The Poetical Works of Addison; Gay's Fables; and Somerville's Chase Part 1

The Poetical Works of Addison; Gay's Fables; and Somerville's Chase.

by Joseph Addison, John Gay, William Sommerville.

LIFE OF JOSEPH ADDISON.

Joseph Addison, the _Spectator_, the true founder of our periodical literature, the finest, if not the greatest writer in the English language, was born at Milston, Wiltshire, on the 1st of May 1672. A fanciful mind might trace a correspondence between the particular months when celebrated men have been born and the peculiar complexion of their genius. Milton, the austere and awful, was born in the silent and gloomy month of December. Shakspeare, the most versatile of all writers, was born in April, that month of changeful skies, of sudden sunshine, and sudden showers. Burns and Byron, those stormy spirits, both appeared in the fierce January; and of the former, he himself says,

"'Twas then a blast o' Januar-win'

Blew welcome in on Robin."

Scott, the broad sunny being, visited us in August, and in the same month the warm genius of Sh.e.l.ley came, as Hunt used to tell him, "from the planet Mercury" to our earth. Coleridge and Keats, with whose song a deep bar of sorrow was to mingle, like the music of falling leaves, or of winds wailing for the departure of summer, arrived in October,--that month, the beauty of which is the child of blasting, and its glory the flush of decay. And it seems somehow fitting that Addison, the mild, the quietly-joyous, the sanguine and serene, should come, with the daisy and the sweet summer-tide, on the 1st of May, which Buchanan thus hails--

"Salve fugacis gloria saeculi, Salve secunda digna dies nota, Salve vetustae vitae imago, Et specimen venientis aevi."

"Hail, glory of the fleeting year!

Hail, day, the fairest, happiest here!

Image of time for ever by, Pledge of a bright eternity."

Dr Lancelot Addison, himself a man of no mean note, was the father of our poet. He was born in 1632, at Maltesmeaburn, in the parish of _Corby Ravensworth_, (what a name of ill-omen within ill-omen, or as Dr Johnson would say, "insp.i.s.sated gloom"!) in the county of Westmoreland. His father was a minister of the gospel; but in such humble circ.u.mstances, that Lancelot was received from the Grammar-school of Appleby into Queen's College, Oxford, in the capacity of a "poor child." After pa.s.sing his curriculum there, being chiefly distinguished for his violent High Church and Monarchical principles, for which he repeatedly smarted, he, at the Restoration, was appointed chaplain to the garrison of Dunkirk, and soon after he accepted a similar situation in Tangier, which had been ceded by Portugal to Britain. In this latter post he felt rather lonely and miserable, and was driven, in self-defence, to betake himself to the study of the manners and the literature of the Moors, Jews, and other Oriental nations. This led him afterwards to publish some works on Barbary, on Hebrew customs, and Mohammedanism, which shew a profound acquaintance with these subjects, and which, not without reason, are supposed to have coloured the imagination of his son Joseph, who is seldom more felicitous than when reproducing the gorgeous superst.i.tions and phantasies of the East.

For eight years, old Addison lingered in loathed Tangier; nor, when he returned to England on a visit, had he any purpose of permanently residing in his own country. But his appointment was hastily bestowed on another; and it was fortunate for him that a private friend stepped in and presented him with the living of Milston, near Ambrosebury, Wilts, worth 120 a-year. This, which Miss Aiken calls a "pittance," was probably equivalent to 250 now. At all events, on the strength of it, he married Jane, daughter of Dr Gulstone, and sister to the Bishop of Bristol, who, in due time, became the mother of our poet. Lancelot was afterwards made Prebendary of Salisbury Cathedral, and King's Chaplain in ordinary; about the time (1675) when he took the degree of D.D.

Subsequently he became Archdeacon of Salisbury, and at last, in 1683, obtained the Deanery of Lichfield. But for his suspected Jacobitism, he would probably have received the mitre. He died in 1703.

