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The Old Die Rich Part 6

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"That could be the explanation, I suppose," she said. "The truth is that I've never taken a time voyage--somebody has to operate the controls in the present--so I can't say it's possible or impossible to fall. It must be, since you did. Perhaps the wrench back from the past was too violent and you slipped just before you returned."

She led me down to an ornate dining room, where the table had been set for two. The food was waiting on the table, steaming and smelling tasty. n.o.body was around to serve us. She pointed out a chair to me and we sat down and began eating. I was a little nervous at first, afraid there might be something in the food, but it tasted fine and nothing happened after I swallowed a little and waited for some effect.

"You did try to escape the time tractor beam, didn't you, Mr. Weldon?"

she asked. I didn't have to answer; she knew. "That's a mistaken notion of how it functions. The control beam doesn't cover _area_; it covers _era_. You could have flown to any part of the world and the beam would still have brought you back. Do I make myself clear?"

She did. Too b.l.o.o.d.y clear. I waited for the rest.

"I a.s.sume you've already formed an opinion of me," she went on. "A rather unflattering one, I imagine."

"'b.i.t.c.h' is the cleanest word I can find. But a clever one. Anybody who can invent a time machine would have to be a genius."

"I didn't invent it. My father did--Dr. Anthony Roberts--using the funds you and others helped me provide him with." Her face grew soft and tender. "My father was a wonderful man, a great man, but he was called a crackpot. He was kept from teaching or working anywhere. It was just as well, I suppose, though he was too hurt to think so; he had more leisure to develop the time machine. He could have used it to extort repayment from mankind for his humiliation, but he didn't. He used it to help mankind."

"Like how?" I goaded.

"It doesn't matter, Mr. Weldon. You're determined to hate me and consider me a liar. Nothing I tell you can change that."

She was right about the first part--I hadn't dared let myself do anything except hate and fear her--but she was wrong about the second.

I remembered thinking how Lou Pape would have felt if I had died of starvation with over $15,000, after borrowing from him all the time between jobs. Not knowing how I got it, he'd have been sore, thinking I'd played him for a patsy. What I'm trying to say is that Lou wouldn't have had enough information to judge me. I didn't have enough information yet, either, to judge her.

"What do you want me to do?" I asked warily.

"Everybody but one person was sent into the past on specific errands--to save art treasures and relics that would otherwise have been lost to humanity."

"Not because the things might be worth a lot of dough?" I said nastily.

"You've already seen that I can get all the money I want. There were upheavals in the past--great fires, wars, revolutions, vandalism--and I had my a.s.sociates save things that would have been destroyed. Oh, beautiful things, Mr. Weldon! The world would have been so much poorer without them!"

"El Greco, for instance?" I asked, remembering the raving old man who had been found wandering with $17,000 in his coat lining.

"El Greco, too. Several paintings that had been lost for centuries."

She became more brisk and efficient-seeming. "Except for the one man I mentioned, I concentrated on the past--the future is too completely unknown to us. And there's an additional reason why I tentatively explored it only once. But the one person who went there discovered something that would be of immense value to the world."

"What happened to _him_?"

She looked regretful. "He was too old. He survived just long enough to tell me that the future has something we need. It's a metal box, small enough to carry, that could supply this whole city with power to run its industries and light its homes and streets!"

"Sounds good. Who'd you say benefits if I get it?"

"We share the profits equally, of course. But it must be understood that we sell the power so cheaply that everybody can afford it."

"I'm not arguing. What's the other reason you didn't bother with the future?"

"You can't bring anything from the future to the present that doesn't exist right now. I won't go into the theory, but it should be obvious that nothing can exist before it exists. You can't bring the box I want, only the technical data to build one."

"Technical data? I'm an actor, not a scientist."

"You'll have pens and weatherproof notebooks to copy it down in."

I couldn't make up my mind about her. I've already said she was beautiful, which always prejudices a man in a woman's favor, but I couldn't forget the starvation cases. They hadn't shared anything but malnutrition, useless money and death. Then again, maybe her explanation was a good one, that she wanted to help those who needed help most and some of them lied about their age and physical condition because they wanted the jobs so badly. All I knew about were those who had died. How did I know there weren't others--a lot more of them than the fatal cases, perhaps--who came through all right and were able to enjoy their little fortunes?

And there was her story about saving the treasures of the past and wanting to provide power at really low cost. She was right about one thing: she didn't need any of that to make money with; her method was plenty good enough, using the actual records of the past to invest in stocks, bet on sports--all sure gambles.

But those starvation cases....

"Do I get any guarantees?" I demanded.

She looked annoyed. "I'll need you for the data. You'll need me to turn it into manufacture. Is that enough of a guarantee?"

"No. Do I come out of this alive?"

"Mr. Weldon, please use some logic. I'm the one who's taking the risk.

I've already given you more money than you've ever had at one time in your life. Part of my motive was to pay for services about to be rendered. Mostly, it was to give you experience in traveling through time."

"And to prove to me that I can't run out," I added.

"That happens to be a necessary attribute of the machine. I couldn't very well move you about through time unless it worked that way. If you'd look at my point of view, you'd see that I lose my investment if you don't bring back the data. I can't withdraw your money, you realize."

"I don't know what to think," I said, dissatisfied with myself because I couldn't find out what, if anything, was wrong with the deal. "I'll get you the data for the power box if it's at all possible and then we'll see what happens."

Finished eating, we went upstairs and I got into the cage.

She closed the circuit. The motors screamed. The mesh blurred.

And I was in a world I never knew.

You'd call it a city, I suppose; there were enough buildings to make it one. But no city ever had so much greenery. It wasn't just tree-lined streets, like Unter den Linden in Berlin, or islands covered with shrubbery, like Park Avenue in New York. The gra.s.s and trees and shrubs grew around every building, separating them from each other by wide lawns. The buildings were more gla.s.s--or what looked like gla.s.s--than anything else. A few of the windows were opaque against the sun, but I couldn't see any shades or blinds. Some kind of polarizing gla.s.s or plastic?

I felt uneasy being there, but it was a thrill just the same, to be alive in the future when I and everybody who lived in my day was supposed to be dead.

The air smelled like the country. There was no foul gas boiling from the teardrop cars on the gla.s.s-level road. They were made of transparent plastic clear around and from top to bottom, and they moved along at a fair clip, but more smoothly than swiftly. If I hadn't seen the airship overhead, I wouldn't have known it was there.

It flew silently, a graceful ball without wings, seeming to be borne by the wind from one horizon to the other, except that no wind ever moved that fast.

One car stopped nearby and someone shouted, "Here we are!" Several people leaped out and headed for me.

I didn't think. I ran. I crossed the lawn and ducked into the nearest building and dodged through long, smoothly walled, shadowlessly lit corridors until I found a door that would open. I slammed it shut and locked it. Then, panting, I fell into a soft chair that seemed to form itself around my body, and felt like kicking myself for the b.l.o.o.d.y idiot I was.

[Ill.u.s.tration]

What in h.e.l.l had I run for? They couldn't have known who I was. If I'd arrived in a time when people wore togas or bathing suits, there would have been some reason for singling me out, but they had all had clothes just like ours--suits and shirts and ties for the men, a dress and high heels for the one woman with them. I felt somewhat disappointed that clothes hadn't changed any, but it worked out to my advantage; I wouldn't be so conspicuous.

Yet why should anyone have yelled "Here we are!" unless.... No, they must have thought I was somebody else. It didn't figure any other way.

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The Old Die Rich Part 6 summary

You're reading The Old Die Rich. This manga has been translated by Updating. Author(s): Horace Leonard Gold. Already has 570 views.

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