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The Prisoner Part 58

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"I know what you're thinking," he said, when Alston stopped, with a last splutter, and wiped his eyes. "You're thinking, between us we've broken all the codes. I have vilified my wife. I've warned you against her and you haven't resented it. It shows the value of extreme common-sense in affairs of the heart. It shows also that I haven't an illusion left about Esther, and that you haven't either. And if we say another word about it we shall have to get up and fight, to save our self-respect."

So Alston did now light his cigarette and they went on smoking. They talked about the boys at their game and only when the players came down to the scow, presumably to push over and buy doughnuts of Ma'am Fowler, did they get up to go. As they turned away from the scene of boyish intimacies, involuntarily they stiffened into another manner; there was even some implication of mutual dislike in it, of guardedness, one against the other. But when they parted at the corner of the street Alston, out of his perplexity, ventured a question.

"I should be very glad to be told if, as you say, you took the necklace out of Esther's bag, why you took it."

"Sorry," said Jeff. "You deserve to be told the whole business. But you can't be."

So he went home, knowing he was going to an inquiring Lydia. And how would an exalted common-sense work if presented to Lydia? He thought of it all the way. How would it do if, in these big crises of the heart, men and women actually told each other what they thought? It was not the way of nature as she stood by their side prompting them to their most picturesque att.i.tude, that her work might be accomplished, saying to the man, "Prove yourself a devil of a fellow because the girl desires a hero," and to the girl, "Be modesty and gentleness ineffable because that is the complexion a hero loves." And the man actually believes he is a hero and the girl doesn't know she is hiding herself behind a veil too dazzling to let him see her as she is. How would it be if they outwitted nature at her little game and gave each other the fealty of blood brothers, the interchange of the true word?

Lydia came to the supper table with the rest. She was rather quiet and absorbed and not especially alive to Jeff's coming in. No quick glance questioned him about the state of things as he had left them. But after supper she lingered behind the others and asked him directly:

"Couldn't we go out somewhere and talk?"

"Yes," said he. "We could walk down to the river."

They started at once, and Anne, seeing them go, sighed deeply. Lydia was shut away from her lately. Anne missed her.

Lydia and Jeff went down the narrow path at the back of the house, a path that had never, so persistent was it, got quite grown over in the years when the maiden ladies lived here. Perhaps boys had kept it alive, running that way. At the foot and on the river bank were bushes, alder and a wilderness of small trees bound by wild grape-vines into a wall.

Through these Lydia led the way to the fallen birch by the waterside.

She turned and faced Jeffrey in the gathering dusk. He fancied her face looked paler than it should.

"Does she know it?" asked Lydia.

"Who?"

"Esther. Does she know I stole it out of the bag?"

"Yes," said Jeff. Suddenly he determined to tell the truth to Lydia. She looked worthy of it. He wouldn't save her pain that belonged to the tangle where they groped. He and she would share the pain together. "She guessed it. n.o.body told her she was right."

"Then," said Lydia, "I must go away."

"Go away?"

"To save Farvie and Anne. They mustn't know it. I wanted to go this afternoon, just as soon as you took the necklace away from me and I realised what people would say. But I knew that would be silly. People can't run away and leave notes behind. But I can tell Anne I want to go to New York and get pupils. And I could get them. I can do housework, too."

She was an absolutely composed Lydia. She had forestalled him in her colossal common-sense.

"But, Lydia," said he, "you don't need to. Madame Beattie has her necklace. I gave it back into her hand. I daresay the old harpy will want hush money, but that's not your business. It's mine. I can't give her any if I would, and she knows it. She'll simply light here like a bird of prey for a while and harry me for money to shield Esther, to shield you, and when she finds she can't get it she'll sail peacefully off."

"Madame Beattie wouldn't do anything hateful to me," said Lydia.

"Oh, yes, she would, if she could get an income out of it. She wouldn't mean to be hateful. That night-hawk isn't hateful when it spears a mole."

"Do you mean," said Lydia, "that just because Madame Beattie has her necklace back, they couldn't arrest me? Because if they could I've certainly got to go away. I can't kill Farvie and Anne."

"n.o.body will arrest anybody," said Jeff. "You are absolutely out of it.

And you must keep your mouth tight and stay out."

"But you said Esther knew I did it."

"She guessed. Let her keep on guessing. Let Madame Beattie keep on. I have told them I did it and I shall keep on telling them so."

Lydia turned upon him.

"You told them that? Oh, I can't have it. I won't. I shall go to them at once."

She had even turned to fly to them.

"No," said Jeff. "Stay here, Lydia. That d.a.m.nable necklace has made trouble enough. It goes slipping through our lives like a detestable snake, and now it's stopped with its original owner, I propose it shall stay stopped. It's like a property in a play. It goes about from hand to hand to hand, to bring out something in the play. And after all the play isn't about the necklace. It's about us--us--you and Esther and Choate and Madame Beattie and me. It's betraying us to ourselves. If it hadn't been for the necklace in the first place and Esther's coveting it, I might have been a greasy citizen of Addington instead of a queer half labourer and half loafer; my father wouldn't have lost his nerve, Choate wouldn't have been in love with Esther, and you wouldn't have been doing divine childish things to bail me out of my destiny."

Lydia selected from this the fact that hit her hardest.

"Is Alston Choate in love with Esther?"

"He thinks he is."

"Then I must tell Anne."

"For G.o.d's sake, no! Lydia, I'm talking to you down here in the dusk as if you were the sky or that star up there. The star doesn't tell."

"But Anne worships him."

"Do you mean she's in love with Choate?"

"No," said Lydia, "I don't mean that. I mean she thinks he's the most beautiful person she ever saw."

"Then let her keep on thinking so," said Jeff. "And sometime he'll think that of her."

Lydia was indignant.

"If you think Anne----" she began, and he stopped her.

"No, no. Anne is a young angel. Only a feeling of that kind--Lydia, I am furious because I can't talk to you as I want to."

"Why can't you?" asked Lydia.

"Because it isn't possible, between men and women. Unless they've got a right to. Unless they can throw even their shams and vanities away, and live in each other's minds. I am married to Esther. If I tell you I won't ask you into my mind because I am married to her you'll think I am a hero. And if I do ask you in, you'll come--for you are very brave--and you'll see things I don't want you to see."

"You mean," said Lydia, "see that you know I am in love with you. Well, I'm not, Jeff, not in the way people talk about. Not that way."

His quick sense of her meanings supplied what she did not say: not Esther's way. She scorned that, with a youthful scorn, the feline domination of Esther. If that was being in love she would have none of it. But Jeff was not actually thinking of her. He was listening to some voice inside himself, an interrogatory voice, an irresponsible one, not warning him but telling him:

"You do care. You care about Lydia. That's what you're facing--love--love of Lydia."

It was disconcerting. It was the last thing for a man held by the leg in several ways to contemplate. And yet there it was. He had entered again into youth and was rushing along on the river that buoys up even a leaf for a time and feels so strong against the leaf's frail texture that every voyaging fibre trusts it joyously. The summer air felt sweet to him. There were wild perfumes in it and the smell of water and of earth.

"Lydia!" he said, and again he spoke her name.

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The Prisoner Part 58 summary

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