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"She always was a kind creature," said uncle Nathan, moving his head with gentle compunction. "I'm afraid it came hard though to hear poor Anna mentioned, but I couldn't help it."
With these meek words, half of sorrow, half of self-reproach, uncle Nathan went back into the kitchen. Aunt Hannah had gone up stairs, but Mary sat by the little stand, reading in the open Bible. She turned it gently toward the old man as he sat down, but he shook his head and motioned her to read aloud.
Mary had a clear, silver-toned voice, and she read with that natural pathos which true feeling always renders effective. That night there was depth and sweetness in her reading, that fell like the voice of an angel on the excited feelings of uncle Nathan. The storm was now hushing itself in the valley, and her voice rose sweet and clear, till it penetrated to the room above, where aunt Hannah lay.
Why had aunt Hannah absented herself from family prayer that night?
Why did she, as the voice of that young girl rose to her ears, cower down in the bed, and nervously draw up the coverlet to shut those sweet tones out from her soul?
CHAPTER x.x.xVIII
APPLE GATHERINGS.
There's comfort in the farmer's house, In the old age of the year, When the fruit is ripe and squirrels roam Through the forests brown and sere.
It was fortunate for uncle Nathan, that his little harvest was stored in the barn before the storm we have described swept the valley, for a good many crops of corn were destroyed that night, and not only the winter apples, but half the leaves were shaken from the orchard boughs. The river, too, was swollen and turbid for several days, and the splintered and half-charred trunk of the old hemlock, was at times nearly buried in water.
But uncle Nathan's crop of corn was safely housed in the barn, on the very day before the tempest broke over it, and all the harm he suffered, was a little delay in the "husking frolic," which, for many years, had been a sort of annual jubilee at the Homestead, for the young people of the village usually managed, in some indirect way, to help the old man forward in his farm labor, making plowing matches in the spring, mowing parties in the summer, and "husking frolics" in the fall; and this with a hearty good will, that would have convinced any other man that his neighbors got up these impromptu a.s.semblies, for no purpose but their own amus.e.m.e.nt.
But uncle Nathan had too much goodness in his own heart, not to detect it lurking in any disguise in the hearts of others, and with that true dignity which makes the acceptance of a frankly offered kindness, pleasant as the power of conferring it, he always looked forward to these gala-days with interest, striving by generous hospitality to express a sense of the benefits he received.
Aunt Hannah was genuinely grateful for all this kindness in her young neighbors, and always stood ready to perform her part of the entertainment with prompt energy, which, if not as genial as the good nature of uncle Nat, revealed itself in a form quite as acceptable, for never in any other place were such pumpkin pies, drop cakes, tarts and doughnuts produced, as emanated from aunt Hannah's kitchen on these occasions.
But I have said the "husking frolic" was put off a little in order to give time for repairs after the storm. For two whole days uncle Nathan had his hands full, gathering up the winter apples that had been dashed from their boughs on that awful night. In this labor, aunt Hannah was first and foremost abroad with her splint basket, directly after breakfast, gathering up the fruit with an energy that seemed quite unequal to her age.
I am almost afraid to say it, because some of my readers are, doubtless, young ladies of the young American school, who will think my heroine degraded by her usefulness, but Mary Fuller put on her little quilted hood, the moment the breakfast things were washed up, and following the old man into the orchard, with another splint basket, filled it, turn for turn with aunt Hannah, while uncle Nathan--bless his old heart--carried the baskets and emptied them into a little mountain of red and golden apples, beneath his favorite tree.
I dislike to make this confession, because, in every sense of the word, Mary Fuller was my idea of a young gentlewoman--or as near an approach to that exquisite being, as a girl of her years ever can be.
More than this, she promised those higher and still more n.o.ble qualifications that distinguish souls lifted out from the mult.i.tude by imagination and intellect, and for this very reason perhaps she was not ashamed of being useful, or of partaking heartily in any labor borne by her benefactors.
In truth, souls like hers are ashamed to undertake no duty that comes naturally in the path of life.
I have only spoken of Mary up to this time, as a bright, cheerful, good little girl, earnest in the right, and shrinking from the wrong, because I deem such qualities, the very essence and life of a firm intellectual character, and acknowledge no greatness that hasn't strong sense and moral worth for its foundation.
Like the green leaves that clasp in a rose-bud, these qualities must unfold themselves first, in the life of any human being, allowing thought to expand in the intellect as the sunshine pierces through these mossy leaves to the heart of the flower.
Precocious intellect is not genius, but a disease. It is the bud that blossoms out of season, because there is unwholesome warmth forcing it open. There is a species of insanity that men call genius which springs from a want of intellectual harmony, without the moral and physical strength necessary to perfect development, but with this erratic mischief we have nothing to do. Mary, the reader well knows was plain in person, and as a child almost dwarfish, but wholesome food, fresh mountain air and household kindness, had modified and changed all this.
She was only a little smaller than ordinary girls, and very pleasant-looking even to strangers.
