The Rainbow Part 13

And he watched her scudding, silent and intent, along the hedge-bottom, at a steady, anxious pace, till she turned and was gone through the gateway. Then he saw her two fields off, still pressing forward, small and urgent. His face was clouded as he turned to plough up the stubble.

The year drew on, in the hedges the berries shone red and twinkling above bare twigs, robins were seen, great droves of birds dashed like spray from the fallow, rooks appeared, black and flapping down to earth, the ground was cold as he pulled the turnips, the roads were churned deep in mud. Then the turnips were pitted and work was slack.

Inside the house it was dark, and quiet. The child flitted uneasily round, and now and again came her plaintive, startled cry:

"Mother!"

Mrs. Brangwen was heavy and unresponsive, tired, lapsed back.

Brangwen went on working out of doors.

At evening, when he came in to milk, the child would run behind him. Then, in the cosy cow-sheds, with the doors shut and the air looking warm by the light of the hanging lantern, above the branching horns of the cows, she would stand watching his hands squeezing rhythmically the teats of the placid beast, watch the froth and the leaping squirt of milk, watch his hand sometimes rubbing slowly, understandingly, upon a hanging udder.

So they kept each other company, but at a distance, rarely speaking.

The darkest days of the year came on, the child was fretful, sighing as if some oppression were on her, running hither and thither without relief. And Brangwen went about at his work, heavy, his heart heavy as the sodden earth.

The winter nights fell early, the lamp was lighted before tea-time, the shutters were closed, they were all shut into the room with the tension and stress. Mrs. Brangwen went early to bed, Anna playing on the floor beside her. Brangwen sat in the emptiness of the downstairs room, smoking, scarcely conscious even of his own misery. And very often he went out to escape it.

Christmas pa.s.sed, the wet, drenched, cold days of January recurred monotonously, with now and then a brilliance of blue flashing in, when Brangwen went out into a morning like crystal, when every sound rang again, and the birds were many and sudden and brusque in the hedges. Then an elation came over him in spite of everything, whether his wife were strange or sad, or whether he craved for her to be with him, it did not matter, the air rang with clear noises, the sky was like crystal, like a bell, and the earth was hard. Then he worked and was happy, his eyes shining, his cheeks flushed. And the zest of life was strong in him.

The birds pecked busily round him, the horses were fresh and ready, the bare branches of the trees flung themselves up like a man yawning, taut with energy, the twigs radiated off into the clear light. He was alive and full of zest for it all. And if his wife were heavy, separated from him, extinguished, then, let her be, let him remain himself. Things would be as they would be. Meanwhile he heard the ringing crow of a c.o.c.kerel in the distance, he saw the pale sh.e.l.l of the moon effaced on a blue sky.

So he shouted to the horses, and was happy. If, driving into Ilkeston, a fresh young woman were going in to do her shopping, he hailed her, and reined in his horse, and picked her up. Then he was glad to have her near him, his eyes shone, his voice, laughing, teasing in a warm fashion, made the poise of her head more beautiful, her blood ran quicker. They were both stimulated, the morning was fine.

What did it matter that, at the bottom of his heart, was care and pain? It was at the bottom, let it stop at the bottom. His wife, her suffering, her coming pain--well, it must be so.

She suffered, but he was out of doors, full in life, and it would be ridiculous, indecent, to pull a long face and to insist on being miserable. He was happy, this morning, driving to town, with the hoofs of the horse spanking the hard earth. Well he was happy, if half the world were weeping at the funeral of the other half. And it was a jolly girl sitting beside him. And Woman was immortal, whatever happened, whoever turned towards death. Let the misery come when it could not be resisted.

The evening arrived later very beautiful, with a rosy flush hovering above the sunset, and pa.s.sing away into violet and lavender, with turquoise green north and south in the sky, and in the east, a great, yellow moon hanging heavy and radiant. It was magnificent to walk between the sunset and the moon, on a road where little holly trees thrust black into the rose and lavender, and starlings flickered in droves across the light.

But what was the end of the journey? The pain came right enough, later on, when his heart and his feet were heavy, his brain dead, his life stopped.

