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The Pleasures of Ignorance.

by Robert Lynd.

I

THE PLEASURES OF IGNORANCE

It is impossible to take a walk in the country with an average townsman--especially, perhaps, in April or May--without being amazed at the vast continent of his ignorance. It is impossible to take a walk in the country oneself without being amazed at the vast continent of one's own ignorance. Thousands of men and women live and die without knowing the difference between a beech and an elm, between the song of a thrush and the song of a blackbird. Probably in a modern city the man who can distinguish between a thrush's and a blackbird's song is the exception. It is not that we have not seen the birds. It is simply that we have not noticed them. We have been surrounded by birds all our lives, yet so feeble is our observation that many of us could not tell whether or not the chaffinch sings, or the colour of the cuckoo. We argue like small boys as to whether the cuckoo always sings as he flies or sometimes in the branches of a tree--whether Chapman drew on his fancy or his knowledge of nature in the lines:

When in the oak's green arms the cuckoo sings, And first delights men in the lovely springs.

This ignorance, however, is not altogether miserable. Out of it we get the constant pleasure of discovery. Every fact of nature comes to us each spring, if only we are sufficiently ignorant, with the dew still on it. If we have lived half a lifetime without having ever even seen a cuckoo, and know it only as a wandering voice, we are all the more delighted at the spectacle of its runaway flight as it hurries from wood to wood conscious of its crimes, and at the way in which it halts hawk-like in the wind, its long tail quivering, before it dares descend on a hill-side of fir-trees where avenging presences may lurk.

It would be absurd to pretend that the naturalist does not also find pleasure in observing the life of the birds, but his is a steady pleasure, almost a sober and plodding occupation, compared to the morning enthusiasm of the man who sees a cuckoo for the first time, and, behold, the world is made new.

And, as to that, the happiness even of the naturalist depends in some measure upon his ignorance, which still leaves him new worlds of this kind to conquer. He may have reached the very Z of knowledge in the books, but he still feels half ignorant until he has confirmed each bright particular with his eyes. He wishes with his own eyes to see the female cuckoo--rare spectacle!--as she lays her egg on the ground and takes it in her bill to the nest in which it is destined to breed infanticide. He would sit day after day with a field-gla.s.s against his eyes in order personally to endorse or refute the evidence suggesting that the cuckoo _does_ lay on the ground and not in a nest. And, if he is so far fortunate as to discover this most secretive of birds in the very act of laying, there still remain for him other fields to conquer in a mult.i.tude of such disputed questions as whether the cuckoo's egg is always of the same colour as the other eggs in the nest in which she abandons it. a.s.suredly the men of science have no reason as yet to weep over their lost ignorance. If they seem to know everything, it is only because you and I know almost nothing. There will always be a fortune of ignorance waiting for them under every fact they turn up.

They will never know what song the Sirens sang to Ulysses any more than Sir Thomas Browne did.

If I have called in the cuckoo to ill.u.s.trate the ordinary man's ignorance, it is not because I can speak with authority on that bird.

It is simply because, pa.s.sing the spring in a parish that seemed to have been invaded by all the cuckoos of Africa, I realised how exceedingly little I, or anybody else I met, knew about them. But your and my ignorance is not confined to cuckoos. It dabbles in all created things, from the sun and moon down to the names of the flowers. I once heard a clever lady asking whether the new moon always appears on the same day of the week. She added that perhaps it is better not to know, because, if one does not know when or in what part of the sky to expect it, its appearance is always a pleasant surprise. I fancy, however, the new moon always comes as a surprise even to those who are familiar with her time-tables. And it is the same with the coming in of spring and the waves of the flowers. We are not the less delighted to find an early primrose because we are sufficiently learned in the services of the year to look for it in March or April rather than in October. We know, again, that the blossom precedes and not succeeds the fruit of the apple-tree, but this does not lessen our amazement at the beautiful holiday of a May orchard.

