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That's why I want you to try and recall everything you heard about her when you used to see her in London."
"Oh, on that score I'm afraid I sha'n't be of much use. As I told you, she was a mere shadow in the background of the house I saw her in--and that was four or five years ago..."
"When she was with a Mrs. Murrett?"
"Yes; an appalling woman who runs a roaring dinner-factory that used now and then to catch me in its wheels. I escaped from them long ago; but in my time there used to be half a dozen f.a.gged 'hands' to tend the machine, and Miss Viner was one of them. I'm glad she's out of it, poor girl!" "Then you never really saw anything of her there?"
"I never had the chance. Mrs. Murrett discouraged any compet.i.tion on the part of her subordinates."
"Especially such pretty ones, I suppose?" Darrow made no comment, and she continued: "And Mrs. Murrett's own opinion--if she'd offered you one--probably wouldn't have been of much value?"
"Only in so far as her disapproval would, on general principles, have been a good mark for Miss Viner. But surely," he went on after a pause, "you could have found out about her from the people through whom you first heard of her?"
Anna smiled. "Oh, we heard of her through Adelaide Painter--;" and in reply to his glance of interrogation she explained that the lady in question was a spinster of South Braintree, Ma.s.sachusetts, who, having come to Paris some thirty years earlier, to nurse a brother through an illness, had ever since protestingly and provisionally camped there in a state of contemptuous protestation oddly manifested by her never taking the slip-covers off her drawing-room chairs. Her long residence on Gallic soil had not mitigated her hostility toward the creed and customs of the race, but though she always referred to the Catholic Church as the Scarlet Woman and took the darkest views of French private life, Madame de Chantelle placed great reliance on her judgment and experience, and in every domestic crisis the irreducible Adelaide was immediately summoned to Givre.
"It's all the odder because my mother-in-law, since her second marriage, has lived so much in the country that she's practically lost sight of all her other American friends. Besides which, you can see how completely she has identified herself with Monsieur de Chantelle's nationality and adopted French habits and prejudices. Yet when anything goes wrong she always sends for Adelaide Painter, who's more American than the Stars and Stripes, and might have left South Braintree yesterday, if she hadn't, rather, brought it over with her in her trunk."
Darrow laughed. "Well, then, if South Braintree vouches for Miss Viner----"
"Oh, but only indirectly. When we had that odious adventure with Mademoiselle Grumeau, who'd been so highly recommended by Monsieur de Chantelle's aunt, the Chanoinesse, Adelaide was of course sent for, and she said at once: 'I'm not the least bit surprised. I've always told you that what you wanted for Effie was a sweet American girl, and not one of these nasty foreigners.' Unluckily she couldn't, at the moment, put her hand on a sweet American; but she presently heard of Miss Viner through the Farlows, an excellent couple who live in the Quartier Latin and write about French life for the American papers. I was only too thankful to find anyone who was vouched for by decent people; and so far I've had no cause to regret my choice. But I know, after all, very little about Miss Viner; and there are all kinds of reasons why I want, as soon as possible, to find out more--to find out all I can."
"Since you've got to leave Effie I understand your feeling in that way.
But is there, in such a case, any recommendation worth half as much as your own direct experience?"
"No; and it's been so favourable that I was ready to accept it as conclusive. Only, naturally, when I found you'd known her in London I was in hopes you'd give me some more specific reasons for liking her as much as I do."
"I'm afraid I can give you nothing more specific than my general vague impression that she seems very plucky and extremely nice."
"You don't, at any rate, know anything specific to the contrary?"
"To the contrary? How should I? I'm not conscious of ever having heard any one say two words about her. I only infer that she must have pluck and character to have stuck it out so long at Mrs. Murrett's."
"Yes, poor thing! She has pluck, certainly; and pride, too; which must have made it all the harder." Anna rose to her feet. "You don't know how glad I am that your impression's on the whole so good. I particularly wanted you to like her."
He drew her to him with a smile. "On that condition I'm prepared to love even Adelaide Painter."
"I almost hope you wont have the chance to--poor Adelaide! Her appearance here always coincides with a catastrophe."
"Oh, then I must manage to meet her elsewhere." He held Anna closer, saying to himself, as he smoothed back the hair from her forehead: "What does anything matter but just THIS?--Must I go now?" he added aloud.
She answered absently: "It must be time to dress"; then she drew back a little and laid her hands on his shoulders. "My love--oh, my dear love!"
she said.
It came to him that they were the first words of endearment he had heard her speak, and their rareness gave them a magic quality of rea.s.surance, as though no danger could strike through such a shield.
A knock on the door made them draw apart. Anna lifted her hand to her hair and Darrow stooped to examine a photograph of Effie on the writing-table.
"Come in!" Anna said.
The door opened and Sophy Viner entered. Seeing Darrow, she drew back.
"Do come in, Miss Viner," Anna repeated, looking at her kindly.
The girl, a quick red in her cheeks, still hesitated on the threshold.
"I'm so sorry; but Effie has mislaid her Latin grammar, and I thought she might have left it here. I need it to prepare for tomorrow's lesson."
"Is this it?" Darrow asked, picking up a book from the table.
