The New Yorker Stories Part 17

"There's Schoenberg," Banks says.

"Banks," I say, "I want you to take this the right way. I like you, and I'm glad you came over. Why did you come over?"

"I wanted you to praise my paintings." Banks plays church and steeple with his hands. "But also, I just wanted to talk."

"Was there anything particularly-"

"I thought you might want to talk to me."

"Why don't you talk to me, instead?"

"I've got to be a great painter," Banks says. "I paint and then at night I smoke up or go out to some bar, and in the morning I paint... All night I pray until I fall asleep that I will become great. You must think I'm crazy. What do you think of me?"

"You make me feel old," I say.

The gin bottle is in Banks's crotch, the gla.s.s resting on the top of the bottle.

"I sensed that," Banks says, "before I got too wasted to sense anything."

"You want to hear a story?" I say.

"Sure."

"The woman who was driving the car I was in-the Princess..." I laugh, but Banks only nods, trying hard to follow. "I think the woman must have been out to commit suicide. We had been out buying things. The back seat was loaded with nice antiques, things like that, and we had had a nice afternoon, eaten ice cream, talked about how she would be starting school again in the fall-"

"Artist?" Banks asks.

"A linguistics major."

"Okay. Go on."

"What I'm saying is that all was well in the kingdom. Not exactly, because she wasn't my wife, but she should have been. But for the purpose of the story, what I'm saying is that we were in fine shape, it was a fine day-"

"Month?" Banks says.

"March," I say.

"That's right," Banks says.

"I was going to drop her off at the shopping center, where she'd left her car, and she was going to continue on to her castle and I'd go to mine..."

"Continue," Banks says.

"And then she tried to kill us. She did kill herself."

"I read it in the papers," Banks says.

"What do you think?" I ask.

"Banks's lesson," Banks says. "Never look back. Don't try to count your tail rings."

Danielle walks into the room. "I have come for the gin," she says. "The cook said you had it."

"Danielle, this is Banks."

"How do you do," Banks says.

Danielle reaches down and takes the bottle from Banks. "You're missing a swell old time," she says.

"Maybe a big wind will come along and blow them all away," Banks says.

Danielle is silent a moment, then laughs-a laugh that cuts through the darkness. She ducks her head down by my face and kisses my cheek, and turns in a wobbly way and walks out of the room.

"Jesus," Banks says. "Here we are sitting here and then this weird thing happens."

"Her?" I say.

"Yeah."

Lorna comes, very sleepy, carrying a napkin with cookies on it. She obviously wants to give them to Banks, but Banks has pa.s.sed out, upright, in the chair next to mine. "Climb aboard," I say, offering my lap. Lorna hesitates, but then does, putting the cookies down on the floor without offering me any. She tells me that her mother has a boyfriend.

"What's his name?" I ask.

"Stanley," Lorna says.

"Maybe a big wind will come and blow Stanley away," I say.

"What's wrong with him?" she says, looking at Banks.

"Drunk," I say. "Who's drunk downstairs?"

"Rosie," she says. "And William, and, uh, Danielle."

"Don't drink," I say.

"I won't," she says. "Will he still be here in the morning?"

"I expect so," I say.

Banks has fallen asleep in an odd posture. His feet are clamped together, his arms are limp at his sides, and his chin is jutting forward. The melting ice cubes from the overturned gla.s.s have encroached on the cookies.

At the lawn party, they've found a station on the radio that plays only songs from other years. Danielle begins a slow, drunken dance. Her red shawl has fallen to the gra.s.s. I stare at her and imagine her dress disappearing, her shoes kicked off, beautiful Danielle dancing naked in the dusk. The music turns to static, but Danielle is still dancing.

Secrets and Surprises

Corinne and Lenny are sitting at the side of the driveway with their shoes off. Corinne is upset because Lenny sat in a patch of strawberries. "Get up, Lenny! Look what you've done!"

Lenny is one of my oldest friends. I went to high school with Lenny and Corinne and his first wife, Lucy, who was my best friend there. Lenny did not know Corinne then. He met her at a party many years later. Corinne remembered Lenny from high school; he did not remember her. The next year, after his divorce from Lucy became final, they married. Two years later their daughter was born, and I was a G.o.dmother. Lenny teases me by saying that his life would have been entirely different if only I had introduced him to Corinne years ago. I knew her because she was my boyfriend's sister. She was a couple of years ahead of us, and she would do things like picking us up if we got drunk at a party and buying us coffee before taking us home. Corinne once lied to my mother when she took me home that way, telling her that there was flu going around and that I had sneezed in her car all the way home.

