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The Nabob Part 40

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It was about five o'clock. At that moment Bernard Jansoulet was crossing the doorway of the legislative chamber, his mother on his arm; but poignant as was the drama enacted there, this one surpa.s.sed it--more sudden, unforeseen, and without any stage effects. A drama between four walls, improvised in Paris day by day. Perhaps it is this which gives that vibration to the air of the city, that tremor which forces the nerves into activity. The weather was magnificent. The streets of the wealthy quarter, large and straight as avenues, shone in the declining light, embellished with open windows, flowery balconies, and patches of green seen on the boulevards, light and soft among the narrow, hard prospects of stone. Mme. Jenkins hurried in this direction, walking aimlessly, in a dull stupor. What a horrible crash! Five minutes ago rich, surrounded by all the respect and comfort of easy circ.u.mstances.

Now--nothing. Not even a roof to sleep under, not even a name. The street!

Where was she to go? What would become of her?

At first she had thought of her son. But, to acknowledge her fault, to blush before her own child, to weep while taking from him the right to console her, was more than she could do. No, there was nothing for her but death. To die as soon as possible, to escape shame by a complete disappearance, to unravel in this way an inextricable situation. But where to die! How? There are so many ways of departure! And she called them all up mentally while she walked. Life flowed around her, its luxury at this time of the year in full flower, round the Madeleine and its market, in a s.p.a.ce marked off by the perfume of carnations and roses. On the wide footpath were well-dressed women whose skirts mingled their rustle with the trembling of the young leaves; there was some of the pleasure here of a meeting in a drawing-room, an air of acquaintance among the pa.s.sers-by, of smiles and discreet greetings in pa.s.sing. And all at once Mme. Jenkins, anxious lest her features might betray her, fearing what might be thought if any one saw her rushing on so blindly, slackened her pace to the aimless gait of an afternoon walk, stopping here and there. The light materials of the dresses spoke of summer, of the country; a thin skirt for the sandy paths of the parks, gauze-trimmed hats for the seaside, fans, sunshades. Her fixed eyes fastened on these trifles without seeing them; but in a vague and pale reflection in the clear windows she saw her image, lying motionless on the bed of some hotel, the leaden sleep of a poison in her head; or, down there, beyond the walls, among the slime of some sunken boat. Which of the two was better?

She hesitated, considered, compared; then, her decision made, started off with the resolved air of a woman tearing herself regretfully from the temptations of the window. As she moved away, the Marquis de Monpavon, proud and well-dressed, a flower in his coat, saluted her at a distance with that sweep of the hat so dear to women's vanity, the well-bred brow, with the hat lifted high above the erect head. She answered him with her pretty Parisian's greeting, expressed in an imperceptible inclination of the body and a smile; and seeing this exchange of politeness in the midst of the spring gaiety, one would never think that the same sinister idea was guiding the two, meeting by chance on the road they were traversing in opposite directions, but to the same end.

The prediction of Mora's valet had come true for the marquis: "We may die or lose power; then there will be a reckoning, and it will be terrible." It was terrible. The former receiver-general had obtained with difficulty a delay of a fortnight to make up his deficiencies, taking the last chance that Jansoulet, with his election confirmed, and with full control over his millions again, would come to the rescue once more. The decision of the a.s.sembly had just taken from him this last hope. As soon as he knew it, he returned to the club calmly, and went up to his room, where Francis was waiting impatiently for him with an important paper just arrived. It was a notification to the Sieur Louis-Marie-Agenor de Monpavon to appear the next day in the office of the Juge d'Instruction. Was it addressed to the censor of the Territorial Bank or to the former receiver-general? In any case, the bold formula of a judicial a.s.signation in the first instance, instead of a private invitation, spoke sufficiently of the gravity of the situation and the firm resolution of Justice.

In view of such an extremity, foreseen and expected for long, he had made his plans. A Monpavon in the criminal courts!--a Monpavon, librarian in a convict prison! Never! He put all his affairs in order, tore up his papers, emptied his pockets carefully, and took something from his toilet-table, so calmly and naturally, that when he said to Francis, as he was going out, "Am going to the baths--That dirty Chamber--Filthy dust"--the servant took him at his word. And the marquis was not lying. His exciting post up there in the dust of the tribune had tired him as much as two nights in the train; and his decision to die a.s.sociated itself with his desire to take a bath, the old Sybarite thought of going to sleep in the bath, like what's his name, and other famous personages of antiquity. And in justice, it must be said that not one of these Stoics went to his death more quietly than he.

With a white camellia in his b.u.t.tonhole, above his rosette of the Legion of Honour, he was going up the Boulevard des Capucines with a light step, when the sight of Mme. Jenkins troubled his serenity for a moment.

