The New Centurions Part 7

"What you been busted for?"

"Gamblin', traffic tickets, suspicious, a time or two."

"Forgery?"

"No, man."

"Flim flam?"

"No, man. I gambles a little bit, I ain't no criminal, no jive."

"Yeah, you jivin'," said Kilvinsky. "Your mouth is dry; you're lickin' your lips."

"Sheee-it, man, when the bluesuits stops me, I always gets nervous."

"Your heart is hammerin'," said Kilvinsky, placing a hand on the man's chest. "What's your real name?"

"Gandy. Woodrow Gandy. Just like it say on that card," said the man who now was obviously nervous. He shuffled his feet and could not control the darting pink tongue which moistened brown lips every few seconds.

"Hop in the car, Gandy," said Kilvinsky. "There's an old drunk across the street. I want her to take a look at you."

"Ohooo man, this is a roust!" said Gandy as Kilvinsky patted him down. "This is a humbug and a roust!"

Gus noticed that Gandy knew which side of the police car to sit in, and Gus sat behind Kilvinsky and reached across locking the door on Gandy's side.

They drove back to the bank and found Leoni sitting in his radio car with a frazzled bleary-eyed Negro woman about forty who peeked out the window of Leoni's car toward Gandy when Kilvinsky pulled alongside.

"That's him. That the n.i.g.g.e.r that got me in all this trouble!" she shrieked, and then to Gandy she said, "Yeah, you, you b.a.s.t.a.r.d, standin' there finger poppin' and talkin' so smart to ever'one and tell me how easy I could earn ten dollars and how smart you was and all, you black son of a b.i.t.c.h. That's the one, Officer, I done told you I would be yo' witness and I means it, no jive. I tol' you he had a big flappy mouf like Cheetah. He the one all right. If I'm lyin, I'm flyin'."

Gandy turned away from the drunken woman and Gus was embarra.s.sed by her words, but Gandy seemed completely unconcerned and Gus was astonished at how they degraded one another. He guessed they learned from the white man.

It was after nine o'clock when they finally got Gandy in the booking office of University jail. It was an antiquated jail and looked like a dungeon. Gus wondered what the cells were like. He wondered why they didn't take Gandy's shoelaces like they do in movies, but he remembered hearing a policeman in the academy saying that you can't stop a man from committing suicide who really wants to and then he described the death of the prisoner who tied strips of a pillowcase around his neck and then to the barred door. The man did a backflip, breaking his neck, and the officer quipped that deaths in jail caused tons of paper work and were very inconsiderate on the part of the deceased. Of course everybody laughed as policemen always did at grim humor and attempts at humor.

Over the booking officer's desk was a sign which read, "Support your local police. Be a snitch," and a toy spear perhaps three feet long decorated with African symbols and colorful feathers. It had a rubber blade and a sign over it said, "Search your prisoners thoroughly." Gus wondered if the Negro policemen were offended by this and for the first time in his life he was becoming acutely aware of Negroes in general, and he guessed he would become even more so because he would now spend most of his waking hours here among them. He wasn't sorry, he was interested, but he was also afraid of them. But then, he would probably be almost as fearful of any people no matter where he was stationed, and then he thought, what if Gandy had resisted arrest and what if Kilvinsky were not with him. Could he have handled a man like Gandy?

As the booking officer typed, Gus thought of Gus, Jr., three years old, and how chesty he was. Gus knew he would be a big husky boy. Already he could throw a man-sized basketball halfway across the living room and this was their favorite toy even though they broke one of Vickie's new decanters with it. Gus clearly remembered his own father's rough and tumble play although he never saw him again after the divorce, and how they had played. He remembered the moustache with wisps of gray among the brown and the big dry hard hands which tossed him confidently and surely into the air until he could hardly breathe for the laughter. He described this to his mother once when he was twelve, and old enough to see how miserably sad it made her. He never mentioned his father again and tried to be more helpful to his mother than ever because he was four years older than John and was his mother's little man she said. Gus guessed he was fiercely proud of the fact that he had worked since he was a small boy to help support the three of them. Now the pride was gone and it was a genuine hardship to set aside fifty dollars a month for her and John, now that he and Vickie were married and he had his own family.

"Ready to go, pard?" asked Kilvinsky.

"Oh, sure."

"Daydreaming?"

"Yeah."

"Let's go eat now, and do the arrest report later."

"Okay," said Gus, brightening at the thought. "You aren't too mad to eat, are you?"

"Mad?"

"For a minute I thought you were going to eat that suspect alive."

"I wasn't mad," said Kilvinsky, looking at Gus in surprise as they walked to the car. "That was just my act. Change the words once in a while, but I use the same tune. Don't they teach you about interrogation in the academy anymore?"

"I thought you were blowing your top."

