The Pathless Trail Part 14

"We've been wondering about getting another boat and a new crew,"

Knowlton said, frankly. "The canoe we have is too big for three men to handle, and I'll admit we're tired. Jose, too, is in no shape to travel yet--"

"Jose, of course, is my guest also," the old gentleman interrupted. "The question of new men can be solved. But there is time for everything, and now is the time for all of you to rest. As our proverb has it, '_Devagar se vae ao longe_'--he goes far who goes slowly."

McKay arose, gla.s.s in hand.

"To our host," he bowed. The toast was drunk standing. Whereafter the host tapped the bell twice and 'Tonio reappeared with a tray of fresh gla.s.ses. A toast to the United States by the coronel followed, and as soon as the black man arrived with a third round the Republic of Brazil was pledged. Then the coronel directed the servant:

"'Tonio, if Pedro and Lourenco are outside, ask them to move the belongings of the gentlemen from the canoe. And make ready rooms for the guests."

'Tonio disappeared down the ladder. The coronel raised the violin, tendered it to the others, accepted their pleas to play it himself, and for the next half hour acquitted himself with no mean ability. s.n.a.t.c.hes of long-forgotten operas and improvisations of his own flowed from the strings in smooth harmony, hinting at bygone years amid far different surroundings for which his soul now hungered and to which he would return. Pedro and Lourenco, transporting the equipment, pa.s.sed in and out soft-footed and almost unnoticed. At length the player, with a deprecatory smile and a half apology for "boring his guests," extended the instrument again toward the visitors. And McKay, silent McKay, took it.

Sweet and low, out welled the haunting melody of "Annie Laurie." Tim, who had listened with casual interest to the coronel's music, now grinned happily. And when the plaintive Scotch song became "Kathleen Mavourneen" he closed his eyes and lay back in pure enjoyment. "The River Shannon" flowed into "The Suwanee River," and this in turn blended into other heart-tugging airs of Dixieland. When the last strain died and the captain reached for his half-smoked cigar the room was silent for minutes.

Then, to the astonishment of all, Jose spoke:

"Senores, there was a time when I, too, could draw music from the violin. If I may--" His eyes rested longingly on the instrument.

"_Certamente_, if you can use the arm," the coronel acquiesced. With a little difficulty Jose drew his arm from the sling, balanced his left elbow on the chair arm, and poised the violin. A half smile showed in the eyes of the coronel as he glanced at his guests. He, and they as well, expected a discordant, uncouth attempt to sc.r.a.pe out some obscene ditty of the frontier.

But as Jose, after jockeying a bit, began drifting the bow across the strings, the suppressed smiles faded and eyes opened. Here was a man who, as he said, once could play. And he wasted no time on airs composed by others and known to half the world. Under his touch the mellow wood began to talk, and in the minds of the listeners grew pictures.

City streets, blank-walled houses, patios, the rattle of the hoofs of burros over cobbles, the shuffle of human feet, the toll of bells from a convent tower. Gay little bits of music, laughter, flashing eyes, a voluptuous love song repeated over and over. A sudden wild outbreak, fighting men, shots, the clash of steel--again a tolling bell and a requiem for the dead. A horse galloping in the night. Mountain winds crooning mournfully, rising to the scream of tempest and the crash of thunder. Dreary uplands, the hiss of rain, the sough of drifting snow, the patient plod of a mule along a perilous trail. And then the jungle: its discordant uproar, its hammering of frogs, its hoots and howls, the dismal swash of flood waters. A monotonous ebb and flow of life, punctuated by sudden flares of fight. Then a long, mournful wail--and silence.

His bow still on the strings, Jose sat for a minute like a stone image, his eyes straight ahead, his pale face drawn, his red kerchief glowing dully in the semishadow like a cap of blood. For once his face was empty of all insolence, changed by a pathetic wistfulness that made it tragic.

Then, wordless, he lowered the violin, held it out to the coronel, fumbled absently at his sling, and slowly incased his wounded arm. When he looked up his old mocking expression had come back and he once more looked the reckless buccaneer.

For a time no one spoke. Each felt that he had glimpsed something of this man's past; felt, too, that he who now was a b.l.o.o.d.y-handed borderer had once been a _caballero_, moving in a much higher circle. Certainly he could not play like this unless he had been of the upper cla.s.s in his youth. The coronel's face was thoughtful as he took back the violin.

When at length he began to talk, however, it was on a topic as remote as possible from music and present personalities--the reconstruction of Europe as the result of the World War.

With this and kindred subjects, aided by the attentive ministrations of 'Tonio, the afternoon pa.s.sed swiftly. Dinner proved a feast, the _piece de resistance_ being tender, well-cooked meat which the Americans took for roast beef, but which really was roast tapir. More cigars, coupled with the fatigue of the past two days of paddling, eventually caused the visitors to seek their rooms, where McKay and Knowlton paired off and Tim took Jose as his "bunkie."

When Tim awoke the next morning he found himself deserted.

To Knowlton, who drew from the small gold-chest the hundred dollars allotted to Jose and handed it to him before redressing his wound, the _puntero_ quietly revealed his intention to go before sunrise.

"Say nothing, senor," he requested. "You need know nothing of it, if you like. I am here to-night--I am gone to-morrow--that is all. I am of no further use to you, I am unwelcome in this house of Nunes, and I go. Oh, have no fear for me! I have my gun, my knife, and my good right arm, and I can take care of myself very well. No doubt the coronel will be astonished to find that on leaving to-night I have neither cut anyone's throat nor stolen anything--ha! I have a black name on this river, and it is well earned, perhaps. Yet few men are as bad as those who dislike them think they are. I may borrow a small canoe, but any Indian would do the same. An unoccupied canoe is any man's property.

