The Primadonna Part 5

She smiled.

'I'm not trying to get confidences from you. But really, that is very vague. You must surely know whether you have only one, or whether there is another. I'm not suggesting myself as a third, either!'

'Perhaps I'm over-cautious,' Griggs said. 'It does not matter. You began by saying that you wished you knew me better. You meant that if you did, you would either tell me something which you don't tell everybody, or you would come to me for advice about something, or you would ask me to do something for you. Is that it?'

'I suppose so.'

'It was not very hard to guess. I'll answer the three cases. If you want to tell me a secret, don't. If you want advice without telling everything about the case, it will be worthless. But if there is anything I can do for you, I'll do it if I can, and I won't ask any questions.'

'That's kind and sensible,' Margaret answered. 'And I should not be in the least afraid to tell you anything. You would not repeat it.'

'No, certainly not. But some day, unless we became real friends, you would think that I might, and then you would be very sorry.'

A short pause followed.

'We are moving,' Margaret said, glancing at the iron doors again.

'Yes, we are off.'

There was another pause. Then Margaret stood upright and turned her face to her companion. She did not remember that she had ever looked steadily into his eyes since she had known him.

They were grey and rather deeply set under grizzled eyebrows that were growing thick and rough with advancing years, and they met hers quietly. She knew at once that she could bear their scrutiny for any length of time without blushing or feeling nervous, though there was something in them that was stronger than she.

'It's this,' she said at last, as if she had been talking and had reached a conclusion. 'I'm alone, and I'm a little frightened.'

'You?' Griggs smiled rather incredulously.

'Yes. Of course I'm used to travelling without any one and taking care of myself. Singers and actresses are just like men in that, and it did not occur to me this morning that this trip could be different from any other.'

'No. Why should it be so different? I don't understand.'

'You said you would do something for me without asking questions. Will you?'

'If I can.'

'Keep Mr. Van Torp away from me during the voyage. I mean, as much as you can without being openly rude. Have my chair put next to some other woman's and your own on my other side. Do you mind doing that?'

Griggs smiled.

'No,' he said, 'I don't mind.'

'And if I am walking on deck and he joins me, come and walk beside me too. Will you? Are you quite sure you don't mind?'

'Yes.' He was still smiling. 'I'm quite certain that I don't dislike the idea.'

'I wish I were sure of being seasick,' Margaret said thoughtfully.

'It's bad for the voice, but it would be a great resource.'

'As a resource, I shall try to be a good subst.i.tute for it,' said Griggs.

Margaret realised what she had said and laughed.

'But it is no laughing matter,' she answered, her face growing grave again after a moment.

Griggs had promised not to ask questions, and he expressed no curiosity.

'As soon as you go below I'll see about the chair,' he said.

'My cabin is on this deck,' Margaret answered. 'I believe I have a tiny little sitting-room, too. It's what they call a suite in their magnificent language, and the photographs in the advertis.e.m.e.nts make it look like a palatial apartment!'

She left the rail as she spoke, and found her own door on the same side of the ship, not very far away.

'Here it is,' she said. 'Thank you very much.'

She looked into his eyes again for an instant and went in.

She had forgotten Signor Stromboli and what he had said, for her thoughts had been busy with a graver matter, but she smiled when she saw the big bunch of dark red carnations in a water-jug on the table, and the little cylinder-shaped parcel which certainly contained a dozen little boxes of the chocolate 'oublies' she liked, and the telegram, with its impersonal-looking address, waiting to be opened by her after having been opened, read, and sealed again by her thoughtful maids. Such trifles as the latter circ.u.mstance did not disturb her in the least, for though she was only a young woman of four and twenty, a singer and a musician, she had a philosophical mind, and considered that if virtue has nothing to do with the greatness of princes, moral worth need not be a clever lady's-maid's strong point.

'Tom' was her old friend Edmund Lushington, one of the most distinguished of the younger writers of the day. He was the only son of the celebrated soprano, Madame Bonanni, now retired from the stage, by her marriage with an English gentleman of the name of Goodyear, and he had been christened Thomas. But his mother had got his name and surname legally changed when he was a child, thinking that it would be a disadvantage to him to be known as her son, as indeed it might have been at first; even now the world did not know the truth about his birth, but it would not have cared, since he had won his own way.