I was ugly in high school. I wore braces, and everything seemed to me funny and inappropriate: the seasons, television personalities, the latest fashions-even music seemed silly. I played the piano, but for some reason I stopped playing Brahms or even listening to Brahms. I played only a few pieces of music myself, the same ones, over and over: a couple of Bach two-part inventions, a Chopin nocturne. I earnestly smoked cigarettes, and all one spring I harbored a secret love for Lenny. I once confessed my love for him in a note I pushed through the slats in his locker in school. Then I got scared and waited by his locker when school was over, talked to him for a while, and when he opened the locker door, grabbed the note back and ran. This was fifteen years ago.

I used to live in the city, but five years ago my husband and I moved up here to Woodbridge. My husband has gone, and now it is only my house. It is my driveway that Lenny and Corinne sit beside. The driveway badly needs to be graveled. There are holes in it that should be filled, and the drainpipe is cracked. A lot of things here need fixing. I don't like to talk to the landlord, Colonel Albright. Every month he loses the rent check I send him and then calls me from the nursing home where he lives, asking for another. The man is eighty-eight. I should consider him an amusing old character, a forgetful old man. I suspect he is persecuting me. He doesn't want a young person renting his house. Or anyone at all. When we moved in, I found some empty clothing bags hanging in the closets, with old dry-cleaning stubs stapled to the plastic: "Col. Albright, 9-8-54." I stared at the stub. I was eleven years old the day Colonel Albright picked up his clothes at the dry cleaners. I found one of his neckties wound around the base of a lamp in an upstairs closet. "Do you want these things?" I asked him on the phone. "Throw them out, I don't care," he said, "but don't ask me about them." I also do not tell him about things that need to be fixed. I close off one bathroom in the winter because the tiles are cracked and cold air comes through the floor; the heat register in my bedroom can't be set above sixty, so I set the living-room register at seventy-five to compensate. Corinne and Lenny think this is funny. Corinne says that I will not fight with the landlord because I did enough fighting with my husband about his girlfriend and now I enjoy peace; Lenny says that I am just too kind. The truth is that Colonel Albright shouts at me on the phone and I am afraid of him. He is also old and sad, and I have displaced him in his own house. Twice this summer, a friend has driven him from the nursing home back to the house, and he walked around the gardens in the front, tapping his cane through the cl.u.s.ters of sweet peas that are strangling out the asters and azaleas in the flower beds, and he dusted the pollen off the sundial in the back with a white handkerchief.

Almost every weekend Corinne tries to get me to leave Woodbridge and move back to New York. I am afraid of the city. In the apartment on West End Avenue I lived in with my husband when we were first married, I was always frightened. There was a bird in the apartment next to ours which shrieked, "No, no, go away!" I always mistook it for a human voice in the night, and in my sleepy confusion I thought that I was protesting an intruder in our apartment. Once a woman at the laundromat who was about to pa.s.s out from the heat took hold of my arm and pulled me to the floor with her. This could have happened anywhere. It happened in New York. I won't go back.

"Balducci's!" Corinne sometimes murmurs to me, and moves her arm through the air to suggest counters spread with delicacies. I imagine tins of anchovies, wheels of Brie, huge cashews, strange greens. But then I hear voices whispering outside my door plotting to break it down, and angry, wild music late at night that is the kind that disturbed, unhappy people listen to.

Now Corinne is holding Lenny's hand. I am lying on my side and peeking through the netting of the hammock, and they don't see me. She stoops to pick a strawberry. He scratches his crotch. They are bored here, I think. They pretend that they make the two-hour drive up here nearly every weekend because they are concerned for my well-being. Perhaps they actually think that living in the country is spookier than living in the city. "You sent your beagle to live in the country, Corinne," I said to her once. "How can you be upset that a human being wants to live where there's room to stretch?" "But what do you do here all alone?" she said.

I do plenty of things. I play Bach and Chopin on a grand piano my husband saved for a year to buy me. I grow vegetables, and I mow the lawn. When Lenny and Corinne come for the weekend, I spy on them. He's scratching his shoulder now. He calls Corinne to him. I think he is asking her to see if he just got a mosquito bite.