At the same time there is, perhaps, a special pleasure in re-learning the names of many of the flowers every spring. It is like re-reading a book that one has almost forgotten. Montaigne tells us that he had so bad a memory that he could always read an old book as though he had never read it before. I have myself a capricious and leaking memory. I can read _Hamlet_ itself and _The Pickwick Papers_ as though they were the work of new authors and had come wet from the press, so much of them fades between one reading and another. There are occasions on which a memory of this kind is an affliction, especially if one has a pa.s.sion for accuracy. But this is only when life has an object beyond entertainment. In respect of mere luxury, it may be doubted whether there is not as much to be said for a bad memory as for a good one.

With a bad memory one can go on reading Plutarch and _The Arabian Nights_ all one's life. Little shreds and tags, it is probable, will stick even in the worst memory, just as a succession of sheep cannot leap through a gap in a hedge without leaving a few wisps of wool on the thorns. But the sheep themselves escape, and the great authors leap in the same way out of an idle memory and leave little enough behind.

And, if we can forget books, it is as easy to forget the months and what they showed us, when once they are gone. Just for the moment I tell myself that I know May like the multiplication table and could pa.s.s an examination on its flowers, their appearance and their order.

To-day I can affirm confidently that the b.u.t.tercup has five petals.

(Or is it six? I knew for certain last week.) But next year I shall probably have forgotten my arithmetic, and may have to learn once more not to confuse the b.u.t.tercup with the celandine. Once more I shall see the world as a garden through the eyes of a stranger, my breath taken away with surprise by the painted fields. I shall find myself wondering whether it is science or ignorance which affirms that the swift (that black exaggeration of the swallow and yet a kinsman of the humming-bird) never settles even on a nest, but disappears at night into the heights of the air. I shall learn with fresh astonishment that it is the male, and not the female, cuckoo that sings. I may have to learn again not to call the campion a wild geranium, and to rediscover whether the ash comes early or late in the etiquette of the trees. A contemporary English novelist was once asked by a foreigner what was the most important crop in England. He answered without a moment's hesitation: "Rye." Ignorance so complete as this seems to me to be touched with magnificence; but the ignorance even of illiterate persons is enormous. The average man who uses a telephone could not explain how a telephone works. He takes for granted the telephone, the railway train, the linotype, the aeroplane, as our grandfathers took for granted the miracles of the gospels. He neither questions nor understands them. It is as though each of us investigated and made his own only a tiny circle of facts. Knowledge outside the day's work is regarded by most men as a gewgaw. Still we are constantly in reaction against our ignorance. We rouse ourselves at intervals and speculate.

We revel in speculations about anything at all--about life after death or about such questions as that which is said to have puzzled Aristotle, "why sneezing from noon to midnight was good, but from night to noon unlucky." One of the greatest joys known to man is to take such a flight into ignorance in search of knowledge. The great pleasure of ignorance is, after all, the pleasure of asking questions.

The man who has lost this pleasure or exchanged it for the pleasure of dogma, which is the pleasure of answering, is already beginning to stiffen. One envies so inquisitive a man as Jowett, who sat down to the study of physiology in his sixties. Most of us have lost the sense of our ignorance long before that age. We even become vain of our squirrel's h.o.a.rd of knowledge and regard increasing age itself as a school of omniscience. We forget that Socrates was famed for wisdom not because he was omniscient but because he realised at the age of seventy that he still knew nothing.

II

THE HERRING FLEET

The last spectacle of which Christian men are likely to grow tired is a harbour. Centuries hence there may be jumping-off places for the stars, and our children's children's and so forth children may regard a ship as a creeping thing scarcely more adventurous than a worm.

Meanwhile, every harbour gives us a sense of being in touch, if not with the ends of the universe, with the ends of the earth. This, more than the entrance to a wood or the source of a river or the top of a bald hill, is the beginning of infinity. Even the dirtiest coal-boat that lies beached in the harbour, a mere hulk of utilities that are taken away by dirty men in dirty carts, will in a day or two lift itself from the mud on a full tide and float away like a spirit into the sunset or curtsy to the image of the North Star. Mystery lies over the sea. Every ship is bound for Thule. That, perhaps, is why men are content day after day to stand on the pier-head and to gaze at the water and the ships and sailors running up and down the decks and pulling the ropes of sails.

