The Nabob Part 6

Upon this he commenced to speak to us of a superb _combin.a.z.ione_--it is his favourite word and he p.r.o.nounces it in such an insinuating manner--a _combin.a.z.ione_ into which there was entering this famous Nabob, of whom all the newspapers are talking. The Territorial Bank was therefore about to find itself in a position which would enable it to acquit itself of its obligations to its faithful servants, recognise acts of devotion, rid itself of useless parasites. This for me, I imagine. And in conclusion: "Prepare your statements. All accounts will be settled not later than to-morrow." Unhappily he has so often soothed us with lying words, that the effect of his speech was lost. Formerly these fine promises were always swallowed. At the announcement of a new _combin.a.z.ione_, there used to be dancing, weeping for joy in the offices, and men would embrace each other like shipwrecked sailors discovering a sail.

Each one would prepare his account for the morrow, as he had said. But on the morrow, no manager. The day following, still n.o.body. He had left town on a little journey.

At length, one day when all would be there, exasperated, putting out our tongues, maddened by the water which he had brought to our mouths, the governor would arrive, let himself drop into an easy chair, his head in his hands, and before one could speak to him: "Kill me," he would say, "kill me. I am a wretched impostor. The _combin.a.z.ione_ has failed. It has failed, _Pechero!_ the _combin.a.z.ione_." And he would cry, sob, throw himself on his knees, pluck out his hair by handfuls, roll on the carpet. He would call us by our Christian names, implore us to put an end to his existence, speak of his wife and children whose ruin he had consummated. And none of us would have the courage to protest in face of a despair so formidable. What do I say? One always ended by sympathizing with him. No, since theatres have existed, never has there been a comedian of his ability. But to-day, that is all over, confidence is gone. When he had left, every one shrugged his shoulders. I must admit, however, that for a moment I had been shaken. That a.s.surance about the settling of my account, and then the name of the Nabob, that man so rich----

"You actually believe it, you?" the cashier said to me. "You will be always innocent, then, my poor Pa.s.sajon. Don't disturb yourself. It will be the same with the Nabob as it was with Moessard's Queen." And he returned to the manufacture of his shirt-fronts.

What he had just said referred to the time when Moessard was making love to his Queen, and had promised the governor that in case of success he would induce her Majesty to put capital into our undertaking. At the office, we were all aware of this new adventure, and very anxious, as you may imagine, that it should succeed quickly, since our money depended upon it. For two months this story held all of us breathless.

We felt some disquiet, we kept a watch on Moessard's face, considered that the lady was inclined to insist upon a great deal of ceremony; and our old cashier, with his dignified and serious air, when he was questioned on the matter, would answer gravely, behind his wire screen: "Nothing fresh," or "The thing is in a good way." Whereupon everybody was contented. One would say to another, "It is making progress," as though merely an ordinary enterprise was in question. No, in good truth, there is only one Paris, where one can see such things. Positively it makes your head turn sometimes. In a word, Moessard, one fine morning, ceased coming to the office. He had succeeded, it appears, but the Territorial Bank had not seemed to him a sufficiently advantageous investment for the money of his mistress. Now, I ask you, was that honest?

For that matter, the notion of honesty is lost so easily as hardly to be believed. When I reflect that I, Pa.s.sajon, with my white hair, my venerable appearance, my so blameless past--thirty years of academical services--am grown accustomed to living like a fish in the water, in the midst of these infamies, this swindling! One might well ask what I am doing here, why I remain, how I am come to this.

How I am come to it? Oh, _mon Dieu!_ very simply. Four years ago, my wife being dead, my children married, I had just retired from my post as hall-porter at the college, when an advertis.e.m.e.nt in the newspaper chanced to meet my eye: "Wanted, an office-porter, middle-aged, at the Territorial Bank, 56, Boulevard Malesherbes. Good references." Let me confess it at the outset. The modern Babylon had always attracted me.

