The Pool in the Desert Part 24

She forgot, however, to fine Surnoo. The pad of his bare feet sounded along the veranda almost immediately, and the look in his Pahari eyes was that of expected reproach, and ability to defend himself against it.

He held out two letters at arm's-length, for as he was expected to bring only one there was a fault in this; and all his domestic traditions told him that he might be chastened. One was addressed to Madeline in Mrs.

Innes's handwriting; the other, she saw with astonishment, was her own communication to that lady, her own letter returned. Surnoo explained volubly all the way along the veranda, and in the flood of his unknown tongue Madeline caught a sentence or two.

'The memsahib was not,' said Surnoo. Clearly he could not deliver a letter to a memsahib who was not. 'Therefore,' Surnoo continued, 'I have brought back your honour's letter, and the other I had from the hand of the memsahib's runner, the runner with one eye, who was on the road to bring it here. More I do not know, but it appears that the memsahib has gone to her father and mother in Belaat, being very sorrowful because the Colonel-sahib has left her to shoot.'

'The letter will tell me,' said Madeline to herself, fingering it.

'Enough, Surnoo.'

The man went away, and Madeline closed and locked the door of her sitting-room. The letter would tell her--what? She glanced about her with dissatisfaction, and sought the greater privacy of her bedroom, where also she locked the door and drew the muslin curtain across the window. She laid the letter on the dressing-table and kept her eyes upon it while she unfastened, with trembling hands, the brooch at her neck and the belt at her waist. She did one or two other meaningless things, as if she wanted to gain time, to fortify her nerves even against an exhibition before herself.

Then she sat down with her back towards the light and opened the letter.

It had a pink look and a scented air. Even in her beating suspense Madeline held it a little farther away from her, as she unfolded it, and it ran:

'Dear Miss Anderson--What will you say, I wonder, and what will Simla say, when you know that Captain Drake and I have determined to DISREGARD CONVENTIONALITIES, and live henceforward only for one another! I am all packed up, and long before this meets your eye we shall have taken the step which society condemns, but which I have a feeling that you, knowing my storm-tossed history, will be broad-minded enough to sympathize with, at least to some extent. That is the reason I am writing to you rather than to any of my own chums, and also of course to have the satisfaction of telling you that I no longer care what you do about letting out the secret of my marriage to Frederick Prendergast. I am now ABOVE AND BEYOND IT. Any way you look at it, I do not see that I am much to blame. As I never have been Colonel Innes's wife there can be no harm in leaving him, though if he had ever been sympathetic, or understood me the LEAST LITTLE BIT, I might have felt bound to him. But he has never been able to evoke the finer parts of my nature, and when this is the case marriage is a mere miserable fleshly failure. You may say, "Why try it a third time?"--but my union with Val will be different. I have never been fond of the opposite s.e.x--so far as that goes I should have made a very good nun--but for a long time Valentine Drake has been the only man I cared to have come within a mile of me, and lately we have discovered that we are absolutely necessary to each other's existence on the higher plane. I don't care much what Simla thinks, but if you happen to be talking about it to dear Lady Bloomfield, you might just mention this. Val has eight hundred a year of his own, so it is perfectly practicable. Of course, he will send in his papers. WHATEVER HAPPENS, Val and I will never bind ourselves in any way. We both think it wrong and enslaving. I have nothing more to add, except that I am depending on you to explain to Simla that I never was Mrs. Innes.

'Yours sincerely,

'Violet Prendergast.

'P.S.--I have written to Horace, telling him everything about everything, and sent my letter off to him in the wilds by a runner. If you see him you might try and smooth him down. I don't want him coming after Val with a revolver.'

Madeline read this communication through twice. Then quietly and deliberately she lay down upon the bed, and drew herself out of the control of her heart by the hard labour of thought. When she rose, she had decided that there were only two things for her to do, and she began at once to do them, continuing her refuge in action. She threw her little rooms open again, and walked methodically round the outer one, collecting the odds and ends of Indian fabrics with which she had garnished it.

As the maid came in, she looked up from folding them.

'I have news, Brookes,' she said, 'that necessitates my going home at once. No, it is not bad news, but--important. I will go now and see about the tonga. We must start tomorrow morning.'

Brookes called Surnoo, and the rickshaw came round.

Madeline looked at her watch.

'The telegraph office,' she said; 'and as quickly as may be.'

As the runners panted over the Mall, up and down and on, Madeline said to herself, 'She shall have her chance. She shall choose.'

The four reeking Paharis pulled up at the telegraph office, and Madeline sped up the steps. There was a table, with forms printed 'Indian Telegraphs,' and the usual bottle of thickened ink and pair of rusty pens. She sat down to her intention as if she dared not let it cool; she wrote her message swiftly, she had worded it on the way.

'To Mrs. Innes, Dak Bungalow, Solon.

'From M. Anderson, Simla.

'Frederick Prendergast died on January 7th, at Sing Sing. Your letter considered confidential if you return. Prendergast left no will.

'M. Anderson.'

'Send this "urgent," Babu,' she said to the clerk, 'and repeat it to the railway station, Kalka. Shall I fill up another form? No? Very well.'

At the door she turned and came back.

'It is now eleven o'clock,' she said. 'The person I am telegraphing to is on her way down to get tonight's train at Kalka. I am hoping to catch her half-way at Solon. Do you think I can?'

'I think so, madam. Oyess! It is the custom to stop at Solon for tiffin.

The telegram can arrive there. All urgent telegram going very quick.'

'And in any case,' said Madeline, 'it can not fail to reach her at Kalka?'

'Not possible to fail, madam.'