We may have no reason for pretending to ourselves that the fishing-boats are ships of dreams setting out on infinite voyages.

But, none the less, even in a fishing village there is always a congregation of watching men and women on the pier. Every day the crowd collects to see the harbour awake into life with the bustle of men about to set out among the nations of the fishes. By day the boats lie side by side in the harbour--stand side by side, rather, like horses in a stable. There are two rows of them, making a camp of masts on the shallow water. In other parts of the harbour white gigs are bottomed on the sand in companies of two and three. As the tide slowly rises, the masts which have been lying over on one side in a sleepy stillness begin to stir, then to sway, until with each new impulse of the sea all the boats are dancing, and soon the whole harbour is awake and merry as if every mast were a steeple with a peal of bells. It is not long till the fishermen arrive. One meets them in every cobbled lane. How magnificent the noise made by a man in sea-boots on the stones! Surely, he strikes sparks from the road. He thumps the ground as with a hammer. The earth rings. One has seen those boots in the morning hanging outside the door of his house while he slept. They have been oiled, and left there to dry. They have kept the shape of his limb and the crook of his knee in an uncanny way. They look as though he had taken off his legs before going into the house and hung them on the wall. But the fisherman is a hero not only in his boots.

His sea-coat is no less magnificent. This may be of oil-skin yellow or of maroon or of stained white or of blue, with a blue jersey showing under it, and, perhaps, a red woollen m.u.f.fler or a scarf with green spots on a red ground round his throat. He has not learned to be timid of colour. Even out of the mouths of his boots you may see the ends of red knitted leggings protruding. His yellow or black sou'-wester roofing the back of his neck, he comes down to harbour, as splendid as a figure at a fair. And always, when he arrives, he is smoking a pipe.

As one watches him, one wonders if anybody except a fisherman, as he looks out over the harbour, knows how to smoke. He has made tobacco part of himself, like breathing.

If the tide is already full the fishermen are taken off in small rowing-boats, most of them standing, and the place is busy with a criss-cross of travelling crews till the fishing-boats are all manned.

If the water is not yet deep, however, most of the men walk to their boats, lumbering through the waves, and occasionally jumping like a wading girl as a larger wave threatens the tops of their boots. Many of them carry their supper in a basket or a handkerchief. The first of the boats begins to move out of its stall. It is tugged into the clear water, and the fishermen put out long oars and row it laboriously to the mouth of the harbour and the wind. It is followed by a motor-boat, and another, and another. There are forty putting up their sails like one. The harbour moves. One has a sense as of things liberated. It is as though a flock of birds were being loosed into the air--as though pigeon after pigeon were being set free out of a basket for home.

Lug-sail after lugsail, brown as the underside of a mushroom, hurries out among the waves. A green little tub of a steamboat follows with insolent smoke. The motor-boats hasten out like scenting dogs. Every sort of craft--motor-boat, gig, lugger and steamboat--makes for sea, higgledy-piggledy in a long line, an irregular procession of black and blue and green and white and brown. Here, as in the men's clothes, the paint-pots have been spilled.

There is nothing more sociable than a fishing-fleet. The boats overtake each other, like horses in a race. They gallop in rivalry.

But for the most part they keep together, and move like a travelling town over the sea. As likely as not they will have to come back out of the storm into the shelter of the bay, and they will ride there till nightfall, when every boat becomes a lamp and every sail a shadow. In the darkness they hang like a constellation on the oily water. They become a company of dancing stars. Every now and then a boat moves off on a quest of its own. It is as though the firmament were shaken. One hears the kick-kick-kick of the motor, and a star has become a will-o'-the-wisp. These lights can no more keep still than a playground of children. They always make a pattern on the water, but they never make the same pattern. Sometimes they lengthen themselves against the sandy sh.o.r.e on the far side of the bay into a golden river. Sometimes they huddle together into a little procession of monks carrying tapers....