"h.e.l.l, no. I just figured he was the type who only respected naked strength, not civility. You can't use that technique on everybody. In fact, if you try it on some guys you might find yourself on your back looking up. But I figured he'd quiet down if I talked his language, so I did. You have to size up each suspect fast and make up your mind how you're going to talk to him."

"Oh," said Gus. "But how did you know he was the suspect? He didn't look like her description. His shirt wasn't even red."

"How did I know," Kilvinsky murmured. "Let's see. You haven't been to court yet, have you?"

"No."

"Well, you'll have to start answering the question 'How did you know?' I don't honestly know how I knew. But I knew. At least I was pretty sure. The shirt wasn't red, but it wasn't green either. It was a color that could be called red by a fuzzy-eyed drunk. It was a rusty brown. And Gandy was standing a little too casually there in the parking lot. He was too cool and he gave me too much of an 'I got nothing to hide' look when I was driving by and eyeballing everybody that could possibly be the guy. And when I came back around he had moved to the other side of the lot. He was still moving when I turned the corner but when he sees us he stops to show us he's not walking away. He's got nothing to hide. I know this means nothing by itself, but these are some of the little things. I just knew knew, I tell you."

"Instinct?"

"I think so. But I wouldn't say that in court."

"Will you have trouble in court with this case?"

"Oh no. This isn't a search and seizure case. If we had a search and seizure case going, that feeling and those little things he did wouldn't be enough. We'd lose. Unless we stretched the truth."

"Do you stretch the truth sometimes?"

"I don't. I don't care enough about people in general to get emotionally involved. I don't give a s.h.i.t if I busted Jack the Ripper and lost him on an unreasonable search. As long as the a.s.shole stays off my my property, I don't worry about it. Some policemen become avenging angels. They have a real animal who's hurt a lot of people and they decide they have to convict him even if it means lying in court, but I say it's not worth it. The public isn't worth your risking a perjury rap. And he'll be back on the street before long anyway. Stay frosty. Relax. That's the way to do this job. You can beat it then. You take your forty percent after twenty years, and your family, if you still have one, and you make it. Go to Oregon or Montana." property, I don't worry about it. Some policemen become avenging angels. They have a real animal who's hurt a lot of people and they decide they have to convict him even if it means lying in court, but I say it's not worth it. The public isn't worth your risking a perjury rap. And he'll be back on the street before long anyway. Stay frosty. Relax. That's the way to do this job. You can beat it then. You take your forty percent after twenty years, and your family, if you still have one, and you make it. Go to Oregon or Montana."

"Do you have a family?"

"I'm single now. This job isn't conducive to stable family relationships, the marriage counselors say. I think we're near the top in suicide rate."

"I hope I can do this job," Gus blurted, surprised at the desperate tone in his own voice.

"Police work is seventy percent common sense. That's about what makes a policeman, common sense, and the ability to make a quick decision. You've got to cultivate those abilities or get out. You'll learn to appreciate this in your fellow policemen. Pretty soon, you won't be able to feel the same way about your friends in the lodge or church or in your neighborhood because they won't measure up to policemen in these ways. You'll be able to come up with a quick solution for any any kind of strange situation because you have to do it every day, and you'll get mad as h.e.l.l at your old friends if they can't." kind of strange situation because you have to do it every day, and you'll get mad as h.e.l.l at your old friends if they can't."

Gus noticed that now that night had come, the streets were filling with people, black people, and the building fronts shone forth. It seemed that every block had at least one bar or liquor store and all the liquor store proprietors were white men. It seemed to Gus that now you didn't notice the churches, only the bars and liquor stores and places where crowds of people were standing around. He saw boisterous crowds around hamburger stands, liquor stores, certain porches of certain apartment houses, parking lots, shine stands, record stores, and a suspicious place whose windows advertised that this was a "Social Club." Gus noticed the peephole in the door and he wished that he could be inside there unnoticed, and his curiosity was stronger than his fear.

"How about some soul food, brother?" asked Kilvinsky with a Negro accent as he parked in front of the neat lunch counter on Normandie.

"I'll try anything," Gus smiled.

"Fat Jack makes the best gumbo in town. Lots of shrimp and crab meat and chicken and okra, easy on the rice and lots of down home flavor. Real Looos-iana gumbo."

"You from the South?"

"No, I just appreciate the cooking," Kilvinsky said, and held the door as they entered the restaurant. Soon they were served the huge bowl of gumbo and Gus liked the way Fat Jack said, "They was full of shrimps tonight." He poured some hot sauce on the gumbo as Kilvinsky did even though it was tangy enough, but it was delicious, even the chopped-up chicken necks and the crab claws which had to be picked and sucked clean. Kilvinsky poured more ladles of hot sauce over the spicy gruel and ate half a pan of corn bread. But it was spoiled a little because they each left a quarter tip for the waitress and that was all, and Gus felt guilty to accept a gratuity and he wondered how he would explain it to a sergeant. He wondered if Fat Jack and the waitresses called them freeloaders behind their backs.