One afternoon, the pains began, Mrs. Brangwen was put to bed, the midwife came. Night fell, the shutters were closed, Brangwen came in to tea, to the loaf and the pewter teapot, the child, silent and quivering, playing with gla.s.s beads, the house, empty, it seemed, or exposed to the winter night, as if it had no walls.

Sometimes there sounded, long and remote in the house, vibrating through everything, the moaning cry of a woman in labour. Brangwen, sitting downstairs, was divided. His lower, deeper self was with her, bound to her, suffering. But the big sh.e.l.l of his body remembered the sound of owls that used to fly round the farmstead when he was a boy. He was back in his youth, a boy, haunted by the sound of the owls, waking up his brother to speak to him. And his mind drifted away to the birds, their solemn, dignified faces, their flight so soft and broad-winged.

And then to the birds his brother had shot, fluffy, dust-coloured, dead heaps of softness with faces absurdly asleep. It was a queer thing, a dead owl.

He lifted his cup to his lips, he watched the child with the beads. But his mind was occupied with owls, and the atmosphere of his boyhood, with his brothers and sisters. Elsewhere, fundamental, he was with his wife in labour, the child was being brought forth out of their one flesh. He and she, one flesh, out of which life must be put forth. The rent was not in his body, but it was of his body. On her the blows fell, but the quiver ran through to him, to his last fibre. She must be torn asunder for life to come forth, yet still they were one flesh, and still, from further back, the life came out of him to her, and still he was the unbroken that has the broken rock in its arms, their flesh was one rock from which the life gushed, out of her who was smitten and rent, from him who quivered and yielded.

He went upstairs to her. As he came to the bedside she spoke to him in Polish.

"Is it very bad?" he asked.

She looked at him, and oh, the weariness to her, of the effort to understand another language, the weariness of hearing him, attending to him, making out who he was, as he stood there fair-bearded and alien, looking at her. She knew something of him, of his eyes. But she could not grasp him. She closed her eyes.

He turned away, white to the gills.

"It's not so very bad," said the midwife.

He knew he was a strain on his wife. He went downstairs.

The child glanced up at him, frightened.

"I want my mother," she quavered.

"Ay, but she's badly," he said mildly, unheeding.

She looked at him with lost, frightened eyes.

"Has she got a headache?"

"No--she's going to have a baby."

The child looked round. He was unaware of her. She was alone again in terror.

"I want my mother," came the cry of panic.

"Let Tilly undress you," he said. "You're tired."

There was another silence. Again came the cry of labour.

"I want my mother," rang automatically from the wincing, panic-stricken child, that felt cut off and lost in a horror of desolation.

Tilly came forward, her heart wrung.

"Come an' let me undress her then, pet-lamb," she crooned.

"You s'll have your mother in th' mornin', don't you fret, my duckie; never mind, angel."

But Anna stood upon the sofa, her back to the wall.

"I want my mother," she cried, her little face quivering, and the great tears of childish, utter anguish falling.

"She's poorly, my lamb, she's poorly to-night, but she'll be better by mornin'. Oh, don't cry, don't cry, love, she doesn't want you to cry, precious little heart, no, she doesn't."

Tilly took gently hold of the child's skirts. Anna s.n.a.t.c.hed back her dress, and cried, in a little hysteria:

"No, you're not to undress me--I want my mother,"--and her child's face was running with grief and tears, her body shaken.

"Oh, but let Tilly undress you. Let Tilly undress you, who loves you, don't be wilful to-night. Mother's poorly, she doesn't want you to cry."

The child sobbed distractedly, she could not hear.

"I want--my--mother," she wept.

"When you're undressed, you s'll go up to see your mother--when you're undressed, pet, when you've let Tilly undress you, when you're a little jewel in your nightie, love.

Oh, don't you cry, don't you--"

Brangwen sat stiff in his chair. He felt his brain going tighter. He crossed over the room, aware only of the maddening sobbing.

"Don't make a noise," he said.

And a new fear shook the child from the sound of his voice.