Then, too, I felt myself still a young man. I saw before me ten good years during which I might earn a little money, a great deal, perhaps, by means of investing my savings in the banking-house which I should enter. So I wrote, inclosing my photograph, the one taken at Crespon's, in the Market Place, which represents me with chin closely shaven, a keen eye beneath my thick white eyebrows, my steel chain about my neck, my ribbon as an academy official, "the air of a conscript father upon his curule-chair," as M. Chalmette, our dean used to say. (He insisted also that I much resembled the late King Louis XVIII; less strongly, however.) I supplied, further, the best of references; the most flattering recommendations from the gentlemen of the college. By return of post, the governor replied that my appearance pleased him--I believe it, _parbleu!_ an antechamber in the charge of a person with a striking face like mine is a bait for the shareholder--and that I might come when I liked. I ought, you may say to me, myself also to have made my inquiries. Eh! no doubt. But I had to give so much information about myself that it never occurred to me to ask for any about them. Besides, how could a man be suspicious, seeing this admirable installation, these lofty ceilings, these great safes, as big as cupboards, and these mirrors, in which you can see yourself from head to knee? And then those sonorous prospectuses, those millions that I seemed to hear flying through the air, those colossal enterprises with their fabulous profits.

I was dazzled, fascinated. It must be mentioned, too, that at the time the house did not bear quite the aspect which it has to-day. Certainly, business was already going badly--our business always has gone badly--the paper appeared only at irregular intervals. But a little _combin.a.z.ione_ of the governor's enabled him to save appearances.

He had conceived the idea, just imagine, of opening a patriotic subscription for the purpose of erecting a statue to General Paolo Paoli, or some such name; in any case, to a great countryman of his own.

Money flowed accordingly into the Territorial. Unfortunately, that state of things did not last. By the end of a couple of months the statue was eaten up before it had been made, and the series of protests and writs recommenced. Nowadays I am accustomed to them. But in the days when I had just come from the country, the Auvergnats at the door, caused me a painful impression. In the house, n.o.body paid attention to such things any longer. It was known that at the last moment there would always arrive a Monpavon, a Bois l'Hery, to pacify the bailiffs; for all those gentlemen, being deeply implicated in the concern, have an interest in avoiding a bankruptcy. That is the very circ.u.mstance which saves him, our wily governor. The others run after their money--we know the meaning which that expression has in gaming--and they would not like all the stock on their hands to become worthless save to sell for waste paper.

Small and great, that is the case of all of us who are connected with the firm. From the landlord, to whom two years' rent is owing and who, for fear of losing it all, allows us to stay for nothing, to us poor employees, even to me, who am involved to the extent of my seven thousand francs of savings and my four years of arrears, we are running after our money. That is the reason why I remain obstinately here.

Doubtless, in spite of my advanced age, thanks to my good appearance, to my education, to the care which I have always taken of my clothes, I might have obtained some post under other management. There is one person of excellent repute known to me, M. Joyeuse, a bookkeeper in the firm of Hemerlingue & Son, the great bankers of the Rue Saint-Honore, who, every time he meets me, never fails to remark:

"Pa.s.sajon, my friend, don't stop in that den of brigands. You are wrong to persist in remaining. You will never get a halfpenny out of them. So come to Hemerlingue's. I undertake to find some little corner for you there. You will earn less, but you will be paid much more."

I feel that he is quite right, that worthy fellow. But the thing is stronger than I. I cannot make up my mind to leave. And yet it is by no means gay, the life I lead here in these great, cold rooms, where no one ever comes, where each man stows himself away in a corner without speaking. What will you have? Each knows the other too well. Everything has been said already.

Again, until last year, we used to have sittings of the board of inspection, meetings of shareholders, stormy and noisy a.s.semblies, veritable battles of savages, from which the cries could be heard to the Madeleine. Several times a week also there would call subscribers indignant at no longer ever receiving any news of their money. It was on such occasions that our governor shone. I have seen these people, monsieur, go into his office furious as wolves thirsting for blood, and, after a quarter of an hour, come out milder than sheep, satisfied, rea.s.sured, and their pockets relieved of a few bank-notes. For, there lay the acme of his cleverness; in the extraction of money from the unlucky people who came to demand it. Nowadays the shareholders of the Territorial Bank no longer give any sign of existence. I think they are all dead or else resigned to the situation. The board never meets.

The sittings only take place on paper; it is I who am charged with the preparation of a so-called report--always the same--which I copy out afresh each quarter. We should never see a living soul, if, at long intervals, there did not rise from the depths of Corsica some subscribers to the statue of Paoli, curious to know how the monument is progressing; or, it may be, some worthy reader of _Financial Truth_, which died over two years ago, who calls to renew his subscription with a timid air, and begs a little more regularity, if possible, in the forwarding of the paper. There is a faith that nothing shakes. So, when one of these innocents falls among our hungry band, it is something terrible. He is surrounded, hemmed in, an attempt is made to secure his name for one of our lists, and, in case of resistance, if he wishes to subscribe neither to the Paoli monument nor to Corsican railways, these gentlemen deal him what they call--my pen blushes to write it--what they call, I say, "the drayman thrust."

