggested Simoun, "the best thing would be for you to go and see the famous sphinx."

The proposal was a good one, so it was accepted, although Padre Salvi and Don Custodio showed some repugnance. They at a fair, to rub shoulders with the public, to see sphinxes and talking heads! What would the natives say? These might take them for mere men, endowed with the same pa.s.sions and weaknesses as others. But Ben-Zayb, with his journalistic ingenuity, promised to request Mr. Leeds not to admit the public while they were inside. They would be honoring him sufficiently by the visit not to admit of his refusal, and besides he would not charge any admission fee. To give a show of probability to this, he concluded: "Because, remember, if I should expose the trick of the mirrors to the public, it would ruin the poor American's business." Ben-Zayb was a conscientious individual.

About a dozen set out, among them our acquaintances, Padres Salvi, Camorra, and Irene, Don Custodio, Ben-Zayb, and Juanito Pelaez. Their carriages set them down at the entrance to the Quiapo Plaza.

CHAPTER XVII

THE QUIAPO FAIR

It was a beautiful night and the plaza presented a most animated aspect. Taking advantage of the freshness of the breeze and the splendor of the January moon, the people filled the fair to see, be seen, and amuse themselves. The music of the cosmoramas and the lights of the lanterns gave life and merriment to every one. Long rows of booths, brilliant with tinsel and gauds, exposed to view cl.u.s.ters of b.a.l.l.s, masks strung by the eyes, tin toys, trains, carts, mechanical horses, carriages, steam-engines with diminutive boilers, Lilliputian tableware of porcelain, pine Nativities, dolls both foreign and domestic, the former red and smiling, the latter sad and pensive like little ladies beside gigantic children. The beating of drums, the roar of tin horns, the wheezy music of the accordions and the hand-organs, all mingled in a carnival concert, amid the coming and going of the crowd, pushing, stumbling over one another, with their faces turned toward the booths, so that the collisions were frequent and often amusing. The carriages were forced to move slowly, with the _tabi_ of the cocheros repeated every moment. Met and mingled government clerks, soldiers, friars, students, Chinese, girls with their mammas or aunts, all greeting, signaling, calling to one another merrily.

Padre Camorra was in the seventh heaven at the sight of so many pretty girls. He stopped, looked back, nudged Ben-Zayb, chuckled and swore, saying, "And that one, and that one, my ink-slinger? And that one over there, what say you?" In his contentment he even fell to using the familiar _tu_ toward his friend and adversary. Padre Salvi stared at him from time to time, but he took little note of Padre Salvi. On the contrary, he pretended to stumble so that he might brush against the girls, he winked and made eyes at them.

"_Punales!_" he kept saying to himself. "When shall I be the curate of Quiapo?"

Suddenly Ben-Zayb let go an oath, jumped aside, and slapped his hand on his arm; Padre Camorra in his excess of enthusiasm had pinched him. They were approaching a dazzling senorita who was attracting the attention of the whole plaza, and Padre Camorra, unable to restrain his delight, had taken Ben-Zayb's arm as a subst.i.tute for the girl's.

It was Paulita Gomez, the prettiest of the pretty, in company with Isagani, followed by Dona Victorina. The young woman was resplendent in her beauty: all stopped and craned their necks, while they ceased their conversation and followed her with their eyes--even Dona Victorina was respectfully saluted.

Paulita was arrayed in a rich camisa and panuelo of embroidered pina, different from those she had worn that morning to the church. The gauzy texture of the pina set off her shapely head, and the Indians who saw her compared her to the moon surrounded by fleecy clouds. A silk rose-colored skirt, caught up in rich and graceful folds by her little hand, gave majesty to her erect figure, the movement of which, harmonizing with her curving neck, displayed all the triumphs of vanity and satisfied coquetry. Isagani appeared to be rather disgusted, for so many curious eyes fixed upon the beauty of his sweetheart annoyed him. The stares seemed to him robbery and the girl's smiles faithlessness.

Juanito saw her and his hump increased when he spoke to her. Paulita replied negligently, while Dona Victorina called to him, for Juanito was her favorite, she preferring him to Isagani.

"What a girl, what a girl!" muttered the entranced Padre Camorra.

"Come, Padre, pinch yourself and let me alone," said Ben-Zayb fretfully.

"What a girl, what a girl!" repeated the friar. "And she has for a sweetheart a pupil of mine, the boy I had the quarrel with."