At 11:00 P.M. P.M. while cruising the dark residential streets north of Slauson Avenue, Kilvinsky said, "You ready to go work the wh.o.r.e wagon?" while cruising the dark residential streets north of Slauson Avenue, Kilvinsky said, "You ready to go work the wh.o.r.e wagon?"

"The what?"

"I asked the sergeant if we could take the wagon out tonight to roust the wh.o.r.es and he said it'd be okay if the air was quiet and I haven't heard a radio call in University Division for a half hour, so let's go in and get the wagon. I think you might find it educational."

"There don't seem to be too many wh.o.r.es around," said Gus. "There were those two at Vernon and Broadway you pointed out and one on Fifty-eighth, but . . ."

"Wait till you see Western Avenue."

After arriving at the station Kilvinsky pointed to the blue panel truck in the station parking lot with the white "Los Angeles Police Department" on the side. The back end was windowless and two benches were attached to each wall of the truck. A heavy steel screen separated the pa.s.sengers from the front of the cab.

"Let's go tell the boss we're going out in the wagon," said Kilvinsky, and after another fifteen-minute delay while Kilvinsky joked with Candy the policewoman at the desk, they were in the wagon which rumbled down Jefferson Boulevard like a blue rhino. Gus thought he would hate to be sitting on the wooden bench in the back of this hard-riding wagon.

Kilvinsky turned north on Western Avenue and they had not driven two blocks on Western until he found himself counting the sauntering, wriggling, garishly dressed women who strolled down the sidewalks mostly with with the traffic so that the cars would pull conveniently to the curb. The bars and restaurants on and near Western were bulging with people and there was a formidable fleet of Cadillac convertibles parked in the lot of "Blue Dot McAfee's Casbah." the traffic so that the cars would pull conveniently to the curb. The bars and restaurants on and near Western were bulging with people and there was a formidable fleet of Cadillac convertibles parked in the lot of "Blue Dot McAfee's Casbah."

"Pimping is profitable," said Kilvinsky, pointing to the Cadillacs. "There's too much money in p.u.s.s.y. I suspect that's why it's not legalized in many countries. Too much profit and no overhead. The pimps would control the economy in no time."

"Christ, it looks like it's legal here here!" said Gus, taking in the colorful figures on both sides of Western who were leaning in the windows of parked cars, standing in groups or sitting on the low walls in front of the residences. Gus noticed that the prost.i.tutes looked with concern at the blue wagon as it rumbled north toward Adams Boulevard.

"I believe in giving them one pa.s.s down Western to show the wagon's out. If they stay on the street we pick them up. Sure a lot of money in wigs out there, huh?"

"G.o.d, yes," said Gus, looking at an incredibly buxom prost.i.tute standing alone on the corner of Twenty-seventh. He was astounded at how attractive some of them were and he noticed that they all carried purses.

"They've got purses," Gus said.

"Oh, yeah," Kilvinsky smiled. "Just for show. High skinny heels and purses, short skirts or tight pants. Uniform of the day. But don't worry, they don't carry any bread in those purses. All women in these parts carry their money in their bras."

When they got to Washington Boulevard, Kilvinsky turned around.

"There were twenty-eight wh.o.r.es on the Avenue," said Gus. "And I think I missed counting some right at first!"

"The people around here have got to stop it," said Kilvinsky, lighting a cigarette and inserting it in a plastic cigarette holder. "Soon as they b.i.t.c.h loud enough the judges will give the girls some time and they'll go underground again. I know a wh.o.r.e with seventy-three prior arrests. Most time she ever did was six months on two separate occasions. This wh.o.r.e wagon is completely illegal by the way."

"What do we do with them? Where do we take them? I was wondering about that."

"For a ride, that's all. We pick them up and ride them around for an hour or so and take them to the station and run a make to see if they have any traffic warrants and let them go from the station. It's illegal as h.e.l.l. We'll be stopped from doing it one of these days, but right now it works. The girls hate to be picked up in the wagon. Stopgap measure. Let's take those two."

Gus saw no one at first and then saw a movement in the shadows near the phone booth at the corner of Twenty-first Street and two girls in blue dresses walked west on Twenty-first. They ignored Kilvinsky's, "Evening ladies," until both policemen were out of the cab and Kilvinsky was holding the back door of the wagon open.

"s.h.i.t, f.u.c.k, Kilvinsky, you always picks on me," said the younger of the two, a yellow girl in an auburn wig who, Gus supposed, was even younger than himself.

"Who's the baby?" asked the other, pointing at Gus and appearing resigned to climbing the high step into the back of the panel. She hiked the flesh-tight blue satin dress up to her hips to make the step. "Give me a lift, baby," she said to Gus but didn't hold out her hand. "Grab a handful of mah big a.s.s and push."

