The Nick Of Time Part 1

THE NICK OF TIME.

by GEORGE ALEC EFFINGER.

For Debbie

Things are more like they are now than they ever were before --Dwight D. Eisenhower.

Time is an illusion perpetrated by the manufacturers of s.p.a.ce --n.o.body.

Book One

The World of Pez Pavilion: Preliminary to the Groundbreaking Ceremony

Day One

Just at noon on the seventeenth of February, 1996, Frank Mihalik became the first person to travel backward through time. He looked like an explorer and he spoke like a pioneer. He was tall and broad-shouldered and well-muscled, with a deep chest covered with the right amount of dark hair -- virile but not atavistic -- with large strong hands but the gentle manner of a man who has made a gracious peace with the powerful body nature had given him. He had short dark hair and bright unyielding eyes.

His face was rugged and handsome, but not pretty and definitely not cute. He spoke in a low earnest voice and smiled often. He was intelligent but not tedious, a good friend in times of happiness or sorrow, a joy to his aging mother, a solid citizen, and a good credit risk. He had been chosen to make the first trip into the past because Cheryl, his girlfriend, had roomed at college with a woman who was now a talent coordinator on a popular late-night holovision talk show. Such a woman had a lot of influence in the last years of the twentieth century.

The journey -- or, at least, Mihalik's departure -- was broadcast live all over the world. People in every nation on Earth saw Mihalik step from the silver van where he'd eaten breakfast and gone through his final briefing. Accompanied by the brooding brilliant director of the project, Dr. Bertram Waters, Cheryl, and Ray, Mihalik's backup man, the volunteer walked the last fifty yards to the embarkation stage. At the foot of the steps leading up to the stage itself, Mihalik shook hands with Dr. Waters and Ray. He hugged Cheryl and kissed her, fondly but not pa.s.sionately; this was a moment for emotional control and steadiness. Mihalik went up the steps and sat in the folding chair that had been placed at the target point. He waited while the voice of the project's control counted down the seconds. At T minus zero there was a flicker of amber light, a sizzle, a snap, and a moderate clap of thunder. Mihalik was gone. He had plummeted into the past. He was now sitting in a darkened room. He knew immediately that it was no longer 1996. He wondered where he was -- rather, when he was. He would still be in New York City, of course. He stood up, a crooked smile on his handsome face. He ran a hand through his mildly rumpled hair, made sure his fly was zipped, and felt his way across the room toward a door that leaked a thin line of light at the bottom.

Outside it was summer. In 1996 it had been February, cold and bleak; here it was warm and bright, the sky partly cloudy, the temperature in the mid-eighties, the humidity somewhere around 40 percent.

There was a large crowd of people outside, and they were wandering from one building to another; it seemed to Mihalik that he was in some kind of exhibition. The people carried maps, and the parents among them struggled to control their small children, all of whom wanted to run off in directions other than straight ahead. Mihalik walked close to a young couple with a baby in a stroller. He looked at the book the man was carrying: Official Guide Book -- New York World's Fair 1939, For Peace and Freedom.

The building Mihalik came out of was the Hall of Industry and Metals. He walked along the avenue, marveling at the past and the peace and quiet and brotherhood and Christian fellowship everyone showed toward his or her neighbors. There were no fights on the sidewalk. There were no vagrants, no troublemakers, no drug dealers or prost.i.tutes. There were only happy families and corporate exhibits.

This was the golden past, an era of innocent bliss, of concern for the rights of individuals and respect for private property. Mihalik was grateful for the opportunity to escape the mad world of 1996 to spend a little time in this more humane place. He would return to the present refreshed, and he would be able to help his own world identify the essential problems that created jealousy and mistrust among people.

Mihalik was not unaware of the weight of responsibility he carried; he had been charged with the duty of returning to 1996 with some token of what society had lost in the intervening sixty years.