Last year when my husband went on vacation without me, I drove from Connecticut to D.C. to visit my parents. They live in the house where I grew up. The crocheted bedspreads have turned yellow now and the bedroom curtains are the same as ever. But in the living room there is a large black plastic chair for my father and a large brown plastic chair for my mother. My brother, Raleigh, who is r.e.t.a.r.ded, lives with them. He has a friend, Ed, who is r.e.t.a.r.ded, and who visits him once a week. And Raleigh visits Ed once a week. Sometimes my mother or Ed's mother takes them to the zoo. Raleigh's chatter often makes more sense than we at first suspected. For instance, he is very fond of Ling-Ling, the panda. He was not imitating the bell the Good Humor man rings when he drives around the neighborhood, as my father once insisted. My father has never been able to understand Raleigh very well. My mother laughs at him for his lack of understanding. She is a bitter woman. For the last ten years, she has made my father adhere to a diet when he is home, and he is not overweight.

When I visited, I drove Raleigh down to Hains Point, and we looked across the water at the lights. In spite of being r.e.t.a.r.ded, he seems very moved by things. He rolled down the window and let the wind blow across his face. I slowed the car almost to a stop, and he put his hand on my hand, like a lover. He wanted me to stop the car entirely so he could look at the lights. I let him look for a long time. On the way home I drove across the bridge into Arlington and took him to Gifford's for ice cream. He had a banana split, and I pretended not to notice when he ate the toppings with his fingers. Then I washed his fingers with a napkin dipped in a gla.s.s of water.

One day I found him in the bathroom with Daisy, the dog, combing over her body for ticks. There were six or seven ticks in the toilet. He was concentrating so hard that he never looked up. Standing there, I realized that there was now a small bald spot at the top of his head, and that Daisy's fur was flecked with gray. I reached over him and got aspirin out of the medicine cabinet. Later, when I went back to the bathroom and found Raleigh and Daisy gone, I flushed the toilet so my parents would not be upset. Raleigh sometimes drops pieces of paper into the toilet instead of into the wastebaskets, and my mother goes wild. Sometimes socks are in the toilet. Coins. Pieces of candy.

I stayed for two weeks. On Mondays, before his friend Ed came, Raleigh left the living room until the door had been answered, and then acted surprised to see Ed and his mother. When I took him to Ed's house, Ed did the same thing. Ed held a newspaper in front of his face at first. "Oh-h.e.l.lo," Ed finally said. They have been friends for almost thirty years, and the visiting routine has remained the same all that time. I think that by pretending to be surprised, they are trying to enhance the quality of the experience. I play games like this with Corinne when I meet her in the city for lunch. If I get to our table first, I study the menu until she's right on me; sometimes, if I wait outside the restaurant, I deliberately look at the sidewalk, as if lost in thought, until she speaks.

I had Raleigh come live with my husband and me during the second year of our marriage. It didn't work out. My husband found his socks in the toilet; Raleigh missed my mother's constant nagging. When I took him home, he didn't seem sorry. There is something comforting about that house: the smell of camphor in the silver cabinet, my grandmother's woven rugs, Daisy's smell everywhere.

My husband wrote last week: "Do you miss wonderful me?" I wrote back saying yes. Nothing came of it.

Corinne and Lenny have always come to Woodbridge for visits. When my husband was here, they came once a month. Now they come almost every week. Sometimes we don't have much to say to each other, so we talk about the old days. Corinne teases Lenny for not noticing her back in high school. Our visits are often dull, but I still look forward to their coming because they are my surrogate family. As in all families, there are secrets. There is intrigue. Suspicion. Lenny often calls me, telling me to keep his call a secret, saying that I must call Corinne at once and arrange to have lunch because she is depressed. So I call, and then I go and sit at a table and pretend not to see her until she sits down. She has aged a lot since their daughter's death. Her name was Karen, and she died three years ago, of leukemia. After Karen died I began having lunch with Corinne, to let her talk about it away from Lenny. By the time she no longer needed to talk about it, my husband had left, and Corinne began having lunch with me to cheer me up. We have faced each other across a table for years. (Corinne, I know, tells Lenny to visit me even when she has to work on the weekend. He has come alone a few times. He gives me a few G.o.diva chocolates. I give him a bag of fresh peas. Sometimes he kisses me, but it goes no further than that. Corinne thinks that it does, and endures it.) Once Corinne said that if we all lived to be fifty (she works for a state environmental-protection agency, and her expectations are modest), we should have an honesty session the way the girls did in college. Lenny asked why we had to wait until we were fifty. "Okay-what do you really think of me?" Corinne asked him. "Why, I love you. You're my wife," he said. She backed down; the game wasn't going to be much fun.

