The Physiology of Marriage Part 8

In 1819 I was living in a thatched cottage situated in the bosom of the delightful valley l'Isle-Adam. My hermitage neighbored on the park of Ca.s.san, the sweetest of retreats, the most fascinating in aspect, the most attractive as a place to ramble in, the most cool and refreshing in summer, of all places created by luxury and art. This verdant country-seat owes its origin to a farmer-general of the good old times, a certain Bergeret, celebrated for his originality; who among other fantastic dandyisms adopted the habit of going to the opera, with his hair powdered in gold; he used to light up his park for his own solitary delectation and on one occasion ordered a sumptuous entertainment there, in which he alone took part. This rustic Sardanapalus returned from Italy so pa.s.sionately charmed with the scenery of that beautiful country that, by a sudden freak of enthusiasm, he spent four or five millions in order to represent in his park the scenes of which he had pictures in his portfolio. The most charming contrasts of foliage, the rarest trees, long valleys, and prospects the most picturesque that could be brought from abroad, Borromean islands floating on clear eddying streams like so many rays, which concentrate their various l.u.s.tres on a single point, on an Isola Bella, from which the enchanted eye takes in each detail at its leisure, or on an island in the bosom of which is a little house concealed under the drooping foliage of a century-old ash, an island fringed with irises, rose-bushes, and flowers which appears like an emerald richly set. Ah! one might rove a thousand leagues for such a place! The most sickly, the most soured, the most disgusted of our men of genius in ill health would die of satiety at the end of fifteen days, overwhelmed with the luscious sweetness of fresh life in such a spot.

The man who was quite regardless of the Eden which he thus possessed had neither wife nor children, but was attached to a large ape which he kept. A graceful turret of wood, supported by a sculptured column, served as a dwelling place for this vicious animal, who being kept chained and rarely petted by his eccentric master, oftener at Paris than in his country home, had gained a very bad reputation. I recollect seeing him once in the presence of certain ladies show almost as much insolence as if he had been a man. His master was obliged to kill him, so mischievous did he gradually become.

One morning while I was sitting under a beautiful tulip tree in flower, occupied in doing nothing but inhaling the lovely perfumes which the tall poplars kept confined within the brilliant enclosure, enjoying the silence of the groves, listening to the murmuring waters and the rustling leaves, admiring the blue gaps outlined above my head by clouds of pearly sheen and gold, wandering fancy free in dreams of my future, I heard some lout or other, who had arrived the day before from Paris, playing on a violin with the violence of a man who has nothing else to do. I would not wish for my worst enemy to hear anything so utterly in discord with the sublime harmony of nature. If the distant notes of Roland's Horn had only filled the air with life, perhaps--but a noisy fiddler like this, who undertakes to bring to you the expression of human ideas and the phraseology of music! This Amphion, who was walking up and down the dining-room, finished by taking a seat on the window-sill, exactly in front of the monkey. Perhaps he was looking for an audience. Suddenly I saw the animal quietly descend from his little dungeon, stand upon his hind feet, bow his head forward like a swimmer and fold his arms over his bosom like Spartacus in chains, or Catiline listening to Cicero. The banker, summoned by a sweet voice whose silvery tone recalled a boudoir not unknown to me, laid his violin on the window-sill and made off like a swallow who rejoins his companion by a rapid level swoop. The great monkey, whose chain was sufficiently long, approached the window and gravely took in hand the violin. I don't know whether you have ever had as I have the pleasure of seeing a monkey try to learn music, but at the present moment, when I laugh much less than I did in those careless days, I never think of that monkey without a smile; the semi-man began by grasping the instrument with his fist and by sniffing at it as if he were tasting the flavor of an apple. The snort from his nostrils probably produced a dull harmonious sound in the sonorous wood and then the orang-outang shook his head, turned over the violin, turned it back again, raised it up in the air, lowered it, held it straight out, shook it, put it to his ear, set it down, and picked it up again with a rapidity of movement peculiar to these agile creatures.

