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The Parts Men Play Part 35

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A sharp pain shot through his head.

Stopping his walk, he leaned once more against the windows, and rested his hot face on the grateful coolness of the gla.s.s.

What, he questioned, had he accomplished, after all? He had gained the ears of millions, but the war was no nearer a close. America was neutral--that was true. _But why was America neutral_? Had he falsely idealised his own country? Was her aloofness from the world-war the result of a pa.s.sionate, overwhelming realisation of her G.o.d-deputed destiny, as he had imagined?

Hitherto he had paid no attention to the writings in the English press chronicling the pa.s.sing of the world's gold reserve from London to New York. He had ignored the evidence of nation-wide prosperity from the Atlantic coast to San Francisco. All such things he had dismissed as unavoidable, unsought material results of America's spiritual neutrality.

Yet, while the wheels of prosperity were turning at such a pitch, there was a boy lying dead--about eighteen.

He beat his fist into the palm of his hand. Who was this Schneider who had purchased the foreign rights of his articles? What sort of a man was this Benjamin who wanted him to lecture? Were they, as he had supposed, men of vision who wished to co-operate in achieving the great unison of Right? . . . Or were they . . . ?

The thought was hideous. Was it possible that those writings, born of his mental torture, robbing him of every friend he valued---was it thinkable that they had been used for gross purposes?

His fingers again played rapidly against the windows as he wrestled with the sudden ugly suspicion. At last, utterly exhausted, he sank into a chair.

'There is only one thing I can do,' he said decisively; 'return to America at once. If, as I have thought, her neutrality is in tune with the highest; if my fellow-countrymen are imbued with such a spirit of infinite mercifulness that from them will flow the healing streams to cure the wounds of bleeding Europe, then I have carried a lamp whose light reflects the face of G.o.d. . . . But if . . .'

II.

That night a glorious moonlight silvered the roof-tops of old London, touching its jumbled architecture with fantastic beauty.

Vagrant towers and angular church spires, uninspired statuary, and weary, smoke-darkened trees shed their garments of commonplaceness and shimmered like the mosques and turrets of an enchanted city.

It was one of those nights that are sent to remind us that Beauty still lives; a night to challenge our mad whirl of bargaining and barter, to urge us to raise our eyes from the grubbing crawling of avarice; a night to awaken old memories, and to stir the pent-up streams of poetry lying asleep in every breast.

It was a moonlight that descended on Old England's troubled heart as a benediction. Her rivers were glimmering paths winding about the country-side; her villages and her heavy-scented country lanes shared its caress with open meadows and murky cities. The sea, binding the little islands in its turbulent immensity, drew the night's beauty to its bosom, and the spray of foam rising from the surf was a shower of star-dust leaping towards the moon.

As a weary traveller drinks thirstily at a pool, Selwyn wandered about the streets trembling with emotion in the breathless ecstasy of the night. All day the conjured picture of the German boy, guilty of no crime save blind devotion to his Fatherland, had haunted him like the eyes of a murdered man. It had robbed him of the power of constructive thought, and stopped his writing with the decisiveness of a sword descending on his wrist; it had made the food on his table tasteless, and given him a dread of the solitude of his rooms.

With nerves that contracted at every untoward sound, he had gone out at dark, and gradually the peacefulness of the night had soothed and calmed him as the dew of dusk cools the earth after the heat of a summer's day. The familiar strains of Beethoven's 'Moonlight Sonata'

came to his mind, and as he walked he idly traced the different movements of the music in the moods of the evening's witchery.

His steps, like his thoughts, pursued a tangled course, and led him into the prosaic brick-and-mortar monotony of Bayswater, but the moon was lavish in her generosity, and strewed his path with glinting strands of light. He paused in a quiet square to get his bearings.

There was the heavy smell of fallen leaves from the gardens on the other side of the railing.

His mind was still playing the slow minor theme of the sonata's opening movement.

Suddenly the air was shattered with the noise of warning guns. As if released by a single switch, a dozen searchlights sprang into the sky, crossing and blending in a swerving glare. There was the piercing warning of bugles and the heavy booming of maroons.

Dazed by the swiftness of it all, Selwyn leaned against the low iron fence. A Boy Scout whirled past on a bicycle, his bugle hoa.r.s.e and discordant; an old woman went whimpering by, hatless, with a protesting child in her arms; an ambulance, clanging its gong, rounded the corner with reckless speed; a mightier searchlight than any of the rest swept the sky in great circles.

It seemed only a matter of seconds, though in reality much longer, when the American heard a faint crunching sound in the distance, followed by a deep, sullen thud. In rapid succession came three more, and the defence guns of London burst into action, changing the night into Bedlam.

Still motionless, he listened, awe-struck, to the din of the weird battle with an unseen foe, when the cough of exploding sh.e.l.ls in the air grew appreciably louder. Raising a whirlwind of dust, a motor-car swerved dangerously into the square, and with a roar sped up the road, carrying to their aerodrome three British airmen. As if driven by a gale, the battle of the clouds drew nearer and nearer, the whine and barking of the sh.e.l.ls like a pack of dogs trying to repel some monster of the jungle.

