The New Yorker Stories Part 19

It is eight o'clock. Since helping Lenore load the dishes into the dishwasher, when she said what a beautiful house Lenore had, Julie has said very little. Lenore is tired, and does not want to make conversation. They sit in the living room and drink wine.

"Sarah is my best friend," Julie says. She seems apologetic about it. "I was so out of it when I came back to college. I was in Italy, with my husband, and suddenly I was back in the States. I couldn't make friends. But Sarah wasn't like the other people. She cared enough to be nice to me."

"How long have you been friends?"

"For two years. She's really the best friend I've ever had. We understand things-we don't always have to talk about them."

"Like her relationship with George," Lenore says.

Too direct. Too unexpected. Julie has no answer.

"You act as if you're to blame," Lenore says.

"I feel strange because you're such a nice lady."

A nice lady! What an odd way to speak. Has she been reading Henry James? Lenore has never known what to think of herself, but she certainly thinks of herself as being more complicated than a "lady."

"Why do you look that way?" Julie asks. "You are are nice. I think you've been very nice to us. You've given up your whole weekend." nice. I think you've been very nice to us. You've given up your whole weekend."

"I always give up my weekends. Weekends are the only time we socialize, really. In a way, it's good to have something to do."

"But to have it turn out like this..." Julie says. "I think I feel so strange because when my own marriage broke up I didn't even suspect. I mean, I couldn't act the way you do, anyway, but I-"

"For all I know, nothing's going on," Lenore says. "For all I know, your friend is flattering herself, and George is trying to make me jealous." She puts two more logs on the fire. When these are gone, she will either have to walk to the woodshed or give up and go to bed. "Is there something... major major going on?" she asks. going on?" she asks.

Julie is sitting on the rug, by the fire, twirling her hair with her finger. "I didn't know it when I came out here," she says. "Sarah's put me in a very awkward position."

"But do you know how far it has gone?" Lenore asks, genuinely curious now.

"No," Julie says.

No way to know if she's telling the truth. Would Julie speak the truth to a lady? Probably not.

"Anyway," Lenore says with a shrug, "I don't want to think about it all the time."

"I'd never have the courage to live with a man and not marry," Julie says. "I mean, I wish I had, that we hadn't gotten married, but I just don't have that kind of... I'm not secure enough."

"You have to live somewhere," Lenore says.

Julie is looking at her as if she does not believe that she is sincere. Am I? Lenore wonders. She has lived with George for six years, and sometimes she thinks she has caught his way of playing games, along with his colds, his bad moods.

"I'll show you something," Lenore says. She gets up, and Julie follows. Lenore puts on the light in George's study, and they walk through it to a bathroom he has converted to a darkroom. Under a table, in a box behind another box, there is a stack of pictures. Lenore takes them out and hands them to Julie. They are pictures that Lenore found in his darkroom last summer; they were left out by mistake, no doubt, and she found them when she went in with some contact prints he had left in their bedroom. They are high-contrast photographs of George's face. In all of them he looks very serious and very sad; in some of them his eyes seem to be narrowed in pain. In one, his mouth is open. It is an excellent photograph of a man in agony, a man about to scream.

"What are they?" Julie whispers.

"Pictures he took of himself," Lenore says. She shrugs. "So I stay," she says.

Julie nods. Lenore nods, taking the pictures back. Lenore has not thought until this minute that this may be why she stays. In fact, it is not the only reason. It is just a very demonstrable, impressive reason. When she first saw the pictures, her own face had become as distorted as George's. She had simply not known what to do. She had been frightened and ashamed. Finally she put them in an empty box, and put the box behind another box. She did not even want him to see the horrible pictures again. She does not know if he has ever found them, pushed back against the wall in that other box. As George says, there can be too much communication between people.

Later, Sarah and George come back to the house. It is still raining. It turns out that they took a bottle of brandy with them, and they are both drenched and drunk. He holds Sarah's finger with one of his. Sarah, seeing Lenore, lets his finger go. But then he turns-they have not even said h.e.l.lo yet-and grabs her up, spins her around, stumbling into the living room, and says, "I am in love."

Julie and Lenore watch them in silence.

"See no evil," George says, gesturing with the empty brandy bottle to Julie. "Hear no evil," George says, pointing to Lenore. He hugs Sarah closer. "I speak no evil. I speak the truth. I am in love!"

Sarah squirms away from him, runs from the room and up the stairs in the dark.

George looks blankly after her, then sinks to the floor and smiles. He is going to pa.s.s it off as a joke. Julie looks at him in horror, and from upstairs Sarah can be heard sobbing. Her crying awakens the baby.

