The Record of Nicholas Freydon Part 1

The Record of Nicholas Freydon.

by A. J.(Alec John) Dawson.

PREFATORY NOTE

It would ill become any writer to adopt an apologetic tone in introducing the work of another pen than his own, and indeed I have no thought of _apologia_ where Nicholas Freydon's writing is concerned.

On the contrary, it is out of respect for my friend's quality as a writer that I am moved to a word of explanation here. It is this: there are circ.u.mstances, sufficiently indicated I think in the text of the book and my own footnote thereto, which tended to prevent my performance of those offices for my friend's work which are usually expected of one who is said to edit. It would be more fitting, I suppose, if a phrase were borrowed from the theatrical world, and this record of a man's life were said to be 'presented' rather than 'edited,' by me. I am advised to accept the editorial t.i.tle in this connection, but it is the truth that the book has not been edited at all, in the ordinary acceptance of the term. A few purely verbal emendations have been made in it, but Nicholas Freydon's last piece of writing has never been revised, nor even arranged in deference to accepted canons of book-making. It is given here as it left the author's pen, designed, not for your eye or mine, but for that of its writer, to be weighed and considered by him. But that weighing and consideration it has not received.

So much I feel it inc.u.mbent upon me to say, as the avowed sponsor for the book, in order that praise and blame may be rightly apportioned.

Touching the inherent value of this doc.u.ment, nothing whatever is due to me. Any criticism of its arrangement, or lack of arrangement, to be just, should be levelled at myself alone.

THE RECORD OF NICHOLAS FREYDON

INTRODUCTORY

Back there in London--how many leagues and aeons distant!--I threw down my pen and fled here to the ends of the earth, in pursuit of rest and self-comprehending peace of mind. Here I now take up the pen again and return in thought to London: that vast c.o.c.kpit; still in pursuit of rest and self-comprehending peace of mind.

That seems wasteful and not very hopeful. But, to be honest--and if this final piece of pen-work be not honest to its core, it certainly will prove the very acme of futility--I must add the expression of opinion that most of the important actions of my life till now have had the self-same goal in view: peace of mind. The surprising thing is that, right up to this present, every one of my efforts has been backed by a substantial if varying amount of solid conviction; of belief that that particular action would bring the long-sought reward.

I suppose I thought this in coming here, in fleeing from London. Nay, I know I did.

The latest, and I suppose the last, illusion bids me believe that if, using the literary habit of a lifetime, I can set down in ordered sequence the salient facts and events of that restless, struggling pilgrimage I call my life, there is a likelihood that, seeing the entire fabric in one piece, I may be able truly to understand it, and, understanding it, to rest content before it ends. The ironical habit makes me call it an illusion. In strict truth I listen to the call with some confidence; not, to be sure, with the flaming ardour which in bygone years has set me leaping into action in answer to such a call; yet with real hope.

It is none so easy a task, this exact charting out of so complex a matter as a man's life. And it may be that long practice of the writer's art but serves to heighten its difficulties. For example, since writing the sentence ending on that word 'hope,' I have covered two whole pages with writing which has now been converted into ashes among the logs upon my hearth. For the covering of those pages two volumes had been fingered and referred to, if you please, and my faulty memory drawn upon for yet a third quotation. So much for the habit of literary allusiveness, engrained into one by years of book-making, and yet more surely, I suspect, by labour for hire on the newspaper press.

But, though I have detected and removed these two pages of irrelevance, I foresee that unessential and therefore obscurantic matter will creep in. Well, when I come to weigh the completed record, I must allow for that; and, meanwhile, so far as time and my own limitations as selector permit, I will prune and clear away from the line of vision these weeds of errant fancy. For the record must of all things be honest and comprehensive; rather than shapely, effective, or literary. To be sure the pundits would say that this is to misuse and play with words; to perpetrate a contradiction in terms. Well, we shall see. Whatever the critics might say, your author by profession would understand me well enough when I say: 'Honest, rather than literary.'

