The Parisians Part 8

Chere enfant,--All your four letters have reached me the same day. In one of my sudden whims I set off with a few friends on a rapid tour along the Riviera to Genoa, thence to Turin on to Milan. Not knowing where we should rest even for a day, my letters were not forwarded.

I came back to Nice yesterday, consoled for all fatigues in having insured that accuracy in description of localities which my work necessitates.

You are, my poor child, in that revolutionary crisis through which genius pa.s.ses in youth before it knows its own self, and longs vaguely to do or to be a something other than it has done or has been before.

For, not to be unjust to your own powers, genius you have,--that inborn undefinable essence, including talent, and yet distinct from it. Genius you have, but genius unconcentrated, undisciplined. I see, though you are too diffident to say so openly, that you shrink from the fame of singer, because, fevered by your reading, you would fain aspire to the th.o.r.n.y crown of author. I echo the hard saying of the Maestro: I should be your worst enemy did I encourage you to forsake a career in which a dazzling success is so a.s.sured, for one in which, if it were your true vocation, you would not ask whether you were fit for it; you would be impelled to it by the terrible star which presides over the birth of poets.

Have you, who are so naturally observant, and of late have become so reflective, never remarked that authors, however absorbed in their own craft, do not wish their children to adopt it? The most successful author is perhaps the last person to whom neophytes should come for encouragement. This I think is not the case with the cultivators of the sister arts.

The painter, the sculptor, the musician, seem disposed to invite disciples and welcome acolytes. As for those engaged in the practical affairs of life, fathers mostly wish their sons to be as they have been.

The politician, the lawyer, the merchant, each says to his children, "Follow my steps." All parents in practical life would at least agree in this,--they would not wish their sons to be poets. There must be some sound cause in the world's philosophy for this general concurrence of digression from a road of which the travellers themselves say to those whom they love best, "Beware!"

Romance in youth is, if rightly understood, the happiest nutriment of wisdom in after-years; but I would never invite any one to look upon the romance of youth as a thing

"To case in periods and embalm in ink."

Enfant, have you need of a publisher to create romance? Is it not in yourself? Do not imagine that genius requires for its enjoyment the scratch of the pen and the types of the printer. Do not suppose that the poet, the romancier, is most poetic, most romantic, when he is striving, struggling, labouring, to check the rush of his ideas, and materialize the images which visit him as souls into such tangible likenesses of flesh and blood that the highest compliment a reader can bestow on them is to say that they are lifelike: No: the poet's real delight is not in the mechanism of composing; the best part of that delight is in the sympathies he has established with innumerable modifications of life and form, and art and Nature, sympathies which are often found equally keen in those who have not the same gift of language. The poet is but the interpreter. What of?--Truths in the hearts of others. He utters what they feel. Is the joy in the utterance? Nay, it is in the feeling itself. So, my dear, dark-bright child of song, when I bade thee open, out of the beaten thoroughfare, paths into the meads and river-banks at either side of the formal hedgerows, rightly dost thou add that I enjoined thee to make thine art thy companion. In the culture of that art for which you are so eminently gifted, you will find the ideal life ever beside the real. Are you not ashamed to tell me that in that art you do but utter the thoughts of others? You utter them in music; through the music you not only give to the thoughts a new character, but you make them reproductive of fresh thoughts in your audience.

You said very truly that you found in composing you could put into music thoughts which you could not put into words. That is the peculiar distinction of music. No genuine musician can explain in words exactly what he means to convey in his music.

How little a libretto interprets an opera; how little we care even to read it! It is the music that speaks to us; and how?--Through the human voice. We do not notice how poor are the words which the voice warbles.

It is the voice itself interpreting the soul of the musician which enchants and enthralls us. And you who have that voice pretend to despise the gift. What! despise the power of communicating delight!--the power that we authors envy; and rarely, if ever, can we give delight with so little alloy as the singer.

And when an audience disperses, can you guess what griefs the singer may have comforted? what hard hearts he may have softened? what high thoughts he may have awakened?

You say, "Out on the vamped-up hypocrite! Out on the stage-robes and painted cheeks!"

I say, "Out on the morbid spirit which so cynically regards the mere details by which a whole effect on the minds and hearts and souls of races and nations can be produced!"

There, have I scolded you sufficiently? I should scold you more, if I did not see in the affluence of your youth and your intellect the cause of your restlessness. Riches are always restless. It is only to poverty that the G.o.ds give content.