"Excuse me," Lenore says. She climbs the stairs and goes into her son's room, and picks him up. She talks gently to him, soothing him with lies. He is too sleepy to be alarmed for long. In a few minutes he is asleep again, and she puts him back in his crib. In the next room Sarah is crying more quietly now. Her crying is so awful that Lenore almost joins in, but instead she pats her son. She stands in the dark by the crib and then at last goes out and down the hallway to her bedroom. She takes off her clothes and gets into the cold bed. She concentrates on breathing normally. With the door closed and Sarah's door closed, she can hardly hear her. Someone taps lightly on her door.

"Mrs. Anderson," Julie whispers. "Is this your room?"

"Yes," Lenore says. She does not ask her in.

"We're going to leave. I'm going to get Sarah and leave. I didn't want to just walk out without saying anything."

Lenore just cannot think how to respond. It was really very kind of Julie to say something. She is very close to tears, so she says nothing.

"Okay," Julie says, to rea.s.sure herself. "Good night. We're going."

There is no more crying. Footsteps. Miraculously, the baby does not wake up again, and Maria has slept through all of it. She has always slept well. Lenore herself sleeps worse and worse, and she knows that George walks much of the night, most nights. She hasn't said anything about it. If he thinks she's simple, what good would her simple wisdom do him?

The oak tree sc.r.a.pes against the window in the wind and rain. Here on the second floor, under the roof, the tinny tapping is very loud. If Sarah and Julie say anything to George before they leave, she doesn't hear them. She hears the car start, then die out. It starts again-she is praying for the car to go-and after conking out once more it rolls slowly away, crunching gravel. The bed is no warmer; she shivers. She tries hard to fall asleep. The effort keeps her awake. She squints her eyes in concentration instead of closing them. The only sound in the house is the electric clock, humming by her bed. It is not even midnight.

She gets up, and without turning on the light, walks downstairs. George is still in the living room. The fire is nothing but ashes and glowing bits of wood. It is as cold there as it was in the bed.

"That d.a.m.n b.i.t.c.h," George says. "I should have known she was a stupid little girl."

"You went too far," Lenore says. "I'm the only one you can go too far with."

"d.a.m.n it," he says, and pokes the fire. A few sparks shoot up. "d.a.m.n it," he repeats under his breath.

His sweater is still wet. His shoes are muddy and ruined. Sitting on the floor by the fire, his hair matted down on his head, he looks ugly, older, unfamiliar.

She thinks of another time, when it was warm. They were walking on the beach together, shortly after they met, gathering sh.e.l.ls. Little waves were rolling in. The sun went behind the clouds and there was a momentary illusion that the clouds were still and the sun was racing ahead of them. "Catch me," he said, breaking away from her. They had been talking quietly, gathering sh.e.l.ls. She was so surprised at him for breaking away that she ran with all her energy and did catch him, putting her hand out and taking hold of the band of his swimming trunks as he veered into the water. If she hadn't stopped him, would he really have run far out into the water, until she couldn't follow anymore? He turned on her, just as abruptly as he had run away, and grabbed her and hugged her hard, lifted her high. She had clung to him, held him close. He had tried the same thing when he came back from the walk with Sarah, and it hadn't worked.

"I wouldn't care if their car went off the road," he says bitterly.

"Don't say that," she says.

They sit in silence, listening to the rain. She slides over closer to him, puts her hand on his shoulder and leans her head there, as if he could protect her from the awful things he has wished into being.

Tuesday Night

Henry was supposed to bring the child home at six o'clock, but they usually did not arrive until eight or eight-thirty, with Joanna overtired and complaining that she did not want to go to bed the minute she came through the door. Henry had taught her that phrase. "The minute she comes through the door" was something I had said once, and he mocked me with it in defending her. "Let the poor child have a minute before she goes to bed. She did did just come through the door." The poor child is, of course, crazy about Henry. He allows her to call him that, instead of "Daddy." And now he takes her to dinner at a French restaurant that she adores, which doesn't open until five-thirty. That means that she gets home close to eight. I am a beast if I refuse to let her eat her escargots. And it would be cruel to tell her that her father's support payments fluctuate wildly, while the French dining remains a constant. Forget the money-Henry has been a good father. He visits every Tuesday night, carefully twirls her crayons in the pencil sharpener, and takes her every other weekend. The only bad thing he has done to her-and even Henry agreed about that-was to introduce her to the sleepie he had living with him right after the divorce: an obnoxious woman, who taught Joanna to sing "I'm a Woman." Fortunately, she did not remember many of the words, but I thought I'd lose my mind when she went around the house singing "Doubleyou oh oh em ay en" for two weeks. Sometimes the sleepie tucked a fresh flower in Joanna's hair-like Maria Muldaur, she explained. The child had the good sense to be embarra.s.sed. just come through the door." The poor child is, of course, crazy about Henry. He allows her to call him that, instead of "Daddy." And now he takes her to dinner at a French restaurant that she adores, which doesn't open until five-thirty. That means that she gets home close to eight. I am a beast if I refuse to let her eat her escargots. And it would be cruel to tell her that her father's support payments fluctuate wildly, while the French dining remains a constant. Forget the money-Henry has been a good father. He visits every Tuesday night, carefully twirls her crayons in the pencil sharpener, and takes her every other weekend. The only bad thing he has done to her-and even Henry agreed about that-was to introduce her to the sleepie he had living with him right after the divorce: an obnoxious woman, who taught Joanna to sing "I'm a Woman." Fortunately, she did not remember many of the words, but I thought I'd lose my mind when she went around the house singing "Doubleyou oh oh em ay en" for two weeks. Sometimes the sleepie tucked a fresh flower in Joanna's hair-like Maria Muldaur, she explained. The child had the good sense to be embarra.s.sed.

