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The Quest of the Silver Fleece Part 62

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"Why not make a speech on the subject?" she suggested.

He laughed. The matter under discussion was the cotton-goods schedule of the new tariff bill, about which really he knew a little; his wife placed every temptation to knowledge before him, even inspiring Senator Smith to ask him to defend that schedule against the low-tariff advocate. Mary Cresswell worked with redoubled energy, and for nearly a week Harry staid at home nights and studied. Thanks to his wife the speech was unusually informing and well put, and the fact that a prominent free-trader spoke the same afternoon gave it publicity, while Mr. Easterly saw to the press despatches.

Cresswell subscribed to a clipping-bureau and tasted the sweets of dawning notoriety, and Mrs. Cresswell arranged a select dinner-party which included a cabinet officer, a foreign amba.s.sador, two millionaires, and the leading Southern Congressmen. The talk came around to the failure of the Senate to confirm Mr. Vanderpool, and it was generally a.s.sumed that the President would not force the issue.

Who, then, should be nominated? There were several suggestions, but the knot of Southern Congressmen about Mrs. Cresswell declared emphatically that it must be a Southerner. Not since the war had a prominent Southerner represented America at a first-cla.s.s foreign court; it was shameful; the time was ripe for change. But who? Here opinions differed widely. Nearly every one mentioned a candidate, and those who did not seemed to refrain from motives of personal modesty.

Mary Cresswell sped her departing guests with a distinct purpose in mind. She must make herself leader of the Southern set in Washington and concentrate its whole force on the appointment of Harry Cresswell as amba.s.sador to France. Quick reward and promotion were essential to Harry's success. He was not one to keep up the strain of effort a long time. Unless, then, tangible results came and came quickly, he was liable to relapse into old habits. Therefore he must succeed and succeed at once. She would have preferred a less ornamental position than the amba.s.sadorship, but there were no other openings. The Alabama senators were firmly seated for at least four years and the Governorship had been carefully arranged for. A term of four years abroad, however, might bring Harry Cresswell back in time for greater advancement. At any rate, it was the only tangible offering, and Mary Cresswell silently determined to work for it.

Here it was that she made her mistake. It was one thing for her to be a tactful hostess, pleasing her husband and his guests; it was another for her to aim openly at social leadership and political influence. She had at first all the insignia of success. Her dinners became of real political significance and her husband figured more and more as a leading Southerner. The result was two-fold. Cresswell, on the one hand, with his usual selfishness, took his rising popularity as a matter of course and as the fruits of his own work; he was rising, he was making valuable speeches, he was becoming a social power, and his only handicap was his plain and over-ambitious wife. But on the other hand Mrs.

Cresswell forgot two pitfalls: the cleft between the old Southern aristocracy and the pushing new Southerners; and above all, her own Northern birth and presumably pro-Negro sympathies.

What Mrs. Cresswell forgot Mrs. Vanderpool sensed unerringly. She had heard with uneasiness of Cresswell's renewed candidacy for the Paris amba.s.sadorship, and she set herself to block it. She had worked hard.

The President stood ready to send her husband's appointment again to the Senate whenever Easterly could a.s.sure him of favorable action. Easterly had long and satisfactory interviews with several senators, while the Todd insurgents were losing heart at the prospect of choosing between Vanderpool and Cresswell. At present four Southern votes were needed to confirm Vanderpool; but if they could not be had, Easterly declared it would be good politics to nominate Cresswell and give him Republican support. Manifestly, then, Mrs. Vanderpool's task was to discredit the Cresswells with the Southerners. It was not a work to her liking, but the die was cast and she refused to contemplate defeat.

The result was that while Mrs. Cresswell was giving large and brilliant parties to the whole Southern contingent, Mrs. Vanderpool was engineering exclusive dinners where old New York met stately Charleston and gossiped interestingly. On such occasions it was hinted not once, but many times, that the Cresswells were well enough, but who was that upstart wife who presumed to take social precedence?

It was not, however, until Mrs. Cresswell's plan for an all-Southern art exhibit in Washington that Mrs. Vanderpool, in a flash of inspiration, saw her chance. In the annual exhibit of the Corcoran Art Gallery, a Southern girl had nearly won first prize over a Western man. The concensus of Southern opinion was that the judgment had been unfair, and Mrs. Cresswell was convinced of this. With quick intuition she suggested a Southern exhibit with such social prestige back of it as to impress the country.

The proposal caught the imagination of the Southern set. None suspected a possible intrusion of the eternal race issue for no Negroes were allowed in the Corcoran exhibit or school. This Mrs. Vanderpool easily ascertained and a certain sense of justice combined in a curious way with her political intrigue to bring about the undoing of Mary Cresswell.

