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The Natural History of Selborne Part 1

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The Natural History of Selborne.

by Gilbert White.

INVITATION TO SELBORNE.

See, Selborne spreads her boldest beauties round The varied valley, and the mountain ground, Wildly majestic ! What is all the pride, Of flats, with loads of ornaments supplied ?-- Unpleasing, tasteless, impotent expense, Compared with Nature's rude magnificenee.

Arise, my stranger, to these wild scenes haste; The unfinish'd farm awaits your forming taste: Plan the pavilion, airy, light, and true; Through the high arch call in the length'ning view; Expand the forest sloping up the hill; Swell to a lake the scant, penurious rill; Extend the vista; raise the castle mound In antique taste, with turrets ivy-crown'd: O'er the gay lawn the flow'ry shrub dispread, Or with the blending garden mix the mead; Bid China's pale, fantastic fence delight; Or with the mimic statue trap the sight.

Oft on some evening, sunny, soft, and still, The Muse shall lead thee to the beech-grown hill, To spend in tea the cool, refreshing hour, Where nods in air the pensile, nest-like bower; Or where the hermit hangs the straw-clad cell, Emerging gently from the leafy dell, By fancy plann'd; as once th' inventive maid Met the h.o.a.r sage amid the secret shade: Romantic spot ! from whence in prospect lies Whate'er of landscape charms our feasting eyes'-- The pointed spire, the hall, the pasture plain, The russet fallow, or the golden grain, The breezy lake that sheds a gleaming light, Till all the fading picture fail the sight.

Each to his task; all different ways retire: Cull the dry stick; call forth the seeds of fire; Deep fix the kettle's props, a forky row, Or give with fanning hat the breeze to blow.

Whence is this taste, the furnish'd hall forgot, To feast in gardens, or th' unhandy grot ?

Or novelty with some new charms surprises, Or from our very shifts some joy arises.

Hark, while below the village bells ring round, Echo, sweet nymph, returns the soften'd sound; But if gusts rise, the rushing forests roar, Like the tide tumbling on the pebbly sh.o.r.e.

Adown the vale, in lone, sequester'd nook, Where skirting woods imbrown the dimpling brook, The ruin'd convent lies: here wont to dwell The lazy canon midst his cloister'd cell, While Papal darkness brooded o'er the land, Ere Reformation made her glorious stand: Still oft at eve belated shepherd swains See the cowl'd spectre skim the folded plains.

To the high Temple would my stranger go, The mountain-brow commands the woods below: In Jewry first this order found a name, When madding Croisades set the world in flame; When western climes, urged on by pope and priest Pour'd forth their minions o'er the deluged East: Luxurious knights, ill suited to defy To mortal fight Turcestan chivalry.

Nor be the parsonage by the Muse forgot -- The partial bard admires his native spot; Smit with its beauties, loved, as yet a child, Unconscious why, its capes, grotesque and wild.

High on a mound th' exalted gardens stand, Beneath, deep valleys, scoop'd by Nature's hand.

A Cobham here, exulting in his art, Might blend the general's with the gardener's part; Might fortify with all the martial trade Of rampart, bastion, fosse, and palisade; Might plant the mortar with wide threat'ning bore, Or bid the mimic cannon seem to roar:

Now climb the steep, drop now your eye belong Where round the blooming village orchards grow; There, like a picture, lies my lowly seat, A rural, shelter'd, un.o.bserved retreat.

Me far above the rest Selbornian scenes, The pendent forests, and the mountain greens, Strike with delight; there spreads the distant view, That gradual fades till sunk in misty blue: Here Nature hangs her slopy woods to sight, Rills purl between and dart a quivering light.

SELBORNE HANGER.

A WINTER PIECE, TO THE MISS B*****S

The bard, who sang so late in blithest strain Selbornian prospects, and the rural reign, Now suits his plaintive pipe to sadden'd tone, While the blank swains the changeful year bemoan.

How fallen the glories of these fading scenes !

The dusky beech resigns his vernal greens; The yellow maple mourns in sickly hue, And russet woodlands crowd the dark'ning view.

Dim, cl.u.s.t'ring fogs involve the country round, The valley and the blended mountain ground Sink in confusion; but with tempest-wing Should Boreas from his northern barrier spring, The rushing woods with deaf'ning clamour roar, Like the sea tumbling on the pebbly sh.o.r.e.

When spouting rains descend in torrent tides, See the torn zigzag weep its channel'd sides: Winter exerts its rage; heavy and slow, From the keen east rolls on the treasured snow; Sunk with its weight the bending boughs are seen, And one bright deluge whelms the works of men.