One goes down to the harbour after breakfast the next morning to see what has been the result of the night's fishing. One does not really need to go down. One can see it afar off. There is movement as at the building of a city. On every boat men are busy emptying the nets, disentangling the fish that have been caught by the gills, tumbling them in a liquid ma.s.s into the bottom of the boat. One can hardly see the fish separately. They flow into one another. They are a pool of quick-silver. One is amazed, as the disciples must have been amazed at the miraculous draught. Everything is covered with their scales. The fishermen are spotted as if with confetti. Their hands, their brown coats, their boots are a ma.s.s of white-and-blue spots. The labourers with the gurries--great blue boxes that are carried like Sedan-chairs between two pairs of handles--come up alongside, and the fish are ladled into the gurries from tin pans. As each gurry is filled the men hasten off with it to where the auctioneer is standing. With the help of a small notebook and a lead pencil he auctions it before an outsider can wink, and the gurry is taken a few yards further, where women are pouring herrings into barrels. They, too, are covered with fish-scales from head to foot. They are dabbled like a painter's palette. So great is the haul that every cart in the country-side has come down to lend a hand. The fish are poured into the carts over the sides of the boats like water. Old fishermen stand aside and look on with a sense of having wasted their youth. They recall the time when they went fishing in the North Sea and had to be content to sell their catch at a shilling and sixpence a cran--a cran being equal to four gurries, or about a thousand herrings. Who is there now who would sell even a hundred herrings for one and sixpence? Who is there who would sell a hundred herrings for ten and sixpence? Yet one gig alone this morning has brought in fourteen thousand herrings. No wonder that there is an atmosphere of excitement in the harbour. No wonder that the carts almost run over you as they make journey after journey between boat and barrel. No wonder that three different sorts of sea-gulls--the herring gull, the lesser black-headed gull, and the black-backed gull--have gathered about us in screaming mult.i.tudes and fill the air like a snowstorm. Every child in the town seems to be making for home with its finger in a fish's mouth, or in two fishes'

mouths, or in three fishes' mouths. Artists have hurried down to the harbour, and have set up their easels on every spot that is not already occupied by a fish barrel or an auctioneer or a man with a knife in his teeth preparing to gut a dogfish. The town has lost its head. It has become Midas for the day. Every time it opens its mouth a herring comes out. A doom of herrings has come upon us. The smell rises to heaven. It is as though we were breathing fish-scales. Even the pretty blue overalls of the children have become spotted.

Everywhere barrels and boxes have been piled high. We are hoisting them on to carts--farm carts, grocers' carts, coal carts, any sort of carts. We must get rid of the stuff at all costs. Anything to get it up the hill to the railway station. The very horses are frenzied. They stick their toes into the hill and groan. The drivers, excited with cupidity as they think of all the journeys they will be able to make before evening, bully them and beat them with the end of the reins.

Their eyes are excited, their gestures impatient. They fill the town with clamour and smell. It is an occasion on which, as the vulgar say, they wouldn't call the Queen their aunt....

This, I fancy, is where all the romance of the sea began--in the story of a greedy man and a fresh herring. The ship was a symbol of man's questing stomach long before it was a symbol of his questing soul. He was a hungry man, not a poet, when he built the first harbour.

Luckily, the harbour made a poet of him. Sails gave him wings. He learned to traffic for wonders. He became a traveller. He told tales.

He discovered the illusion of horizons. Perhaps, however, it is less the sailor than the ship that attracts our imagination. The ship seems to convey to us more than anything else a sense at once of perfect freedom and perfect adventure.

That is why we are content to stand on the harbour stones all day and watch anything with sails. We ourselves want to live in some such freedom and adventure as this. We are feeding our appet.i.te for liberty as we gaze hungrily after the ships making their way out of harbour into the sea.

III

THE BETTING MAN

If The Panther wins the Derby,[He didn't] as most people apparently expect him to do, his victory will carry more weight among frequenters of race-courses as an argument for Socialism than any that has yet been invented. For The Panther is a Government-bred horse, born and brought up in defiance of the _laissez-faire_ principles of Mr Harold c.o.x. He will therefore carry the colours of a great principle at Epsom as well as those of his present lessee. Who would have thought five years ago that the Derby favourite of 1919 would start under so grave a responsibility?