He seemed to question the dumb wood with faltering sagacity and in his gestures there was something marvelous as well as infantile. At last he undertook with grotesque gestures to place the violin under his chin, while in one hand he held the neck; but like a spoiled child he soon wearied of a study which required skill not to be obtained in a moment and he twitched the strings without being able to draw forth anything but discordant sounds. He seemed annoyed, laid the violin on the window-sill and s.n.a.t.c.hing up the bow he began to push it to and fro with violence, like a mason sawing a block of stone. This effort only succeeded in wearying his fastidious ears, and he took the bow with both hands and snapped it in two on the innocent instrument, source of harmony and delight. It seemed as if I saw before me a schoolboy holding under him a companion lying face downwards, while he pommeled him with a shower of blows from his fist, as if to punish him for some delinquency.

The violin being now tried and condemned, the monkey sat down upon the fragments of it and amused himself with stupid joy in mixing up the yellow strings of the broken bow.

Never since that day have I been able to look upon the home of the predestined without comparing the majority of husbands to this orang-outang trying to play the violin.

Love is the most melodious of all harmonies and the sentiment of love is innate. Woman is a delightful instrument of pleasure, but it is necessary to know its trembling strings, to study the position of them, the timid keyboard, the fingering so changeful and capricious which befits it. How many monkeys--men, I mean--marry without knowing what a woman is! How many of the predestined proceed with their wives as the ape of Ca.s.san did with his violin! They have broken the heart which they did not understand, as they might dim and disdain the amulet whose secret was unknown to them. They are children their whole life through, who leave life with empty hands after having talked about love, about pleasure, about licentiousness and virtue as slaves talk about liberty.

Almost all of them married with the most profound ignorance of women and of love. They commenced by breaking in the door of a strange house and expected to be welcomed in this drawing-room. But the rudest artist knows that between him and his instrument, of wood, or of ivory, there exists a mysterious sort of friendship. He knows by experience that it takes years to establish this understanding between an inert matter and himself. He did not discover, at the first touch, the resources, the caprices, the deficiencies, the excellencies of his instrument. It did not become a living soul for him, a source of incomparable melody until he had studied for a long time; man and instrument did not come to understand each other like two friends, until both of them had been skillfully questioned and tested by frequent intercourse.

Can a man ever learn woman and know how to decipher this wondrous strain of music, by remaining through life like a seminarian in his cell? Is it possible that a man who makes it his business to think for others, to judge others, to rule others, to steal money from others, to feed, to heal, to wound others--that, in fact, any of our predestined, can spare time to study a woman? They sell their time for money, how can they give it away for happiness? Money is their G.o.d. No one can serve two masters at the same time. Is not the world, moreover, full of young women who drag along pale and weak, sickly and suffering? Some of them are the prey of feverish inflammations more or less serious, others lie under the cruel tyranny of nervous attacks more or less violent. All the husbands of these women belong to the cla.s.s of the ignorant and the predestined. They have caused their own misfortune and expended as much pains in producing it as the husband artist would have bestowed in bringing to flower the late and delightful blooms of pleasure. The time which an ignorant man pa.s.ses to consummate his own ruin is precisely that which a man of knowledge employs in the education of his happiness.

XXVI.

Do not begin marriage by a violation of law.

In the preceding meditations we have indicated the extent of the evil with the reckless audacity of those surgeons, who boldly induce the formation of false tissues under which a shameful wound is concealed.

Public virtue, transferred to the table of our amphitheatre, has lost even its carca.s.s under the strokes of the scalpel. Lover or husband, have you smiled, or have you trembled at this evil? Well, it is with malicious delight that we lay this huge social burden on the conscience of the predestined. Harlequin, when he tried to find out whether his horse could be accustomed to go without food, was not more ridiculous than the men who wish to find happiness in their home and yet refuse to cultivate it with all the pains which it demands. The errors of women are so many indictments of egotism, neglect and worthlessness in husbands.

Yet it is yours, reader, it pertains to you, who have often condemned in another the crime which you yourself commit, it is yours to hold the balance. One of the scales is quite loaded, take care what you are going to put in the other. Reckon up the number of predestined ones who may be found among the total number of married people, weigh them, and you will then know where the evil is seated.

Let us try to penetrate more deeply into the causes of this conjugal sickliness.

The word love, when applied to the reproduction of the species, is the most hateful blasphemy which modern manners have taught us to utter.

Nature, in raising us above the beasts by the divine gift of thought, had rendered us very sensitive to bodily sensations, emotional sentiment, cravings of appet.i.te and pa.s.sions. This double nature of ours makes of man both an animal and a lover. This distinction gives the key to the social problem which we are considering.