Mihalik walked toward a great white needle and a great white globe. He had seen pictures of these structures: the Trylon and Perisphere. They were located at the Fair's Theme Center, and Mihalik had a feeling they represented something important. His first task, as he began to orient himself in the world of 1939, was to find out just what these two imposing symbols meant to the people of his grandparents'

generation. He stopped a young woman and spoke to her; she looked at his unusual costume -- he was wearing the thin, olive green one-piece garment of 1996 -- and a.s.sumed he was one of the Fair's employees. "What do these marvelous buildings mean to you?" he asked.

"The Trylon?" she said. "The Trylon is a symbol of man's upward yearnings, pointing into the sky where dwell all hope and ambitions."

"That's just what I was thinking," said Mihalik.

"And the Perisphere, well, the Perisphere is the promise of Democracity, you know."

"Democracity?" asked Mihalik.

"You walk into that big bowl and spread out before you is a model of the city of the future. Have you ever seen a city of the future?"

"Yes," said Mihalik, "on numerous occasions."

"Most cities of the future are too conservative, I feel," said the young woman. "We need monorails.

We need aerial bridges linking cloud-piercing office buildings and apartment towers. We need parks where slums now blight the boroughs. We need fourteen-lane highways that parallel new sparkling waterways. We need shopping and recreation centers where citizens may spend their newly won leisure and newly earned wealth. We need bright, airy schools where young minds may learn to value the gift of life that has been given them. All this lies within the Perisphere -- a dream of times to come, a vision of the New York City that will exist in our children's lifetime in this place. The Perisphere is a ringing challenge, a concretalization of our hope and ambitions as symbolized by the Trylon, drawn down to earth and made manifest for our inspection. It is a kind of miracle."

"I can't wait to see it," said Mihalik.

"Yeah, but there's this huge line all the time," she said. "You got to be ready to wait. I hate lines, don't you? You'd be better off seeing something else." "What would you suggest?"

The young woman thought for a moment. "Have you seen the Monkey Mountain in Frank Buck's Jungleland?"

"No," said Mihalik, "I just got here."

"I love to watch monkeys," said the woman. "Well, enjoy yourself." She waved goodbye.

"Thank you," he said. He decided to see Democracity another time. He wanted to look at the other buildings, the exhibitions, and the beautiful, quaint Art Deco architecture of this harmless island in the past. The buildings themselves reminded him of something: their graceful curved lines where, in 1996, they would instead have had sharp forbidding edges; their naive pride in proclaiming which company or nation had erected them; their clean accents in gla.s.s, brick, and stainless steel. After a moment he knew what they made him think of -- it was the colors, the pastel pinks and pale greens. They were the same colors as the little candy hearts he used to see on Valentine's Day, the ones with the clever little slogans.

Oh Baby and Kiss Me and You Doll and 2 Much. The candy colors contributed to the feeling of childlike innocence Mihalik felt. It made no difference that the buildings celebrated the very things that turned this wonderful world into the anxiety-ridden bankrupt ruin of 1996.

He walked toward the Lagoon of Nations. It was heartwarming to see families enjoying their outing together. That sort of thing was rare in Mihalik's time. Here in 1939, mothers and fathers still protected their children from the evils of the world, instead of just throwing up their hands in futile despair. Here there were parents who wanted the best for the young ones, who still thought it was valuable to show the children new things, educational things, sights and sounds and experiences that let the boys and girls grow up feeling that they partic.i.p.ated in an exciting, vibrant world. Mihalik wished that his parents had been more like that. He wondered, then, where his parents were; in 1939, he realized, his mother had not even been born. His father was a boy of two, running around in a darling little sailor suit somewhere in Elkhart, Indiana. Mihalik was sorry that he had only a few hours to spend in the past; he would have been curious to visit his grandparents. That was only one of the interesting things he could do in 1939.

Adventures in Yesterdayland Mihalik looked at his watch; it was eleven o'clock. He sat on a bench along Const.i.tution Mall, under the cold stone eyes of the giant statue of George Washington. There was a newspaper on the bench.