You question me about love; you ask if I have ever bowed to a master, ever merged my life in another's: expect no answer on this from me.

Circe herself could give no answer to the simplest maid, who, never having loved, asks, "What is love?"

In the history of the pa.s.sions each human heart is a world in itself; its experience profits no others. In no two lives does love play the same part or bequeath the same record.

I know not whether I am glad or sorry that the word "love" now falls on my ear with a sound as slight and as faint as the dropping of a leaf in autumn may fall on thine.

I volunteer but this lesson, the wisest I can give, if thou canst understand it: as I bade thee take art into thy life, so learn to look on life itself as an art. Thou couldst discover the charm in Ta.s.so; thou couldst perceive that the requisite of all art, that which pleases, is in the harmony of proportion. We lose sight of beauty if we exaggerate the feature most beautiful.

Love proportioned adorns the homeliest existence; love disproportioned deforms the fairest.

Alas! wilt thou remember this warning when the time comes in which it may be needed?

E----- G-------.

BOOK II.

CHAPTER I.

It is several weeks after the date of the last chapter; the lime-trees in the Tuileries are clothed in green.

In a somewhat s.p.a.cious apartment on the ground-floor in the quiet locality of the Rue d'Anjou, a man was seated, very still and evidently absorbed in deep thought, before a writing-table placed close to the window.

Seen thus, there was an expression of great power both of intellect and of character in a face which, in ordinary social commune, might rather be noticeable for an aspect of hardy frankness, suiting well with the clear-cut, handsome profile, and the rich dark auburn hair, waving carelessly over one of those broad open foreheads, which, according to an old writer, seem the "frontispiece of a temple dedicated to Honour."

The forehead, indeed, was the man's most remarkable feature. It could not but prepossess the beholder. When, in private theatricals, he had need to alter the character of his countenance, he did it effectually, merely by forcing down his hair till it reached his eyebrows. He no longer then looked like the same man.

The person I describe has been already introduced to the reader as Graham Vane. But perhaps this is the fit occasion to enter into some such details as to his parentage and position as may make the introduction more satisfactory and complete.

His father, the representative of a very ancient family, came into possession, after a long minority, of what may be called a fair squire's estate, and about half a million in moneyed investments, inherited on the female side. Both land and money were absolutely at his disposal, unenc.u.mbered by entail or settlement. He was a man of a brilliant, irregular genius, of princely generosity, of splendid taste, of a gorgeous kind of pride closely allied to a masculine kind of vanity. As soon as he was of age he began to build, converting his squire's hall into a ducal palace. He then stood for the county; and in days before the first Reform Bill, when a county election was to the estate of a candidate what a long war is to the debt of a nation. He won the election; he obtained early successes in Parliament. It was said by good authorities in political circles that, if he chose, he might aspire to lead his party, and ultimately to hold the first rank in the government of his country.

That may or may not be true; but certainly he did not choose to take the trouble necessary for such an ambition. He was too fond of pleasure, of luxury, of pomp. He kept a famous stud of racers and hunters. He was a munificent patron of art. His establishments, his entertainments, were on a par with those of the great n.o.ble who represented the loftiest (Mr.

Vane would not own it to be the eldest) branch of his genealogical tree.

He became indifferent to political contests, indolent in his attendance at the House, speaking seldom, not at great length nor with much preparation, but with power and fire, originality and genius; so that he was not only effective as an orator, but combining with eloquence advantages of birth, person, station, the reputation of patriotic independence, and genial attributes of character, he was an authority of weight in the scales of party.

This gentleman, at the age of forty, married the dowerless daughter of a poor but distinguished naval officer, of n.o.ble family, first cousin to the Duke of Alton.

He settled on her a suitable jointure, but declined to tie up any portion of his property for the benefit of children by the marriage. He declared that so much of his fortune was invested either in mines, the produce of which was extremely fluctuating, or in various funds, over rapid transfers in which it was his amus.e.m.e.nt and his interest to have control, unchecked by reference to trustees, that entails and settlements on children were an inconvenience he declined to incur.