Still there was something in the young girl's face difficult to describe, but which possessed a charm that beauty never approached, a quick kindling of the eyes--a smile that lighted up all her features till the gaze was fascinated by it. This charm was more remarkable from the usual gravity of her face. She never had been what is usually termed a forward child, and in early life, the common expression of her eyes was sad, almost mournful. As she grew older and happier, this settled into a gentle serenity, only changed as we have described, by that thrilling smile, which actually transfigured her. You forgot her plainness then, forgot her humble garments, her dull complexion, and wondered what power had, for the moment, rendered her so beautiful.
This exquisite expression of the soul had deepened perceptibly and become more vivid, since her conversation with uncle Nathan on the night of the storm; but she was more thoughtful after that, and crept away to her room whenever she could find time, as if some object of interest forced her into solitude.
The night before the apple-gathering, aunt Hannah found her seated by a little cherry-wood table near the window, with her box of paints out finishing up a sketch on the leaf of an old copy-book. The same thing had often happened before, but this time there was a nervous rapidity of the hand, and that singular glow upon the face, which made the old woman pause to look at her.
"I wonder what on earth that girl is always working away at them pictures for?" said aunt Hannah as she surrendered her basket of apples to uncle Nathan that day. "Last night she was at it again--I went close up to her and looked over her shoulder--she had not heard me till then, but the minute I touched her, the color came all over her neck and face, as if she'd been caught stealing. I wonder what it's all about, Nathan?"
"Never you mind, Hannah. Let the child do as she pleases," answered uncle Nathan, pouring the ripe apples softly down to the heap. "There is something busy in her mind that neither you nor I can make out yet.
In my opinion, such girls as our Mary should be left to their own ways a good deal. Let her alone, Hannah, there is not a wrong thought in her heart, and never was."
"I don't understand her," said aunt Hannah, receiving her empty basket, and tying the broad kerchief more tightly over her head.
"Now, don't meddle with what you can't understand," said uncle Nathan, earnestly; "you and I are getting to be old people, Hannah, and as we go down hill, this girl will be climbing up; don't let us drag her down with the weight of our old-fashioned ideas. There is something more than common, I tell you, in the girl."
"But this painting won't get her a living, when we're dead and gone, Nathan."
"I don't know, picters are the fashion now-a-days--who knows but she may yet have one hung up at the Academy."
A grim smile came to aunt Hannah's face. "You may be right, Nathan,"
she said. "More strange things than that have happened in our time, so I'll just do as you think best, but she does waste a good deal of time and candle-light with her paints and things."
"She's brought more light into the house than she will ever take away, heaven bless her," answered uncle Nathan.
Just then, Mary came up with her basket. Exercise and the cold autumn air had left her cheeks rosy with color; she looked beautiful in the eyes of her benefactors.
"Now," she said, pouring down her apples, "had not you better go into the cellar, uncle Nathan, and get the apple-bin ready? the air feels like frost."
"They're not going into our cellar this year," said aunt Hannah, looking up into the branches above her, as if she feared to encounter the inquiring eyes of her companions; "we must do without winter apples; I've sold the whole crop."
"Do without winter apples," exclaimed uncle Nathan, with a downcast look, "is it so bad as that sister?"
"Apples are high down in York this fall," she answered, evasively.
Mary turned away, sighing heavily, "Shall I never be able to help along?" she muttered to herself, and she fell into a train of thought that lasted till long after the apples were all gathered in a heap ready for the cart that was to carry them away.
"Hannah," said uncle Nathan, the moment they were alone, "what has happened; Anna's boy, is it anything about him?"
"His father is sick, Nathan, very sick, and will starve if we don't come to his help a little."
"And this is why we are to have no winter apples in the cellar, I'm sure it's of no consequence. I've thought a good while that old people like us have no use for apples, we hain't got the teeth to eat them, you know. But then Mary is so fond of them, supposing we take out a few just for her, you know."
"No," said aunt Hannah, sorrowfully, "she can do without apples, but they cannot do without bread; besides she wouldn't touch them if she knew."
"No, no, I'm sure she wouldn't--but isn't there anything I could give up: there's the cider, I used to be very fond of ginger and cider, winter evenings, but somehow without apples, it wouldn't seem exactly nat'ral: supposing you save a few apples for her without letting her know, and sell the cider. It would be a good example to set to the young men, you know, these temperance times?"
"No," answered Hannah, with unusual energy, "not a comfort shall you give up; I will work my fingers to the bone first."
"But," said uncle Nathan, rather timidly, as if he ventured a proposition that was likely to be ill received. "Why not let the poor fellow come here?--it would not cost much to keep him at the Homestead, and Mary is such a dear little nurse."
Aunt Hannah did not receive this as he had expected, but with a slow wave of the head, "That can never be--I couldn't breathe under the same roof with them; don't mention it again, Nathan."
"I never will," said the old man, touched by the sad determination in her voice and manner, "only tell me what I can do."
"Nothing, only let me alone," was the reply, and taking up her empty basket, aunt Hannah went to work again.