The Prisoner Part 62

"Who told you that?" flashed Esther. She had forgotten her patient calm.

"I told her," said Madame Beattie. "Don't be jealous, Esther. Jeff never would have told her in the world. He's as dumb as a fish."

"And so he could say to you," Lydia went on breathlessly, "'Here's the horrid thing. And now you've got it I don't owe you money but'"--here one of her legal inspirations came to her and she added triumphantly--"'if anything, you owe me.'"

"You're a good imp," said Madame Beattie, in careless commendation, "but if everybody told the truth as you do there wouldn't be any drama. Now I'm going to tell the truth. This is just what I propose doing, and what I mean somebody else shall do. I've got the necklace. Good! But I don't want it. I want money."

"I have told you," said Jeff, "to sell it. If it's worth what you say--"

"I have told you," said Madame Beattie, "that I can't. It is a question of honour," she ended somewhat pompously. Yet it was only a dramatic pomposity. Jeff saw that. "When it was given me by a certain Royal Personage," she continued and Jeff swore under his breath. He was tired of the Royal Personage--"I signed an agreement that the necklace should be preserved intact and that I would never let it go into other hands.

We've been all over that."

Jeff moved uneasily in his chair. He thought there were things he might say to Madame Beattie if the others were not present.

"But," said Madame Beattie dramatically, "Esther stole it. Lydia here, from the sweetest and most ridiculous of motives, stole it from Esther.

n.o.body knows that but us three and that cold-blooded fish, Alston Choate. He won't tell. But unless Jeff--you, Jeff dear--unless Jeff makes himself responsible for my future, I propose to tell the whole story of the necklace in print and make these two young women wish I hadn't. Better protect them, Jeff. Better make yourself responsible for Aunt Patricia."

"You propose telling it in print," said Jeff slowly. "You said so yesterday. But I ought to have warned you then that Weedon Moore won't print it--not after I've seen him. He knows I'd wring his neck."

"There are plenty of channels," said Madame Beattie, with an unmoved authority. "Journals here, journals abroad. Why, Jeff!" suddenly her voice rose in a shrill note and startled them. Her face convulsed and a deeper hue ran into it. "I'm a personage, Jeff. The world is my friend.

You seem to think because I've lost my voice I'm not Patricia Beattie.

But I am. I am Patricia Beattie. And I have power."

Lydia made a movement toward her and laid her hands together, impetuously, in applause. Whether Madame Beattie were willing, as it had seemed a second ago, to sacrifice her for the sake of squeezing money out of Jeff, she did not care. Something dramatic in her discerned its like in the other woman and responded. But Jeff, startled for an instant, felt only the brutal impulse to tell Madame Beattie if the world were so much her friend, it might support her. And here appeared the last person any of them desired to see if they were to fight matters to a finish: the colonel in his morning calm, his finger, even so early, between the leaves of a book. As the year had waned and there was not so much outside work to do he had betaken himself to his gentler pursuits, and in the renewed health of his muscles felt himself a better man. He had his turn of being startled, there was no doubt of that.

Esther here! his eyes were all for her. It meant something significant, they seemed to say. Why, except for an emphatic reason, should she, after this absence, have come to Jeff? He even seemed to be ignoring Madame Beattie as he stepped forward to Esther, with outstretched hand.

There was a welcome in his manner, a pleasure it smote Lydia's heart to see. She knew what the scene meant to him: some shadowy renewal of the old certainties that had made Jeff's life like other men's. For an instant under the spell of the colonel's belief, she saw Jeff going back and loving Esther as if the break had never been. It seemed incredible that any one could look at her as the colonel was looking now, with warmth, even with grat.i.tude, after she had been so hateful. And Esther was receiving it all with the prettiest grace. She might even have been pinning the olive leaf into her dress.

"Well," said he. "Well!"

Lydia was maliciously glad that even he could find nothing more to say.

"What a pleasant morning," he ended lamely yet safely, and conceived the brilliant addition, "You'll stay to dinner." As he said it he was conscious, too late, that dinner was several hours away. And meantime Esther stood and looked up in his eyes with an expression for which Lydia at once mentally found a name: soulful, that was what it was, she viciously decided.

Madame Beattie gave a little ironic crow of laughter.

"Sit down, Esther," she said, "and let Mr. Blake shake hands with me.

No, I can't stay to dinner. Esther may, if she likes, but I've business on my hands. It's with that dirty little man Jeff's got such a prejudice against."

"Not Weedon Moore," conjectured the colonel. "If you've any law business, Madame Beattie, you'd far better go to Alston Choate. Moore's no kind of a man."

"He's the right kind for me," said Madame Beattie. "No manners, no traditions, no scruples. It's a dirty job I've got for him, and it takes a dirty man to do it."

She had risen now, and was smiling placidly up at the colonel. He frowned at her, involuntarily. He was ready to accept Madame Beattie's knowing neither good nor evil, but she seemed to him singularly unpleasant in flaunting that lack of bias. She was quite conscious of his distaste, but it didn't trouble her. Unproductive opinions were nothing to her now, especially in Addington.

"You're not going, too," said the colonel, as Esther rose and followed her. "I hoped--" But what he hoped he kept himself from saying.

