The Octopus Part 30

"Gentlemen," began the Governor, once more rising, "I beg of you to allow me further consideration. Gentlemen--"

He was interrupted by renewed shouting.

"No, no, now or never. Sign, join the League."

"Don't leave us. We look to you to help."

But presently the excited throng that turned their faces towards the Governor were aware of a new face at his elbow. The door of the harness room had been left unbolted and Mrs. Derrick, unable to endure the heart-breaking suspense of waiting outside, had gathered up all her courage and had come into the room. Trembling, she clung to Magnus's arm, her pretty light-brown hair in disarray, her large young girl's eyes wide with terror and distrust. What was about to happen she did not understand, but these men were clamouring for Magnus to pledge himself to something, to some terrible course of action, some ruthless, unscrupulous battle to the death with the iron-hearted monster of steel and steam. Nerved with a coward's intrepidity, she, who so easily obliterated herself, had found her way into the midst of this frantic crowd, into this hot, close room, reeking of alcohol and tobacco smoke, into this atmosphere surcharged with hatred and curses. She seized her husband's arm imploring, distraught with terror.

"No, no," she murmured; "no, don't sign."

She was the feather caught in the whirlwind. En ma.s.se, the crowd surged toward the erect figure of the Governor, the pen in one hand, his wife's fingers in the other, the roll of signatures before him. The clamour was deafening; the excitement culminated brusquely. Half a hundred hands stretched toward him; thirty voices, at top pitch, implored, expostulated, urged, almost commanded. The reverberation of the shouting was as the plunge of a cataract.

It was the uprising of The People; the thunder of the outbreak of revolt; the mob demanding to be led, aroused at last, imperious, resistless, overwhelming. It was the blind fury of insurrection, the brute, many-tongued, red-eyed, bellowing for guidance, baring its teeth, unsheathing its claws, imposing its will with the abrupt, resistless pressure of the relaxed piston, inexorable, knowing no pity.

"No, no," implored Annie Derrick. "No, Magnus, don't sign."

"He must," declared Harran, shouting in her ear to make himself heard, "he must. Don't you understand?"

Again the crowd surged forward, roaring. Mrs. Derrick was swept back, pushed to one side. Her husband no longer belonged to her. She paid the penalty for being the wife of a great man. The world, like a colossal iron wedge, crushed itself between. She was thrust to the wall. The throng of men, stamping, surrounded Magnus; she could no longer see him, but, terror-struck, she listened. There was a moment's lull, then a vast thunder of savage jubilation. Magnus had signed.

Harran found his mother leaning against the wall, her hands shut over her ears; her eyes, dilated with fear, br.i.m.m.i.n.g with tears. He led her from the harness room to the outer room, where Mrs. Tree and Hilma took charge of her, and then, impatient, refusing to answer the hundreds of anxious questions that a.s.sailed him, hurried back to the harness room.

Already the balloting was in progress, Osterman acting as temporary chairman on the very first ballot he was made secretary of the League pro tem., and Magnus unanimously chosen for its President. An executive committee was formed, which was to meet the next day at the Los Muertos ranch house.

It was half-past one o'clock. In the barn outside the greater number of the guests had departed. Long since the musicians had disappeared. There only remained the families of the ranch owners involved in the meeting in the harness room. These huddled in isolated groups in corners of the garish, echoing barn, the women in their wraps, the young men with their coat collars turned up against the draughts that once more made themselves felt.

For a long half hour the loud hum of eager conversation continued to issue from behind the door of the harness room. Then, at length, there was a prolonged sc.r.a.ping of chairs. The session was over. The men came out in groups, searching for their families.

At once the homeward movement began. Every one was worn out. Some of the ranchers' daughters had gone to sleep against their mothers' shoulders.

Billy, the stableman, and his a.s.sistant were awakened, and the teams were hitched up. The stable yard was full of a maze of swinging lanterns and buggy lamps. The horses fretted, champing the bits; the carry-alls creaked with the straining of leather and springs as they received their loads. At every instant one heard the rattle of wheels as vehicle after vehicle disappeared in the night.

A fine, drizzling rain was falling, and the lamps began to show dim in a vague haze of orange light.

Magnus Derrick was the last to go. At the doorway of the barn he found Annixter, the roll of names--which it had been decided he was to keep in his safe for the moment--under his arm. Silently the two shook hands.

Magnus departed. The grind of the wheels of his carry-all grated sharply on the gravel of the driveway in front of the ranch house, then, with a hollow roll across a little plank bridge, gained the roadway. For a moment the beat of the horses' hoofs made itself heard on the roadway.

It ceased. Suddenly there was a great silence.

Annixter, in the doorway of the great barn, stood looking about him for a moment, alone, thoughtful. The barn was empty. That astonishing evening had come to an end. The whirl of things and people, the crowd of dancers, Delaney, the gun fight, Hilma Tree, her eyes fixed on him in mute confession, the rabble in the harness room, the news of the regrade, the fierce outburst of wrath, the hasty organising of the League, all went spinning confusedly through his recollection. But he was exhausted. Time enough in the morning to think it all over. By now it was raining sharply. He put the roll of names into his inside pocket, threw a sack over his head and shoulders, and went down to the ranch house.