Mrs. Vanderpool's very first cautious inquiries by way of the back stairs brought gratifying response--for did not all black Washington know well of the work in sculpture done by Mrs. Samuel Stillings, _nee_ Wynn? Mrs. Vanderpool remembered Mrs. Stillings perfectly, and she walked, that evening, through un.o.btrusive thoroughfares and called on Mrs. Stillings. Had Mrs. Stillings heard of the new art movement? Did she intend to exhibit? Mrs. Stillings did not intend to exhibit as she was sure she would not be welcome. She had had a bust accepted by the Corcoran Art Gallery once, and when they found she was colored they returned it. But if she were especially invited? That would make a difference, although even then the line would be drawn somehow.

"Would it not be worth a fight?" suggested Mrs. Vanderpool with a little heightening of color in her pale cheek.

"Perhaps," said Mrs. Stillings, as she brought out some specimens of her work.

Mrs. Vanderpool was both ashamed and grateful. With money and leisure Mrs. Stillings had been able to get in New York and Boston the training she had been denied in Washington on account of her color. The things she exhibited really had merit and one curiously original group appealed to Mrs. Vanderpool tremendously.

"Send it," she counseled with strangely contradictory feelings of enthusiasm, and added: "Enter it under the name of Wynn."

In addition to the general invitations to the art exhibit numbers of special ones were issued to promising Southern amateurs who had never exhibited. For these a prize of a long-term scholarship and other smaller prizes were offered. When Mrs. Vanderpool suggested the name of "Miss Wynn" to Mrs. Cresswell among a dozen others, for special invitation, there was nothing in its sound to distinguish it from the rest of the names, and the invitation went duly. As a result there came to the exhibit a little group called "The Outcasts," which was really a masterly thing and sent the director, Signor Alberni, into hysterical commendation.

In the private view and award of prizes which preceded the larger social function the jury hesitated long between "The Outcasts" and a painting from Georgia. Mrs. Cresswell was enthusiastic and voluble for the bit of sculpture, and it finally won the vote for the first prize.

All was ready for the great day. The President was coming and most of the diplomatic corps, high officers of the army, and all the social leaders. Congress would be well represented, and the boom for Cresswell as amba.s.sador to France was almost visible in the air.

Mary Cresswell paused a moment in triumph looking back at the darkened hall, when a little woman fluttered up to her and whispered:

"Mrs. Cresswell, have you heard the gossip?"

"No--what?"

"That Wynn woman they say is a n.i.g.g.e.r. Some are whispering that you brought her in purposely to force social equality. They say you used to teach darkies. Of course, I don't believe all their talk, but I thought you ought to know." She talked a while longer, then fluttered furtively away.

Mrs. Cresswell sat down limply. She saw ruin ahead--to think of a black girl taking a prize at an all-Southern art exhibit! But there was still a chance, and she leaped to action. This colored woman was doubtless some poor deserving creature. She would call on her immediately, and by an offer of abundant help induce her to withdraw quietly.

Entering her motor, she drove near the address and then proceeded on foot. The street was a prominent one, the block one of the best, the house almost pretentious. She glanced at her memorandum again to see if she was mistaken. Perhaps the woman was a domestic; probably she was, for the name on the door was Stillings. It occurred to her that she had heard that name before--but where? She looked again at her memorandum and at the house.

She rang the bell, asking the trim black maid: "Is there a person named Caroline Wynn living in this house?"

The girl smiled and hesitated.

"Yes, ma'am," she finally replied. "Won't you come in?" She was shown into the parlor, where she sat down. The room was most interesting, furnished in unimpeachable taste. A few good pictures were on the walls, and Mrs. Cresswell was examining one when she heard the swish of silken skirts. A lady with gold brown face and straight hair stood before her with pleasant smile. Where had Mrs. Cresswell seen her before? She tried to remember, but could not.

"You wished to see--Caroline Wynn?"

"Yes."

"What can I do for you?"

Mrs. Cresswell groped for her proper cue, but the brown lady merely offered a chair and sat down silently. Mrs. Cresswell's perplexity increased. She had been planning to descend graciously but authoritatively upon some shrinking girl, but this woman not only seemed to a.s.sume equality but actually looked it. From a rapid survey, Mrs.

Cresswell saw a black silk stocking, a bit of lace, a tailor-made gown, and a head with two full black eyes that waited in calmly polite expectancy.

Something had to be said.

"I--er--came; that is, I believe you sent a group to the art exhibit?"

"Yes."

"It was good--very good."

Miss Wynn said nothing, but sat calmly looking at her visitor. Mrs.

Cresswell felt irritated.

"Of course," she managed to continue, "we are very sorry that we cannot receive it."

"Indeed? I understood it had taken the first prize."

Mrs. Cresswell was aghast. Who had rushed the news to this woman? She realized that there were depths to this matter that she did not understand and her irritation increased.

"You know that we could not give the prize to a--Negro."

"Why not?"

"That is quite immaterial. Social equality cannot be forced. At the same time I recognize the injustice, and I have come to say that if you will withdraw your exhibit you will be given a scholarship in a Boston school."

"I do not wish it."

"Well, what do you want?"

"I was not aware that I had asked for anything."

Mrs. Cresswell felt herself getting angry.

"Why did you send your exhibit when you knew it was not wanted?"

"Because you asked me to."

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The Quest of the Silver Fleece Part 62 summary

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