The Nabob Volume Ii Part 2

XIV.

THE EXHIBITION.

"Superb!"

"A tremendous success. Barye never did anything as fine."

"And the bust of the Nabob! What a marvellous likeness! I tell you, Constance Crenmitz is happy. See her trotting about."

"What! is that La Crenmitz, that little old woman in a fur cape? I supposed she was dead twenty years ago."

Oh! no; on the contrary, she is very much alive. Enchanted, rejuvenated by the triumph of her G.o.ddaughter, who is decidedly _the_ success of the Exhibition, she glides through the crowd of artists and people of fashion grouped around the two points where Felicia's contributions are exhibited like two huge ma.s.ses of black backs, variegated costumes, jostling and squeezing in their struggles to look. Constance, usually so retiring, makes her way into the front row, listens to the discussions, catches on the wing s.n.a.t.c.hes of sentences, technical phrases which she remembers, nods her head approvingly, smiles, shrugs her shoulders when she hears any slighting remark, longing to crush the first person who should fail to admire.

Whether it be the excellent Crenmitz or another, you always see, at the opening of the Salon, that shadow prowling furtively about where people are conversing, with ears on the alert and an anxious expression; sometimes it is an old father who thanks you with a glance for a kindly word said in pa.s.sing, or a.s.sumes a despairing expression at the epigram which you hurl at a work of art and which strikes a heart behind you. A face not to be omitted surely, if ever some painter in love with things modern should conceive the idea of reproducing on canvas that perfectly typical manifestation of Parisian life, the opening of the Salon in that vast hothouse of statuary, with the yellow gravelled paths and the great gla.s.s ceiling, beneath which, half-way from the floor, the galleries of the first tier stand forth, lined with heads bending over to look, and with extemporized waving draperies.

In a light that seems slightly cold and pale as it falls on the green decorations of the walls, where the rays become rarefied, one would say, in order to afford the spectators an opportunity for concentration and accuracy of vision, the crowd moves slowly back and forth, pauses, scatters over the benches, divided into groups, and yet mingling castes more thoroughly than any other gathering, just as the fickle and changing weather, at that time of year, brings together all sorts of costumes, so that the black lace and superb train of the great lady who has come to observe the effect of her own portrait rub against the Siberian furs of the actress who has just returned from Russia and proposes that everybody shall know it.

Here there are no boxes, no reserved seats, and that is what gives such abiding interest and charm to this first view in broad daylight. The real society women can pa.s.s judgment at close quarters on the painted beauties that excite so much applause by artificial light; the tiny hat, latest shape, of the Marquise de Bois-l'Hery and her like brushes against the more than modest costume of some artist's wife or daughter, while the model who has posed for that lovely Andromeda near the entrance struts triumphantly by, dressed in a too short skirt, in wretched clothes tossed upon her beauty with the utmost lack of taste.

They scrutinize one another, admire or disparage one another, exchange contemptuous, disdainful or inquisitive glances, which suddenly become fixed as some celebrity pa.s.ses, the ill.u.s.trious critic, for instance, whom we seem to see at this moment, serene and majestic, his powerful face framed in long hair, making the circuit of the exhibits of sculpture, followed by half a score of young disciples who hang breathlessly upon his kindly dicta. Although the sound of voices is lost in that immense vessel, which is resonant only under the two arched doorways of entrance and exit, faces a.s.sume extraordinary intensity there, a character of energy and animation especially noticeable in the vast, dark recess of the restaurant, overflowing with a gesticulating mult.i.tude, the light hats of the women and the waiters' white ap.r.o.ns standing out in bold relief against the background of dark clothing, and in the broad aisle in the centre, where the swarm of promenaders _en vignette_ forms a striking contrast to the immobility of the statues, the unconscious palpitation with which their chalky whiteness and their glorified att.i.tudes are encompa.s.sed.

There are gigantic wings spread for flight, a sphere upheld by four allegorical figures, whose att.i.tude, as if they were twirling their burden, suggests a vague waltz measure, a marvel of equilibrium which perfectly produces the illusion of the earth's revolution; and there are arms raised as a signal, bodies of heroic size, containing an allegory, a symbol that brings death and immortality upon them, gives them to history, to legend, to the ideal world of the museums which nations visit from curiosity or admiration.