"Oh, thank you!"
He held it out to her and she took it and moved to the door.
"Wait a minute, please, Miss Viner," Anna said; and as the girl turned back, she went on with her quiet smile: "Effie told us you'd gone to your room with a headache. You mustn't sit up over tomorrow's lessons if you don't feel well."
Sophy's blush deepened. "But you see I have to. Latin's one of my weak points, and there's generally only one page of this book between me and Effie." She threw the words off with a half-ironic smile. "Do excuse my disturbing you," she added.
"You didn't disturb me," Anna answered. Darrow perceived that she was looking intently at the girl, as though struck by something tense and tremulous in her face, her voice, her whole mien and att.i.tude. "You DO look tired. You'd much better go straight to bed. Effie won't be sorry to skip her Latin."
"Thank you--but I'm really all right," murmured Sophy Viner. Her glance, making a swift circuit of the room, dwelt for an appreciable instant on the intimate propinquity of arm-chair and sofa-corner; then she turned back to the door.
BOOK III
XVII
At dinner that evening Madame de Chantelle's slender monologue was thrown out over gulfs of silence. Owen was still in the same state of moody abstraction as when Darrow had left him at the piano; and even Anna's face, to her friend's vigilant eye, revealed not, perhaps, a personal preoccupation, but a vague sense of impending disturbance.
She smiled, she bore a part in the talk, her eyes dwelt on Darrow's with their usual deep reliance; but beneath the surface of her serenity his tense perceptions detected a hidden stir.
He was sufficiently self-possessed to tell himself that it was doubtless due to causes with which he was not directly concerned. He knew the question of Owen's marriage was soon to be raised, and the abrupt alteration in the young man's mood made it seem probable that he was himself the centre of the atmospheric disturbance, For a moment it occurred to Darrow that Anna might have employed her afternoon in preparing Madame de Chantelle for her grandson's impending announcement; but a glance at the elder lady's unclouded brow showed that he must seek elsewhere the clue to Owen's taciturnity and his step-mother's concern.
Possibly Anna had found reason to change her own att.i.tude in the matter, and had made the change known to Owen. But this, again, was negatived by the fact that, during the afternoon's shooting, young Leath had been in a mood of almost extravagant expansiveness, and that, from the moment of his late return to the house till just before dinner, there had been, to Darrow's certain knowledge, no possibility of a private talk between himself and his step-mother.
This obscured, if it narrowed, the field of conjecture; and Darrow's gropings threw him back on the conclusion that he was probably reading too much significance into the moods of a lad he hardly knew, and who had been described to him as subject to sudden changes of humour. As to Anna's fancied perturbation, it might simply be due to the fact that she had decided to plead Owen's cause the next day, and had perhaps already had a glimpse of the difficulties awaiting her. But Darrow knew that he was too deep in his own perplexities to judge the mental state of those about him. It might be, after all, that the variations he felt in the currents of communication were caused by his own inward tremor.
Such, at any rate, was the conclusion he had reached when, shortly after the two ladies left the drawing-room, he bade Owen good-night and went up to his room. Ever since the rapid self-colloquy which had followed on his first sight of Sophy Viner, he had known there were other questions to be faced behind the one immediately confronting him. On the score of that one, at least, his mind, if not easy, was relieved. He had done what was possible to rea.s.sure the girl, and she had apparently recognized the sincerity of his intention. He had patched up as decent a conclusion as he could to an incident that should obviously have had no sequel; but he had known all along that with the securing of Miss Viner's peace of mind only a part of his obligation was discharged, and that with that part his remaining duty was in conflict. It had been his first business to convince the girl that their secret was safe with him; but it was far from easy to square this with the equally urgent obligation of safe-guarding Anna's responsibility toward her child.
Darrow was not much afraid of accidental disclosures. Both he and Sophy Viner had too much at stake not to be on their guard. The fear that beset him was of another kind, and had a profounder source. He wanted to do all he could for the girl, but the fact of having had to urge Anna to confide Effie to her was peculiarly repugnant to him. His own ideas about Sophy Viner were too mixed and indeterminate for him not to feel the risk of such an experiment; yet he found himself in the intolerable position of appearing to press it on the woman he desired above all others to protect...
Till late in the night his thoughts revolved in a turmoil of indecision.
His pride was humbled by the discrepancy between what Sophy Viner had been to him and what he had thought of her. This discrepancy, which at the time had seemed to simplify the incident, now turned out to be its most galling complication. The bare truth, indeed, was that he had hardly thought of her at all, either at the time or since, and that he was ashamed to base his judgement of her on his meagre memory of their adventure.
The essential cheapness of the whole affair--as far as his share in it was concerned--came home to him with humiliating distinctness. He would have liked to be able to feel that, at the time at least, he had staked something more on it, and had somehow, in the sequel, had a more palpable loss to show. But the plain fact was that he hadn't spent a penny on it; which was no doubt the reason of the prodigious score it had since been rolling up. At any rate, beat about the case as he would, it was clear that he owed it to Anna--and incidentally to his own peace of mind--to find some way of securing Sophy Viner's future without leaving her installed at Givre when he and his wife should depart for their new post.