Besides, he held notions of his own as to the wisdom of keeping children dependent on their father. "What numbers of young men," said he, "are ruined in character and in fortune by knowing that when their father dies they are certain of the same provision, no matter how they displease him; and in the meanwhile forestalling that provision by recourse to usurers." These arguments might not have prevailed over the bride's father a year or two later, when, by the death of intervening kinsmen, he became Duke of Alton; but in his then circ.u.mstances the marriage itself was so much beyond the expectations which the portionless daughter of a sea-captain has the right to form that Mr.

Vane had it all his own way, and he remained absolute master of his whole fortune, save of that part of his landed estate on which his wife's jointure was settled; and even from this inc.u.mbrance he was very soon freed. His wife died in the second year of marriage, leaving an only son,--Graham. He grieved for her loss with all the pa.s.sion of an impressionable, ardent, and powerful nature. Then for a while he sought distraction to his sorrow by throwing himself into public life with a devoted energy he had not previously displayed.

His speeches served to bring his party into power, and he yielded, though reluctantly, to the unanimous demand of that party that he should accept one of the highest offices in the new Cabinet. He acquitted himself well as an administrator, but declared, no doubt honestly, that he felt like Sinbad released from the old man on his back, when, a year or two afterwards, he went out of office with his party. No persuasions could induce him to come in again; nor did he ever again take a very active part in debate. "No," said he, "I was born to the freedom of a private gentleman: intolerable to me is the thraldom of a public servant. But I will bring up my son so that he may acquit the debt which I decline to pay to my country." There he kept his word. Graham had been carefully educated for public life, the ambition for it dinned into his ear from childhood. In his school vacations his father made him learn and declaim chosen specimens of masculine oratory; engaged an eminent actor to give him lessons in elocution; bade him frequent theatres, and study there the effect which words derive from looks and gesture; encouraged him to take part himself in private theatricals. To all this the boy lent his mind with delight. He had the orator's inborn temperament; quick, yet imaginative, and loving the sport of rivalry and contest. Being also, in his boyish years, good-humoured and joyous, he was not more a favourite with the masters in the schoolroom than with the boys in the play-ground. Leaving Eton at seventeen, he then entered at Cambridge, and became, in his first term, the most popular speaker at the Union.

But his father cut short his academical career, and decided, for reasons of his own, to place him at once in diplomacy. He was attached to the Emba.s.sy at Paris, and partook of the pleasures and dissipations of that metropolis too keenly to retain much of the sterner ambition to which he had before devoted himself. Becoming one of the spoiled darlings of fashion, there was great danger that his character would relax into the easy grace of the Epicurean, when all such loiterings in the Rose Garden were brought to abrupt close by a rude and terrible change in his fortunes.

His father was killed by a fall from his horse in hunting; and when his affairs were investigated, they were found to be hopelessly involved: apparently the a.s.sets would not suffice for the debts. The elder Vane himself was probably not aware of the extent of his liabilities. He had never wanted ready money to the last. He could always obtain that from a money-lender, or from the sale of his funded investments. But it became obvious, on examining his papers, that he knew at least how impaired would be the heritage he should bequeath to a son whom he idolized. For that reason he had given Graham a profession in diplomacy, and for that reason he had privately applied to the Ministry for the Viceroyalty of India, in the event of its speedy vacancy. He was eminent enough not to antic.i.p.ate refusal, and with economy in that lucrative post much of his pecuniary difficulties might have been redeemed, and at least an independent provision secured for his son.

Graham, like Alain de Rochebriant, allowed no reproach on his father's memory; indeed, with more reason than Alain, for the elder Vane's fortune had at least gone on no mean and frivolous dissipation.

It had lavished itself on encouragement to art, on great objects of public beneficence, on public-spirited aid of political objects; and even in more selfish enjoyments there was a certain grandeur in his princely hospitalities, in his munificent generosity, in a warm-hearted carelessness for money. No indulgence in petty follies or degrading vices aggravated the offence of the magnificent squanderer.

"Let me look on my loss of fortune as a gain to myself," said Graham, manfully. "Had I been a rich man, my experience of Paris tells me that I should most likely have been a very idle one. Now that I have no gold, I must dig in myself for iron."

The man to whom he said this was an uncle-in-law,--if I may use that phrase,--the Right Hon. Richard King, popularly styled "the blameless King."

This gentleman had married the sister of Graham's mother, whose loss in his infancy and boyhood she had tenderly and anxiously sought to supply.

It is impossible to conceive a woman more fitted to invite love and reverence than was Lady Janet King, her manners were so sweet and gentle, her whole nature so elevated and pure.