Amidst this savage landscape, bleak and bare, Hangs the chill hermitage in middle air; Its haunts forsaken, and its feasts forgot, A leaf-strown, lonely, desolated cot !

Is this the scene that late with rapture rang, Where Delphy danced, and gentle Anna sang ?

With fairy step where Harriet tripp'd so late, And, on her stump reclined, the musing Kitty sate ?

Return, dear nymphs; prevent the purple spring, Ere the soft nightingale essays to sing; Ere the first swallow sweeps the fresh'ning plain, Ere love-sick turtles breathe their amorous pain; Let festive glee th' enliven'd village raise, Pan's blameless reign, and patriarchal days; With pastoral dance the smitten swain surprise, And bring all Arcady before our eyes.

Return, blithe maidens; with you bring along Free, native humour; all the charms of song; The feeling heart, and unaffected ease; Each nameless grace, and ev'ry power to please.

Nov. 1, 1763.

ON THE RAINBOW.

" Look upon the Rainbow, and praise him that made it: very beautiful is it in the brightness thereof."-- Eccles., xliii. 11.

On morning or on evening cloud impress'd, Bent in vast curve, the watery meteor shines Delightfully, to th' levell'd sun opposed: Lovely refraction ! while the vivid brede In listed colours glows, th' unconscious swain, With vacant eye, gazes on the divine Phenomenon, gleaming o'er the illumined fields, Or runs to catch the treasures which it sheds.

Not so the sage: inspired with pious awe, He hails the federal arch ; and looking up, Adores that G.o.d, whose fingers form'd this bow Magnificent, compa.s.sing heaven about With a resplendent verge, " Thou mad'st the cloud, " Maker omnipotent, and thou the bow; " And by that covenant graciously hast sworn " Never to drown the world again: henceforth, " Till time shall be no more, in ceaseless round, " Season shall follow season: day to night, " Summer to winter, harvest to seed time, " Heat shall to cold in regular array " Succeed. " -- Heav'n taught, so sang the Hebrew bard.

A HARVEST SCENE.

Waked by the gentle gleamings of the morn, Soon clad, the reaper, provident of want, Hies cheerful-hearted to the ripen'd field: Nor hastes alone: attendant by his side His faithful wife, sole partner of his cares, Bears on her breast the sleeping babe; behind, With steps unequal, trips her infant train; Thrice happy pair, in love and labour join'd !

All day they ply their task; with mutual chat, Beguiling each the sultry, tedious hours.

Around them falls in rows the sever'd corn, Or the shocks rise in regular array.

But when high noon invites to short repast, Beneath the shade of sheltering thorn they sit, Divide the simple meal, and drain the cask: The swinging cradle lulls the whimpering babe Meantime; while growling round, if at the tread Of hasty pa.s.senger alarm'd, as of their store Protective, stalks the cur with bristling back, To guard the scanty scrip and russet frock.

ON THE DARK, STILL, DRY, WARM WEATHER.

OCCASIONALLY HAPPENING IN THE WINTER MONTHS.

Th' imprison'd winds slumber within their caves, Fast bound: the fickle vane, emblem of change, Wavers no more, long settling to a point.

All Nature nodding seems composed: thick steams, From land, from flood up-drawn, dimming the day, " Like a dark ceiling stand: " slow through the air Gossamer floats, or, stretch'd from blade to blade, The wavy net-work whitens all the field.

Push'd by the weightier atmosphere, up springs The ponderous mercury, from scale to scale Mounting, amidst the Torricellian tube.

While high in air, and poised upon his wings, Unseen, the soft, enamour'd woodlark runs Through all his maze of melody; the brake, Loud with the blackbird's bolder note, resounds.

Sooth'd by the genial warmth, the cawing rook Antic.i.p.ates the spring, selects her mate, Haunts her tall nest-trees, and with sedulous care Repairs her wicker eyrie, tempest-torn.

The ploughman inly smiles to see upturn His mellow globe, best pledge of future crop: With glee the gardener eyes his smoking beds; E'en pining sickness feels a short relief

The happy schoolboy brings transported forth His long-forgotten scourge, and giddy gig: O'er the white paths he whirls the rolling hoop, Or triumphs in the dusty fields of taw.

Not so the museful sage:--abroad he walks Contemplative, if haply he may find What cause controls the tempest's rage, or whence, Amidst the savage season, Winter smiles.

For days, for weeks, prevails the placid calm.

At length some drops prelude a change: the sun With ray refracted, bursts the parting gloom, When all the chequer'd sky is one bright glare.

Mutters the wind at eve; th' horizon round With angry aspect scowls: down rush the showers, And float the deluged paths, and miry fields.

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The Natural History of Selborne Part 1 summary

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