Mihalik paged through the paper happily, laughing aloud at the simple views people had of the world in this day. He expected to be astounded by the prices in the advertis.e.m.e.nts, and he was: linen suits went for $8.25 or two for $16, a beef roast was $0.17 a pound. They didn't have linen suits or beef roasts in 1996. But Mihalik had been prepared for this. He had been briefed, he had been carefully indoctrinated by technicians and specialists so that whatever era he ended up in, he wouldn't be stunned into inactivity by such things as the price of a beef roast. So Mihalik was not paralyzed by temporal shock. He found that he could still turn the pages of the newspaper. On the sports page he read that both the Dodgers and the Giants had lost, but that the Yankees had crushed the Browns 14-1 on Bill d.i.c.key's three home runs.

He didn't have any idea what any of that meant.

"h.e.l.lo," said a man in a tan suit. He looked like he never got any sun; Mihalik thought the man's face was the unhealthy color of white chocolate Easter bunnies. The man took a seat on the bench.

"h.e.l.lo," said Mihalik.

"I'm from out of town. I'm from South Bend, Indiana." Mihalik recalled that Indiana had been one of the fifty-two "states" that had once composed the United States. "You're probably wondering why I'm not over at the Court of Sport," said the resident of 1939.

"Yes," said Mihalik, "that's just what I was thinking."

"Because they're raising the blue and gold standard of the University of Notre Dame over there, right this minute. But I said to myself, 'Roman,' I said, 'why travel all this way by train and come to this wonderful Fair, just to see them raise a flag and give some speeches?'"

"I know exactly what you mean. I came a long way, too, and I'm trying to decide what to see first."

"I'm looking forward to seeing the girls in the Aquacade." Mihalik looked at his watch. He didn't know how long he would have in the past, and he thought he could spend the time more profitably examining all the fascinating little things that contributed to the peace and plenty and harmony he saw all about him. "Someone recommended the monkeys in Frank Buck's Jungleland," he said.

The man from Indiana seemed angry. "I didn't come all this way to see monkeys," he said. He stood up and walked away.

"No," thought Mihalik, "you came all this way to see shameless women." He glanced through the newspaper a little further. In the comics, Dixie Dugan was wondering about a handsome stranger who was coming into the Wishing Well Tea Shoppe every day. An article informed him that in Berlin the Germans were having practice air raid drills because, as a German spokesman said, the fact is that air attack in modern times is not beyond the range of possibility. Mihalik recalled that the Second World War was due to start any time now, so the Germans were laughing up their sleeves at the rest of the world. And the United States had revoked its trade agreement with j.a.pan because of j.a.pan's conduct in China, and in a few months there would be an embargo on raw materials.

Yet all around him, Mihalik saw happy people enjoying the summer morning, crushing the carnations along Const.i.tution Mall, dropping paper cups on the sidewalk, littering George Washington's feet with mustard-covered paper napkins. Could they not see how international events were building toward the great cataclysm that would lead inexorably to the terrifying world of 1996? Would he have to grab them all, one by one, and scream into their faces, "Behold, how the world rushes headlong to its doom!"

Would they listen? No, admitted Mihalik, not with the Yankees so comfortably in first place. To these people, everything was right with the world. Everything seemed normal. They had no idea that they were the architects of the future, each of them individually, and that their attendance here at the World's Fair was part of the reason their descendants fifty-seven years hence were suffering. "Enjoy it while you can,"

murmured Mihalik bitterly.

Further up Const.i.tution Mall were four statues, four white figures in the overstated, heroic manner that Mihalik always a.s.sociated with totalitarian governments. "I must be wrong," he thought. "These statues were put here to celebrate the best aspects of the American Way, as it was understood decades before my birth, during one of the great ages of the ascendancy of the United States." The statues represented the Four Freedoms. There was a half-naked woman looking up, depicting Freedom of Religion. There was a half-naked woman gesturing vaguely, ill.u.s.trating Freedom of a.s.sembly. A third half-naked woman with a pencil and notepad took care of Freedom of the Press. And a partially draped man with his hand upraised somehow conveyed the notion of Freedom of Speech. The statues were white; everything along Const.i.tution Mall was white: the Trylon and Perisphere, the flowers, the statues, all the way to the Lagoon of Nations. Things in other areas were color-coded: each building in a particular section of the Fair was the same color, but the farther away from the Theme Center it was, the deeper the shade, It was not long before Mihalik learned to find his way around the complex of streets and walkways.