Not that racing men have much time to spare for thoughts about social problems, even when these are related to a horse. Theirs is a busy life. They enjoy little of the leisure that falls to the lot of statesmen and haberdashers.

Their anxieties are a serial story continued from one edition of the day's papers to another Nor does the last edition of the evening paper make an end of their anxieties. It is not an epilogue to one day so much as a prologue to the next. The programme of races for the following day suggests more problems than the Peace Conference itself could settle in a month. The racing man, having studied the names of the horses entered, goes out to buy some tobacco. As he takes his change from the tobacconist, he asks: "Have you heard anything for to-morrow?" The tobacconist says: "I heard Green Cloak for the first race," The racing man nods. "You didn't hear anything for the big race?" he asks. "No. Somebody was saying Holy Saint." "I heard Oily Hair," says the racing man gravely. "Good-night." And he goes out. His brow becomes knitted with thought as he moves off along the pavement.

He tells himself that Holy Saint certainly does offer difficulties.

Holy Saint is a notoriously bad starter. If he could be trusted to get away, he would be one of the finest horses of his year in long-distance races. But he is continually being left at the post. To back him would be pure gambling. He could win if he liked, but would he like? On the whole, Oily Hair is a safer horse to back. He has already beaten Holy Saint in the Chiswick Cup, and only lost the Scotch Plate to Disaster by a neck. As the racing man allows his memory to dwell on the achievements of Oily Hair his confidence rises.

"I see nothing to beat him," he says to himself. He has just decided to put "a fiver" on him when he meets an acquaintance, who suggests a drink. As they drink, the talk turns on horses. "What are you backing in the big race to-morrow?" "Have you heard anything?" "I heard Oily Hair." "I think not. I'll tell you why. Tommy Fitzgibbon's youngest sister is at school with two sisters of Willie Soames, who's going to ride Peace on Earth to-morrow, and one of them told her that Willie had written to her to put every halfpenny she has on Peace on Earth."

"I'm sick, sore and tired of backing Peace on Earth. He's a cantankerous beast that seems to take a positive pleasure in losing races." "Well, remember what I told you...."

On arriving home our sportsman goes to his shelves and takes down the last annual volume of _M'Call's Racing Chronicle and Pocket Turf Calendar_, and looks up Peace on Earth in the index. He turns up the record of one race after another, and finds that the horse has a better past than he had remembered. He cannot make up his mind what to do. He looks over several weekly papers to see if any of them can throw light on his difficulties. Each of them names a different winner for the big race. When he puts on his pyjamas that night, all he knows is that he has decided to decide nothing till the next day.

Next day he once more reads the names of the horses entered for the various races, and glances down the list of winners selected by the racing prophet in the morning paper. Having breakfasted late, he finds he has only about an hour to waste before catching a train for the races, and he resolves to pay a call at the "Bird of Paradise," where a friend of his who has an unusual gift for picking up information is usually to be found about noon. He learns from the landlord that his friend has been in and gone away, but the landlord tells him that he hears Pudding is a certainty.

"Have you any reason for thinking so?"

"Well, there was a man in here who has a son a policeman close by Jobson's stables, and he tells me that everybody in the neighbourhood has been backing Pudding down to their last spoon. That looks as if word had been pa.s.sed round that it was going to win." The racing man pa.s.ses out and looks in at the "Pink Elephant" to see if his friend is there. He is seated at a little table in an upstairs parlour with four others, all drinking whisky and exchanging tips. They belong to the most credulous race of men alive. They are all believers in what is called information, and information is simply the betting man's name for gossip. The friend is speaking in a low but excited voice to his companions, who crouch over towards him in order to catch information not meant for the rest of the room. He tells how he had just been in to buy a paper at his newsagent's, and how his newsagent had been calling on his solicitor that morning, and the solicitor told him that the caller who had just left as he came in was Gordon, the owner of Cutandrun, and Gordon said that Cutandrun was the biggest thing that had ever come into his hands. The buzz-buzz of talk in the smoke-filled room and the clatter of pa.s.sing carts makes it difficult to hear him, but the others lean over the table with red, intent faces, like men among whom an apostle has come. They do not stay long over their drinks, as they have not much time for social pleasures.

