The Poisoned Pen Part 11

"You say the police haven't a single clue to any one who might be responsible for the fires?" I asked, hoping that perhaps the marshal might talk more freely of his suspicions to us than he had already expressed himself in the newspaper interviews I had read.

"Absolutely not a clue--except such as are ridiculous," replied McCormick, twisting his cap viciously.

No one spoke. We were waiting for McCormick to go on.

"The first fire," he began, repeating his story for my benefit, although Craig listened quite as attentively as if he had not heard it already, "was at the big store of Jones, Green leaders have been arrested, but I can't say we have anything against any of them. Still, Max Bloom, the manager of this company, insists that the fire was set for revenge, and indeed it looks as much like a fire for revenge as the Jones-Green fire does"--here he lowered his voice confidentially--"for the purpose of collecting insurance.

"Then came the fire in the Slawson Building, a new loft-building that had been erected just off Fourth Avenue. Other than the fact that the Stacey interests put up the money for financing this building there seemed to be no reason for that fire at all. The building was reputed to be earning a good return on the investment, and I was at a loss to account for the fire. I have made no arrests for it--just set it down as the work of a pure pyromaniac, a man who burns buildings for fun, a man with an inordinate desire to hear the fire-engines screech through the streets and perhaps get a chance to show a little heroism in 'rescuing' tenants. However, the adjuster for the insurance company, Lazard, and the adjuster for the insured, Hartstein, have reached an agreement, and I believe the insurance is to be paid."

"But," interposed Kennedy, "I see no evidence of organised arson so far."

"Wait," replied the fire marshal. "That was only the beginning, you understand. A little later came a fire that looked quite like an attempt to mask a robbery by burning the building afterward. That was in a silk-house near Spring Street. But after a controversy the adjusters have reached an agreement on that case. I mention these fires because they show practically all the types of work of the various kinds of firebug--insurance, revenge, robbery, and plain insanity. But since the Spring Street fire, the character of the fires has been more uniform. They have all been in business places, or nearly all."

Here the fire marshal launched forth into a catalogue of fires of suspected incendiary origin, at least eight in all. I took them down hastily, intending to use the list some time in a box head with an article in the Star. When he had finished his list I hastily counted up the number of killed. There were six, two of them firemen, and four employees. The money loss ranged into the millions.

McCormick pa.s.sed his hand over his forehead to brush off the perspiration. "I guess this thing has got on my nerves," he muttered hoa.r.s.ely. "Everywhere I go they talk about nothing else. If I drop into the restaurant for lunch, my waiter talks of it. If I meet a newspaper man, he talks of it. My barber talks of it--everybody. Sometimes I dream of it; other times I lie awake thinking about it. I tell you, gentlemen, I've sweated blood over this problem."

"But," insisted Kennedy, "I still can't see why you link all these fires as due to one firebug. I admit there is an epidemic of fires. But what makes you so positive that it is all the work of one man?"

"I was coming to that. For one thing, he isn't like the usual firebug at all. Ordinarily they start their fires with excelsior and petroleum, or they smear the wood with paraffin or they use gasoline, benzine, or something of that sort. This fellow apparently scorns such crude methods. I can't say how he starts his fires, but in every case I have mentioned we have found the remains of a wire. It has something to do with electricity--but what, I don't know. That's one reason why I think these fires are all connected. Here's another."

McCormick pulled a dirty note out of his pocket and laid it on the table. We read it eagerly:

h.e.l.lo, Chief! Haven't found the firebug yet, have you? You will know who he is only when I am dead and the fires stop. I don't suppose you even realise that the firebug talks with you almost every day about catching the firebug. That's me. I am the real firebug, that is writing this letter. I am going to tell you why I am starting these fires.

There's money in it--an easy living. They never caught me in Chicago or anywhere, so you might as well quit looking for me and take your medicine.

A. SPARK.

"Humph!" e.j.a.c.u.l.a.t.ed Kennedy, "he has a sense of humour, anyhow--A.

Spark!"

"Queer sense of humour," growled McCormick, gritting his teeth. "Here's another I got to-day:

Say, Chief: We are going to get busy again and fire a big department-store next. How does that suit Your Majesty? Wait till the fun begins when the firebug gets to work again.

A. SPARK.

"Well, sir, when I got that letter," cried McCormick, "I was almost ready to ring in a double-nine alarm at once--they have me that bluffed out. But I said to myself, 'There's only one thing to do--see this man Kennedy.' So here I am. You see what I am driving at? I believe that firebug is an artist at the thing, does it for the mere fun of it and the ready money in it. But more than that, there must be some one back of him. Who is the man higher up--we must catch him. See?"

"A big department-store," mused Kennedy. "That's definite--there are only a score or so of them, and the Stacey interests control several.

Mac, I'll tell you what I'll do. Let me sit up with you to-night at headquarters until we get an alarm. By George, I'll see this case through to a finish!"

