The Rainbow Part 43

Ursula was three years old when another baby girl was born.

Then the two small sisters were much together, Gudrun and Ursula. Gudrun was a quiet child who played for hours alone, absorbed in her fancies. She was brown-haired, fair-skinned, strangely placid, almost pa.s.sive. Yet her will was indomitable, once set. From the first she followed Ursula's lead. Yet she was a thing to herself, so that to watch the two together was strange. They were like two young animals playing together but not taking real notice of each other. Gudrun was the mother's favourite--except that Anna always lived in her latest baby.

The burden of so many lives depending on him wore the youth down. He had his work in the office, which was done purely by effort of will: he had his barren pa.s.sion for the church; he had three young children. Also at this time his health was not good.

So he was haggard and irritable, often a pest in the house. Then he was told to go to his woodwork, or to the church.

Between him and the little Ursula there came into being a strange alliance. They were aware of each other. He knew the child was always on his side. But in his consciousness he counted it for nothing. She was always for him. He took it for granted. Yet his life was based on her, even whilst she was a tiny child, on her support and her accord.

Anna continued in her violent trance of motherhood, always busy, often hara.s.sed, but always contained in her trance of motherhood. She seemed to exist in her own violent fruitfulness, and it was as if the sun shone tropically on her. Her colour was bright, her eyes full of a fecund gloom, her brown hair tumbled loosely over her ears. She had a look of richness. No responsibility, no sense of duty troubled her. The outside, public life was less than nothing to her, really.

Whereas when, at twenty-six, he found himself father of four children, with a wife who lived intrinsically like the ruddiest lilies of the field, he let the weight of responsibility press on him and drag him. It was then that his child Ursula strove to be with him. She was with him, even as a baby of four, when he was irritable and shouted and made the household unhappy. She suffered from his shouting, but somehow it was not really him.

She wanted it to be over, she wanted to resume her normal connection with him. When he was disagreeable, the child echoed to the crying of some need in him, and she responded blindly.

Her heart followed him as if he had some tie with her, and some love which he could not deliver. Her heart followed him persistently, in its love.

But there was the dim, childish sense of her own smallness and inadequacy, a fatal sense of worthlessness. She could not do anything, she was not enough. She could not be important to him.

This knowledge deadened her from the first.

Still she set towards him like a quivering needle. All her life was directed by her awareness of him, her wakefulness to his being. And she was against her mother.

Her father was the dawn wherein her consciousness woke up.

But for him, she might have gone on like the other children, Gudrun and Theresa and Catherine, one with the flowers and insects and playthings, having no existence apart from the concrete object of her attention. But her father came too near to her. The clasp of his hands and the power of his breast woke her up almost in pain from the transient unconsciousness of childhood. Wide-eyed, unseeing, she was awake before she knew how to see. She was wakened too soon. Too soon the call had come to her, when she was a small baby, and her father held her close to his breast, her sleep-living heart was beaten into wakefulness by the striving of his bigger heart, by his clasping her to his body for love and for fulfilment, asking as a magnet must always ask. From her the response had struggled dimly, vaguely into being.

The children were dressed roughly for the country. When she was little, Ursula pattered about in little wooden clogs, a blue overall over her thick red dress, a red shawl crossed on her breast and tied behind again. So she ran with her father to the garden.

The household rose early. He was out digging by six o'clock in the morning, he went to his work at half-past eight. And Ursula was usually in the garden with him, though not near at hand.

At Eastertime one year, she helped him to set potatoes. It was the first time she had ever helped him. The occasion remained as a picture, one of her earliest memories. They had gone out soon after dawn. A cold wind was blowing. He had his old trousers tucked into his boots, he wore no coat nor waistcoat, his shirt-sleeves fluttered in the wind, his face was ruddy and intent, in a kind of sleep. When he was at work he neither heard nor saw. A long, thin man, looking still a youth, with a line of black moustache above his thick mouth, and his fine hair blown on his forehead, he worked away at the earth in the grey first light, alone. His solitariness drew the child like a spell.

The wind came chill over the dark-green fields. Ursula ran up and watched him push the setting-peg in at one side of his ready earth, stride across, and push it in the other side, pulling the line taut and clear upon the clods intervening. Then with a sharp cutting noise the bright spade came towards her, cutting a grip into the new, soft earth.

He struck his spade upright and straightened himself.

"Do you want to help me?" he said.

She looked up at him from out of her little woollen bonnet.

"Ay," he said, "you can put some taters in for me.

Look--like that--these little sprits standing up--so much apart, you see."

And stooping down he quickly, surely placed the spritted potatoes in the soft grip, where they rested separate and pathetic on the heavy cold earth.

He gave her a little basket of potatoes, and strode himself to the other end of the line. She saw him stooping, working towards her. She was excited, and unused. She put in one potato, then rearranged it, to make it sit nicely. Some of the sprits were broken, and she was afraid. The responsibility excited her like a string tying her up. She could not help looking with dread at the string buried under the heaped-back soil. Her father was working nearer, stooping, working nearer. She was overcome by her responsibility. She put potatoes quickly into the cold earth.

He came near.

"Not so close," he said, stooping over her potatoes, taking some out and rearranging the others. She stood by with the painful terrified helplessness of childhood. He was so unseeing and confident, she wanted to do the thing and yet she could not.

She stood by looking on, her little blue overall fluttering in the wind, the red woollen ends of her shawl blowing gustily.