But in the harness room, lighted by the glittering lanterns and flaring lamps, in the midst of overturned chairs, spilled liquor, cigar stumps, and broken gla.s.ses, Vanamee and Presley still remained talking, talking.

At length, they rose, and came out upon the floor of the barn and stood for a moment looking about them.

Billy, the stableman, was going the rounds of the walls, putting out light after light. By degrees, the vast interior was growing dim. Upon the roof overhead the rain drummed incessantly, the eaves dripping.

The floor was littered with pine needles, bits of orange peel, ends and fragments of torn organdies and muslins and bits of tissue paper from the "Phrygian Bonnets" and "Liberty Caps." The buckskin mare in the stall, dozing on three legs, changed position with a long sigh. The sweat stiffening the hair upon her back and loins, as it dried, gave off a penetrating, ammoniacal odour that mingled with the stale perfume of sachet and wilted flowers.

Presley and Vanamee stood looking at the deserted barn. There was a long silence. Then Presley said:

"Well... what do you think of it all?"

"I think," answered Vanamee slowly, "I think that there was a dance in Brussels the night before Waterloo."

BOOK II

CHAPTER I

In his office at San Francisco, seated before a ma.s.sive desk of polished redwood, very ornate, Lyman Derrick sat dictating letters to his typewriter, on a certain morning early in the spring of the year.

The subdued monotone of his voice proceeded evenly from sentence to sentence, regular, precise, businesslike.

"I have the honour to acknowledge herewith your favour of the 14th instant, and in reply would state----"

"Please find enclosed draft upon New Orleans to be applied as per our understanding----"

"In answer to your favour No. 1107, referring to the case of the City and County of San Francisco against Excelsior Warehouse & Storage Co., I would say----"

His voice continued, expressionless, measured, distinct. While he spoke, he swung slowly back and forth in his leather swivel chair, his elbows resting on the arms, his pop eyes fixed vaguely upon the calendar on the opposite wall, winking at intervals when he paused, searching for a word.

"That's all for the present," he said at length.

Without reply, the typewriter rose and withdrew, thrusting her pencil into the coil of her hair, closing the door behind her, softly, discreetly.

When she had gone, Lyman rose, stretching himself putting up three fingers to hide his yawn. To further loosen his muscles, he took a couple of turns the length of he room, noting with satisfaction its fine appointments, the padded red carpet, the dull olive green tint of the walls, the few choice engravings--portraits of Marshall, Taney, Field, and a coloured lithograph--excellently done--of the Grand Canyon of the Colorado--the deep-seated leather chairs, the large and crowded bookcase (topped with a bust of James Lick, and a huge greenish globe), the waste basket of woven coloured gra.s.s, made by Navajo Indians, the ma.s.sive silver inkstand on the desk, the elaborate filing cabinet, complete in every particular, and the shelves of tin boxes, padlocked, impressive, grave, bearing the names of clients, cases and estates.

He was between thirty-one and thirty-five years of age. Unlike Harran, he resembled his mother, but he was much darker than Annie Derrick and his eyes were much fuller, the eyeball protruding, giving him a pop-eyed, foreign expression, quite unusual and unexpected. His hair was black, and he wore a small, tight, pointed mustache, which he was in the habit of pushing delicately upward from the corners of his lips with the ball of his thumb, the little finger extended. As often as he made this gesture, he prefaced it with a little twisting gesture of the forearm in order to bring his cuff into view, and, in fact, this movement by itself was habitual.

He was dressed carefully, his trousers creased, a pink rose in his lapel. His shoes were of patent leather, his cutaway coat was of very rough black cheviot, his double-breasted waistcoat of tan covered cloth with b.u.t.tons of smoked pearl. An Ascot scarf--a great puff of heavy black silk--was at his neck, the knot transfixed by a tiny golden pin set off with an opal and four small diamonds.

At one end of the room were two great windows of plate gla.s.s, and pausing at length before one of these, Lyman selected a cigarette from his curved box of oxydized silver, lit it and stood looking down and out, willing to be idle for a moment, amused and interested in the view.

His office was on the tenth floor of the EXCHANGE BUILDING, a beautiful, tower-like affair of white stone, that stood on the corner of Market Street near its intersection with Kearney, the most imposing office building of the city.

Below him the city swarmed tumultuous through its grooves, the cable-cars starting and stopping with a gay jangling of bells and a strident whirring of jostled gla.s.s windows. Drays and carts clattered over the cobbles, and an incessant shuffling of thousands of feet rose from the pavement. Around Lotta's fountain the baskets of the flower sellers, crammed with chrysanthemums, violets, pinks, roses, lilies, hyacinths, set a brisk note of colour in the grey of the street.

But to Lyman's notion the general impression of this centre of the city's life was not one of strenuous business activity. It was a continuous interest in small things, a people ever willing to be amused at trifles, refusing to consider serious matters--good-natured, allowing themselves to be imposed upon, taking life easily--generous, companionable, enthusiastic; living, as it were, from day to day, in a place where the luxuries of life were had without effort; in a city that offered to consideration the restlessness of a New York, without its earnestness; the serenity of a Naples, without its languor; the romance of a Seville, without its picturesqueness.

As Lyman turned from the window, about to resume his work, the office boy appeared at the door.

"The man from the lithograph company, sir," announced the boy.

"Well, what does he want?" demanded Lyman, adding, however, upon the instant: "Show him in."