Joseph had two brothers and three sisters. His third sister, Dorothy, survived the rest, and was twice married. Swift met her once, and with some awe (for he, like all bullies, had a little of the coward about him), describes her as a kind of wit, and very like her brother. The _Spectator_ seems to have been a wild and wayward boy. He is said to have once acted as ringleader in a "barring out," described by Johnson as a savage license by which the boys, when the periodical vacation drew near, used to take possession of the school, of which they barred the doors, and bade the master defiance from the windows. On another occasion, having committed some petty offence at a country school, terrified at the master's apprehended displeasure, he made his escape into the fields and woods, where for some days he fed on fruits and slept in a hollow tree till discovered and brought back to his parents. This last may seem the act of a timid boy, and inconsistent with the former, and yet is somehow congenial to our ideal of the character of our poet. It required perhaps more daring to front the perils of the woods than the frown of the master, and augured, besides, a certain romance in his disposition which found afterwards a vent in literature. After receiving instruction, first at Salisbury, and then at Lichfield, (his connexion with which place forms a link, uniting him in a manner to the great lexicographer, who was born there,) he was removed to the Charterhouse, and there profited so much in Greek and Latin, that at fifteen he was not only, says Macaulay, "fit for the university, but carried thither a cla.s.sical taste and a stock of learning which would have done honour to a master of arts." He had at the Charter-house formed a friendship, destined to have important bearings on his after history, with Richard Steele, whose character may be summed up in a few sentences. Who has not heard of Sir Richard Steele?

Wordsworth says of one of his characters--

"She was known to every star, And every wind that blows."

Poor d.i.c.k was known to every sponging-house, and to every bailiff that, blowing in pursuit, walked the London streets. A fine-hearted, warm-blooded character, without an atom of prudence, self-control, reticence, or forethought; quite as dest.i.tute of malice or envy; perpetually sinning and perpetually repenting; never positively irreligious, even when drunk; and often excessively pious when recovering sobriety,--Steele reeled his way through life, and died with the reputation of being an orthodox Christian and a (nearly) habitual drunkard; the most affectionate and most faithless of husbands; a brave soldier, and in many points an arrant fool; a violent politician, and the best natured of men; a writer extremely lively, for this, among other reasons, that he wrote generally on his legs, flying or meditating flight from his creditors; and who embodied in himself the t.i.tles of his three princ.i.p.al works--"The Christian Hero," "The Tender Husband," and the _Tatler_;--being a "Christian Hero" in intention, one of those intentions with which a certain place is paved; a "Tender Husband," if not a true one, to his two ladies; and a _Tatler_ to all persons, in all circ.u.mstances, and at all times. When Addison first knew this original, he was probably uncontaminated, and must have been, as he continued to the end to be, an irascible but joyous and genial being; and they became intimate at once, although circ.u.mstances severed them from each other for a long period.

In 1687 Addison entered Queen's College, Oxford; but sometime after, (Macaulay says "not many months," Johnson "a year," and Miss Aiken "two years,") Dr Lancaster, of Magdalene College, having accidentally seen some Latin verses from his pen, exerted himself to procure their author admission to the benefits of a foundation, then the wealthiest in Europe.

Our poet was first elected Demy, then Probationary Fellow in 1697, and in the year following, Actual Fellow. During the ten years he resided at Oxford, he was a general favourite, remarkable for his diligence in study, for the purity and tenderness of his feelings, for his bashful and retiring manners, for the excellence of his Latin compositions, and for his solitary walks, pursued in a path they still point out below the elms which skirt a meadow on the banks of the Cherwell,--a river, we need scarcely say, which there weds the Isis. It was in such lonely evening or Sat.u.r.day strolls that he probably acquired the habit of pensive reverie to which we owe many of the finest of his speculations in after days, such as that in _Spectator_, No. 565, beginning, "I was yesterday, about sunset, walking in the open fields, when insensibly the night fell upon me," &c.