Here is what it is: We always keep at the office a parcel prepared in advance, a well-corded case which arrives nominally from the railway station while the visitor is present. "There are twenty francs carriage to pay," says the one among us who brings the thing in. (Twenty francs, sometimes thirty, according to the appearance of the patient.) Every one then begins to ransack his pockets: "Twenty francs carriage! but I haven't got it." "Nor I either. What a nuisance!" Some one runs to the cash-till. Closed. The cashier is summoned. He is out. And the gruff voice of the drayman, growing impatient in the antechamber: "Come, come, make haste." (It is generally I who play the drayman, because of the strength of my vocal organs.) What is to be done now? Return the parcel?

That will vex the governor. "Gentlemen, I beg, will you permit me,"

ventures the innocent victim, opening his purse. "Ah, monsieur, indeed--" He hands over his twenty francs, he is ushered to the door, and, as soon as his heel is turned, we all divide the fruit of the crime, laughing like highway robbers.

Fie! M. Pa.s.sajon. At your age, such a trade! Eh! _mon Dieu!_ I well know it. I know that I should do myself more honour in quitting this evil place. But what! You would have me then renounce the hope of getting back anything of all I have put in here. No, it is not possible. There is urgent need on the contrary that I should remain, that I should be on the watch, always at hand, ready to profit by any windfall, if one should come. Oh, for example, I swear it upon my ribbon, upon my thirty years of academical service, if ever an affair like this of the Nabob allow me to recover my disburs.e.m.e.nts, I shall not wait another single minute. I shall quickly be off to look after my pretty vineyard down yonder, near Monbars, cured forever of my thoughts of speculation. But, alas! that is a very chimerical hope. Exhausted, used up, known as we are upon the Paris market, with our stocks which are no longer quoted on the Bourse, our bonds which are near being waste paper, so many lies, so many debts, and the hole that grows ever deeper and deeper. (We owe at this moment three million five hundred thousand francs. It is not, however, those three millions that worry us. On the contrary, it is they that keep us going; but we have with the _concierge_ a little bill of a hundred and twenty-five francs for postage-stamps, a month's gas bill, and other little things. That is the really terrible part of it.) and we are expected to believe that a man, a great financier like this Nabob, even though he were just arrived from the Congo, or dropped from the moon the same day, would be fool enough to put his money into a concern like this. Come! Is the thing possible? You may tell that story to the marines, my dear governor.

A DEBUT IN SOCIETY

"M. BERNARD JANSOULET!"

The plebeian name, accentuated proudly by the liveried servants, and announced in a resounding voice, sounded in Jenkins's drawing-rooms like the clash of a cymbal, one of those gongs which, in fairy pieces at the theatre, are the prelude to fantastic apparitions. The light of the chandeliers paled, every eye sparkled at the dazzling perspective of the treasures of the Orient, of the showers of the sequins and of pearls evoked by the magic syllables of that name, yesterday unknown.

He, it was he himself, the Nabob, the rich among the rich, the great Parisian curiosity, spiced by that relish of adventure which is so pleasing to the surfeited crowd. All heads turned, all conversations were interrupted; near the door there was a pushing among the guests, a crush as upon the quay of a seaport to witness the entry of a felucca laden with gold.

Jenkins himself, so hospitable, so self-possessed, who was standing in the first drawing-room receiving his guests, abruptly quitted the group of men about him and hurried to place himself at the head of the galleons bearing down upon the guest.

"You are a thousand times, a thousand times kind. Mme. Jenkins will be so glad, so proud.--Come, let me conduct you!"

And in his haste, in his vainglorious delight, he bore Jansoulet off so quickly that the latter had no time to present his companion, Paul de Gery, to whom he was giving his first entry into society. The young man welcomed this forgetfulness. He slipped away among the crowd of black dress-coats constantly pressed back at each new arrival, buried himself in it, seized by that wild terror which is experienced by every young man from the country at his first introduction to a Paris drawing-room, especially when he is intelligent and refined, and beneath his breastplate of linen does not wear like a coat of mail the imperturbable a.s.surance of a boor.