'She will have her chance,' she said to herself, on her way to the post office to order her tonga. And with a little nauseated shudder at the thought of the letter in her pocket, she added, 'It is amazing. I should have thought her too good a woman of business!' After which she concentrated her whole attention upon the necessities of departure. Her single immediate apprehension was that Horace Innes might, by some magic of circ.u.mstances, be transported back into Simla before she could get out of it. That such a contingency was physically impossible made no difference to her nerves, and to the last Brookes was the hurrying victim of unnecessary promptings.

The little rambling hotel of Kalka, where the railway spreads out over the plains, raises its white-washed shelter under the very walls of the Himalayas. Madeline, just arrived, lay back in a long wicker chair on the veranda, and looked up at them as they mounted green and grey and silent under the beating of the first of the rains. Everywhere was a luxury of silence, the place was steeped in it, drowned in it. A feeding cow flicked an automatic tail under a tree. Near the low mud wall that strolled irresolutely between the house and the hills leaned a bush with a few single pink roses; their petals were floating down under the battering drops. A draggled bee tried to climb to a dry place on a pillar of the veranda. Above all, the hills, immediate, towering, all grey and green, solidly ideal, with phantasies of mist. Everything drippingly soft and silent. Suddenly the venetian blind that hung before the door of a bedroom farther on swayed out before a hand variously ringed to emit a lady in a pink lawn dress with apt embroideries.

Madeline's half-closed eyes opened very wide, and for an instant she and the lady, to whom I must once more refer as Mrs. Innes, confronted each other. Then Mrs. Innes's countenance expanded, and she took three or four light steps forward.

'Oh, you dear thing!' she exclaimed. 'I thought you were in Simla!

Imagine you being here! Do you know you have SAVED me!'

Madeline regarded her in silence, while a pallor spread over her face and lips, and her features grew sharp with a presage of pain.

'Have I?' she stammered. She could not think.

'Indeed you have. I don't know how to be grateful enough to you. Your telegram of yesterday reached me at Solon. We had just sat down to tiffin. Nothing will ever shake my faith in providence again! My dear, THINK of it--after all I've been through, my darling Val--and one hundred thousand pounds!'

'Well?'

'Well--I stayed behind there last night, and Val came on here and made the necessary arrangement, and--'

'Yes?'

'And we were married this morning. Good heavens! What's the matter with you! Here--oh, Brookes! Water, salts--anything!'

Brookes, I know, would think that I should dwell at greater length upon Miss Anderson's attack of faintness in Kalka, and the various measures which were resorted to for her succour, but perhaps the feelings and expedients of any really capable lady's-maid under the circ.u.mstances may be taken for granted. I feel more seriously called upon to explain that Colonel Horace Innes, shortly after these last events, took two years'

furlough to England, during which he made a very interesting tour in the United States with the lady with now bears his name by inalienable right. Captain and Mrs. Valentine Drake are getting the most that is to be had out of Frederick Prendergast's fortune with courage in London and the European capitals, where Mrs. Drake is sometimes mentioned as a lady with a romantic past. They have not returned to Simla, where the situation has never been properly understood. People always supposed that Mrs. Drake ran away that June morning with her present husband, who must have been tremendously fond of her to have married her 'after the divorce.' She is also occasionally mentioned in undertones as 'the first Mrs. Innes.' All of which we know to be quite erroneous, like most scandal.

Mrs. Mickie and Mrs. Gammidge, in retirement, are superintending the education of their children in Bedford, where it is cheap and practical.

They converse when they meet about the iniquitous prices of dressmakers and the degeneracy of the kind of cook obtainable in England at eighteen pounds a year. Mrs. Gammidge has grown rather portly and very ritualistic. They seldom speak of Simla, and when they do, if too reminiscent a spark appears in Mrs. Mickie's eye, Mrs. Gammidge changes the subject. Kitty Vesey still fills her dance cards at Viceregal functions, though people do not quote her as they used to, and subalterns imagine themselves vastly witty about her colour, which is unimpaired. People often commend her, however, for her good nature to debutantes, and it is admitted that she may still ride with credit in 'affinity stakes'--and occasionally win them.

4. The Pool in the Desert.

I knew Anna Chichele and Judy Harbottle so well, and they figured so vividly at one time against the rather empty landscape of life in a frontier station, that my affection for one of them used to seem little more, or less, than a variant upon my affection for the other. That recollection, however, bears examination badly; Judy was much the better sort, and it is Judy's part in it that draws me into telling the story.

Conveying Judy is what I tremble at: her part was simple. Looking back--and not so very far--her part has the relief of high comedy with the proximity of tears; but looking closely, I find that it is mostly Judy, and what she did is entirely second, in my untarnished picture, to what she was. Still I do not think I can dissuade myself from putting it down.

They would, of course, inevitably have found each other sooner or later, Mrs. Harbottle and Mrs. Chichele, but it was I who actually introduced them; my palmy veranda in Rawul Pindi; where the teacups used to a.s.semble, was the scene of it. I presided behind my samovar over the early formalities that were almost at once to drop from their friendship, like the sheath of some bursting flower. I deliberately brought them together, so the birth was not accidental, and my interest in it quite legitimately maternal. We always had tea in the veranda in Rawul Pindi, the drawing-room was painted blue, blue for thirty feet up to the whitewashed cotton ceiling; nothing of any value in the way of a human relation, I am sure, could have originated there. The veranda was s.p.a.cious and open, their mutual observation had room and freedom; I watched it to and fro. I had not long to wait for my reward; the beautiful candour I expected between them was not ten minutes in coming.

For the sake of it I had taken some trouble, but when I perceived it revealing I went and sat down beside Judy's husband, Robert Harbottle, and talked about Pharaoh's split hoof. It was only fair; and when next day I got their impressions of one another, I felt single-minded and deserving.

I knew it would be a satisfactory sort of thing to do, but perhaps it was rather more for Judy's sake than for Anna's that I did it. Mrs.