Prose English essays, however, were as yet strangers to his pen. His ambition was to be a poet, and while still under twenty-two, he produced and printed some complimentary verses to Dryden, then declining in years, and fallen into comparative neglect. The old poet was pleased with the homage of the young aspirant, which was as graceful in expression as it was generous in purpose. For instance, alluding to Dryden's projected translation of "Ovid," he says, that "Ovid," thus transformed, shall "reveal"

"A n.o.bler change than he himself can tell."

This, however, although happy, starts a different view of the subject. It suggests the idea that most translations are metamorphoses to the worse, like that of a living person into a dead tree, or at least of a superior into an inferior being. In Pope's "Iliad," you have the metamorphosis of an eagle into a nightingale; in Dryden's "Virgil," you have a stately war-horse transformed into a hard-trotting hackney; in Hoole's versions of the Italian Poets, you have nymphs nailed up in timber; while, on the other hand, in Coleridge's "Wallenstein," you have the "n.o.bler change,"

spoken of by Addison, of--shall we say?-a cold and stately holly-tree turned into a murmuring and oracular oak.

That, after thus introducing himself to Dryden, he met him occasionally seems certain, although the rumour circulated by Spence that he taught the old man to sit late and drink hard seems ridiculous. Dryden introduced him to Congreve, and through Congreve he made the valuable acquaintance of Charles Montague, then leader of the Whigs in the House of Commons, and Chancellor of the Exchequer.

He afterwards published a translation of that part of the "Fourth Book of the Georgics" referring to bees, on which Dryden, who had procured a preface to his own complete translation of the same poem from Addison, complimented him by saying--"After his bees, my later swarm is scarcely worth hiving." He published, too, a poem on "King William," and an "Account of the Princ.i.p.al English Poets," in which he ventures on a character of Spenser ere he had read his works. It thus is, as might have been expected, poor and non-appreciative, and speaks of Spenser as a poet pretty nearly forgotten. Some time after this, he collected a volume, ent.i.tled, "Musae Anglicanae," in which he inserted all his early Latin verses.

Charles Montague, himself a poet of a certain small rank, and a man of great general talents, became--along with Somers--the patron of Addison.

He diverted him from the Church, to which his own tastes seemed to destine him, suggesting that civil employment had become very corrupt through want of men of liberal education and good principles, and should be redeemed from this reproach, and declaring that, though he had been called an enemy of the Church, he would never do it any other injury than keeping Mr Addison out of it. It is likely that the timid temperament of our poet concurred with these suggestions of Montague in determining his decision. His failure as a Parliamentary orator subsequently seems to prove that the pulpit was not his vocation. After all, his Sat.u.r.day papers in the _Spectator_ are as fine as any sermons of that age, and he perhaps did more good serving as a volunteer than had he been a regular soldier in the army of the Christian faith.

Somers and Montague wished to employ their _protege_ in public service abroad. There was, however, one drawback. Addison had plenty of English, Greek, and Latin, but he had little French. This he must be sent abroad to acquire; and for the purpose of defraying the expenses of his travels, a pension of 300 a-year was conferred upon him. Paid thus, as few poets or writers of any kind are, in advance, and having his fellowship besides, Addison, like a young n.o.bleman, instead of a parson's son, set out upon his tour. This was in the summer of 1699. He was twenty-seven years of age, exactly one year younger than Byron, and three years younger than Milton, when they visited the same regions. He went first to Paris, and was received with great distinction by Montague's kinsman, the Earl of Manchester, and his beautiful lady. He travelled with his eyes quietly open, especially to the humorous aspects of things. In a letter to Montague he says that he had not seen a _blush_ from his first landing at Calais, and gives a sarcastic description of the spurious devotion which the example of the old repentant _roue_, Louis XIV., had rendered fashionable among the _literati_ of France: "There is no book comes out at present that has not something in it of an air of devotion. Dacier has been forced to prove his Plato a very good CHRISTIAN before he ventures upon his translation, and has so far complied with the taste of the age, that his whole book is overrun with texts of Scripture, and the notion of pre-existence, supposed to be stolen from two verses of the prophets."