Margaret meant to marry him if she married at all, for he had been faithful in his devotion to her nearly three years; and his rivalry with Constantine Logotheti, her other serious adorer, had brought some complications into her life. But on mature reflection she was sure that she did not wish to marry any one for the present. So many of her fellow-singers had married young and married often, evidently following the advice of a great American humorist, and mostly with disastrous consequences, that Margaret preferred to be an exception, and to marry late if at all.

In the glaring light of the twentieth century it at last clearly appears that marriageable young women have always looked upon marriage as the chief means of escape from the abject slavery and humiliating dependence hitherto imposed upon virgins between fifteen and fifty years old. Shakespeare lacked the courage to write the 'Seven Ages of Woman,' a matter the more to be regretted as no other writer has ever possessed enough command of the English language to describe more than three out of the seven without giving offence: namely, youth, which lasts from sixteen to twenty; perfection, which begins at twenty and lasts till further notice; and old age, which women generally place beyond seventy, though some, whose strength is not all sorrow and weakness even then, do not reach it till much later. If Shakespeare had dared he would have described with poetic fire the age of the girl who never marries. But this is a digression. The point is that the truth about marriage is out, since the modern spinster has shown the sisterhood how to live, and an amazing number of women look upon wedlock as a foolish thing, vainly imagined, never necessary, and rarely amusing.

The state of perpetual unsanctified virginity, however, is not for poor girls, nor for operatic singers, nor for kings' daughters, none of whom, for various reasons, can live, or are allowed to live, without husbands. Unless she be a hunchback, an unmarried royal princess is almost as great an exception as a white raven or a cat without a tail; a primadonna without a husband alive, dead, or divorced, is hardly more common; and poor girls marry to live. But give a modern young woman a decent social position, with enough money for her wants and an average dose of a.s.surance, and she becomes so fastidious in the choice of a mate that no man is good enough for her till she is too old to be good enough for any man. Even then the chances are that she will not deeply regret her lost opportunities, and though her married friends will tell her that she has made a mistake, half of them will envy her in secret, the other half will not pity her much, and all will ask her to their dinner-parties, because a woman without a husband is such a convenience.

In respect to her art Margarita da Cordova was in all ways a thorough artist, endowed with the gifts, animated by the feelings, and afflicted with the failings that usually make up an artistic nature.

But Margaret Donne was a sound and healthy English girl who had been brought up in the right way by a very refined and cultivated father and mother who loved her devotedly. If they had lived she would not have gone upon the stage; for as her mother's friend Mrs. Rushmore had often told her, the mere thought of such a life for their daughter would have broken their hearts. She was a grown woman now, and high on the wave of increasing success and celebrity, but she still had a childish misgiving that she had disobeyed her parents and done something very wrong, just as when she had surrept.i.tiously got into the jam cupboard at the age of five.

Yet there are old-fashioned people alive even now who might think that there was less harm in becoming a public singer than in keeping Edmund Lushington dangling on a string for two years and more. Those things are matters of opinion. Margaret would have answered that if he dangled it was his misfortune and not her fault, since she never, in her own opinion, had done anything to keep him, and would not have been broken-hearted if he had gone away, though she would have missed his friendship very much. Of the two, the man who had disturbed her maiden peace of mind was Logotheti, whom she feared and sometimes hated, but who had an inexplicable power over her when they met: the sort of fateful influence which honest Britons commonly ascribe to all foreigners with black hair, good teeth, diamond studs, and the other outward signs of wickedness. Twice, at least, Logotheti had behaved in a manner positively alarming, and on the second occasion he had very nearly succeeded in carrying her off bodily from the theatre to his yacht, a fate from which Lushington and his mother had been instrumental in saving her. Such doings were shockingly lawless, but they showed a degree of recklessly pa.s.sionate admiration which was flattering from a young financier who was so popular with women that he found it infinitely easier to please than to be pleased.

Perhaps, if Logotheti could have put on a little Anglo-Saxon coolness, Margaret might have married him by this time. Perhaps she would have married Lushington, if he could have suddenly been animated by a little Greek fire. As things stood, she told herself that she did not care to take a man who meant to be not only her master but her tyrant, nor one who seemed more inclined to be her slave than her master.

