The Onslaught from Rigel Part 7

The giant birds, which Beeville had professionally named "tetrapteryxes," seemed to have vacated the city with the appearance of the colonists. Even the nest Roberts had stumbled on proved deserted when an expedition cautiously revisited the place; and the memory of the birds had sunk to the level of a subject for idle remarks when a new event precipitated it into general attention.

Ma.s.sey, the artist, with all the time in the world, and the art supplies of New York under his finger, had gone off on an artistic jag, painting day and night. One morning he took his canvas to the top of the Daily News building to paint the city at dawn from its weather-observation station. The fact that he had to climb stairs the whole way up and finally chisel through the door at the top was no bar to his enthusiasm.

Kevitz, hurrying down Lexington Avenue in a car to join his fellow mariners in investigating the machinery of a freighter, saw him in the little steel cage, silhouetted against the reddening light of day.

There was an informal rule that everyone should gather at the Inst.i.tute at ten in the evening, unless otherwise occupied, to report on the day's events, and when Ma.s.sey did not appear two or three people made comments on the fact, but it was not treated as a matter of moment. When the artist had not shown up by dawn of the next day, however, Murray and Gloria went to look for him, fearing accident. As they approached the building Murray noticed that the edge of the weather observation platform was twisted awry. He speeded up his car, but when they arrived and climbed the mountainous flights of stairs he found no bent and damaged form, as he had expected.

The roof of the building held nothing but the painting on which he had been working--a half-completed color sketch of the city as seen from the tower.

"Where do you s'pose he went?" asked Gloria.

"Don't know, but he went in a hurry," replied Murray. "He doesn't care about those paintings much more than he does about his life."

"Maybe he took a tumble," she suggested. "Look, there's his easel, and it's busted."

"Yes, and that little chair he totes around, and look how it's all twisted out of shape."

"Let's look over the edge. Maybe he went bugs and jumped. I knew a guy that did that once."

"Nothing doing," said Murray, peering over the parapet of the building.

Mystery.

"Say--" it was Gloria who spoke. "Do you suppose those birds--the tetra-axes or whatever Beeville calls them--?"

They turned and scanned the sky. The calm blue vault, flecked by the fleecy clouds of summer, gave no hint of the doom that had descended on the artist.

"Nothing to do but go home, I guess," said Murray, "and report another robbery in Prospect Park."

The meeting of the colonists that evening was serious.

"It comes to this, then," said Ben, finally. "These birds are dangerous.

I'm willing to grant that it might not have been they who copped Ma.s.sey, but I can't think of anything else. I think it's a good idea for us to leave here only in pairs and armed, until we're certain the danger is over."

"Ain't that kind of a strong step, Mr. Ruby?" asked Kevitz. "It don't seem to me like all that business is necessary."

Ben shook his head decisively. "You haven't seen these things," he said.

"In fact, I think it would be a good idea for us all to get some guns and ammunition and do target practice."

The meeting broke up on that note and the members of the colony filed into the room where the supply of arms was stored, and presently to form an automobile procession through the streets in search of a suitable shooting gallery.

When targets were finally set up in the street in automobile lights, the general mechanical efficiency of the colony revealed itself once more.

Gloria Rutherford was a dead shot and the artilleryman from Governor's Island almost as good; Ben himself and Murray Lee, who had been to Plattsburg, knew at least the mechanism of rifles, but the rest could only shut their eyes and pull the trigger, with the vaguest of ideas as to where the bullet would go. And as Ben pointed out after the buildings along the street had been peppered with the major portion of Abercrombie and Fitch's stock of ammunition, the supply was not inexhaustible.

"And what shall we do for weapons then?" he asked.

Yoshio, the little j.a.panese, raised his hand for attention.

"I have slight suggestion, perhaps merely cat's meow and not worthy exalted attention," he offered. "Why not all people as gentlemen old time in my country, carry sword? It is better than without weapon."

"Why not, indeed?" said Ben above a hum of laughter. "Let's go." And an hour later the company re-emerged from an antique store, belted with the strangest collection of swords and knives and fishing gaffs ever borne by an earthly army.

"I wonder, though," said Gloria to Murray Lee, as they reached the Inst.i.tute as dawn was streaking up the sky. "All this hooey doesn't seem to mean much. If those birds are as big as that they aren't going to be scared by these little toad-stabbers."