How, to begin with, may I label and describe my present self? There, immediately, I am faced with one of the difficulties of this task. One can say of most men that they are this or that; of this cla.s.s, order, sect, party, or type; and, behold them neatly docketed! But in all honesty I cannot say that I am of any special cla.s.s, or that I 'belong' anywhere in particular. There is no circle in any community which is indefeasibly my own by right of birth and training. I am still a member of two London clubs, I believe. They were never more than hotels for me. I am probably what most folk call a gentleman; but how much does that signify in the twentieth century? Many simple people would likely call me a person of education, even of learning, belike, seeing a list of books under my name. A schoolman who examined me would be pardoned (by me, at all events) for calling me an ignoramus of no education whatever. For--and this I never reflected upon until the present moment--I could not for the life of me 'a.n.a.lyse' the simplest sentence, in the rather odd scholastic sense of that word. Inherited instinct and long practice make me aware, I believe, of an error in syntax, when I chance upon one. But I could only tell you that it was wrong, and never how or why. I know something of literature, but less of mathematics than I a.s.sume to be known by the modern ten-year-old schoolboy; something of three or four languages, but nothing of their grammar. I have met and talked with some of the most notable people of my time, but truly prefer cottage life before that of the greatest houses. And so, in a score of other ways, I feel it difficult informingly and justly to label myself.

But--let me have done with difficulties and definitions. My task shall be the setting forth of facts, out of which definitions must shape themselves. And, for a beginning, I must turn aside from my present self, pa.s.s by a number of dead selves, each differing in a thousand ways from every other, and bring my mind to bear for the moment upon that infinitely remote self: the child, Nicholas Freydon. It may be that curious and distant infant will help to explain the man.

CHILDHOOD--ENGLAND

I

The things I remember about my earliest infancy are not in the least romantic.

First, I think, come two pictures, both perfectly distinct, and both connected with domestic servants. The one is of a firelit interior, below street level: an immense kitchen, with shining copper vessels in it, an extremely hot and red fire, and a tall screen covered over with pictures. An enormously large woman in a blue and white print gown sits toasting herself before the fire; and a less immense female, in white print with sprays of pink flowers on it, is devoting herself to me. This last was Amelia; a cheerful, comely, buxom, and in the main kindly creature, as I remember her. In the kitchen was a well-scrubbed table of about three-quarters of a mile in length, and possessed of as many legs as a centipede, some of which could be moved to support flaps. (To put a measuring-tape over that table nowadays, or over other things in the kitchen, for that matter, might bring disappointment, I suppose.) These legs formed fascinating walls and boundaries for a series of romantic dwelling-places, shops, caves, and suchlike resorts, among which a small boy could wander at will, when lucky enough to be allowed to visit this warm apartment at all. The whole place was pervaded by an odour indescribably pleasing to my infantile nostrils, and compact of suggestions of heat acting upon clean print gowns, tea-cakes done to a turn, scrubbed wood, and hot soap-suds.

But the full ecstasy of a visit to this place was only attained when I was lifted upon the vast table by the warm and rosy Amelia, and allowed to leap therefrom into her extended arms; she rushing toward me, and both of us emitting either shrill or growling noises as the psychological moment of my leap was reached. At the time I used to think that springing from a trapeze, set in the dome of a great building, into a net beneath, must be the most ravishing of all joys; but I incline now to think that my more homely feat of leaping into Amelia's warm arms was, upon the whole, probably a pleasanter thing.

This memory is of something which I believe happened fairly frequently. My other most distinct recollection of what I imagine to have been the same period in history is of a visit, a Sunday afternoon visit, I think, paid with Amelia. I must have been of tender years, because, though during parts of the journey I travelled on my own two feet, I recollect occasional lapses into a perambulator, as it might be in the case of an elderly or invalid person who walks awhile along a stretch of level sward, and then takes his ease for a time in victoria or bath-chair.

I remember Amelia lifting me out from my carriage in the doorway of what I regarded as a very delightful small house, redolent of strange and exciting odours, some of which I connect with the subsequent gift of a slab of stuff that I ate with gusto as cake. My mature view is that it was cold bread-pudding of a peculiarly villainous clamminess.