The fire marshal leaped to his feet and bounded over to where Kennedy was seated. With one hand on Craig's shoulder and the other grasping Craig's hand, he started to speak, but his voice choked.

"Thanks," he blurted out huskily at last. "My reputation in the department is at stake, my promotion, my position itself, my--my family--er--er--"

"Not a word, sir," said Kennedy, his features working sympathetically.

"To-night at eight I will go on watch with you. By the way, leave me those A. Spark notes."

McCormick had so far regained his composure as to say a hearty farewell. He left the room as if ten years had been lifted off his shoulders. A moment later he stuck his head in the door again. "I'll have one of the Department machines call for you, gentlemen," he said.

After the marshal had gone, we sat for several minutes in silence.

Kennedy was reading and rereading the notes, scowling to himself as if they presented a particularly perplexing problem. I said nothing, though my mind was teeming with speculations. At length he placed the notes very decisively on the table and snapped out the remark,

"Yes, it must be so."

"What?" I queried, still drumming away at my typewriter, copying the list of incendiary fires against the moment when the case should be complete and the story "released for publication," as it were.

"This note," he explained, picking up the first one and speaking slowly, "was written by a woman."

I swung around in my chair quickly. "Get out!" I exclaimed sceptically.

"No woman ever used such phrases."

"I didn't say composed by a woman--I said written by a woman," he replied.

"Oh," I said, rather chagrined.

"It is possible to determine s.e.x from handwriting in perhaps eighty cases out of a hundred," Kennedy went on, enjoying my discomfiture.

"Once I examined several hundred specimens of writing to decide that point to my satisfaction. Just to test my conclusions I submitted the specimens to two professional graphologists. I found that our results were slightly different, but I averaged the thing up to four cases out of five correct. The so-called s.e.x signs are found to be largely influenced by the amount of writing done, by age, and to a certain extent by practice and professional requirements, as in the conventional writing of teachers and the rapid hand of bookkeepers. Now in this case the person who wrote the first note was only an indifferent writer. Therefore the s.e.x signs are pretty likely to be accurate. Yes, I'm ready to go on the stand and swear that this note was written by a woman and the second by a man."

"Then there's a woman in the case, and she wrote the first note for the firebug--is that what you mean?" I asked.

"Exactly. There nearly always is a woman in the case, somehow or other.

This woman is closely connected with the firebug. As for the firebug, whoever it may be, he performs his crimes with cold premeditation and, as De Quincey said, in a spirit of pure artistry. The l.u.s.t of fire propels him, and he uses his art to secure wealth. The man may be a tool in the hands of others, however. It's unsafe to generalise on the meagre facts we now have. Oh, well, there is nothing we can do just yet. Let's take a walk, get an early dinner, and be back here before the automobile arrives."

Not a word more did Kennedy say about the case during our stroll or even on the way downtown to fire headquarters.

We found McCormick anxiously waiting for us. High up in the sandstone tower at headquarters, we sat with him in the maze of delicate machinery with which the fire game is played in New York. In great gla.s.s cases were glistening bra.s.s and nickel machines with discs and levers and bells, tickers, sheets of paper, and annunciators without number. This was the fire-alarm telegraph, the "roulettewheel of the fire demon," as some one has aptly called it.

"All the alarms for fire from all the boroughs, both from the regular alarm-boxes and the auxiliary systems, come here first over the network of three thousand miles or more of wire nerves that stretch out through the city," McCormick was explaining to us.

A buzzer hissed.

"Here's an alarm now," he exclaimed, all attention.

"Three," "six," "seven," the numbers appeared on the annunciator. The clerks in the office moved as if they were part of the mechanism. Twice the alarm was repeated, being sent out all over the city. McCormick relapsed from his air of attention.

"That alarm was not in the shopping district," he explained, much relieved. "Now the fire-houses in the particular district where that fire is have received the alarm instantly. Four engines, two hook-and-ladders, a water-tower, the battalion chief, and a deputy are hurrying to that fire. h.e.l.lo, here comes another."

Again the buzzer sounded. "One," "four," "five" showed in the annunciator.

Even before the clerks could respond, McCormick had dragged us to the door. In another instant we were wildly speeding uptown, the bell on the front of the automobile clanging like a fire-engine, the siren horn going continuously, the engine of the machine throbbing with energy until the water boiled in the radiator.

"Let her out, Frank," called McCormick to his chauffeur, as we rounded into a broad and now almost deserted thoroughfare.

Like a red streak in the night we flew up that avenue, turned into Fourteenth Street on two wheels, and at last were on Sixth Avenue. With a jerk and a skid we stopped. There were the engines, the hose-carts, the hook-and-ladders, the salvage corps, the police establishing fire lines--everything. But where was the fire?

The crowd indicated where it ought to be--it was Stacey's. Firemen and policemen were entering the huge building. McCormick shouldered in after them, and we followed.

"Who turned in the alarm?" he asked as we mounted the stairs with the others.