The sincere believer is usually the first to detect and be disgusted with the sham one; and Addison was always a sincere believer, but he had also that happy nature in which disgust is carried quickly and easily off through the safety-valve of a smile.

From Paris he went to Blois, the capital of Loir-and-Cher, a small town about 110 miles south-west of Paris. Here he had two advantages. He found the French language spoken in its perfection; and as he had not a single countryman with whom to exchange a word, he was driven on his own resources. He remained there a year, and spent his time well, studying hard, rising early, having the best French masters, mingling in society, although subject, as in previous and after parts of his life, to fits of absence. His life was as pure as it was simple, his most intimate friend at Blois, the Abbe Philippeaux, saying: "He had no amour whilst here that I know of, and I think I should have known it if he had had any." During this time he sent home letters to his friends in England--to Montague, Colonel Froude, Congreve, and others[1]--which contain sentences of exquisite humour. Thus, describing the famous gallery at Versailles, with the paintings of Louis' victories, he says: "The history of the present King till the sixteenth year of his reign is painted on the roof by Le Brun, so that his Majesty has actions enough by him to furnish another gallery much longer than the first. He is represented with all the terror and majesty that you can imagine in every part of the picture, and see his young face as perfectly drawn in the roof as his present one in the side. The painter has represented His Most Christian Majesty under the figure of Jupiter throwing thunderbolts all about the ceiling, and striking terror into the Danube and Rhine, that _lie astonished and blasted with lightning a little above the cornice_."

This is Addison all over; and quite as good is his picture of the general character of the French: "'Tis not in the power of want or slavery to make them miserable. There is nothing to be met with in the country but mirth and poverty. Every one sings, laughs, and starves. Their conversation is generally agreeable, for if they have any wit or sense, they are sure to shew it. Their women are perfect mistresses in the art of shewing themselves to the best advantage. They are always gay and sprightly, and set off the worst faces in Europe with the best airs.

Every one knows how to give herself as charming a look and posture as Sir G.o.dfrey Kneller could draw her in."

From Blois he returned to Paris, and was now better qualified, from his knowledge of the language, to mingle with its philosophers, savants, and poets. He had some interesting talk with Malebranche and Boileau, the former of whom "very much praised Mr Newton's mathematics; shook his head at the name of Hobbes, and told me he thought him a _pauvre esprit_."

Here follows a genuine Addisonianism: "His book is now reprinted with many additions, among which he shewed me a very pretty hypothesis of colours, which is different from that of Cartesius or Newton, _though they may all three be true_." Boileau, now sixty-four, deaf as a post, and full of the "sweltered venom" of ill-natured criticism, nevertheless received Addison kindly; and when presented by him with his "Musae Anglicanae," is said from that time to have conceived an opinion of the English genius for poetry. Addison says that Boileau "hated an ill poet." Unfortunately, however, for his judgment, it is notorious that he slighted Shakspeare, Milton, and Corneille, and that, next to Homer and Virgil, his great idols were Arnaud and Racine.

In December 1700, tired of French manners, which had lost even their power of moving him to smiles, and it may be apprehensive of the war connected with the Spanish succession, which was about to inflame all Europe, Addison embarked from Ma.r.s.eilles for Italy. After a narrow escape from one of those sudden Mediterranean storms, in which poor Sh.e.l.ley perished, he landed at Savona, and proceeded, through wild mountain paths, to Genoa. He afterwards commemorated his deliverance in the pleasing lines published in the _Spectator_, beginning with--

"How are Thy servants blest, O Lord,"

one verse in which was wont to awaken the enthusiasm of the boy Burns,

"What though in dreadful whirls we hung, High on the broken wave," &c.