It is interesting to note that my delight in this fearsome dainty was based upon its most malevolent quality: the chill consistency of the stuff, which made it resemble the kind of leathery jelly that I have seen used to moisten the face of a rubber stamp withal.

In this house--it was probably in a slum, certainly in a mean street--one stepped direct from the pavement into a small kitchen, where an elderly man sat smoking a long clay pipe. A covered stairway rose mysteriously from one side of this apartment into the two bedrooms above. A door beside the stairway opened into a tiny scullery, from which light was pretty thoroughly excluded by the high, black wall which dripped and frowned no more than three feet away from its window. I have little doubt that this scullery was a pestilent place.

At the time it appealed to my romantic sense as something rather attractive.

The elderly man in the kitchen was Amelia's father. That in itself naturally gave him distinction in my eyes. But, in addition, he was an old sailor, and, with a knife which was attached to a white lanyard, he could carve delightful boats (thoroughly seaworthy in a wash-hand basin) out of ordinary sticks of firewood. It is to be noted, by the way, a thing I never thought of till this moment, that these same sticks and bundles of firewood have a peculiarly distinctive smell of their own. It is the smell of a certain kind of grocer's shop whose proprietor, for some esoteric reason, calls himself an 'Italian warehouse-man.' In later life I occasionally visited such a shop, between Fleet Street and the river, when I had rooms in that locality.

Boat-building figured largely in that visit to Amelia's parents. (The girl had a mother; large, flaccid, and, on this occasion, partly dissolved in tears.) But the episode immediately preceding our departure is what overshadowed everything else for me that day, and for several subsequent nights. Amelia and the tearful mother took me up the dark little stairway, and introduced me to Death. They showed me Amelia's sister, Jinny, who died (of consumption, I believe) on the day before our visit. I still can see the alabaster white face, with its p.r.o.nounced vein-markings; the straight, thin form, outlined beneath a sheet, in that tiny, low-ceiled, airless garret. What a picture to place before an infant on a sunny Sunday afternoon! It might be supposed that I had asked to see it, for I remember Amelia saying, as one about to give a child a treat:

'Now, mind, Master Nicholas, you're to be a very good boy, and you're not to say a word about it to any one.'

But, no, I do not think I can have desired the experience, for to this day I cherish a lively recollection of the agony of sick horror which swam over me when, in obedience to instructions given, I suffered my lips to touch the marble-like face of the dead girl.

How strange is that unquestioning obedience of childhood! Recognition of it might well give pause to careless instructors of youth. The kiss meant torture to me, in antic.i.p.ation and in fact. But I was bidden, and never dreamed of refusing to obey. No doubt, there was also at work in me some dim sort of infantile delicacy. This was an occasion upon which a gentleman could have no choice....

Ah, well, I believe Amelia was a dear good soul, and I am sure I hope she married well, and lived happily ever after. I have no recollection whatever of how or when she drifted out of my life. But the visit to Jinny's deathbed, and the exciting leaps from the immeasurably long kitchen table into Amelia's print-clad arms, are things which stand out rather more clearly in my recollection than many of the events of, say, twenty years later.

II

How is it that my earliest recollections should centre about folk no nearer or dearer to me than domestic servants? I know that my mother died within three months of my birth. There had to be, and was, another woman in my life before Amelia; but I have no memories of her.

She was an aunt, an unmarried sister of my mother's; but I believe my father quarrelled with her before I began to 'take notice' very much; and then came Amelia.

The large underground kitchen really was fairly big. I had a look at it no more than a dozen years ago. The house, too, was and is a not unpleasing one, situated within a stone's throw of Russell Square, Bloomsbury. Its s.p.a.ces are ample, its fittings solidly good, and its area less subterranean than many. Near by is a select livery stable and mews of sub-rural aspect, with Virginia creeper climbing over a horse's head in stucco. Amelia shared with me a night nursery and a nursery-living room in this house, the latter overlooking the mews, through the curving iron rails of a tiny balcony. Below us my father occupied a small bedroom and a large sitting-room, the latter being the 'first floor front.'

