The Old Adam Part 48

"Miss Lindop," Edward Henry interrupted, "will you please read to Mr.

Marrier what I've dictated?" He turned to Marrier. "It's an interview with myself for one of to-morrow's papers."

Miss Lindop, with tears in her voice if not in her eyes, obeyed the order and, drawing the paper from the machine, read its contents aloud.

Mr. Marrier started back--not in the figurative but in the literal sense--as he listened.

"But you'll never send that out!" he exclaimed.

"Why not?"

"No paper will print it!"

"My dear Marrier," said Edward Henry. "Don't be a simpleton. You know as well as I do that half-a-dozen papers will be delighted to print it.

And all the rest will copy the one that does print it. It'll be the talk of London to-morrow, and Isabel Joy will be absolutely snuffed out."

"Well," said Mr. Marrier. "I never heard of such a thing!"

"Pity you didn't, then!"

Mr. Marrier moved away.

"I say," he murmured at the door. "Don't you think you ought to read that to Rose first?"

"I'll read it to Rose like a bird," said Edward Henry.

Within two minutes--it was impossible to get from his room to the dressing-rooms in less--he was knocking at Rose Euclid's door. "Who's there?" said a voice. He entered and then replied, "I am."

Rose Euclid was smoking a cigarette and scratching the arm of an easy-chair behind her. Her maid stood near by with a whisky-and-soda.

"Sorry you can't go on with the rehearsal, Miss Euclid," said Edward Henry very quickly. "However, we must do the best we can. But Mr.

Marrier thought you'd like to hear this. It's part of an interview with me that's going to appear to-morrow in the press."

Without pausing, he went on to read: "'I found Mr. Alderman Machin, the hero of the Five Towns and the proprietor and initiator of London's newest and most up-to-date and most intellectual theatre, surrounded by a complicated apparatus of telephones and typewriters in his managerial room at the Regent. He received me very courteously. "Yes," he said in response to my question, "The rumour is quite true. The princ.i.p.al part in 'The Orient Pearl' will be played on the first night by Miss Euclid's understudy, Miss Olga Cunningham, a young woman of very remarkable talent. No; Miss Euclid is not ill or even indisposed. But she and I have had a grave difference of opinion. The point between us was whether Miss Euclid's speeches ought to be clearly audible in the auditorium. I considered they ought. I may be wrong. I may be provincial. But that was and is my view. At the dress-rehearsal, seated in the gallery, I could not hear her lines. I objected. She refused to consider the subject or to proceed with the rehearsal. _Hinc illae lachrymae!_" ... "Not at all," said Mr. Machin in reply to a question, "I have the highest admiration for Miss Euclid's genius. I should not presume to dictate to her as to her art. She has had a very long experience of the stage, very long, and doubtless knows better than I do. Only, the Regent happens to be my theatre, and I'm responsible for it. Every member of the audience will have a complete uninterrupted view of the stage, and I intend that every member of the audience shall hear every word that is uttered on the stage. I'm odd, I know. But then I've a reputation for oddness to keep up. And by the way I'm sure that Miss Cunningham will make a great reputation for herself."'"

"Not while I'm here, she won't!" exclaimed Rose Euclid standing up, and enunciating her words with marvellous clearness.

Edward Henry glanced at her, and then continued to read: "Suggestions for headlines. 'Piquant quarrel between manager and star actress.'

'Unparalleled situation.' 'Trouble at the Regent Theatre.'"

"Mr. Machin," said Rose Euclid, "you are not a gentleman."

"You'd hardly think so, would you?" mused Edward Henry, as if mildly interested in this new discovery of Miss Euclid's.

"Maria," said the star to her maid, "go and tell Mr. Marrier I'm coming."

"And I'll go back to the gallery," said Edward Henry. "It's the place for people like me, isn't it? I daresay I'll tear up this paper later, Miss Euclid--we'll see."

IV.

On the next night a male figure in evening dress and a pale overcoat might have been seen standing at the corner of Piccadilly Circus and Lower Regent Street, staring at an electric sign in the shape of a shield which said in its glittering, throbbing speech of incandescence:

THE REGENT ROSE EUCLID IN THE ORIENT PEARL

The figure crossed the Circus, and stared at the sign from a new point of view. Then it pa.s.sed along Coventry Street, and stared at the sign from yet another point of view. Then it reached Shaftesbury Avenue, and stared again. Then it returned to its original station. It was the figure of Edward Henry Machin, savouring the glorious electric sign of which he had dreamed. He lit a cigarette, and thought of Seven Sachs gazing at the name of Seven Sachs in fire on the facade of a Broadway theatre in New York. Was not this London phenomenon at least as fine?

He considered it was. The Regent Theatre existed--there it stood!