The men I know are very friendly with one another. When Henry was at the house last week, he helped Dan, who lives with me, carry a bookcase up the steep, narrow steps to the second floor. Henry and Dan talk about nutrition-Dan's current interest. My brother Bobby, the only person I know who is seriously interested in hallucinogens at the age of twenty-six, gladly makes a fool of himself in front of Henry by bringing out his green yo-yo, which glows by the miracle of two internal batteries. Dan tells Bobby that if he's going to take drugs, he should try dosing his body with vitamins before and after. The three of them Christmas-shop for me. Last year they had dinner at an Italian restaurant downtown. I asked Dan what they ordered, and he said, "Oh, we all had manicotti."

I have been subsisting on red zinger tea and watermelon, trying to lose weight. Dan and Henry and Bobby are all thin. Joanna takes after her father in her build. She is long and graceful, with chiseled features that would shame Marisa Berenson. She is ten years old. When I was at the laundry to pick up the clothes yesterday a woman mistook me, from the back, for her cousin Addie.

In Joanna's cla.s.s at school they are having a discussion of problems with the environment. She wants to take our big avocado plant in to school. I have tried patiently to explain that the plant does not have anything to do with environmental problems. She says that they are discussing nature, too. "What's the harm?" Dan says. So he goes to work and leaves it to me to fit the towering avocado into the Audi. I also get roped into baking cookies so Joanna can take them to school and pa.s.s them around to celebrate her birthday. She tells me that it is the custom to put the cookies in a box wrapped in birthday paper. We select a paper with yellow bears standing in concentric circles. Dan dumps bran into the chocolate-chip-cookie dough. He forbids me to use a dot of red food coloring in the sugar-cookie hearts.

My best friend, Dianne, comes over in the mornings and turns her nose up at my red zinger. Sometimes she takes a shower here because she loves our shower head. "How come you're not in there all the time?" she says. My brother is sweet on her. He finds her extremely attractive. He asked me if I had noticed the little droplets of water from the shower on her forehead, just at the hairline. Bobby lends her money because her husband doesn't give her enough. I know for a fact that Dianne is thinking of having an affair with him.

Dan has to work late at his office on Tuesday nights, and a while ago I decided that I wanted that one night to myself each week-a night without any of them. Dianne said, "I know what you mean," but Bobby took great offense and didn't come to visit that night, or any other night, for two weeks. Joanna was delighted that she could be picked up after school by Dianne, in Dianne's 1966 Mustang convertible, and that the two of them could visit until Henry came by Dianne's to pick her up. Dan, who keeps saying that our relationship is going sour-although it isn't-pursed his lips and nodded when I told him about Tuesday nights, but he said nothing. The first night alone I read a dirty magazine that had been lying around the house for some time. Then I took off all my clothes and looked in the hall mirror and decided to go on a diet, so I skipped dinner. I made a long-distance call to a friend in California who had just had a baby. We talked about the spidery little veins in her thighs, and I swore to her over and over again that they would go away. Then I took one of each kind of vitamin pill we have in the house.

The next week I had prepared for my spare time better. I had bought whole-wheat flour and clover honey, and I made four loaves of whole-wheat bread. I made a piecrust, putting dough in the sink and rolling it out there, which made a lot of sense but which I would never let anybody see me doing. Then I read Vogue Vogue. Later on I took out the yoga book I had bought that afternoon and put it in my plastic cookbook-holder and put that down on the floor and stared at it as I tried to get into the postures. I overcooked the piecrust and it burned. I got depressed and drank a Drambuie. The week after that, I ventured out. I went to a movie and bought myself a chocolate milkshake afterward. I sat at the drugstore counter and drank it. I was going to get my birth-control-pill prescription refilled while I was there, but I decided that would be depressing.