About noon he realized that he was very hungry. "They ought to have sent some provisions with me,"

he thought. For the first time, he felt that the scientists who planned his journey into the past had overlooked some important details. They had failed to foresee all the difficulties he might encounter. For instance, he had no money. There were hamburgers and popcorn and cotton candy and c.o.kes all around him, but Mihalik was helpless to get anything to eat. He watched sadly as little children dropped large globs of ice cream on the sidewalk. "What a waste," he said to himself. "That could feed a family of six Dutch refugees in 1996." It also could have fed him. He sat on another bench and tried to devise a way of getting something to eat. He didn't know if he would have to spend an hour in the past or a day or a week. He had had a good breakfast in the silver van, but now it was lunchtime.

"Tired?" said a man who sat next to him on the bench. Mihalik made a mental note to report on the friendliness of the people of the past. They all seemed eager to share his views and listen to his opinions.

That was very rare in 1996.

"Yes," said Mihalik. "I've been walking all morning, and I've just discovered that I have no money."

"You've been robbed? A pickpocket?" The man seemed outraged. "I guess so," said Mihalik.

The man looked at Mihalik's green jumpsuit. "Where did you keep your wallet?" he asked.

"My wallet?"

"You don't have any pockets."

"Well," said Mihalik lamely, "I carried my money in my hand."

"Uh huh," said the man dubiously. "Do you still have the stub from your ticket?"

"Yeah," said Mihalik, "it's right here. Oh, my G.o.d! The thief must have stolen that, too!"

"Sure, pal. I'm a detective, and I think I ought to take you--"

Mihalik got up and ran. He didn't look back; he was big and strong and fast, and he knew that he could outdistance the detective. Mihalik ran to the right, into the Heinz Dome. He looked around briefly, but what interested him the most were the samples of all the Heinz products they were giving away free.

He went back to each again and again until the employees of the Dome began whispering among themselves. Mihalik took that as a cue to leave, and he walked out of the building. Several spoonfuls of relish and catsup had done little for his hunger, but he did have a nice plastic souvenir, a pin in the shape of a pickle. On the top of the Dome was a statue of the G.o.ddess of Perfection. Mihalik was not aware that there was a G.o.ddess of perfection, in anyone's pantheon; it was just something else that had been forgotten on the way to the end of the century.

He checked his watch again, and he found that it had stopped at 1:07. The sky was becoming darker; the newspaper had mentioned a great drought the city had suffered for more than a month. It looked like this afternoon there would be some relief. "Just my kind of luck," he thought. But there would be plenty of interesting things he could see while he waited for the rain to pa.s.s.

The first heavy drops fell just as he left the Washington State Exhibit. The rain fell with flat spatting sounds on the concrete paths. Mihalik looked around quickly, then ducked into the Belgian Pavilion. He saw more films and exhibits of things that would soon become extinct. He wondered how horrified these people would be if they knew how tenuous their existence was, how little time was left for their world, for the things they so took for granted. A Belgian girl was working away in poor light, making lace. What place was there in 1996 for lace, or for Belgian girls either, for that matter? Both had virtually ceased to exist. Yet Mihalik dared not pa.s.s that information on to these people: they very definitely were not world leaders, not even stars of stage and screen who would have some influence over world opinion.

In one part of the Belgian Pavilion there were diamonds from the Congo, which at this time was still a Belgian colony. There was a copy of a statue of King Albert made of diamonds. It looked foolish to Mihalik, but the diamonds made him think of rock candy, the kind he used to eat when he was young, with the little piece of string inside that always stuck between his teeth. There were many diamonds and other precious gems; Mihalik wished that he had just one to buy a hot dog with.