She was right. That night Ola Mae Roberts was missing.

The siege came a week later.

It was a week of strained tenseness; a certain electricity seemed at hand in the atmosphere, inhibiting speech. The colonists felt almost as though they were required to whisper....

A week during which Murray, with Dangerfield and Tholfsen, worked energetically at their radio, and progressed far enough so they could do a fairly competent job of sending and receiving in Morse code. A week during which the naval party got a freighter from the South Street docks and brought her round into the Hudson.

At dawn one morning, Gloria, with Farrelly, Kevitz and Yoshio, piled into a limousine with the idea of taking the freighter on a trip to Coney Island. Murray accompanied them to try communicating with the sh.o.r.e via the ship's wireless.

The day was dark, with lowering clouds, which explains why they missed seeing the tetrapteryxes. But for the General Sherman statue they never would have seen them until too late. The general's intervention was purely pa.s.sive; Murray noticed and called Gloria's attention to the curious expression the misty light gave the bronze face and she looked up to see, to be recalled to her driving by a yell from Kevitz announcing the metallic carca.s.s of a policeman squarely in their path.

Gloria twisted the wheel sharply to avoid it; the car skidded on the damp pavement, and reeling crazily, caromed into the iron fence around the statue with a crash. At the same moment an enormous ma.s.s of rock struck the place where they should have been and burst like a sh.e.l.l, sending a shower of fragments whistling about their ears.

Shaken and dazed by the shock, they rolled out of the car, for the moment mistaking the two impacts for one; and as they did so there came a rush of wild wings, an eldritch scream and Yoshio was s.n.a.t.c.hed into the air before their very eyes. Kevitz fired first, wildly and at random. Murray steadied himself, dropping his gun across his left forearm, and shot cool and straight--but at too great a distance, and they saw nothing but a feather or two floating down from the great four-winged bird as it swung off over Central Park, carrying the little j.a.p. They saw him squirm in the thing's grip, trying to get his sword loose, and then with a rattle of dropped stones around them, more of the birds charged home.

Only Gloria had thought of this and withheld her fire. The others swung round as she shot and in an instant the whole group was a maze of whirling wings, clutching claws, shouts, shots and screams. In twenty seconds it was done: Gloria and Murray rose panting and breathless, and looked about. Beside them, two gigantic bird-forms were spilling their lives in convulsive agony. Dangerfield and Farrelly were gone--and a rending screech from behind the buildings told only too well where.

"What's the next step?" asked Murray with such owlish solemnity that Gloria gave a burst of half-hysterical laughter. She looked round.

"Beat it for that building," she said, and gathering her torn skirts about her, set the example.

They made it by the narrowest of margins, standing breathless in what had been the Peac.o.c.k Alley of one of New York's finest hotels to see one of the great birds strut past the door like a clumsy caricature of an angel.

"And poo-poo for you," said Murray, thumbing his nose at the apparition.

"But what we'll do now I don't know."

"Play pinochle till they come look us up," suggested Gloria. "Besides, my bullets are all gone."

... They waited all day, taking tentative glances from one or another of the windows. The birds remained invisible, apparently not caring for the prospect of a battle in the constricted s.p.a.ce of the hotel rooms. But amid the rain and low-hung clouds they might be lurking just outside and both Murray and Gloria judged it too dangerous to venture a dash. As night came on, however, they made a try for the hotel's garage, achieved it without accident, and between them, rolled one of the cars to the door.

"Wait," said Murray, as Gloria got in, "what was that?"

"This dam' starter." She stirred her foot vigorously. "It won't work."

"No. Wait." He held out a restraining hand. A sudden gust of wind bore a dash of rain down against them and with it, from the northeast, a far-away scream, then a tapping and a heavy thud.

"Hot dog!" e.j.a.c.u.l.a.t.ed Murray. "They're getting after the crowd. And at night, too."

The car jerked forward suddenly as the starter caught. "Hold it," cried Murray. "Douse those headlights." They dodged the wreck of a street car, swung round a corner and headed for First Avenue, gathering speed.

Another corner, taken on two wheels in the darkness, the way to the Inst.i.tute lay before them.