Joanna sleeps at her father's apartment now on Tuesday nights. Since he considers her too old to be read a fairy tale before bed, Henry waltzes with her. She wears a long nightgown and a pair of high-heeled shoes that some woman left there. She says that he usually plays "The Blue Danube," but sometimes he kids around and puts on "Idiot Wind" or "Forever Young" and they dip and twirl to it. She has hinted that she would like to take dancing lessons. Last week she danced through the living room at our house on her pogo stick. Dan had given it to her, saying that now she had a partner, and it would save him money not having to pay for dancing lessons. He told her that if she had any questions, she could ask him. He said she could call him "Mr. Daniel." She was disgusted with him. If she were Dan's child, I am sure he would still be reading her fairy tales.

Another Tuesday night I went out and bought plants. I used my American Express card and got seventy dollars' worth of plants and some plant hangers. The woman in the store helped me carry the boxes out to the car. I went home and drove nails into the top of the window frames and hung the plants. They did not need to be watered yet, but I held the plastic plant waterer up to them, to see what it would be like to water them. I squeezed the plastic bottle and stared at the curved plastic tube coming out of it. Later I gave myself a facial with egg whites.

There is a mouse. I first saw it in the kitchen-a small gray mouse, moseying along, taking its time in getting from under the counter to the back of the stove. I had Dan seal off the little mouse hole in the back of the stove. Then I saw the mouse again, under the chest in the living room.

"It's a mouse. It's one little mouse," Dan said. "Let it be."

"Everybody knows that if there's one mouse, there are more," I said. "We've got to get rid of them."

Dan, the humanist, was secretly glad the mouse had resurfaced-that he hadn't done any damage in sealing off its home.

"It looked like the same mouse to me," Henry said.

"They all look that way," I said. "That doesn't mean-"

"Poor thing," Dan said.

"Are either of you going to set traps, or do I have to do it?"

"You have to do it," Dan said. "I can't stand it. I don't want to kill a mouse."

"I think there's only one mouse," Henry said.

Glaring at them, I went into the kitchen and took the mousetraps out of their cellophane packages. I stared at them with tears in my eyes. I did not know how to set them. Dan and Henry had made me seem like a cold-blooded killer.

"Maybe it will just leave," Dan said.

"Don't be ridiculous, Dan," I said. "If you aren't going to help, at least don't sit around snickering with Henry."

"We're not snickering," Henry said.

"You two certainly are buddy-buddy."

"What's the matter now? You want us to hate each other?" Henry said.

"I don't know how to set a mousetrap," I said. "I can't do it myself."

"Poor Mommy," Joanna said. She was in the hallway outside the living room, listening. I almost turned on her to tell her not to be sarcastic, when I realized that she was serious. She felt sorry for me. With someone on my side, I felt new courage about going back into the kitchen and tackling the problem of the traps.

Dianne called and said she had asked her husband if he would go out one night a week so she could go out with friends or stay home by herself. He said no, but agreed to take stained-gla.s.s lessons with her.

One Tuesday it rained. I stayed home and daydreamed, and remembered the past. I thought about the boy I dated my last year in high school who used to take me out to the country on weekends, to where some cousins of his lived. I wondered why he always went there, because we never got near the house. He would drive partway up their long driveway in the woods and then pull off onto a narrow little road that trucks sometimes used when they were logging the property. We parked on the little road and necked. Sometimes the boy would drive slowly along on the country roads looking for rabbits, and whenever he saw one, which was pretty often-sometimes even two or three rabbits at once-he floored it, trying to run the rabbit down. There was no radio in the car. He had a portable radio that got only two stations (soul music and cla.s.sical) and I held it on my lap. He liked the volume turned up very loud.

Joanna comes to my bedroom and announces that Uncle Bobby is on the phone.

"I got a dog," he says.

"What kind?"

"Aren't you even surprised?"

"Yes. Where did you get the dog?"

"A guy I knew a little bit in college is going to jail, and he persuaded me to take the dog."

"What is he going to jail for?"

"Burglary."

"Joanna," I say, "don't stand there staring at me when I'm talking on the phone."

"He robbed a house," Bobby says.

"What kind of a dog is it?" I ask.

"Malamute and German shepherd. It's in heat."

"Well," I say, "you always wanted a dog."

"I call you all the time, and you never call me," Bobby says.

"I never have interesting news."

"You could call and tell me what you do on Tuesday nights."

"Nothing very interesting," I say.

"You could go to a bar and have rum drinks and weep," Bobby says. He chuckles.

"Are you stoned?" I ask.

"Sure I am. Been home from work for an hour and a half. Ate a Celeste pizza, had a little smoke."

"Do you really have a dog?" I ask.