"I must," said Esther, with a little deprecatory look and another significant one at Madame Beattie's back. "Good-bye."

She threw Lydia, in her scornful silence there in the background, a smile and nod.

"But--" the colonel began. Again he had to stop. How could he ask her to come again when he was in the dark about her reason for coming at all?

"I have to go," she said. "I really have to, this time."

Meantime Jeff, handing Madame Beattie into the carriage, had had his word with her.

"You'll do nothing until I see you."

"If you see me moderately soon," said Madame Beattie pleasantly.

"Esther, are you coming?"

"No," said Esther, with a scrupulous politeness. "No, thank you. I shall walk."

But before she went, and well in the rear of the carriage, so that even Denny should not see, she gave Jeff one look, a suffused, appealing look that bade him remember how unhappy she was, how unprotected and, most of all, how feminine. She and the carriage also had in the next instant gone, and Jeff went stolidly back up the steps. There was sweat on his forehead and he drew his breath like a man dead-tired.

"My son," began the colonel.

"Don't," said Jeff shortly. He knew what his father would like to do: ask, in the sincerest sympathy, why Esther had come, discuss it and decide with him whether she was to come again and stay, whether it would be ill or well for him. The red mounted to the colonel's forehead, and Jeff put a hand on his shoulder. He couldn't help remembering that his father had called him "son" in a poignancy of sympathy all through the trials of the past, and it hurt to hear it now. It linked that time with this, as Madame Beattie, in her unabashed self-seeking, linked it.

Perhaps he was never to escape. A prisoner, that was what he was. They were all prisoners, Madame Beattie to her squalid love of gain, Esther to her elementary love of herself, Lydia--he looked at her as she stood still in the background like a handmaid waiting. Why, Lydia was a prisoner, as he had thought before, only not, as he had believed then, to the glamour of love, but love, actual love for him, the kind that stands the stress of all the homely services and disillusioning. A smile broke over his face, and Lydia, incredulously accepting it, gave a little sob that couldn't be prevented in time, and took one dancing step. She ran up to the colonel, and pulled him away from Jeff. It seemed as if she were about to make him dance, too.

"Don't bother him, Farvie," said she. "He's out of prison! he's out of prison!"

She had said it, the cruel word, and Jeff knew she could not possibly have ventured it if she did not see in him something fortunate and free.

x.x.xIII

"Jeff!" said the colonel. Esther's coming seemed so portentous that he could not brook imperfect knowledge of it. "Jeff, did Esther come to--"

He paused there. What could Esther, in the circ.u.mstances, do? Make advances? Ask to be forgiven?

But Jeff was meeting the half question comprehensively.

"I don't quite know what she came for."

"Couldn't you have persuaded her," said the colonel, hesitating, "to stay?"

"No," said Jeff. "Esther doesn't want to stay. We mustn't think of that."

"I am sorry," said the colonel, and Lydia understood him perfectly. He was not sorry Esther had gone. But he was sorry the whole business had been so muddled from the start, and that Jeff's life could not have moved on like Addington lives in general: placid, all of a piece. Lydia thought this yearning of his for the complete and perfect was because he was old. She felt quite capable of taking Jeff's life as it was, and fitting it together in a striking pattern.

"Come in, Farvie," she said. "You haven't corrected Mary Nellen's translation."

Jeff was being left alone for his own good, and he smiled after the kind little schemer, before he took his hat and went down town to find Weedon Moore. As he went, withdrawn into a solitariness of his own, so that he only absently answered the bows of those he met, he thought curiously about his own life. And he was thinking as his father had: his life was not of a pattern. It was a succession of disjointed happenings. There was the first wild frothing of the yeast of youth. There was the nemesis who didn't like youth to make such a fool of itself. She had to throw him into prison. While he was there he had actually seemed to do things that affected prison discipline. He was mentioned outside. He was even, because he could write, absurdly pardoned. It had seemed to him then desirable to write the life of a gentleman criminal, but in that he had quite lost interest. Then he had had his great idea of liberty: the freedom of the will that saved men from being prisoners. But the squalid tasks remained to him even while he bragged of being free: to warn Moore away from meddling with women's names, no matter how Madame Beattie might invite him to do her malicious will, to warn Madame Beattie even, in some fashion, and to protect Lydia. Of Esther he could not think, save in a tiring, bewildered way. She seemed, from the old habit of possession justified by a social tie, somehow a part of him, a burden of which he could never rid himself and therefore to be borne patiently, since he could not know whether the burden were actually his or not. And he began to be conscious after that morning when Esther had looked at him with primitive woman's summons to the protecting male that Esther was calling him. Sometimes it actually tired him as if he were running in answer to the call, whether toward it or away from it he could not tell. All the paths were mazes and the lines of them bewildering to his eyes. He would wake in the night and wish there were one straight path.

If he could have known that at this time Reardon and Alston Choate had also, in differing ways, this same consciousness of Esther's calling it could not have surprised him. He would not have known, in his own turmoil, whether to urge them to go or not to go. Esther did not seem to him a disturbing force, only a disconcerting one. You might have to meet it to have done with it.