Then he went down the row, relentlessly, turning the potatoes in with his sharp spade-cuts. He took no notice of her, only worked on. He had another world from hers.

She stood helplessly stranded on his world. He continued his work. She knew she could not help him. A little bit forlorn, at last she turned away, and ran down the garden, away from him, as fast as she could go away from him, to forget him and his work.

He missed her presence, her face in her red woollen bonnet, her blue overall fluttering. She ran to where a little water ran trickling between gra.s.s and stones. That she loved.

When he came by he said to her:

"You didn't help me much."

The child looked at him dumbly. Already her heart was heavy because of her own disappointment. Her mouth was dumb and pathetic. But he did not notice, he went his way.

And she played on, because of her disappointment persisting even the more in her play. She dreaded work, because she could not do it as he did it. She was conscious of the great breach between them. She knew she had no power. The grown-up power to work deliberately was a mystery to her.

He would smash into her sensitive child's world destructively. Her mother was lenient, careless The children played about as they would all day. Ursula was thoughtless--why should she remember things? If across the garden she saw the hedge had budded, and if she wanted these greeny-pink, tiny buds for bread-and-cheese, to play at teaparty with, over she went for them.

Then suddenly, perhaps the next day, her soul would almost start out of her body as her father turned on her, shouting:

"Who's been tramplin' an' dancin' across where I've just sowed seed? I know it's you, nuisance! Can you find nowhere else to walk, but just over my seed beds? But it's like you, that is--no heed but to follow your own greedy nose."

It had shocked him in his intent world to see the zigzagging lines of deep little foot-prints across his work. The child was infinitely more shocked. Her vulnerable little soul was flayed and trampled. Why were the foot-prints there? She had not wanted to make them. She stood dazzled with pain and shame and unreality.

Her soul, her consciousness seemed to die away. She became shut off and senseless, a little fixed creature whose soul had gone hard and unresponsive. The sense of her own unreality hardened her like a frost. She cared no longer.

And the sight of her face, shut and superior with self-a.s.serting indifference, made a flame of rage go over him.

He wanted to break her.

"I'll break your obstinate little face," he said, through shut teeth, lifting his hand.

The child did not alter in the least. The look of indifference, complete glancing indifference, as if nothing but herself existed to her, remained fixed.

Yet far away in her, the sobs were tearing her soul. And when he had gone, she would go and creep under the parlour sofa, and lie clinched in the silent, hidden misery of childhood.

When she crawled out, after an hour or so, she went rather stiffly to play. She willed to forget. She cut off her childish soul from memory, so that the pain, and the insult should not be real. She a.s.serted herself only. There was not nothing in the world but her own self. So very soon, she came to believe in the outward malevolence that was against her. And very early, she learned that even her adored father was part of this malevolence. And very early she learned to harden her soul in resistance and denial of all that was outside her, harden herself upon her own being.

She never felt sorry for what she had done, she never forgave those who had made her guilty. If he had said to her, "Why, Ursula, did you trample my carefully-made bed?" that would have hurt her to the quick, and she would have done anything for him.

But she was always tormented by the unreality of outside things.

The earth was to walk on. Why must she avoid a certain patch, just because it was called a seed-bed? It was the earth to walk on. This was her instinctive a.s.sumption. And when he bullied her, she became hard, cut herself off from all connection, lived in the little separate world of her own violent will.

As she grew older, five, six, seven, the connection between her and her father was even stronger. Yet it was always straining to break. She was always relapsing on her own violent will into her own separate world of herself. This made him grind his teeth with bitterness, for he still wanted her. But she could harden herself into her own self's universe, impregnable.

He was very fond of swimming, and in warm weather would take her down to the ca.n.a.l, to a silent place, or to a big pond or reservoir, to bathe. He would take her on his back as he went swimming, and she clung close, feeling his strong movement under her, so strong, as if it would uphold all the world. Then he taught her to swim.

She was a fearless little thing, when he dared her. And he had a curious craving to frighten her, to see what she would do with him. He said, would she ride on his back whilst he jumped off the ca.n.a.l bridge down into the water beneath.

She would. He loved to feel the naked child clinging on to his shoulders. There was a curious fight between their two wills. He mounted the parapet of the ca.n.a.l bridge. The water was a long way down. But the child had a deliberate will set upon his. She held herself fixed to him.

He leapt, and down they went. The crash of the water as they went under struck through the child's small body, with a sort of unconsciousness. But she remained fixed. And when they came up again, and when they went to the bank, and when they sat on the gra.s.s side by side, he laughed, and said it was fine. And the dark-dilated eyes of the child looked at him wonderingly, darkly, wondering from the shock, yet reserved and unfathomable, so he laughed almost with a sob.

In a moment she was clinging safely on his back again, and he was swimming in deep water. She was used to his nakedness, and to her mother's nakedness, ever since she was born. They were clinging to each other, and making up to each other for the strange blow that had been struck at them. Yet still, on other days, he would leap again with her from the bridge, daringly, almost wickedly. Till at length, as he leapt, once, she dropped forward on to his head, and nearly broke his neck, so that they fell into the water in a heap, and fought for a few moments with death. He saved her, and sat on the bank, quivering. But his eyes were full of the blackness of death. It was as if death had cut between their two lives, and separated them.

Still they were not separate. There was this curious taunting intimacy between them. When the fair came, she wanted to go in the swing-boats. He took her, and, standing up in the boat, holding on to the irons, began to drive higher, perilously higher. The child clung fast on her seat.