"Before our ways part, senor, let me say that as Jose Martinez never forgets his enemies, so he never forgets friends. Where some men would have turned me loose like a sick dog with my eighteen dollars, you and Senor McKay give me a hundred. And far more than that, you saved my life at a time when many men would have said, 'Bah! let the b.l.o.o.d.y one die!

He is nothing but sc.u.m of the border and leader of that murdering crew.'

You had only to let me lie a few minutes longer and you would be rid of me. No, Jose does not forget.

"That is all, except--if you will, in parting, take the hand of a man known as a killer and other things--"

Knowlton gripped that hand with swift heartiness. He would have protested against such a departure, but the other's steady gaze betokened inflexible purpose. So he merely said:

"Then good luck, old chap! And if you meet Schwandorf give him our affectionate regards."

"_Si_, senor," was the sardonic answer. "I will do that thing. And here is something that may be of interest to you. I happen to know that before we left Remate de Males a swift one-man canoe left Nazareth, and that the man in it was an Indian who is in the German's control. It went upstream while we were loading your supplies, and it has not returned.

By this time it must be many hours above this place. I do not know what message that Indian carries, nor where he goes. But he is a short man, and his left leg is crooked. If you meet such a one make him talk.

Good-by, senor."

Just how and when the _puntero_ cat-footed his way out that night none ever knew but himself. But before the next dawn he had vanished from the Brazilian sh.o.r.e.

CHAPTER X.

BY THE LIGHT OF STORM

"One thing I can't understand," Knowlton said, toying with his coffee cup the next morning, "is why Schwandorf should double-cross us. We never did anything to him. Another thing I don't quite get is how he expected to have the Peruvians wiped out when he knew blamed well they were aware of the enmity of the cannibals. They'd hardly be likely to go into the bush with us under those circ.u.mstances."

"My guess is this," McKay replied. "He set a trap. He is on a friendly footing with some of the savages above here, no doubt. He dispatched that Indian messenger to stir them up with some false tale and bring them to some place where they'd be pretty sure to get us. He primed the crew to jump us at the same place, perhaps. Then the crew would kill us or we'd kill them, and whichever side won would be smeared by the Indians. Sort of a trap within a trap. Why he did it doesn't matter much. He double-crossed us, he double-crossed the crew, he double-crossed Jose. First thing he knows he'll find he's double-crossed himself."

"Yeah," Tim grunted. "He better beat it before we git back!"

"He wanted no killing before we reached the cannibal country," McKay went on, "because then it would all be blamed on the savages and he could show clean hands. Francisco's vengefulness tipped over his cart."

"Still, he might have known we'd stop here for a call on the coronel, and that there was a big chance for us to be warned here about the feud between Mayorunas and Peruvians."

"That probably was provided for. Crew doubtless had orders to prevent any such visit, by lying to us or in other ways. We probably would have gone surging past here at top speed."

"Wal, it don't git us nothin' to talk about things that 'ain't happened," interposed the practical Tim. "Question is, where do we go from here? And how?"

All eyes went to the coronel, who sat languidly smoking his morning cigar.

"Coronel, we are in your hands," McKay said, bluntly. "Your men, I presume, are all out at work in various parts of the bush. We want a crew and, if possible, guides. Can you help us?"

The coronel flicked off an ash and spoke slowly:

"I have two men, senh.o.r.es, who have no peers as bushmen. They are the two whom you saw yesterday. Frankly, they are most valuable to me, and I hesitate about sending them on so dangerous a mission as yours. Yet they might succeed where most men would fail, for they have repeatedly gone into the bush on risky journeys and returned unharmed. Their adventures would fill books.

"The older of these two, Lourenco Moraes, has been more than once among the cannibals of this region, and so he knows something of them.

Naturally he did not live long among them; he left them as soon as he could. But he has the faculty of extricating himself from hopeless positions--or perhaps it would be better to say that his cool head and good fortune together have preserved him thus far. '_Tanta vez vae o cantaro a fonte ate gue um dia la fica_'--the pitcher may go often to the spring, but some day it remains there.

"Pedro Andrada, the younger, is not so steady and cool-headed as Lourenco. Yet he is a most capable man, and the two together--they are always together--make a very efficient team."

"I bet they do," Tim concurred, heartily. "I like that Pedro lad fine."

"So do I," the coronel smiled. "Now, gentlemen, I will not order these men to go with you. If they go it must be of their own choice. They have only recently returned from a hazardous mission and they are ent.i.tled to rest. Yet I have little doubt that they will jump at the chance to risk their lives in a new venture. If they choose to go, I suggest that you place yourselves entirely in their hands and give them free rein. You would look far for better men."

"And we're lucky to get them," Knowlton acquiesced. "To them and to you we shall be greatly indebted."

"Not to me, senhor," the coronel demurred "I do nothing but bring you men together. Theirs is the risk. 'Tonio! Find Pedro and Lourenco. Shall we go into the office, gentlemen?"

Chairs sc.r.a.ped back and an exodus from the dining room ensued. Outside, the l.u.s.ty voice of the negro bawled. Soon he was back, and at his heels strode the lithe Pedro and the quiet Lourenco. They ran their eyes over the group, then stood looking inquiringly at their employer.