Marriage may be considered in three ways, politically, as well as from a civil and moral point of view: as a law, as a contract and as an inst.i.tution. As a law, its object is a reproduction of the species; as a contract, it relates to the transmission of property; as an inst.i.tution, it is a guarantee which all men give and by which all are bound: they have father and mother, and they will have children. Marriage, therefore, ought to be the object of universal respect. Society can only take into consideration those cardinal points, which, from a social point of view, dominate the conjugal question.

Most men have no other views in marrying, than reproduction, property or children; but neither reproduction nor property nor children const.i.tutes happiness. The command, "Increase and multiply," does not imply love. To ask of a young girl whom we have seen fourteen times in fifteen days, to give you love in the name of law, the king and justice, is an absurdity worthy of the majority of the predestined.

Love is the union between natural craving and sentiment; happiness in marriage results in perfect union of soul between a married pair. Hence it follows that in order to be happy a man must feel himself bound by certain rules of honor and delicacy. After having enjoyed the benefit of the social law which consecrates the natural craving, he must obey also the secret laws of nature by which sentiments unfold themselves. If he stakes his happiness on being himself loved, he must himself love sincerely: nothing can resist a genuine pa.s.sion.

But to feel this pa.s.sion is always to feel desire. Can a man always desire his wife?

Yes.

It is as absurd to deny that it is possible for a man always to love the same woman, as it would be to affirm that some famous musician needed several violins in order to execute a piece of music or compose a charming melody.

Love is the poetry of the senses. It has the destiny of all that which is great in man and of all that which proceeds from his thought. Either it is sublime, or it is not. When once it exists, it exists forever and goes on always increasing. This is the love which the ancients made the child of heaven and earth.

Literature revolves round seven situations; music expresses everything with seven notes; painting employs but seven colors; like these three arts, love perhaps founds itself on seven principles, but we leave this investigation for the next century to carry out.

If poetry, music and painting have found infinite forms of expression, pleasure should be even more diversified. For in the three arts which aid us in seeking, often with little success, truth by means of a.n.a.logy, the man stands alone with his imagination, while love is the union of two bodies and of two souls. If the three princ.i.p.al methods upon which we rely for the expression of thought require preliminary study in those whom nature has made poets, musicians or painters, is it not obvious that, in order, to be happy, it is necessary to be initiated into the secrets of pleasure? All men experience the craving for reproduction, as all feel hunger and thirst; but all are not called to be lovers and gastronomists. Our present civilization has proved that taste is a science, and it is only certain privileged beings who have learned how to eat and drink. Pleasure considered as an art is still waiting for its physiologists. As for ourselves, we are contented with pointing out that ignorance of the principles upon which happiness is founded, is the sole cause of that misfortune which is the lot of all the predestined.

It is with the greatest timidity that we venture upon the publication of a few aphorisms which may give birth to this new art, as casts have created the science of geology; and we offer them for the meditation of philosophers, of young marrying people and of the predestined.

CATECHISM OF MARRIAGE.

XXVII.

Marriage is a science.

XXVIII.

A man ought not to marry without having studied anatomy, and dissected at least one woman.

XXIX.

The fate of the home depends on the first night.

x.x.x.

A woman deprived of her free will can never have the credit of making a sacrifice.

x.x.xI.

In love, putting aside all consideration of the soul, the heart of a woman is like a lyre which does not reveal its secret, excepting to him who is a skillful player.

x.x.xII.

Independently of any gesture of repulsion, there exists in the soul of all women a sentiment which tends, sooner or later, to proscribe all pleasure devoid of pa.s.sionate feeling.

x.x.xIII.

The interest of a husband as much as his honor forbids him to indulge a pleasure which he has not had the skill to make his wife desire.

x.x.xIV.

Pleasure being caused by the union of sensation and sentiment, we can say without fear of contradiction that pleasures are a sort of material ideas.

x.x.xV.

As ideas are capable of infinite combination, it ought to be the same with pleasures.

x.x.xVI.

In the life of man there are no two moments of pleasure exactly alike, any more than there are two leaves of identical shape upon the same tree.

x.x.xVII.

If there are differences between one moment of pleasure and another, a man can always be happy with the same woman.

x.x.xVIII.