The survivor of a shipwreck is, or should be, ever afterwards a sadder and a wiser man. And Addison continued long to feel subdued and thankful, and could hardly have been more so though he had outlived _that_ shipwreck which bears now the relation to all recent wrecks which "_the_ storm" of November 1703, as we shall see, bore to all inferior tempests--the loss of the _Royal Charter_,--the stately and gold-laden bark, which, on Wednesday the 26th October 1859, when on the verge of the haven which the pa.s.sengers so much desired to see, was lifted up by the blast as by the hand of G.o.d, and dashed into ten thousand pieces,--hundreds of men, women, and, alas! alas! children, drowned, mutilated, crushed by falling machinery, and that, too, at a moment when they had just been a.s.sured that there was no immediate danger, and when hope was beginning to sparkle in the eyes that were sinking into despair,--sovereigns, spray, and the mangled fragments of human bodies ma.s.sed together as if in the anarchy of h.e.l.l, and hurled upon the rocks.

Addison, no more than one of the escaped from that saloon of horror and sea of death, could forget the special Providence by which he was saved; and the hymn above referred to, and that other still finer, commencing--

"When all Thy mercies, O my G.o.d!

My rising soul surveys,"

seem a pillar erected on the sh.o.r.e to Him that had protected and redeemed him.

From Genoa he went to Milan, and thence to Venice, where he saw a play on the subject of Cato enacted, and began himself to indite his celebrated tragedy, of which he completed four acts ere he quitted Italy. On his way to Rome, he visited the miniature mountain republic of San Marino, which he contemplated and described with much the same feeling of interest and amazement, as afterwards, in the _Guardian_, the little colony of ants immortalised there. Like Swift, (whom Macaulay accuses of stealing from Addison's Latin poem on the "Pigmies," some hints for his Lilliput,) Addison had a finer eye for the little than for the vast. He enjoyed Marino, therefore, and must have chuckled over the description of it in the geography, as much as if it had been a stroke of his own inventive pen. "Besides the mountain on which the town stands, the republic possesses _two adjoining hills_." At Rome he did not stay long at this time, but as if afraid of the attractions of the approaching Holy Week--that blaze of brilliant but false light in which so many moths have been consumed--he hurried to Naples and saw Vesuvius burning over its beautiful bay with less admiration than has been felt since by many inferior men. He returned to Rome and lived there unharmed during the sickly season; thence he went to Florence, surveying with interest the glories of its art; and in fine he crossed the Alps by Mount Cenis to Geneva, composing on his way a poetical epistle to Montague, now Lord Halifax. The Alps do not seem to have much delighted his imagination.

There are a few even still who look upon mountains as excrescences and deformities, and give to Glencoe only the homage of their unaffected fears, which is certainly better than the false raptures of others. But, in Addison's day, admiration for wild scenery was neither pretended nor felt. Our poet loved, indeed, the great silent starry night, and has whispered and stammered out some beautiful things in its praise. But he does this, so to speak, below his breath, while the white Alps, seeming the shrouded corpses of the fallen t.i.tans, take that breath away, and he shudders all the road through them, and descends delightedly to the green pastures and the still waters of lower regions.

At Geneva, where he arrived in December 1701, he remained some time, expecting from Lord Manchester the official appointment for which he was now qualified. But while waiting there, he heard the tidings of King William's death, which put an end to his hopes as well as to those of his party. His pension, too, was stopped, and he was obliged to become a tutor to a young Englishman of fortune. With him he visited many parts of Switzerland and Germany, and spent a portion of his leisure in writing, not only his "Travels," but his recondite "Dialogue on Medals,"--a book of considerable research and great ingenuity, which was not published, however, till after his death. From Germany he pa.s.sed to Holland, where he heard the sad intelligence that his father was no more. During his stay in Holland, he watched with keen, yet kindly eye, the manners of the inhabitants; and in his letters. .h.i.ts at their drinking habits with a mixture of severity and sympathy which is very characteristic. Toward the close of 1703 he returned home, and, we doubt not, felt at first desolate enough. His father was dead, his pension withdrawn, his political patrons out of power, and his literary fame not yet fully established. But, on the other hand, he was only thirty-one; he had made some new and influential friends on the Continent, particularly the eminent Edward Wortley Montague, husband of the still more celebrated Mary Wortley Montague, and he had in his portfolio a volume of "Travels" of some mark and likelihood, nearly ready for the press. Besides, the Whigs, low as they were now in political influence, were still true to their party, and they welcomed Addison, as one of their rising hopes, into the famous "Kit-Cat Club," an _omniumgaiherum_ of all whose talents, learning, accomplishments, wit, or wealth were thought useful to the Whig cause.