Kilvinsky chewed on the cigarette holder and eyed Gus with frank amus.e.m.e.nt, and Gus saw her firm pantiless b.u.t.tocks like a dark melon with a sliver removed. He held her around the waist and boosted her up as she shrieked with laughter and Kilvinsky chuckled softly as he locked the double doors and they climbed back in the cab.

The next girl they picked up at Adams, and there were not so many now that everyone knew the wagon was out, but they picked up three more at Twenty-seventh, one of whom cursed Kilvinsky viciously because someone had made her ride in the wagon only last night and it wasn't her turn again, she said.

Once the prost.i.tutes were in the wagon, they chattered and laughed pleasantly enough. It seemed to Gus that a few of them might be enjoying the respite from the street and Kilvinsky a.s.sured him that there was truth in this when Gus asked him, because their work was very dangerous and demanding, what with robbers and s.a.d.i.s.ts prowling for prost.i.tutes. The pimps provided little protection except from other pimps who were constantly trying to enlarge their own stables.

The tall policeman who had talked to Lafitte in the locker room was standing with his partner at Twenty-eighth beside the open door of the radio car talking to two prost.i.tutes. The tall one motioned them to the curb.

"Got two for you, Andy," said the tall policeman.

"Yeah, you should make sergeant for this, you blue-eyed devil," said the umber-colored girl, with a natural hairdo, and a severe short-skirted black dress.

"She doesn't like you, Bethel," said Kilvinsky to the tall policeman.

"He don't know how to talk to a woman," said the girl. "n.o.body likes this funky devil."

"I don't see any women," said Bethel, "just two wh.o.r.es."

"Yo' wife's a wh.o.r.e, b.a.s.t.a.r.d," spat the girl, leaning forward at the waist. "She f.u.c.ks fo' peanuts. I gets two hundred dollars every day fo' f.u.c.kin' you pitiful paddy motherf.u.c.kers. Yo' wife's the real wh.o.r.e."

"Get in the wagon, b.i.t.c.h," said Bethel, shoving the girl across the sidewalk and Gus grabbed her to keep her from falling.

"We goin' to fix you whiteys, one day," said the girl, sobbing. "You devil! I never feel you blue-eyed devils, do you hear? I feel nothin'! You paddy motherf.u.c.kers never make me feel nothin' with yo' needle d.i.c.ks. You ain't gonna git away wif pushin' me aroun', hear me?"

"Okay, Alice, hop in, will you," said Kilvinsky, holding the girl's arm as she yielded and climbed into the wagon.

"That there suckah don't evah talk right to n.o.body," said a voice inside the blackness of the wagon. "He think people is dogs or somethin'. We is motherf.u.c.kin' ladies."

"I haven't met you yet," said Bethel, offering his hand to Gus who shook it, looking up at the large brown eyes of Bethel.

"This is quite an experience," said Gus haltingly.

"It's a garbage truck," said Bethel. "But this ain't too bad, really. You ought to work Newton Division . . ."

"We've got to get going, Bethel," said Kilvinsky.

"One thing, Plebesly," said Bethel, "at least working around here you never run into n.o.body smarter than you."

"Do I have to get in the wagon, too?" asked the second girl and for the first time Gus noticed she was white. She had a high-styled black wig and her eyes were dark. She had a fine suntan but she was definitely a white woman and Gus thought she was exceptionally pretty.

"Your old man is Eddie Simms, ain't that right, n.i.g.g.e.r?" Bethel whispered to the girl, whom he held by the upper arm. "You give all your money to a n.i.g.g.e.r, don't you? You'd do just anything for that slick-haired boy, wouldn't you? That makes you a n.i.g.g.e.r too, don't it, n.i.g.g.e.r?"

"Get in the wagon, Rose," said Kilvinsky taking her arm, but Bethel gave her a push and she dropped her purse and fell heavily into Kilvinsky, who cursed and lifted her into the wagon with one large hand while Gus picked up the purse.

"When you get more time on the job you'll learn not to manhandle another officer's prisoner," said Kilvinsky to Bethel as they got back in the wagon.

Bethel faced Kilvinsky for a moment, but said nothing, turned, got back in his car, and was roaring halfway up Western before Kilvinsky ever started the motor.

"Got lots of problems, that kid," said Kilvinsky. "Only two years on the Department and already he's got lots of problems."

"Hey," said a voice from the back of the wagon as they bounced and jogged across Jefferson and began an aimless ride to hara.s.s the prost.i.tutes. "Yo'all need some pillas back here. This is terrible b.u.mpy."

"Your pillow is built in, baby," said Kilvinsky and several girls laughed.

"Hey silver hair. How 'bout lettin' us out ovah on Vermont or somewhere," said another voice. "I jist got to make me some coin tonight."