All you, Parisians of Paris, who from the age of sixteen, in your first dress-coat and with opera-hat against your thigh, have been wont to air your adolescence at receptions of all kinds, you know nothing of that anguish, compounded of vanity, of timidity, of recollections of romantic readings, which keeps a young man from opening his mouth and so makes him awkward and for a whole night pins him down to one spot in a doorway, and converts him into a piece of furniture in a recess, a poor, wandering and wretched being, incapable of manifesting his existence save by an occasional change of place, dying of thirst rather than approach the buffet, and going away without having uttered a word, unless perhaps to stammer out one of those incoherent pieces of foolishness which he remembers for months, and which make him, at night, as he thinks of them, heave an "Ah!" of raging shame, with head buried in the pillow.

Paul de Gery was that martyr. Away yonder in his country home he had always lived a very retired existence with an old, pious, and gloomy aunt, up to the time when the law-student, destined in the first instance to the career in which his father had left an excellent reputation, had found himself introduced to a few judges' drawing-rooms, ancient, melancholy dwellings with faded pier-gla.s.ses, where he used to go to make a fourth at whist with venerable shadows. Jenkins's evening party was therefore a _debut_ for this provincial, of whom his very ignorance and his southern adaptability made immediately an observer.

From the place where he stood, he watched the curious defile of Jenkins's guests which had not yet come to an end at midnight; all the clients of the fashionable physician; the fine flower of society; a strong political and financial element, bankers, deputies, a few artists, all the jaded people of Parisian "high life," wan-faced, with glittering eyes, saturated with a.r.s.enic like greedy mice, but with appet.i.te insatiable for poison and for life. The drawing-room being thrown open, the vast antechamber of which the doors had been removed to be seen, laden with flowers at the sides, the princ.i.p.al staircase of the mansion, over which swept, now shaken out to their full extent, the long trains, whose silky weight seemed to give a backward pull to the undraped busts of the women in the course of that pretty ascending movement which brought them into view, little by little, till the complete flower of their splendour was reached. The couples as they gained the top seemed to be making an entry on the stage of a theatre; and that was twice true, since each person left on the last step the contracted eyebrows, the lines that marked preoccupation, the wearied air, his vexations, his sorrows, to display instead a contented face, a gay smile over the reposeful harmony of the features. The men exchanged honest shakes of the hand, exhibitions of fraternal good-feeling; the women, preoccupied with themselves, as they stood making little caracoling movements, with trembling graces, play of eyes and shoulders, murmured, without meaning anything, a few words of greeting:

"Thank you--oh, thank you! How kind you are!"

Then the couples would separate, for evening parties are no longer the gatherings of charming wits, in which feminine delicacy was wont to compel the character, the lofty knowledge, the genius, even, of men to bow graciously before it; but these overcrowded routs, in which the women, who alone are seated, chattering together like slaves in a harem, have no longer aught save the pleasure of being beautiful or appearing so. De Gery, after having wandered through the doctor's library, the conservatory, the billiard-room, where men were smoking, weary of serious and dry conversation which seemed to him out of place amid surroundings so decorated and in the brief hour of pleasure--some one had asked him carelessly, without looking at him, what the Bourse was doing that day--made his way again towards the door of the large drawing-room, which was barricaded by a wedged crowd of dress-coats, a sea of heads bent sideways and peering past each other, watching.

This salon was a s.p.a.cious apartment richly furnished with the artistic taste which distinguished the host and hostess. There were a few old pictures on the light background of the hangings. A monumental chimneypiece, adorned by a handsome group in marble--"The Seasons," by Sebastien Ruys--around which long green stems cut in lacework or of a goffered bronze-like rigidity curved back towards the mirror as towards the limpidity of a clear lake. On the low seats, women in close groups, so close as almost to blend the delicate colours of their toilettes, forming an immense basket of living flowers, above which there floated the gleam of bare shoulders, of hair sown with diamonds that looked like drops of water on the dark women, glittering reflections on the fair, and the same heady perfume, the same confused and gentle hum, compact of vibrant warmth and intangible wings, which, in summer, caresses a garden-bed through all its flowering time. Now and then a little laugh, rising into this luminous atmosphere, a quicker inspiration in the air, which would cause aigrettes and curls to tremble, a handsome profile to stand out suddenly. Such was the aspect of the drawing-room.

A few men were present, a very small number, however, and all of them personages of note, laden with years and decorations. They were standing about near couches, leaning over the backs of chairs, with that air of condescension which men a.s.sume when speaking to children. But in the peaceful buzz of these conversations, one voice rang out piercing and brazen, that of the Nabob, who was tranquilly performing his evolutions across this social hothouse with the a.s.surance bestowed upon him by his immense wealth, and a certain contempt for women which he had brought back from the East.