There was a deafening crash.

Selwyn was thrown against the fence, and almost buried beneath a shower of bricks and earth. With the roar of a rushing waterfall in his ears, and blood streaming from a wound in his forehead, he sank to his knees and for a moment lost consciousness; but mastering his weakness, he staggered to his feet and looked wildly about. On the other side of the street, where there had been a house, there was a smoking chaos. A little crowd had appeared seemingly from the bowels of the earth, and a woman was shrieking horribly.

Selwyn wiped his forehead with his hand and gazed stupidly at the blood which covered it. The roar of the guns was louder than it had yet been, and from a few streets away came the crunch of another bomb, shaking the earth with the explosion which followed. Selwyn leaned impotently against a post, and a quivering uncanny laugh broke from his lips. It was all so grotesque, so absurd. _Human beings didn't do such things_. It was a joke--a mad jest. He held his sides and laughed with uncontrollable mirth.

Then his whole form became rigid in a moment. A man had shouted something. There had been a wail from the crowd. Was it true? Some one buried alive--a little girl?

With a blasphemous curse Selwyn staggered across the road, and roughly elbowing his way through the crowd, found a solitary policeman, hindered by willing undirected hands, digging in the wreckage as best he could, while a couple of women sobbed hysterically and wrung their hands.

Those who watched hardly knew what had happened, but they saw a hatless, bleeding figure appear, and, with the incision of snapping hawsers, question the policeman and the weeping women. They heard his quick commands to the men, and saw him jump into the centre of the debris. With the instantaneous recognition of leadership his helpers threw themselves to the work with a frenzy of determination. Lifting, digging, pulling with torn hands and arms that ached with strain, they struggled furiously towards the spot where it was known the girl was buried. They were like starving wolves tearing at the carca.s.s of an animal. They yelled encouragement and fought through the chaos--and still the stranger whipped them into madness with his cries.

There in the smoke and the choking dust Austin Selwyn shook in the grip of the greatest emotion he had ever known. A girl was buried--a fraction of a minute might mean her life. With hot breath and pulses on fire, he led his unknown men through the choking ruins to where one small, insignificant life was imprisoned.

An ambulance sounded its gong, and drew up by the crowd; the storm of the guns continued to rage, but no one thought of anything but the fight of those men for one little unknown life.

At last. They had uncovered a great iron beam which had struck on a stone foundation and left a zone of safety beneath. Eager hands gripped it, dragging it aside, and there was hardly a sound as the stranger lowered himself into the chasm. A minute later he reappeared, and a shout broke from the on-lookers. He was carrying a little form in his arms.

But when they saw his face a hush fell on every one. She was dead.

Wild-eyed, with the ghastliness of his pallor showing through the coating of grime and blood, Austin Selwyn stood in the ruins of the house, and the brown tresses of the child fell over his arm.

Kind hands were stretched out to him, but he shook them off angrily.

He was talking to the thing in his arms--muttering, crooning something.

Slowly he raised his face to the skies. In the glare of the searchlights a gleaming, silvery, oblong-shaped form was turning and twisting like an animal at bay. They heard him catch his breath; then their blood was frozen by a choking, heart-rending cry of agony and rage.

It was the cry of the crystal-gazer who has had his crystal dashed from his eyes, to find himself in the presence of murder.

The crowd remained mute, helpless and frightened at the spectacle, when they saw a young woman approach him, a woman dressed in the khaki uniform of an ambulance-driver.

'Austin,' they heard her say, 'please give me the little girl.'

With a stupid smile he handed the child to her, and she laid it on a stretcher. When it had been taken away, she took Selwyn's hand in hers and led him, unresisting, to the ambulance.

CHAPTER XVIII.

ELISE.

I.

Early next morning, in a large military ward of a London hospital, Austin Selwyn woke from a sleep that had been charged with black dreams, and tried to recall the events leading to his present whereabouts.

By slow, tortuous process he reconstructed the previous evening as far as the moment when he had heard the warning guns. After that the incidents grew dim, and faded into incoherency. He seemed to remember rushing somewhere in a motor-vehicle. He distinctly recalled seeing a policeman in Trafalgar Square. Yes, that was very clear--quite the most vivid impression of the whole night, indeed. He would hang on to that policeman.

With the care of an Arctic explorer establishing his base before going farther into _terra incognita_, he attached the threads of his wandering mind to that limb of the law, and groped in all the directions of his memory's compa.s.s. But it was of no avail. Tired out with the futile efforts he had made, his bandaged head sank back in the pillows, and the vivid policeman in Trafalgar Square was reluctantly surrendered as a negligible means of solution.

When he next awoke, it was to the sound of many voices. There were two that were very close--one on either side of him, in fact. Affecting sleep, Selwyn listened carefully.

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The Parts Men Play Part 35 summary

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