The day pa.s.sed quickly. Mihalik wondered what he ought to do. He knew that it was very expensive to keep him in the past; he was surprised that he hadn't been brought back already. He didn't think he could learn much more at the Fair: the really interesting exhibits charged admission, and he didn't have a single penny. And he might as well not even bother going over to the amus.e.m.e.nt section. It didn't make any difference where he was when the technicians recalled him; he didn't have to be in the same place he started from. But he hadn't completely answered the questions the great thinkers of the future wanted solved. "I've been here since about ten o'clock this morning," he thought. "It's now after nine o'clock.

Maybe they're going to go for a full twelve hours." Mihalik shrugged; in that case, the best thing to do was stay at the Fair. At ten o'clock there was going to be an invasion from Mars, and he kind of wanted to see it.

At quarter of ten he started walking toward Fountain Lake, where the 212th Coast Artillery had set up. Mars was as close to Earth as it had been in fifteen years, closer than it would be for another seventeen. The management of the Fair had taken the opportunity to show what would happen if Martians took it into their pointy little green heads to attack the 1939 New York World's Fair. Airplanes flew by overhead. There was a complete blackout around Fountain Lake, and instead of the usual nightly spectacular, there were flares and fireworks and anti-aircraft bursts and machine-gun fire, all for Peaceand Freedom, and then the fountains themselves began dancing and throwing their red, green, blue, and yellow streams at the invisible, cowardly invaders. In a few minutes it was all over, and the public began walking slowly toward the Fair's exits. It was time to go home, time to digest the marvelous holiday, time to tuck in Junior and Sis and thank G.o.d and Mayor LaGuardia for the swell day at the Fair and the victory over the Martians. It was time for Mom and Dad to count their blessings and hug each other and realize just how lucky they were to be living in the World of Tomorrow. It was time for Frank Mihalik to figure out what he was going to do next. He obviously wasn't flashing back yet to 1996, and he wasn't welcome any longer on the Fairgrounds, not until nine o'clock the next morning. This was something he hadn't considered: he had no money and nowhere to go.

He walked with the crowd through the exit and into the subway. Even though he didn't have the fare, he was able to slip on a train in the middle of the throng. He stood in the crowded subway car, trying to keep his balance and at the same time avoiding shameless body contact. He wondered if there could be any rides in the amus.e.m.e.nt section of the Fair that were as frightening and revolting as the subway; he doubted it because anything so terrible would have made its mark on civilization, and would have been known to the historians of 1996. "We're jammed in here like a boxful of Milk Duds all crushed together,"

he thought. He rode for a long time, through the borough of Queens and into Manhattan. He was tempted to get off and walk around the famous places that had once existed in New York: Broadway, Times Square, Fifth Avenue. But he didn't think he would be so lucky later, trying to get back on the subway without money. He decided to spend the whole night on the train.

There were fewer and fewer people on the train as time pa.s.sed. He looked at his watch: it was almost midnight. The train was pulling into a large, noisy underground station. He waited for the doors to open.

There was a flicker of amber light, a sizzle, a snap, and a moderate clap of thunder. Then everything went dark. "Thank G.o.d!" said Mihalik aloud. He knew he was back home. Very soon he would see Cheryl, his girlfriend, and Ray, his backup. Ray would be sorry he missed the Fair. At least Mihalik had brought back a pickle pin for Cheryl. He got up and tried to feel his way in the dark. He wondered where he had materialized. He found a door after a few moments and walked through.

A Necessary and Fundamental Change in GamePlan Outside it was bright daylight. "That isn't right," thought Mihalik. The time in 1996 was two hours ahead of 1939; he had left at noon and arrived at ten in the morning. He had last looked at his wrist.w.a.tch just before midnight; it ought to be 2 a.m. "I'll bet I know what it is," thought Mihalik, a wide smile appearing on his face, "I'll bet there's this time-dilation principle. Maybe twelve hours in 1996 translate to more or less than that in 1939. So I really wasn't kept in the past as long as I thought. I just got the benefit of the Mihalik Effect." He liked the sound of that a lot.