Although Felicia's bronze group had not the proportions of those productions, its exceptional merit had procured for it the honor of a position at one of the points of intersection of the aisles in the centre, from which the public was standing respectfully aloof at that moment, staring over the shoulders of the line of attendants and police officers at the Bey of Tunis and his suite, a group of long burnous, falling in sculptural folds, which made them seem like living statues confronting the dead ones. The bey, who had been in Paris for a few days, the lion of all the first nights, had expressed a desire to see the opening of the Salon. He was "an enlightened prince, a friend of the arts," who possessed a gallery of amazing Turkish pictures on the Bardo, and chromo-lithographic reproductions of all the battles of the First Empire. The great Arabian hound had caught his eye as soon as he entered the hall of sculpture. It was the _slougui_ to the life, the genuine slender, nervous _slougui_ of his country, the companion of all his hunts. He laughed in his black beard, felt the animal's loins, patted his muscles, seemed to be trying to rouse him, while, with dilated nostrils, protruding teeth, every limb outstretched and indefatigable in its strength and elasticity, the aristocratic beast, the beast of prey, ardent in love and in the chase, drunk with his twofold drunkenness, his eyes fixed on his victim, seemed to be already tasting the delights of his victory, with the end of his tongue hanging from his mouth, as he sharpened his teeth with a ferocious laugh. If you looked only at him, you said to yourself: "He has him!" But a glance at the fox rea.s.sured you at once. Under his l.u.s.trous, velvety coat, catlike, with his body almost touching the ground, skimming along without effort, you felt that he was in truth a wizard, and his fine head with its pointed ears, which he turned toward the hound as he ran, had an ironical expression of security which clearly indicated the gift he had received from the G.o.ds.

While an inspector of the Beaux-Arts, who had hurried to the spot, with his uniform all awry, and bald to the middle of his back, explained to Mohammed the apologue of "The Dog and the Fox," as told in the catalogue, with this moral: "Suppose that they meet," and the note: "The property of the Duc de Mora," the bulky Hemerlingue, puffing and perspiring beside his Highness, had great difficulty in persuading him that that masterly production was the work of the lovely equestrian they had met in the Bois the day before. How could a woman with a woman's weak hands so soften the hard bronze and give it the appearance of flesh? Of all the marvels of Paris that one caused the bey the most profound amazement. So he asked the official if there was nothing else of the same artist's to see.

"Yes, indeed, Monseigneur, another _chef-d'oeuvre_. If your Highness will come this way I will take you to it."

The bey moved on with his suite. They were all fine specimens of their race, beautifully chiselled features and pure profiles, complexions of a warm pallor of which the snowy whiteness of the haik absorbed even the reflection. Magnificently draped, they contrasted strangely with the busts which were ranged on both sides of the aisle they had taken, and which, perched on their high pedestals, exiled from their familiar surroundings, from the environment in which they would doubtless have recalled some engrossing toil, some deep affection, a busy and courageous life, seemed very forlorn in the empty air about them and presented the distressing aspect of people who had gone astray and were very much ashamed to find themselves there. Aside from two or three female figures, well-rounded shoulders enveloped in petrified lace, hair reproduced in marble with the soft touch that gives the impression of a powdered head-dress, and a few profiles of children with simple lines, in which the polish of the stone seems like the moisture of life, there were nothing but wrinkles, furrows, contortions and grimaces, our excess of toil and activity, our nervous paroxysms and our fevers contrasted with that art of repose and n.o.ble serenity.

The Nabob's ugliness, at all events, had in its favor its energy, the peculiar characteristics of the adventurer and the _proletaire_, and that kindly expression so well rendered by the artist, who had taken pains to mix a supply of ochre with her plaster, thereby giving it almost the swarthy, sun-burned tone of the model. The Arabs, on seeing it, uttered a stifled exclamation: "Bon-Sad!" (the father of good-luck). It was the Nabob's sobriquet at Tunis, the label of his fortune, so to speak. The bey, for his part, thinking that someone intended to make sport of him by bringing him thus face to face with the detested _mercanti_, glanced suspiciously at the inspector.

"Jansoulet?" he said in his guttural voice.

"Yes, your Highness, Bernard Jansoulet, the new Deputy for Corsica."

At that the bey turned to Hemerlingue, with a frown on his face.

"Deputy?"

"Yes, Monseigneur, the news came this morning; but nothing is settled yet."

And the banker, ill at ease and lowering his voice, added: "No French Chamber would ever admit that adventurer."

