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The Prisoner Part 41

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"Politics," said Lydia.

Jeffrey broke out into a laugh.

"Oh, come off!" said he. "Politics. Not much you don't."

Lydia laughed, too, in a sudden relief and pleasure. She didn't like her lie, it seemed.

"No," said she, "we don't. But I tell Anne if people ask questions it's at their own risk. They must take what they get."

"Anne wouldn't tell a lie," said Jeffrey.

She flared up at him.

"I wouldn't either. I never do. You took me by surprise."

"Does Madame Beattie talk to you about her life abroad?"

He ventured this. But she was gazing at him in the clearest candour.

"Oh, no." "About what, Lydia? Tell me. It bothers me."

"Did Miss Amabel bother you?" The charming face was fiery.

"I don't need Amabel to tell me you're taking long drives with Madame Beattie. She's a battered old party, Lydia. She's seen lots of things you don't want even to hear about."

She was gazing at him now in quite a dignified surprise.

"If you mean things that are not nice," she said, "I shouldn't listen to them. But she wouldn't want me to. Madame Beattie is--" She saw no adequate way to put it.

But Jeffrey understood her. He, too, believed Madame Beattie had a decency of her own.

"Never mind," said he. "Only I want to keep you as you are. So would father. And Anne."

Lydia sat straight in her chair, her cheeks scarlet from excitement, her eyes speaking with the full power of their limpid beauty. What if she were to tell him how they talked of Esther and her cruelty, and of him and his misfortunes, and of the need of his at once setting out to reconstruct his life? But it would not do. This youth here astride the chair didn't seem like the Jeff who was woven into all she could imagine of tragedy and pain. He looked like the Jeff she had heard the colonel tell about, who had been reckless and impulsive and splendid, and had been believed in always and then had grown up into a man who made and lost money and was punished for it. He was speaking now in his new coaxing voice.

"There's one thing you could tell me. That wouldn't do any harm."

"What?" asked Lydia.

"Your old crony must have mentioned the night we ran away with Weedon Moore's automobile."

"Oh, yes," said Lydia. Her eyes were eloquent now. "She told me."

"Did she tell you what she said to Weedon's crowd, to turn them round like a flock of sheep and bring them over to us?"

"Oh, yes, she told me."

"What was it?"

But Lydia again looked obstinate, though she ventured a little plea of her own.

"Jeff, you must go into politics."

"Not on your life."

"The way is all prepared."

"Who prepared it? Madame Beattie?"

"You are going," said Lydia, this irrepressibly and against her judgment, "to be the most popular man in Addington."

"Gammon!" This he didn't think very much of. If this was how Lydia and Madame Beattie spent their hours of talk, let them, the innocents. It did n.o.body harm. But he was still conscious of a strong desire: to protect Lydia, in her child's innocence, from evil. He wondered if she were not busy enough, that she had time to take up Madame Beattie. Yet she and Anne seemed as industrious as little ants.

"Lydia," said he, "what if I should have an Italian fruit-seller come up here to the house and teach Italian to you and me--and maybe Anne?"

"Andrea?" she asked.

"Do you know him?"

"Madame Beattie does." She coloured slightly, as if all Madame Beattie's little secrets were to be guarded.

"We'll have him up here if he'll come, and we'll learn to pa.s.s the bread in Italian. Shall we?"

"I'd love to," said Lydia. "We're learning now, Anne and I."

"Of Andrea?"

"Oh, no. But we're picking up words as fast as we can, all kinds of dialects. From the cla.s.ses, you know, Miss Amabel's cla.s.ses. It's ridiculous to be seeing these foreigners twice a week and not understand them or not have them half understand us."

"It's ridiculous anyway," said Jeffrey absently. He was regarding the shine on Lydia's brown hair. "What's the use of Addington's being overrun with Italy and Greece and Poland and Russia? We could get men enough to work in the shops, good straight stock."

"Well," said Lydia conclusively, "we've got them now. They're here. So we might as well learn to understand them and make them understand us."

Jeff smiled at her, the little soft young thing who seemed so practical.

Lydia looked like a child, but she spoke like the calm house mother who had had quartered on her a larger family than the house would hold and yet knew the invaders must be accommodated in decent comfort somewhere.

He sat there and stared at her until she grew red and fidgety. He seemed to be questioning something in her inner mind.

"What is it?" she asked.

"Nothing," said Jeff, and got up and went away to his own room. He had been thinking of her clear beauties of simple youthful outline and pure restraints, and wondering why the world wasn't made so that he could take her little brown hand in his and walk off with her and sit all day on a piney bank and listen to birds and find out what she thought about the prettiness of things. She was not his sister, she was not his child, though the child in her so persuaded him; and in spite of the dewy memory of her kiss she could not be his love. Yet she was most dear to him.

He threw himself down on the sofa and clasped his hands under his head, and he laughed suddenly because he was taking refuge in the thought of Esther. That Esther had become sanctuary from his thoughts of Lydia was an ironic fact indeed, enough to make mirth crack its cheeks. But since he was bound to Esther, the more he thought of her the better. He was not consciously comparing them, the child Lydia and the equipped siren, to Esther's harm. Only he knew at last what Esther was. She was Circe on her island. Its lights hung high above the wave, the sound of its music beat across the foam. Reardon heard the music; so did Alston Choate.

Jeffrey knew that, in the one time he had heard Choate speak of her, a time when he had been in a way compelled to; and though it was the simplest commonplace, something new was beating in his voice. Choate had heard Esther's music, he had seen the dancing lights, and Esther had been willing he and all men should. There was no mariner who sailed the seas so insignificant as not to be hailed by Esther. That was the trouble. Circe's isle was there, and she was glad they knew it. Jeffrey did not go so far as to think she wanted inevitably to turn them into beasts, but he knew she was virtually telling them she had the power.

That had been one of the first horrors of his disenchantment, when she had placed herself far enough away from him by neither writing to him nor visiting him; then he had seen her outside the glamour of her presence. Once he had been proud when the eyes of all men followed her.

That was in the day of his l.u.s.t for power and life, when her empery seemed equal in degree to his. Something brutal used to come up in him when men looked boldly at her, and while he wanted to quench the a.s.sault of their hot eyes it was always with the equal brutality: "She's mine."

That was while he thought she walked unconscious of the insult. But when he knew she called it tribute, a rage more just than jealousy came up in him, and he hated something in her as he hated the men desiring her.

Yet now the thought of her was his refuge. She was not his, but he was hers to the end of earthly time. There was no task for him to do but somehow to shield Lydia from the welling of her wonderful devotion to him. If Esther was Circe on her island, Lydia was the nymph in a clear mountain brook of some undiscovered wood where the birds came to bathe, but no hoof had ever muddied the streams. If she had, out of her hero-worship, conceived a pa.s.sion for him, he had an equal pa.s.sion for her, of protectingness and sad certainty that he could do no better than ensure her distance from him.

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The Prisoner Part 41 summary

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