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The Ordeal of Richard Feverel Part 45

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There on Clare's pale green glove lay a wedding-ring!

Rapid questions as to where, when, how, it was found, beset Clare, who replied: "In the Gardens, mama. This morning. When I was walking behind Richard."

"Are you sure he did not give it you, Clare?"

"Oh no, mama! he did not give it me!"

"Of course not! only he does such absurd things! I thought, perhaps--these boys are so exceedingly ridiculous!" Mrs. Doria had an idea that it might have been concerted between the two young gentlemen, Richard and Ralph, that the former should present this token of hymeneal devotion from the latter to the young lady of his love; but a moment's reflection, exonerated boys even from such preposterous behaviour.

"Now, I wonder," she speculated on Clare's cold face, "I do wonder whether it's lucky to find a wedding-ring. What very quick eyes you have, my darling!" Mrs. Doria kissed her. She thought it must be lucky, and the circ.u.mstance made her feel tender to her child. Her child did not move to the kiss.

"Let's see whether it fits," said Mrs. Doria, almost infantine with surprise and pleasure.

Clare suffered her glove to be drawn off. The ring slid down her long thin finger, and settled comfortably.

"It does!" Mrs. Doria whispered. To find a wedding-ring is open to any woman; but to find a wedding-ring that fits may well cause a superst.i.tious emotion. Moreover, that it should be found while walking in the neighbourhood of the identical youth whom a mother has destined for her daughter, gives significance to the gentle perturbation of ideas consequent on such a hint from Fortune.

"It really fits!" she pursued. "Now I never pay any attention to the nonsense of omens and that kind of thing" (had the ring been a horseshoe Mrs. Doria would have picked it up and dragged it obediently home), "but this, I must say, is odd--to find a ring that fits!--singular! It never happened to me. Sixpence is the most I ever discovered, and I have it now. Mind you keep it, Clare--this ring. And," she laughed, "offer it to Richard when he comes; say, you think he must have dropped it."

The dimple in Clare's cheek quivered.

Mother and daughter had never spoken explicitly of Richard. Mrs.

Doria, by exquisite management, had contrived to be sure that on one side there would be no obstacle to her project of general happiness, without, as she thought, compromising her daughter's feelings unnecessarily. It could do no harm to an obedient young girl to hear that there was no youth in the world like a certain youth. He the prince of his generation, she might softly consent, when requested, to be his princess; and if never requested (for Mrs. Doria envisaged failure), she might easily transfer her softness to squires of lower degree. Clare had always been blindly obedient to her mother (Adrian called them Mrs. Doria Battledoria and the fair Shuttlec.o.c.kiana), and her mother accepted in this blind obedience the text of her entire character. It is difficult for those who think very earnestly for their children to know when their children are thinking on their own account. The exercise of their volition we construe as revolt.

Our love does not like to be invalided and deposed from its command, and here I think yonder old thrush on the lawn who has just kicked the last of her lank offspring out of the nest to go shift for itself, much the kinder of the two, though sentimental people do shrug their shoulders at these unsentimental acts of the creatures who never wander from nature. Now, excess of obedience is, to one who manages most exquisitely, as bad as insurrection. Happily Mrs.

Doria saw nothing in her daughter's manner save a want of iron. Her pallor, her la.s.situde, the tremulous nerves in her face, exhibited an imperious requirement of the mineral.

"The reason why men and women are mysterious to us, and prove disappointing," we learn from THE PILGRIM'S SCRIP, "is, that we will read them from our own book; just as we are perplexed by reading ourselves from theirs."

Mrs. Doria read her daughter from her own book, and she was gay; she laughed with Adrian at the breakfast-table, and mock-seriously joined in his jocose a.s.sertion that Clare was positively and by all hymeneal auspices betrothed to the owner of that ring, be he who he may, and must, whenever he should choose to come and claim her, give her hand to him (for everybody agreed the owner must be masculine, as no _woman_ would drop a wedding-ring), and follow him whither he listed all the world over. Amiable giggling Forey girls called Clare, The Betrothed. Dark man, or fair? was mooted. Adrian threw off the first strophe of Clare's fortune in burlesque rhymes, with an insinuating gipsy tw.a.n.g. Her aunt Forey warned her to have her dresses in readiness. Her grandpapa Forey pretended to grumble at bridal presents being expected from grandpapas. This one smelt orange-flower, another spoke solemnly of an old shoe. The finding of a wedding-ring was celebrated through all the palpitating accessories and rosy ceremonies involved by that famous instrument.

In the midst of the general hilarity, Clare showed her deplorable want of iron by bursting into tears.

Did the poor mocked-at heart divine what might be then enacting?

Perhaps, dimly, as we say: that is, without eyes.

At an altar stand two fair young creatures, ready with their oaths.

They are asked to fix all time to the moment, and they do so. If there is hesitation at the immense undertaking, it is but maidenly.

She conceives as little mental doubt of the sanity of the act as he.

Over them hangs a cool young curate in his raiment of office. Behind are two apparently lucid people, distinguished from each other by s.e.x and age; the foremost a bunch of simmering black satin; under her shadow a c.o.c.k-robin in the dress of a gentleman, big joy swelling out his chest, and pert satisfaction c.o.c.king his head.

These be they who stand here in place of parents to the young couple. All is well. The service proceeds.