Addison's arrival in England seems to have synchronised or preceded the great tempest of November 1703, to which we have already referred, and to which he afterwards alludes in his simile of the Angel in "The Campaign"--

"Such as of late o'er pale Britannia past."

Our readers will find a sketch of this terrific tempest in the commencement of Ainsworth's "Jack Shepherd." Macaulay says of it, "It was the only tempest which, in our lat.i.tude, has equalled the rage of a tropical hurricane. No other tempest was ever in this country the occasion of a Parliamentary address, or of a national fast. Whole fleets had been cast away. Large mansions had been blown down; one prelate had been buried beneath the ruins of his palace. London and Bristol had presented the appearance of cities just sacked. Hundreds of families were thrown into mourning. The prostrate trunks of large trees, and the ruins of houses attested, in all the southern counties, the fury of the blast."

How Addison felt or fared during this storm, we have no means of knowing.

Perhaps his timid nature shrank from it in spite of its appeal to imagination, or perhaps the poetry that was in him triumphed over his fears, and as he felt what _Zanga_ was afterwards to say--

"I love this rocking of the battlements,"

the image of the Angel, afterwards to be dilated into the vast form of Wrath, described in the "Campaign," rose on his vision, and remained there indelibly fixed till the time arrived when, used with artistic skill, it floated him into fame.

Meanwhile, he spent this winter and spring of 1703-4 in a rather precarious manner, and like a true poet. He was lodging in an obscure garret in the Haymarket, up three stairs, when one day the Right Honourable Henry Boyle, the Chancellor of the Exchequer, called on him and communicated a project that had been concocted between G.o.dolphin and Halifax. The Whigs were now again in the ascendant, and the battle of Blenheim, fought on the 13th August 1704, had brought their triumph to a climax. Halifax and G.o.dolphin were mortified at the bad poems in commemoration of it which poured from the press. Their feeling was sincerely that which Byron affected in reference to Wellington and Waterloo--

"I wish your bards would sing it rather better."

They bethought themselves of Addison, and sent Boyle to request him to write some verses on the subject. He readily undertook the task, and when he had half-finished the "Campaign," he shewed it to G.o.dolphin, who was delighted, especially with the Angel, and in grat.i.tude, instantly appointed the lucky poet to a commissionership worth about 200 a-year, and a.s.sured him that this was only a foretaste of greater favours to come. The poem soon after appeared. It was received with acclamation, and Addison felt that his fortune and his fame were both secured.

Yet, in truth, the "Campaign" is not a great poem, nor, properly speaking, if we except the Angel, a poem at all. It is simply a _Gazette_ done into tolerable rhyme; and its chief inspiration comes from its zealous party-feeling. Marlborough, though a first-rate marshal, was not a great man, not by any means so great as Wellington, far less as Napoleon; and how can a heroic poem be written without a hero? Yet the poem fell in with the humour of the times, and was cried up as though it had been another book of the Iliad. Shortly afterwards he published his "Travels," which were thought rather cold and cla.s.sical. To them succeeded the opera of "Rosamond," which, being ill-set to music, failed on the stage; but became, and is still, a favourite in the closet. It is in the lightest and easiest style of Dryden,--that in which he wrote "Alexander's Feast," and some other of his lyrics,--but is sustained for some fifteen hundred lines with an energy and a grace which we doubt if even Dryden could have equalled. Its verses not only move but dance. The spirit is genial and sunny, and above the mazy motions shines the light of genuine poetry. Johnson truly says, that if Addison had cultivated this style he would have excelled.