Meanwhile, however, it was the Englishman who kept himself constantly in mind with her by an unbroken chain of small attentions that often made her smile but sometimes really touched her. Any one could cable 'Pleasant voyage,' and sign the telegram 'Tom,' which gave it a friendly and encouraging look, because somehow 'Tom' is a cheerful, plucky little name, very unlike 'Edmund.' But it was quite another matter, being in England, to take the trouble to have carnations of just the right shade fresh on her cabin table at the moment of her sailing from New York, and beside them the only sort of chocolates she liked. That was more than a message, it was a visit, a presence, a real reaching out of hand to hand.

Logotheti, on the contrary, behaved as if he had forgotten Margaret's existence as soon as he was out of her sight; and they now no longer met often, but when they did he had a way of taking up the thread as if there had been no interval, which was almost as effective as his rival's method; for it produced the impression that he had been thinking of her only, and of nothing else in the world since the last meeting, and could never again give a thought to any other woman. This also was flattering. He never wrote to her, he never telegraphed good wishes for a journey or a performance, he never sent her so much as a flower; he acted as if he were really trying to forget her, as perhaps he was. But when they met, he was no sooner in the same room with her than she felt the old disturbing influence she feared and yet somehow desired in spite of herself, and much as she preferred the companionship of Lushington and liked his loyal straightforward ways, and admired his great talent, she felt that he paled and seemed less interesting beside the vivid personality of the Greek financier.

He was vivid; no other word expresses what he was, and if that one cannot properly be applied to a man, so much the worse for our language. His colouring was too handsome, his clothes were too good, his shoes were too shiny, his ties too surprising, and he not only wore diamonds and rubies, but very valuable ones. Yet he was not vulgarly gorgeous; he was Oriental. No one would say that a Chinese idol covered with gold and precious stones was overdressed, but it would be out of place in a Scotch kirk; the minister would be thrown into the shade and the congregation would look at the idol. In society, which nowadays is far from a chiaroscuro, everybody looked at Logotheti. If he had come from any place nearer than Constantinople people would have smiled and perhaps laughed at him; as it was, he was an exotic, and besides, he had the reputation of being dangerous to women's peace, and extremely awkward to meddle with in a quarrel.

Margaret sat some time in her little sitting-room reflecting on these things, for she knew that before many days were past she must meet her two adorers; and when she had thought enough about both, she gave orders to her maids about arranging her belongings. By and by she went to luncheon and found herself alone at some distance from the other pa.s.sengers, next to the captain's empty seat; but she was rather glad that her neighbours had not come to table, for she got what she wanted very quickly and had no reason for waiting after she had finished.

Then she took a book and went on deck again, and Alphonsine found her chair on the sunny side and installed her in it very comfortably and covered her up, and to her own surprise she felt that she was very sleepy; so that just as she was wondering why, she dozed off and began to dream that she was Isolde, on board of Tristan's ship, and that she was singing the part, though she had never sung it and probably never would.

When she opened her eyes again there was no land in sight, and the big steamer was going quietly with scarcely any roll. She looked aft and saw Paul Griggs leaning against the rail, smoking; and she turned her head the other way, and the chair next to her own on that side was occupied by a very pleasant-looking young woman who was sitting up straight and showing the pictures in a book to a beautiful little girl who stood beside her.

The lady had a very quiet healthy face and smooth brown hair, and was simply and sensibly dressed. Margaret at once decided that she was not the child's mother, nor an elder sister, but some one who had charge of her, though not exactly a governess. The child was about nine years old; she had a quant.i.ty of golden hair that waved naturally, and a spiritual face with deep violet eyes, a broad white forehead and a pathetic little mouth.

She examined each picture, and then looked up quickly at the lady, keeping her wide eyes fixed on the latter's face with an expression of watchful interest. The lady explained each picture to her, but in such a soft whisper that Margaret could not hear a sound. Yet the child evidently understood every word easily. It was natural to suppose that the lady spoke under her breath in order not to disturb Margaret while she was asleep.