(What a name for a theatre!) Its windows were all illuminated. Its entrance-lamps bathed the pavement in light, and in this radiance stood the commissionaires in their military pride and their new uniforms. A line of waiting automobiles began a couple of yards to the north of the main doors and continued round all sorts of dark corners and up all manner of back streets toward Golden Square itself. Marrier had had the automobiles counted and had told him the number--, but such was Edward Henry's condition that he had forgotten. A row of boards reared on the pavement against the walls of the facade said: "Stalls Full," "Private Boxes Full," "Dress Circle Full," "Upper Circle Full," "Pit Full,"

"Gallery Full." And attached to the ironwork of the glazed entrance canopy was a long board which gave the same information in terser form: "House Full." The Regent had indeed been obliged to refuse quite a lot of money on its opening night.

After all, the inauguration of a new theatre was something, even in London! Important personages had actually begged the privilege of buying seats at normal prices, and had been refused. Unimportant personages, such as those who boast in the universe that they had never missed a first night in the West End for twenty, thirty, or even fifty years, had tried to buy seats at abnormal prices, and had failed; which was in itself a tragedy. Edward Henry at the final moment had yielded his wife's stall to the instances of a Minister of the Crown, and at Lady Woldo's urgent request had put her into Lady Woldo's private landowner's box, where also was Miss Elsie April who "had already had the pleasure of meeting Mrs. Machin." Edward Henry's first night was an event of magnitude. And he alone was responsible for it. His volition alone had brought into being that grand edifice whose light yellow walls now gleamed in nocturnal mystery under the shimmer of countless electric bulbs.

"There goes pretty nigh forty thousand pounds of my money!" he reflected, excitedly.

And he reflected:

"After all, I'm somebody."

Then he glanced down Lower Regent Street and saw Sir John Pilgrim's much larger theatre, now sublet to a tenant who also was lavish with displays of radiance. And he reflected that on first nights Sir John Pilgrim, in addition to doing all that he himself had done, would hold the great role on the stage throughout the evening. And he admired the astounding, dazzling energy of such a being, and admitted ungrudgingly:

"He's somebody too! I wonder what part of the world he's illuminating just now!"

Edward Henry did not deny to his soul that he was extremely nervous. He would not and could not face even the bare possibility that the first play presented at the new theatre might be a failure. He had meant to witness the production incognito among the crowd in the pit or in the gallery. But, after visiting the pit a few moments before the curtain went up, he had been appalled by the hard-hearted levity of the pit's remarks on things in general. The pit did not seem to be in any way chastened or softened by the fact that a fortune, that reputations, that careers were at stake. He had fled from the packed pit. (As for the gallery, he decided that he had already had enough of the gallery.)

He had wandered about corridors and to and fro in his own room and in the wings, and even in the bas.e.m.e.nt, as nervous as a lost cat or an author, and as self-conscious as a criminal who knows himself to be on the edge of discovery. It was a fact that he could not look people in the eyes. The reception of the first act had been fairly amiable, and he had suffered horribly as he listened for the applause. Catching sight of Carlo Trent in the distance of a pa.s.sage, he had positively run away from Carlo Trent. The first entr'acte had seemed to last for about three months. Its nightmarish length had driven him almost to lunacy.

The "feel" of the second act, so far as it mystically communicated itself to him in his place of concealment, had been better. At the end of the second fall of the curtain the applause had been enthusiastic.

Yes, enthusiastic!

Curiously, it was the revulsion caused by this new birth of hope that, while the third act was being played, had driven him out of the theatre.

His wild hope needed ozone. His breast had to expand in the boundless prairie of Piccadilly Circus. His legs had to walk. His arms had to swing.

Now he crossed the Circus again to his own pavement and gazed like a stranger at his own posters. On several of them, encircled in a scarlet ring, was the sole name of Rose Euclid--impressive! (And smaller, but above it, the legend "E. H. Machin. Sole proprietor.") He asked himself impartially, as his eyes uneasily left the poster and slipped round the Circus, deserted save by a few sinister and idle figures at that hour, "Should I have sent that interview to the papers, or shouldn't I? ... I wonder. I expect some folks would say on the whole I've been rather hard on Rose since I first met her! ... Anyhow, she's speaking up all right to-night!" He laughed shortly.

A newsboy floated up from the Circus bearing a poster with the name of Isabel Joy on it in large letters.

He thought:

"Be blowed to Isabel Joy!"

He did not care a fig for Isabel Joy's compet.i.tion now.

And then a small door opened in the wall close by, and an elegant, cloaked woman came out on to the pavement. The door was the private door leading to the private box of Lord Woldo, owner of the ground upon which the Regent Theatre was built. The woman he recognised with confusion as Elsie April, whom he had not seen alone since the Azure Society's night.

"What are you doing out here, Mr. Machin?" she greeted him with pleasant composure.

"I'm thinking," said he.