He was less happy when he left the building. It turned out to be the Hall of Industry and Metals. "My G.o.d," he thought, "they brought the whole building back with me." All around him he saw laughing, happy people enjoying what was clearly the 1939 New York World's Fair. Mihalik was st.u.r.dy and he was almost fearless, but he had a tough time handling disappointment. Sometimes he chose the most incredible theories rather than face up to the truth. "They brought the whole d.a.m.n Fair back!" he cried.

"Well, at least they'll be able to study this period at their leisure." Privately Mihalik thought it was an extravagant waste of time, energy, and research bucks.

In lighthearted moments, Mihalik had tried to imagine his welcome back in the gritty, weary world of 1996. He had pictured plenty of blue and yellow bunting hanging from buildings, political figures on hand to share his glory, beautiful San Diego screen stars with orphans for him to kiss, bands, cheering, free beer. He saw none of that. It was all very disillusioning to him. There was a band, he had to admit that, but it was the Saskatoon, Saskatchewan, Girls' Pipe Band, and they had played at the Fair yesterday and had somehow been s.n.a.t.c.hed into the future along with the rest of the World of Tomorrow.

He saw a young couple wheeling a stroller. They looked familiar; it took a moment, but Mihalik recalled them. They had been the couple whose copy of the guidebook yesterday let him know where he had arrived. And evidently, they had returned to the Fair for a second day, only to be whisked throughtime along with the Saskatoon Girls' Pipe Band. He felt he owed them some sort of apology.

He found a bench and sat down to wait. Someone would come to get him soon, he knew. He needed to be debriefed. He needed to be debriefed and fed. He hoped the scientists and technicians had a hearty meal waiting for him, and a warm bath, and a nice bed, because he didn't feel that he could face world leaders and San Diego screen stars in his present condition. He would be ashamed to spend another hour in the same green Jumpsuit.

There was a newspaper on the bench. Mihalik picked it up and read it for a moment before he realized that it was from the day before. That made him wrinkle his brow; he was sure, from all that he had seen, that the Fair's sanitation employees wouldn't have left the newspaper on the bench all day and all night. But there were the same stories: the air raid drills in Berlin, the revocation of the j.a.panese trade pact, Dixie Dugan and her handsome stranger, Bill d.i.c.key and his three home runs. He took the paper with him, intending to throw it in a trash container. He had always been civic-minded.

"h.e.l.lo," said a man.

"h.e.l.lo," said Mihalik.

"I'm from out of town. I'm from South Bend, Indiana. You're probably wondering why I'm not over in the Court of Sport."

Mihalik studied this joker. He was wearing a suit the color of Bit-O-Honey. Why had all these people come back for another day, and why were they all wasting their time going back to the same places he had seen them at yesterday? Didn't they realize it was 1996 beyond the Fair's gates now, no longer their comfortable, secure 1939? Well, he didn't want to be the one to tell them. Let them find out on their own. There was no real way to prepare them for it, anyway. "I'll bet I know," said Mihalik. "I'll bet you said to yourself, 'Roman, why travel all this way by train and come to this wonderful Fair, just to see them raise a flag and give some speeches?'"

The man stared at Mihalik. "How did you know I was going to say that? How did you know my name was Roman?"

"Did I guess right?" asked Mihalik.

"Right as rain. Both times."

"I'm an amus.e.m.e.nt attraction. You owe me twenty-five cents."

"Gee," said Roman, still astonished, digging out a quarter from a little change purse, "they don't have anybody like you in South Bend."

Mihalik nodded wisely. "You got to come to New York for that," he said. "This is the big city. You be careful now, you hear?"

"Gee," said the man again. He walked away, shaking his head.