They swallow their whisky with a quick gesture look at their watches, stand up hurriedly and part with handshakes.

Then comes a drive to the railway station where race-cards are being sold. The racing-man buys a "card" and several papers. He looks down the lists of the horses again in the train, and tries to make up his mind whether to take the tobacconist's tip and back Green Cloak for the first race. He believes greatly in breeding, and by far the best-bred horse in the race is Liberal, who has three Derby winners in his pedigree. Then there is Red Rose, who created a sensation a month ago by winning two races in a day. He decides to do nothing till he sees the horses themselves. He pays thirty shillings at the turnstile of the race-course and is admitted to the grand stand. Already one or two bookmakers are shouting from their stands, and some of them have chalked up on blackboards the odds they are willing to give in the big race. He looks at the board and sees that he can get twenties against Cutandrun. A five-pound note might bring him a hundred pounds. On the other hand, if Oily Hair was going to win, he wouldn't like to miss it. The bookmakers are offering fives against it. Holy Saint is hot favourite at two to one. That alone makes him impatient of it, for he dislikes backing favourites. He prefers the big risks, with great scoops if he wins. However, he will make up his mind later. Meanwhile, he will go to the paddock and have a look at the horses for the first race. Half-a-dozen horses are already out, and men with numbers on their arms are walking them round and round in a ring. He consults his card and sees that No. 7 is Brighton Beauty, and No. 2 (a slender, glossy, black beast with a white star in his forehead) Green Cloak.

Liberal has not appeared. The numbers of the starters, with the names of the jockeys, are now being hoisted. He makes a pencil-mark opposite the name of each starter on his racing-card, and jots down the name of the jockey. Raff, he sees, is riding Green Cloak. That is in its favour.

When he gets back to the betting-ring, the bookmakers are shouting hoa.r.s.ely against each other. Liberal is a very hot favourite. They are shouting: "I'll take two to one. I'll take two to one. Five to one bar one. A hundred to eight Green Cloak." He feels almost sure Liberal will win, but Green Cloak--he wishes he had asked the tobacconist where he got his information from. Anyhow, half-a-sovereign doesn't matter much. He goes up to a bookmaker, and says: "Ten shillings Green Cloak." The bookmaker turns to his clerk and says: "Six pound five to ten shillings Green Cloak," gives a red-white-and-blue card with his name and a number on it; the other takes the card, writes on the back of it the name of the horse and the amount of the bet, and makes for the stand to see the race. The horses have now come out, and are off one after another to the starting-post. Green Cloak would be hard to miss because of his jockey's colours--old gold, scarlet sleeves, and green and black quartered cap. The bell has hardly rung to announce that the race has begun when men in the crowd begin to dogmatise about the result. One man keeps saying: "Green Cloak wins this race. Green Cloak wins this race." Another says: "Liberal leads." Another says: "No; that's Jumping Frog." To the unaccustomed eye the horses seem as close to each other as a swarm of bees. Suddenly, however, a bay horse springs forward and seems to put a length between itself and the others at every stride. The people in the stand shout: "Liberal!

Liberal!" It wins by about ten lengths. Green Cloak is second, but a bad second. The crowd begins to pour down from the stand again. Those who have won wait near the bookmakers till the winner has been to the unsaddling enclosure and the announcement "All right" is made. Then the bookmakers begin to pay out, and the crowd moves off to the paddock again to see the horses for the next race.

Friends stop each other and exchange information in low voices. Others do their best to listen in the hope of overhearing information: "I hear Tomsk," "Johnnie says lay your last penny on Glasgow Pet," "I'm going to back Submarine." And the parade of the horses, the hoisting of the names of the starters and jockeys, the laying of the bets, and the climbing of the grand stand are all gone through over and over again. The betting man has no time even for a drink. To the casual onlooker a day's horse-racing has the appearance of a day's holiday.

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The Pleasures of Ignorance Part 1 summary

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