Lenny's first wife, Lucy, has twice taken the train to visit me. We sat on the gra.s.s and talked about the old days: teasing each other's hair to new heights; photo-alb.u.m pictures of the two of us, each trying to look more grotesque than the other; the first time we puffed a cigarette on a double date. I like her less as time goes by, because things she remembers about that time are true but the tone of wonder in her voice makes the past seem like a lie. And then she works the conversation around to Corinne and Lenny's marriage. Is it unhappy? Both times she visited, she said she was going back to New York on the last train, and both times she got too drunk to go until the next day. She borrowed my nightgowns and drank my gin and played sad music on my piano. In our high school yearbook, Lucy was named best dancer.

I have a lover. He comes on Thursdays. He would come more frequently, but I won't allow it. Jonathan is twenty-one and I am thirty-three, and I know that eventually he will go away. He is a musician too. He comes in the morning and we sit side by side at the piano, humming and playing Bach's B-Flat-Minor Prelude, prolonging the time before we go to bed as long as possible. He drinks diet cola while I drink gin-and-tonic. He tells me about the young girls who are chasing him. He says he only wants me. He asks me each Thursday to marry him, and calls me on Friday to beg me to let him come again before the week is up. He sends me pears out of season and other things that he can't afford. He shows me letters from his parents that bother him; I am usually in sympathy with his parents. I urge him to spend more time sight-reading and playing scales and arpeggios. He allowed a rich woman who had been chasing him since Christmas to buy him a tape deck for his car, and he plays nothing but rock-'n'-roll. Sometimes I cry, but not in his presence. He is disturbed enough. He isn't sure what to do with his life, he can't communicate with his parents, too many people want things from him. One night he called and asked if he could come over to my house if he disguised himself. "No," I said. "How would you disguise yourself ?" "Cut off my hair. Buy a suit. Put on an animal mask." I make few demands on him, but obviously the relationship is a strain.

After Corinne and Lenny leave, I write a second letter to my husband, pretending that there is a chance that he did not get the other one. In this letter I give him a detailed account of the weekend, and agree with what he said long ago about Corinne's talking too much and Lenny's being too humble. I tell my husband that the handle on the barbecue no longer makes the grill go up and down. I tell him that the neighbors' dog is in heat and that dogs howl all night, so I can't sleep. I reread the letter and tear it up because these things are all jumbled together in one paragraph. It looks as if a crazy person had written the letter. I try again. In one paragraph I describe Corinne and Lenny's visit. In another I tell him that his mother called to tell me that his sister has decided to major in anthropology. In the last paragraph I ask for advice about the car-whether it may not need a new carburetor. I read the letter and it still seems crazy. A letter like this will never make him come back. I throw it away and write him a short, funny postcard. I go outside to put the postcard in the mailbox. A large white dog whines and runs in front of me. I recognize the dog. It is the same one I saw last night, from my bedroom window; the dog was staring at my neighbors' house. The dog runs past me again, but won't come when I call it. I believe the neighbors once told me that the dog's name is Pierre, and that the dog does not live in Woodbridge.

When I was a child I was punished for brushing Raleigh with the dog's brush. He had asked me to do it. It was Easter, and he had on a blue suit, and he came into my bedroom with the dog's brush and got down on all fours and asked for a brushing. I brushed his back. My father saw us and banged his fist against the door. "Jesus Christ, are you both both crazy?" he said. Now that my husband is gone, I should bring Raleigh here to live-but what if my husband came back? I remember Raleigh's trotting through the living room, punching his fist through the air, chanting, "Ling-Ling, Ling-Ling, Ling-Ling." crazy?" he said. Now that my husband is gone, I should bring Raleigh here to live-but what if my husband came back? I remember Raleigh's trotting through the living room, punching his fist through the air, chanting, "Ling-Ling, Ling-Ling, Ling-Ling."