Firmly the bridegroom tells forth his words. This hour of the complacent giant at least is his, and that he means to hold him bound through the eternities, men may hear. Clearly, and with brave modesty, speaks she: no less firmly, though her body trembles: her voice just vibrating while the tone travels on, like a smitten vase.

Time hears sentence p.r.o.nounced on him: the frail hands bind his huge limbs and lock the chains. He is used to it: he lets them do as they will.

Then comes that period when they are to give their troth to each other. The Man with his right hand takes the Woman by her right hand: the Woman with her right hand takes the Man by his right hand.--Devils dare not laugh at whom Angels crowd to contemplate.

Their hands are joined; their blood flows as one stream. Adam and fair Eve front the generations. Are they not lovely? Purer fountains of life were never in two bosoms.

And then they loose their hands, and the cool curate doth bid the Man to put a ring on the Woman's fourth finger, counting thumb. And the Man thrusts his hand into one pocket, and into another, forward and back many times: into all his pockets. He remembers that he felt for it, and felt it in his waistcoat pocket, when in the Gardens.

And his hand comes forth empty. And the Man is ghastly to look at!

Yet, though Angels smile, shall not Devils laugh! The curate deliberates. The black satin bunch ceases to simmer. He in her shadow changes from a beaming c.o.c.k-robin to an inquisitive sparrow.

Eyes multiply questions: lips have no reply. Time ominously shakes his chain, and in the pause a sound of mockery stings their ears.

Think ye a hero is one to be defeated in his first battle? Look at the clock! there are but seven minutes to the stroke of the celibate hours: the veteran is surely lifting his two hands to deliver fire, and his shot will sunder them in twain so nearly united. All the jewellers of London speeding down with sacks full of the nuptial circlet cannot save them!

The battle must be won on the field, and what does the hero now? It is an inspiration! For who else would dream of such a reserve in the rear? None see what he does; only that the black-satin bunch is remonstratingly agitated, stormily shaken, and subdued: and as though the menacing cloud had opened, and dropped the dear token from the skies at his demand, he produces the symbol of their consent, and the service proceeds: "With this ring I thee wed."

They are prayed over and blest. For good, or for ill, this deed is done. The names are registered; fees fly right and left: they thank, and salute, the curate, whose official coolness melts into a smile of monastic gallantry: the beadle on the steps waves off a gaping world as they issue forth: bridegroom and bridesman recklessly scatter gold on him: carriage doors are banged to: the coachmen drive off, and the scene closes, everybody happy.

CHAPTER x.x.x

CELEBRATES THE BREAKFAST

And the next moment the bride is weeping as if she would dissolve to one of Dian's Virgin Fountains from the clasp of the Sun-G.o.d. She has n.o.bly preserved the mask imposed by comedies, till the curtain has fallen, and now she weeps, streams with tears. Have patience, O impetuous young man! It is your profession to be a hero. This poor heart is new to it, and her duties involve such wild acts, such brigandage, such terrors and tasks, she is quite unnerved. She did you honour till now. Bear with her now. She does not cry the cry of ordinary maidens in like cases. While the struggle went on her tender face was brave; but alas! Omens are against her: she holds an ever-present dreadful one on that fatal fourth finger of hers, which has coiled itself round her dream of delight, and takes her in its clutch like a horrid serpent. And yet she must love it. She dares not part from it. She must love and hug it, and feed on its strange honey, and all the bliss it gives her casts all the deeper shadow on what is to come.

Say: Is it not enough to cause feminine apprehension, for a woman to be married in another woman's ring?

You are amazons, ladies, at Saragossa, and a thousand citadels--wherever there is strife, and Time is to be taken by the throat. Then shall few men match your sublime fury. But what if you see a vulture, visible only to yourselves, hovering over the house you are gaily led by the torch to inhabit? Will you not crouch and be cowards?

As for the hero, in the hour of victory he pays no heed to omens. He does his best to win his darling to confidence by caresses. Is she not his? Is he not hers? And why, when the battle is won, does she weep? Does she regret what she has done?

Oh, never! never! her soft blue eyes a.s.sure him, steadfast love seen swimming on clear depths of faith in them, through the shower.

He is silenced by her exceeding beauty, and sits perplexed waiting for the shower to pa.s.s.

Alone with Mrs. Berry, in her bedroom, Lucy gave tongue to her distress, and a second character in the comedy changed her face.

"O Mrs. Berry! Mrs. Berry! what has happened! what has happened!"

"My darlin' child!" The bridal Berry gazed at the finger of doleful joy. "I'd forgot all about it! And that's what've made me feel so queer ever since, then! I've been seemin' as if I wasn't myself somehow, without my ring. Dear! dear! what a wilful young gentleman!

We ain't a match for men in that state--Lord help us!"

Mrs. Berry sat on the edge of a chair: Lucy on the edge of the bed.

"What do you think of it, Mrs. Berry? Is it not terrible?"

"I can't say I should'a liked it myself, my dear," Mrs. Berry candidly responded.

"Oh! why, why, why did it happen!" the young bride bent to a flood of fresh tears, murmuring that she felt already old--forsaken.

"Haven't you got a comfort in your religion for all accidents?" Mrs.

Berry inquired.

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The Ordeal of Richard Feverel Part 45 summary

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