No matter! the blow had been dealt at the bey's blind confidence in his baron-financier. Hemerlingue had declared so positively that the other would never be chosen, that they could act freely and without fear so far as he was concerned. And lo! instead of the crushed, discredited man, a representative of the nation towered before him, a deputy whose figure in stone Parisians thronged to admire; for, from the Oriental sovereign's standpoint, as that public exhibition necessarily involved the idea of conferring honor upon the subject, that bust had all the prestige of a statue overlooking a public square. Hemerlingue, even yellower than usual, inwardly accused himself of bungling and imprudence. But how could he have suspected such a thing? He had been a.s.sured that the bust was not finished. And, indeed, it had arrived that very morning, and seemed overjoyed to be there, quivering with gratified pride, expressing contempt for its enemies with the good-natured smile of its curling lip. A veritable silent revenge for the disaster at Saint-Romans.

For several minutes the bey, as cold and impa.s.sive as the carved image, stared at it without speaking, his forehead divided by a straight fold wherein his courtiers alone could read his wrath; then, after a few words spoken rapidly in Arabic, to order his carriages and collect his scattered suite, he strode gravely toward the exit, without deigning to look at anything else. Who can say what takes place in those august brains, surfeited with power? Even our western monarchs have incomprehensible whims; but they are as nothing beside Oriental caprices. Monsieur l'Inspecteur des Beaux-Arts, who had confidently expected to show his Highness all over the Exhibition, and to earn thereby the pretty little red and green ribbon of the Order of Nicham-Iftikhar, never knew the secret of that sudden flight.

Just as the white haiks disappeared under the porch, and just in time to catch a glimpse of the fluttering of their last folds, the Nabob entered through the centre door. That morning he had received the news: "Elected by an overwhelming majority;" and, after a sumptuous breakfast, at which many a toast had been drunk to the new Deputy for Corsica, he had come with some of his guests, to show himself, to see himself as well, and to enjoy his new glory to the full.

The first person he saw when he arrived was Felicia Ruys, leaning against the pedestal of a statue, receiving compliments and homage with which he hastened to mingle his own. She was dressed simply, in a black embroidered gown trimmed with jet, tempering the severe simplicity of her costume by its scintillating reflections and by the brilliancy of a fascinating little hat adorned with the feathers of the _lophoph.o.r.e_, whose changing colors her hair, tightly curled over the forehead and parted at the neck in broad waves, seemed to prolong and to soften.

A crowd of artists, of society folk hastened to pay their respects to so great genius allied to so great beauty; and Jenkins, bareheaded, swelling with effusive warmth, went about from one to another, extorting enthusiasm, but broadening the circle about that youthful renown, posing as both guardian and fugleman. Meanwhile, his wife was talking with the young woman. Poor Madame Jenkins! He had said to her in that brutal voice which she alone knew: "You must go and speak to Felicia." And she had obeyed, restraining her emotion; for she knew now what lay hidden beneath that fatherly affection, although she avoided any explanation with the doctor as if she were apprehensive of the result.

After Madame Jenkins, the Nabob rushed to the artist's side, and taking her slender, neatly gloved hands in his two great paws expressed his grat.i.tude with a warmth that brought the tears to his own eyes.

"You have done me a very great honor, Mademoiselle, to a.s.sociate my name with yours, my humble self with your triumph, and to prove to all these vermin who are digging their claws into me that you don't believe in all the slanderous reports that are current about me. Really, it is something I can never forget. I might cover this magnificent bust with gold and diamonds and I should still be in your debt."

Luckily for the good Nabob, who was more susceptible to emotion than eloquent, he was obliged to make room for all those who were attracted by the refulgent talent, the artistic personality before their eyes: frantic enthusiasm which, for lack of words in which to express itself, disappears as it came; worldly admiration, inspired by kindly feeling, by an earnest desire to please, but whose every word is like a cold shower-bath; and then the hearty hand-clasps of rivals, of comrades, some very frank and cordial, others which communicate to you the inertness of their pressure; the tall, conceited zany whose absurd praise ought to delight you beyond measure, and who, in order not to spoil you utterly, accompanies it with "a few trifling reservations;"

and the man who, while overwhelming you with compliments, proves to you that you do not know the first word of the trade; and the other good fellow, full of business, who stops just long enough to whisper in your ear that "So-and-so, the famous critic, doesn't seem to be satisfied."

Felicia listened to it all with the utmost tranquillity, being raised by her triumph above the petty slurs of envy, and glowed with pride when a renowned veteran, some old a.s.sociate of her father's, tossed her a "Well done, little one!" which carried her back to the past, to the little corner that was always reserved for her in the paternal studio in the days when she was beginning to carve out a little glory for herself in the renown of the great Ruys. But as a whole the congratulations left her quite unmoved, because she missed one which was more desirable in her eyes than all the rest, and which she was surprised that she had not yet received. Clearly she thought of him more than she had ever thought of any man before. Was this love at last, the great love that is so rare in the heart of an artist, who is incapable of abandoning herself unreservedly to a sentiment, or was it simply a dream of an honest, bourgeois life, well protected against ennui, that vile ennui, the precursor of storms, which she had so much reason to dread? In any event, she suffered herself to be deceived and had been living for several days in a state of delicious unrest, for love is so strong, so beautiful, that its semblance, its mirage, takes us captive and may move us as deeply as love itself.

Has it ever happened to you, as you walked along the street, thinking intently of some absent person very dear to your heart, to be warned of his approach by meeting one or more persons who bear a vague resemblance to him, preparatory images, outline sketches of the face that is soon to rise before you, which come forth from the crowd like successive appeals to your overstrained attention? These are magnetic, nervous phenomena at which we must not smile too broadly, because they const.i.tute a susceptibility to suffering. Several times Felicia had fancied that she recognized Paul de Gery's curly head in the ever-moving, ever-changing flow of visitors, when suddenly she uttered a cry of pleasure. It was not he, however, but some one who much resembled him, whose regular, tranquil face was always blended now in her thoughts with that of her friend Paul, as the result of a resemblance rather moral than physical, and of the mild influence they both exerted over her mind.

"Aline!"

"Felicia!"

Although nothing is more difficult of comprehension than the friendship of two of society's queens, dividing salon royalty among themselves and lavishing flattering epithets, the petty graces of feminine effusiveness, upon each other, the friendships of childhood retain in the woman a frankness of demeanor which distinguishes them and makes them recognizable among all other friendships; bonds woven in innocence and woven firmly, like the pieces of needlework made by little girls, whereon an inexperienced hand has lavished thread and great knots; plants that have grown in virgin soil, past their bloom but deeply-rooted and full of life and vigor. And what joy to turn back a few steps, hand in hand,--boarding-school Arguses, where are you?--with equal knowledge of the road and of its slightest windings, and with the same wistful laugh. Standing a little apart, the two girls, who needed only to stand face to face to forget five years of separation, talked rapidly, recalling bygone days, while little Pere Joyeuse, his ruddy face set off by a new cravat, drew himself up to his full height, proud beyond words that his daughter should be so warmly greeted by a celebrity. Proud he certainly had reason to be, for that little Parisian, even beside her resplendent friend, retained her full value for charm and youth and luminous innocence, beneath her twenty years, her rich, golden girlhood, which the joy of meeting caused to put forth fresh flowers.

"How happy you must be! I haven't seen anything; but I hear everybody say that it is so beautiful."

"Happy above all things to find you again, little Aline. It is such a long time--"

"I should say as much, you bad girl. Whose fault is it?"

In the saddest recess of her memory Felicia found the date of the rupture between them, coincident in her mind with another date when her youth died in a never-to-be-forgotten scene.

"What have you been doing all this time, my love?"

"Oh! always the same thing--nothing worth talking about."

"Yes, yes, we know what you call doing nothing, little brave heart. It is giving your life to others, is it not?"

But Aline was no longer listening. She was smiling affectionately at a point straight before her, and Felicia, turning to see to whom that smile was addressed, saw Paul de Gery replying to Mademoiselle Joyeuse's shy and blushing salutation.

"Do you know each other, pray?"

"Do I know Monsieur Paul! I should think so. We talk of you often enough. Has he never told you?"

"Never. He is terribly sly--"

She stopped abruptly as a light flashed through her mind; and, paying no heed to de Gery, who came forward to do homage to her triumph, she leaned hastily toward Aline and whispered to her. The other blushed, protested with smiles, with inaudible words: "How can you imagine such a thing? At my age. A grandmamma!" And at last she grasped her father's arm to escape that friendly raillery.

When Felicia saw the two young people walk away side by side, when she realized--what they themselves did not yet know--that they loved each other, she felt as if everything about her were crumbling. And when her dream lay at her feet, in a thousand fragments, she began to stamp upon it in a rage. After all, he was quite right to prefer that little Aline to her. Would a respectable man ever dare to marry Mademoiselle Ruys?

She with a home of her own, a family, nonsense! You are a strumpet's daughter, my dear; you must be a strumpet yourself, if you wish to be anything.