I play Scriabin's etude in C Sharp Minor. I play it badly and stop to stare at the keys. As though on cue, a car comes into the driveway. The sound of a bad m.u.f.fler-my lover's car, unmistakably. He has come a day early. I wince, and wish I had washed my hair. My husband used to wince also when that car pulled into the driveway. My lover (he was not at that time my lover) was nineteen when he first started coming, to take piano lessons. He was obviously more talented than I. For a long while I resented him. Now I resent him for his impetuousness, for showing up unexpectedly, breaking my routine, catching me when I look ugly.

"This is foolish," I say to him. "I'm going into the city to have lunch."

"My car is leaking oil," he says, looking over his shoulder.

"Why have you come?" I say.

"This once-a-week stuff is ridiculous. Once you have me around a little more often you'll get used to it."

"I won't have you around more often."

"I've got a surprise for you," he says. "Two, actually."

"What are they?"

"For later. I'll tell you when you get back. Can I stay here and wait for you?"

A maroon sweater that I gave him for his birthday is tied around his waist. He sits in front of the hearth and strikes a match on the bricks. He lights a cigarette.

"Well," he says, "one of the surprises is that I'm going to be gone for three months. Starting in November."

"Where are you going?"

"Europe. You know that band I've been playing with sometimes? One of the guys has hepat.i.tis, and I'm going to fill in for him on synthesizer. Their agent got us a gig in Denmark."

"What about school?"

"Enough school," he says, sighing.

He pitches the cigarette into the fireplace and stands up and takes off his sweater.

I no longer want to go to lunch. I am no longer sorry he came unannounced. But he hasn't jumped up to embrace me.

"I'm going to investigate that oil leak," he says.

Later, driving into New York, trying to think of what the second surprise might be (taking a woman with him?), I think about the time when my husband surprised me with a six-layer cake he had baked for my birthday. It was the first cake he ever made, and the layers were not completely cool when he stacked and frosted them. One side of the cake was much higher than the other. He had gone out and bought a little plastic figure of a skier, for the top of the cake. The skier held a toothpick with a piece of paper glued to it that said "Happy Birthday." "We're going to Switzerland!" I said, clapping my hands. He knew I had always wanted to go there. No, he explained, the skier was just a coincidence. My reaction depressed both of us. It was a coincidence, too, that a year later I was walking down the same street he was walking down and I saw that he was with a girl, holding her hand.

I'm almost in New York. Cars whiz by me on the Hutchinson River Parkway. My husband has been gone for seven months.

While waiting for Corinne, I examine my hands. My gardening has cut and bruised them. In a picture my father took when I was young, my hands are in very sharp focus but the piano keys are a blur of white streaked with black. I knew by the time I was twelve that I was going to be a concert pianist. My father and I both have copies of this picture, and we probably both have the same thoughts about it: it is a shame I have almost entirely given up music. When I lived in New York I had to play softly, so as not to disturb the neighbors. The music itself stopped sounding right. A day would pa.s.s without my practicing. My father blamed my husband for my losing interest. My husband listened to my father. We moved to Connecticut, where I wouldn't be distracted. I began to practice again, but I knew that I'd lost ground-or that I would never make it as a concert pianist if I hadn't by this time. I had Raleigh come and live with us, and I spent my days with him. My father blamed my mother for complaining to me about what a burden Raleigh was, for hinting that I take him in. My father always found excuses. I am like him. I pretended that everything was fine in my marriage, that the only problem was the girl.

"I think it's insulting, I really do," Corinne says. "It's a refusal to admit my existence. I've been married to Lenny for years, and when Lucy calls him and I answer the phone, she hangs up."

"Don't let it get to you," I say. "You know by now that Lucy's not going to be civil to you."

"And it upsets Lenny. Every time she calls to say where she's flying off to, he gets upset. He doesn't care where she's going, but you know Lenny and how he is about planes-how he gets about anyone flying."

These lunches are all the same. I discipline myself during these lunches the way I used to discipline myself about my music. I try to calm Corinne, and Corinne gets more and more upset. She only likes expensive restaurants, and she won't eat the food.

Now Corinne eats a cherry tomato from her salad and pushes the salad plate away. "Do you think we should have another child? Am I too old now?"

"I don't know," I say.

"I think the best way to get children is the way you got yours. Just have them drive up. He's probably languishing in your bed right now."

"Twenty-one isn't exactly a child."

"I'm so jealous I could die," Corinne says.

"Of Jonathan?"