At that moment, comfortably installed on a settee, his big hands in yellow gloves crossed carelessly one over the other, he was talking with a very handsome woman, whose original physiognomy--much vitality coupled with severe features--stood out pale among the pretty faces about her, just as her dress, all white, cla.s.sic in its folds and following closely the lines of her supple figure, contrasted with toilettes that were richer, but among which none had that air of daring simplicity. From his corner, de Gery admired the low and smooth forehead beneath its fringe of downward combed hair, the well-opened eyes, deep blue in colour, an abysmal blue, the mouth which ceased to smile only to relax its pure curve into an expression that was weary and drooping. In sum, the rather haughty mien of an exceptional being.

Somebody near him mentioned her name--Felicia Ruys. At once he understood the rare attraction of this young girl, the continuer of her father's genius, whose budding celebrity had penetrated even to the remote country district where he had lived, with the aureole of reputed beauty. While he stood gazing at her, admiring her least gestures, a little perplexed by the enigma of her handsome countenance, he heard whispers behind him.

"But see how pleasant she is with the Nabob! If the duke were to come in!"

"The Duc de Mora is coming?"

"Certainly. It is for him that the party is given; to bring about a meeting between him and Jansoulet."

"And you think that the duke and Mlle. Ruys----"

"Where have you come from? It is an intrigue known to all Paris. The affair dates from the last exhibition, for which she did a bust of him."

"And the d.u.c.h.ess?"

"Bah! it is not her first experience of that sort. Ah! there is Mme.

Jenkins going to sing."

There was a movement in the drawing-room, a more violent swaying of the crowd near the door, and conversation ceased for a moment. Paul de Gery breathed. What he had just heard had oppressed his heart. He felt himself reached, soiled, by this mud flung in handfuls over the ideal which in his own mind he had formed of that splendid adolescence, matured by the sun of Art to so penetrating a charm. He moved away a little, changed his place. He feared to hear again some whispered infamy. Mme. Jenkins's voice did him good, a voice that was famous in the drawing-rooms of Paris and that in spite of all its magnificence had nothing theatrical about it, but seemed an emotional utterance vibrating over unstudied sonorities. The singer, a woman of forty or forty-five, had splendid ash-blond hair, delicate, rather nerveless features, a striking expression of kindness. Still good-looking, she was dressed in the costly taste of a woman who has not given up the thought of pleasing. Indeed, she was far from having given it up. Married a dozen years ago, for a second time, to the doctor, they seemed still to be at the first months of their dual happiness. While she sang a popular Russian melody, savage and sweet like the smile of a Slav, Jenkins was ingenuously proud, without seeking to dissimulate the fact, his broad face all beaming; and she, each time that she bent her head as she regained her breath, glanced in his direction a timid, affectionate smile that flew to seek him over the unfolded music. And then, when she had finished amid an admiring and delighted murmur, it was touching to notice how discreetly she gave her husband's hand a secret squeeze, as though to secure to themselves a corner of private bliss in the midst of her great triumph. Young de Gery was feeling cheered by the spectacle of this happy couple, when quite close to him a voice murmured--it was not, however, the same voice that he had heard just before:

"You know what they say--that the Jenkinses are not married."

"How absurd!"

"I a.s.sure you. It would seem that there is a veritable Mme. Jenkins somewhere, but not the lady we know. Besides, have you noticed----"

The dialogue continued in an undertone. Mme. Jenkins advanced, bowing, smiling, while the doctor, stopping a tray that was being borne round, brought her a gla.s.s of claret with the alacrity of a mother, an impresario, a lover. Calumny, calumny, ineffaceable defilement! To the provincial young man, Jenkins's attentions now seemed exaggerated.

He fancied that there was something affected about them, something deliberate, and, too, in the words of thanks which she addressed in a low voice to her husband he thought he could detect a timidity, a submissiveness, not consonant with the dignity of the legitimate spouse, glad and proud in an a.s.sured happiness. "But Society is a hideous affair!" said de Gery to himself, dismayed and with cold hands. The smiles around him had upon him the effect of hypocritical grimaces.

He felt shame and disgust. Then suddenly revolting: "Come, it is not possible." And, as though in reply to this exclamation, behind him the scandalous tongue resumed in an easy tone: "After all, you know, I cannot vouch for its truth. I am only repeating what I have heard. But look! Baroness Hemerlingue. He gets all Paris, this Jenkins."