At this time, and indeed during all the period of my first English memories--say, eight years--my father was engaged in journalistic work. I know now that he had been called to the bar, a member of Lincoln's Inn; but I do not know that he ever had a brief. He gave some years, I believe, to coaching and tutoring. I remember seeing, later in my boyhood, a tattered yellow prospectus which showed that he once delivered certain lectures on such subjects as 'Mediaeval English Poetry.' In my time I gather that my father called no man master or employer, but was rather the slave of a number of autocrats in Fleet Street. 'The office,' as between Amelia and myself, may have meant all Fleet Street. But my impression now is that it meant the building then occupied by the ----. (Here figures the name of one of London's oldest morning newspapers.--Ed.) And, it may be, the ---- Club; for I have reason to believe that my father did much of his work at his club. I have even talked there with one member at least who recollected this fact.

But the memory of my father as he was in this early period is curiously vague. It would seem that he produced no very clear impression on my mind then. Our meetings were not very frequent, I think. As I chiefly recall them, they occurred in the wide but rather dark entrance hall, and were accompanied by conversation confined to Amelia and my father. At such times he would be engaged in polishing his hat, sometimes with a velvet pad, and sometimes on his coat-sleeve. I used to hear from him remarks like these:

'Well, keep him out of doors as much as possible, so long as it doesn't rain. Eh? Oh, well, you'd better buy another. How much will it be? I will send up word if I am back before the boy's bed-time.'

And then he might turn to me, after putting on his hat, and absently pull one of my ears, or stroke my nose or forehead. His hands were very slender, warm, and pleasantly odorous of soap and tobacco. 'Be a good man,' he would say. And there the interview ended. He never said: 'Be a good child'; always 'a good man'; and sometimes he would repeat it, in a gravely preoccupied way.

Once, and, so far as I remember, only once, we met him out-of-doors; in the park, it was, and he took us both to the Zoological Gardens, and gave us tea there. (Yellowish cake with white sugar icing over it has ever since suggested to me the pungent smell of monkey-houses and lions' cages.) The meeting was purely accidental, I believe.

It must have been in about my ninth year, I fancy, that I began really to know something of my father, as a man, rather than as a sort of supernatural, hat-polishing, He-who-must-be-obeyed. We had a small house of our own then, in Putney; and the occasion of our first coming together as fellow-humans was a shared walk across Wimbledon Common, and into Richmond Park by the Robin Hood Gate. The period was the 'sixties of last century, and I had just begun my attendance each day at a local 'Academy for the Sons of Gentlemen.' To us, in the Academy, my father descended as from Olympus, while the afternoon was yet young, and carried me off before the envious eyes of my fellow sufferers and what I felt to be the grudging gaze of the usher, who had already twice since dinner-time severely pulled my ears, because of some confusion that existed in my mind between Alfred and his burnt cakes and Canute and his wet feet. (As I understood it, Canute sat on the beach upon one of those minute camp-stools which mothers and nurses used at the seaside before the luxurious era of canopied hammock chairs.)

In my devious childish fashion, I presently gathered that there had been momentous doings in London town that day, and that in the upshot my father had terminated his connection with the famous newspaper from which the bulk of his earnings had been drawn for some years. For a little while I fancied this must be almost as delightful for him as my own unexpected escape from the Academy that afternoon had been for me.

But, gradually, my embryo intelligence rejected this theory, and I became possessed of a sense of grave happenings, almost, it might be, of catastrophe. Quite certainly, my father had never before talked to me as he did that summer afternoon in Richmond Park. His vein was, for him, somewhat declamatory, and his unusual gestures impressed me hugely. It is likely that at times he forgot my presence, or ceased, at all events, to remember that his companion was his child. His ma.s.sive, silver-headed malacca cane did great execution among the bracken, I remember.

(I had been rather pleased for my school-mates to have had an opportunity of observing this stick, and had regretted the absence of my father's usual hat, equal in refulgence to the cane. Evidently, he had called at the house and changed his head-gear before walking up to the Academy, for he now wore the soft black hat which he called his 'wideawake.')

That he was occasionally conscious of me his monologue proved, for it included such swift, jerky sentences as: