The Nebuly Coat Part 4

The north side of Cullerne Church, which faced the square, was still in shadow, but, as Westray stepped inside, he found the sunshine pouring through the south windows, and the whole building bathed in a flood of most mellow light. There are in England many churches larger than that of Saint Sepulchre, and fault has been found with its proportions, because the roof is lower than in some other conventual buildings of its size. Yet, for all this, it is doubtful whether architecture has ever produced a composition more truly dignified and imposing.

The nave was begun by Walter Le Bec in 1135, and has on either side an arcade of low, round-headed arches. These arches are divided from one another by cylindrical pillars, which have no incised ornamentation, as at Durham or Waltham or Lindisfarne, nor are masked with Perpendicular work, as in the nave of Winchester or in the choir of Gloucester, but rely for effect on severe plainness and great diameter. Above them is seen the dark and cavernous depth of the triforium, and higher yet the clerestory with minute and infrequent openings. Over all broods a stone vault, divided across and diagonally by the chevron-mouldings of heavy vaulting-ribs.

Westray sat down near the door, and was so engrossed in the study of the building and in the strange play of the shafts of sunlight across the ma.s.sive stonework, that half an hour pa.s.sed before he rose to walk up the church.

A solid stone screen separates the choir from the nave, making, as it were, two churches out of one; but as Westray opened the doors between them, he heard four voices calling to him, and, looking up, saw above his head the four tower arches. "The arch never sleeps," cried one.

"They have bound on us a burden too heavy to be borne," answered another. "We never sleep," said the third; and the fourth returned to the old refrain, "The arch never sleeps, never sleeps."

As he considered them in the daylight, he wondered still more at their breadth and slenderness, and was still more surprised that his Chief had made so light of the settlement and of the ominous crack in the south wall.

The choir is a hundred and forty years later than the nave, ornate Early English, with a multiplication of lancet-windows which rich hood-mouldings group into twos and threes, and at the east end into seven. Here are innumerable shafts of dark-grey purbeck marble, elaborate capitals, deeply undercut foliage, and broad-winged angels bearing up the vaulting shafts on which rests the sharply-pointed roof.

The spiritual needs of Cullerne were amply served by this portion of the church alone, and, except at confirmations or on Militia Sunday, the congregation never overflowed into the nave. All who came to the minster found there full accommodation, and could indeed worship in much comfort; for in front of the canopied stalls erected by Abbot Vinnicomb in 1530 were ranged long rows of pews, in which green baize and bra.s.s nails, cushions and ha.s.socks, and Prayer-Book boxes ministered to the devotion of the occupants. Anybody who aspired to social status in Cullerne rented one of these pews, but for as many as could not afford such luxury in their religion there were provided other seats of deal, which had, indeed, no baize or ha.s.socks, nor any numbers on the doors, but were, for all that, exceedingly appropriate and commodious.

The clerk was dusting the stalls as the architect entered the choir, and made for him at once as the hawk swoops on its quarry. Westray did not attempt to escape his fate, and hoped, indeed, that from the old man's garrulity he might glean some facts of interest about the building, which was to be the scene of his work for many months to come. But the clerk preferred to talk of people rather than of things, and the conversation drifted by easy stages to the family with whom Westray had taken up his abode.

The doubt as to the Joliffe ancestry, in the discussion of which Mr Sharnall had shown such commendable reticence, was not so sacred to the clerk. He rushed in where the organist had feared to tread, nor did Westray feel constrained to check him, but rather led the talk to Martin Joliffe and his imaginary claims.

"Lor' bless you!" said the clerk, "I was a little boy myself when Martin's mother runned away with the soldier, yet mind well how it was in everybody's mouth. But folks in Cullerne like novelties; it's all old-world talk now, and there ain't one perhaps, beside me and Rector, could tell you _that_ tale. Sophia Flannery her name was when Farmer Joliffe married her, and where he found her no one knew. He lived up at Wydcombe Farm, did Michael Joliffe, where his father lived afore him, and a gay one he was, and dressed in yellow breeches and a blue waistcoat all his time. Well, one day he gave out he was to be married, and came into Cullerne, and there was Sophia waiting for him at the Blandamer Arms, and they were married in this very church. She had a three-year-old boy with her then, and put about she was a widow, though there were many who thought she couldn't show her marriage lines if she'd been asked for them. But p'raps Farmer Joliffe never asked to see 'em, or p'raps he knew all about it. A fine upstanding woman she was, with a word and a laugh for everyone, as my father told me many a time; and she had a bit of money beside. Every quarter, up she'd go to London town to collect her rents, so she said, and every time she'd come back with terrible grand new clothes. She dressed that fine, and had such a way with her, the people called her Queen of Wydcombe. Wherever she come from, she had a boarding-school education, and could play and sing beautiful. Many a time of a summer evening we lads would walk up to Wydcombe, and sit on the fence near the farm, to hear Sophy a-singing through the open window. She'd a pianoforty, too, and would sing powerful long songs about captains and moustachers and broken hearts, till people was nearly fit to cry over it. And when she wasn't singing she was painting. My old missis had a picture of flowers what she painted, and there was a lot more sold when they had to give up the farm. But Miss Joliffe wouldn't part with the biggest of 'em, though there was many would ha' liked to buy it. No, she kep' that one, and has it by her to this day--a picture so big as a signboard, all covered with flowers most beautiful."

"Yes, I've seen that," Westray put in; "it's in my room at Miss Joliffe's."

He said nothing about its ugliness, or that he meant to banish it, not wishing to wound the narrator's artistic susceptibilities, or to interrupt a story which began to interest him in spite of himself.

"Well, to be sure!" said the clerk, "it used to hang in the best parlour at Wydcombe over the sideboard; I seed'n there when I was a boy, and my mother was helping spring-clean up at the farm. 'Look, Tom,' my mother said to me, 'did 'ee ever see such flowers? and such a pritty caterpillar a-going to eat them!' You mind, a green caterpillar down in the corner."

Westray nodded, and the clerk went on:

"'Well, Mrs Joliffe,' says my mother to Sophia, 'I never want for to see a more beautiful picture than that.' And Sophia laughed, and said my mother know'd a good picture when she saw one. Some folks 'ud stand her out, she said, that 'tweren't worth much, but she knew she could get fifty or a hundred pound or more for't any day she liked to sell, if she took it to the right people. _Then_ she'd soon have the laugh of those that said it were only a daub; and with that she laughed herself, for she were always laughing and always jolly.

"Michael were well pleased with his strapping wife, and used to like to see the people stare when he drove her into Cullerne Market in the high cart, and hear her crack jokes with the farmers what they pa.s.sed on the way. Very proud he was of her, and prouder still when one Sat.u.r.day he stood all comers gla.s.ses round at the Blandamer, and bid 'em drink to a pritty little la.s.s what his wife had given him. Now he'd got a brace of 'em, he said; for he'd kep' that other little boy what Sophia brought when she married him, and treated the child for all the world as if he was his very son.

"So 'twas for a year or two, till the practice-camp was put up on Wydcombe Down. I mind that summer well, for 'twere a fearful hot one, and Joey Garland and me taught ourselves to swim in the sheep-wash down in Mayo's Meads. And there was the white tents all up the hillside, and the bra.s.s band a-playing in the evenings before the officers'

dinner-tent. And sometimes they would play Sunday afternoons too; and Parson were terrible put about, and wrote to the Colonel to say as how the music took the folk away from church, and likened it to the worship of the golden calf, when 'the people sat down to eat and drink, and rose up again to play.' But Colonel never took no notice of it, and when 'twas a fine evening there was a mort of people trapesing over the Downs, and some poor la.s.ses wished afterwards they'd never heard no music sweeter than the clar'net and ba.s.soon up in the gallery of Wydcombe Church.

"Sophia was there, too, a good few times, walking round first on her husband's arm, and afterwards on other people's; and some of the boys said they had seen her sitting with a redcoat up among the juniper-bushes. 'Twas Michaelmas Eve before they moved the camp, and 'twas a sorry goose was eat that Michaelmas Day at Wydcombe Farm; for when the soldiers went, Sophia went too, and left Michael and the farm and the children, and never said good-bye to anyone, not even to the baby in the cot. 'Twas said she ran off with a sergeant, but no one rightly knew; and if Farmer Joliffe made any search and found out, he never told a soul; and she never come back to Wydcombe.

"She never come back to Wydcombe," he said under his breath, with something that sounded like a sigh. Perhaps the long-forgotten break-up of Farmer Joliffe's home had touched him, but perhaps he was only thinking of his own loss, for he went on: "Ay, many's the time she would give a poor fellow an ounce of baccy, and many's the pound of tea she sent to a labourer's cottage. If she bought herself fine clothes, she'd give away the old ones; my missis has a fur tippet yet that her mother got from Sophy Joliffe. She was free with her money, whatever else she mid have been. There wasn't a labourer on the farm but what had a good word for her; there wasn't one was glad to see her back turned.

"Poor Michael took on dreadful at the first, though he wasn't the man to say much. He wore his yellow breeches and blue waistcoat just the same, but lost heart for business, and didn't go to market so reg'lar as he should. Only he seemed to stick closer by the children--by Martin that never know'd his father, and little Phemie that never know'd her mother.

Sophy never come back to visit 'em by what I could learn; but once I seed her myself twenty years later, when I took the hosses over to sell at Beacon Hill Fair.

"That was a black day, too, for 'twas the first time Michael had to raise the wind by selling aught of his'n. He'd got powerful thin then, had poor master, and couldn't fill the blue waistcoat and yellow breeches like he used to, and _they_ weren't nothing so gay by then themselves neither.

"'Tom,' he said--that's me, you know--'take these here hosses over to Beacon Hill, and sell 'em for as much as 'ee can get, for I want the money.'

"'What, sell the best team, dad!' says Miss Phemie--for she was standing by--'you'll never sell the best team with White-face and old Strike-a-light!' And the hosses looked up, for they know'd their names very well when she said 'em.

"'Don't 'ee take on, la.s.s,' he said; 'we'll buy 'em back again come Lady Day.'

"And so I took 'em over, and knew very well why he wanted the money; for Mr Martin had come back from Oxford, wi' a nice bit of debt about his neck, and couldn't turn his hand to the farm, but went about saying he was a Blandamer, and Fording and all the lands belonged to he by right.

'Quiries he was making, he said, and gadded about here and there, spending a mort of time and money in making 'quiries that never came to nothing. 'Twas a black day, that day, and a thick rain falling at Beacon Hill, and all the turf cut up terrible. The poor beasts was wet through, too, and couldn't look their best, because they knowed they was going to be sold; and so the afternoon came, and never a bid for one of 'em. 'Poor old master!' says I to the horses, 'what'll 'ee say when we get back again?' And yet I was glad-like to think me and they weren't going to part.

"Well, there we was a-standing in the rain, and the farmers and the dealers just give us a glimpse, and pa.s.sed by without a word, till I see someone come along, and that was Sophia Joliffe. She didn't look a year older nor when I met her last, and her face was the only cheerful thing we saw that afternoon, as fresh and jolly as ever. She wore a yellow mackintosh with big b.u.t.tons, and everybody turned to measure her up as she pa.s.sed. There was a horse-dealer walking with her, and when the people stared, he looked at her just so proud as Michael used to look when he drove her in to Cullerne Market. She didn't take any heed of the hosses, but she looked hard at me, and when she was pa.s.sed turned her head to have another look, and then she come back.

"'Bain't you Tom Janaway,' says she, 'what used to work up to Wydcombe Farm?'

"'Ay, that I be,' says I, but stiff-like, for it galled me to think what she'd a-done for master, and yet could look so jolly with it all.

"She took no note that I were glum, but 'Whose hosses is these?' she asked.

"'Your husband's, mum,' I made bold to say, thinking to take her down a peg. But, lor'! she didn't care a rush for that, but 'Which o' my husbands?' says she, and laughed fit to bust, and poked the horse-dealer in the side. He looked as if he'd like to throttle her, but she didn't mind that neither. 'What for does Michael want to sell his hosses?'

"And then I lost my pluck, and didn't think to humble her any more, but just told her how things was, and how I'd stood the blessed day, and never got a bid. She never asked no questions, but I see her eyes twinkle when I spoke of Master Martin and Miss Phemie; and then she turned sharp to the horse-dealer and said:

"'John, these is fine horses; you buy these cheap-like, and we can sell 'em again to-morrow.'

"Then he cursed and swore, and said the hosses was old scraws, and he'd be d.a.m.ned afore he'd buy such hounds'-meat.

"'John,' says she, quite quiet, ''tain't polite to swear afore ladies.

These here is good hosses, and I want you to buy 'em.'

"Then he swore again, but she'd got his measure, and there was a mighty firm look in her face, for all she laughed so; and by degrees he quieted down and let her talk.

"'How much do you want for the four of 'em, young man?' she says; and I had a mind to say eighty pounds, thinking maybe she'd rise to that for old times' sake, but didn't like to say so much for fear of spoiling the bargain. 'Come,' she says, 'how much? Art thou dumb? Well, if thou won't fix the price, I'll do it for 'ee. Here, John, you bid a hundred for this lot.'

"He stared stupid-like, but didn't speak.

"Then she look at him hard.

"'You've got to do it,' she says, speaking low, but very firm; and out he comes with, 'Here, I'll give 'ee a hundred.' But before I had time to say 'Done,' she went on: 'No--this young man says no; I can see it in his face; he don't think 'tis enough; you try him with a hundred and twenty.'

"'Twas as if he were overlooked, for he says quite mild, 'Well, I'll give 'ee a hundred and twenty.'

"'Ay, that's better,' says she; 'he says that's better.' And she takes out a little leather wallet from her bosom, holding it under the flap of her waterproof so that the rain shouldn't get in, and counts out two dozen clean banknotes, and puts 'em into my hand. There was many more where they come from, for I could see the book was full of 'em; and when she saw my eyes on them, she takes out another, and gives it me, with, 'There's one for thee, and good luck to 'ee; take that, and buy a fairing for thy sweetheart, Tom Janaway, and never say Sophy Flannery forgot an old friend.'

"'Thank 'ee kindly, mum,' says I; 'thank 'ee kindly, and may you never miss it! I hope your rents do still come in reg'lar, mum.'

"She laughed out loud, and said there was no fear of that; and then she called a lad, and he led off White-face and Strike-a-light and Jenny and the Cutler, and they was all gone, and the horse-dealer and Sophia, afore I had time to say good-night. She never come into these parts again--at least, I never seed her; but I heard tell she lived a score of years more after that, and died of a broken blood-vessel at Beriton Races."

He moved a little further down the choir, and went on with his dusting; but Westray followed, and started him again.

"What happened when you got back? You haven't told me what Farmer Joliffe said, nor how you came to leave farming and turn clerk."

The old man wiped his forehead.

"I wasn't going to tell 'ee that," he said, "for it do fair make I sweat still to think o' it; but you can have it if you like. Well, when they was gone, I was nigh dazed with such a stroke o' luck, and said the Lord's Prayer to see I wasn't dreaming. But 'twas no such thing, and so I cut a slit in the lining of my waistcoat, and dropped the notes in, all except the one she give me for myself, and that I put in my fob-pocket. 'Twas getting dark, and I felt numb with cold and wet, what with standing so long in the rain and not having bite nor sup all day.

"'Tis a bleak place, Beacon Hill, and 'twas so soft underfoot that day the water'd got inside my boots, till they fair bubbled if I took a step. The rain was falling steady, and sputtered in the naphtha-lamps that they was beginning to light up outside the booths. There was one powerful flare outside a long tent, and from inside there come a smell of fried onions that made my belly cry 'Please, master, please!'