"Just my luck that she's not of my town," he added, after turning his head several times to follow her with his looks. He was even tempted to leave his companions to follow the girl, and Ben-Zayb had difficulty in dissuading him. Paulita's beautiful figure moved on, her graceful little head nodding with inborn coquetry.

Our promenaders kept on their way, not without sighs on the part of the friar-artilleryman, until they reached a booth surrounded by sightseers, who quickly made way for them. It was a shop of little wooden figures, of local manufacture, representing in all shapes and sizes the costumes, races, and occupations of the country: Indians, Spaniards, Chinese, mestizos, friars, clergymen, government clerks, gobernadorcillos, students, soldiers, and so on.

Whether the artists had more affection for the priests, the folds of whose habits were better suited to their esthetic purposes, or whether the friars, holding such an important place in Philippine life, engaged the attention of the sculptor more, the fact was that, for one cause or another, images of them abounded, well-turned and finished, representing them in the sublimest moments of their lives--the opposite of what is done in Europe, where they are pictured as sleeping on casks of wine, playing cards, emptying tankards, rousing themselves to gaiety, or patting the cheeks of a buxom girl. No, the friars of the Philippines were different: elegant, handsome, well-dressed, their tonsures neatly shaven, their features symmetrical and serene, their gaze meditative, their expression saintly, somewhat rosy-cheeked, cane in hand and patent-leather shoes on their feet, inviting adoration and a place in a gla.s.s case. Instead of the symbols of gluttony and incontinence of their brethren in Europe, those of Manila carried the book, the crucifix, and the palm of martyrdom; instead of kissing the simple country la.s.ses, those of Manila gravely extended the hand to be kissed by children and grown men doubled over almost to kneeling; instead of the full refectory and dining-hall, their stage in Europe, in Manila they had the oratory, the study-table; instead of the mendicant friar who goes from door to door with his donkey and sack, begging alms, the friars of the Philippines scattered gold from full hands among the miserable Indians.

"Look, here's Padre Camorra!" exclaimed Ben-Zayb, upon whom the effect of the champagne still lingered. He pointed to a picture of a lean friar of thoughtful mien who was seated at a table with his head resting on the palm of his hand, apparently writing a sermon by the light of a lamp. The contrast suggested drew laughter from the crowd.

Padre Camorra, who had already forgotten about Paulita, saw what was meant and laughing his clownish laugh, asked in turn, "Whom does this other figure resemble, Ben-Zayb?"

It was an old woman with one eye, with disheveled hair, seated on the ground like an Indian idol, ironing clothes. The sad-iron was carefully imitated, being of copper with coals of red tinsel and smoke-wreaths of dirty twisted cotton.

"Eh, Ben-Zayb, it wasn't a fool who designed that" asked Padre Camorra with a laugh.

"Well, I don't see the point," replied the journalist.

"But, _punales_, don't you see the t.i.tle, _The Philippine Press_? That utensil with which the old woman is ironing is here called the press!"

All laughed at this, Ben-Zayb himself joining in good-naturedly.

Two soldiers of the Civil Guard, appropriately labeled, were placed behind a man who was tightly bound and had his face covered by his hat. It was ent.i.tled _The Country of Abaka_, [39] and from appearances they were going to shoot him.

Many of our visitors were displeased with the exhibition. They talked of rules of art, they sought proportion--one said that this figure did not have seven heads, that the face lacked a nose, having only three, all of which made Padre Camorra somewhat thoughtful, for he did not comprehend how a figure, to be correct, need have four noses and seven heads. Others said, if they were muscular, that they could not be Indians; still others remarked that it was not sculpture, but mere carpentry. Each added his spoonful of criticism, until Padre Camorra, not to be outdone, ventured to ask for at least thirty legs for each doll, because, if the others wanted noses, couldn't he require feet? So they fell to discussing whether the Indian had or had not any apt.i.tude for sculpture, and whether it would be advisable to encourage that art, until there arose a general dispute, which was cut short by Don Custodio's declaration that the Indians had the apt.i.tude, but that they should devote themselves exclusively to the manufacture of saints.

"One would say," observed Ben-Zayb, who was full of bright ideas that night, "that this Chinaman is Quiroga, but on close examination it looks like Padre Irene. And what do you say about that British Indian? He looks like Simoun!"