She had a youthful air, a light in her eyes, something so piquant that he stopped to look at her. Tall and beautiful, with her long dress of black gauze, her shoulders wrapped in a lace mantle, her hat trimmed with a garland of autumn leaves, she disappeared in the midst of other elegant women in the balmy atmosphere; and the thought that his eyes were going to close forever on this delightful sight, whose pleasures he knew so well, saddened Monpavon a little, and took the spring from his step. But a few paces farther on, a meeting of another kind gave him back all his courage.

Some one, threadbare, shamefaced, dazzled by the light, was coming down the Boulevard. It was old Marestang, former senator, former minister, so deeply compromised in the affairs of the "Malta Biscuits," that, in spite of his age, his services, and the great scandal of such a proceeding, he had been condemned to two years of prison, struck off the roll of the Legion of Honour, of which he had been one of the dignitaries. The affair was long ago; the poor wretch had just been let out of prison before his sentence had expired, lost, ruined, not having even the means to gild his trouble, for he had had to pay what he owed.

Standing on the curb, he was waiting with bent head till the crowds of carriages should allow him to pa.s.s, embarra.s.sed by this stoppage at the fullest spot of the boulevards between the pa.s.sers-by and the sea of open carriages filled with familiar figures. Monpavon walking near him, caught his timid, uneasy look, imploring a recognition and hiding from it at the same time. The idea that one day he could humiliate himself thus, gave him a shudder of revolt. "Oh! that is not possible!" And straightening himself up and throwing out his chest, he kept on his way, firmer and more resolute than before.

M. de Monpavon walks to his death! He goes there by the long line of the boulevards, all on fire in the direction of the Madeleine, where he treads the elastic asphalt once more as a lounger, nose in the air, hands crossed behind. He has time; there is no hurry; he is master of the rendezvous. At each instant he smiles before him, waves a greeting from the ends of his fingers or makes the more formal bow we have just seen. Everything revives him, charms him, the noise of the watering-carts, the awnings of the _cafes_, pulled down to the middle of the foot-paths. The approach of death gives him the feelings of a convalescent accessible to all the delicacy, the hidden poesy of an exquisite hour of summer in the midst of Parisian life--of an exquisite hour--his last, and which he will prolong till night. No doubt it is for that reason that he pa.s.ses the sumptuous establishment where he ordinarily takes his bath. He does not stop either at the Chinese Baths.

He is too well known here. All Paris would know of it the same evening.

There would be a scandal of bad taste, much coa.r.s.e rumour about his death in the clubs and drawing-rooms. And the old sensualist, the well-bred man, wishes to spare himself this shame, to plunge and be swallowed up in the vague anonymity of suicide, like those soldiers who, after great battles, neither wounded, dead, or living, are simply put down as "missing." That is why he has nothing on him which can be recognised, or furnish a hint to the inquiries of the police, why he seeks in this immense Paris the distant quarter where will open for him the terrible but oblivious confusion of the pauper's grave. Already, since Monpavon has been walking, the aspect of the boulevard has changed. The crowd has become more compact, more active, and preoccupied, the houses smaller, marked with signs of commerce. When the gates of Saint-Denis and Saint-Martin are pa.s.sed, with their overflow from the faubourgs, the provincial physiognomy of the town accentuates itself. The old beau no longer knows any one, and can congratulate himself on being unknown.

The shopkeepers looking curiously after him, with his fine linen, his well-cut coat, and good figure, take him for some famous actor strolling on the boulevard--witness of his first triumphs--before the play begins.

The wind freshens, the twilight softens the distances, and while the long road behind him still glitters, it grows darker now at every step--like the past, with its retrospections to him who looks back and regrets. It seems to Monpavon that he is walking into blackness. He shivers a little, but does not falter, and continues to walk with erect head and chest thrown out.

M. de Monpavon walks to his death! Now he is entering the complicated labyrinth of noisy streets, where the clatter of the omnibus mingles with the thousand humming trades of the working city, where the heat of the factory chimneys loses itself in the fever of a whole people struggling against hunger. The air trembles, the gutters steam, the houses shake at the pa.s.sing of the wagons, of the heavy drays rumbling round the narrow streets. On a sudden the marquis stops; he has found what he wanted. Between the black shop of a charcoal-seller and the establishment of a packing-case maker, whose pine boards leaning on the walls give him a little shiver, there is a wide door, surmounted by its sign, the word BATHS on a dirty lantern. He enters, crosses a little damp garden where a jet of water weeps in a rockery. Here is the gloomy corner he was looking for. Who would ever believe that the Marquis de Monpavon had come there to cut his throat? The house is at the end, low, with green blinds and a gla.s.s door, with a sham air of a villa. He asks for a bath, and while it is being prepared he smokes his cigar at the window, with the noise of the water behind him, looks at the flower-bed of spa.r.s.e lilac, and the high walls which inclose it.

At the side there is a great yard, the court-yard of a fire station, with a gymnasium, whose masts and swings, vaguely seen from below, look like gibbets. A bugle-call sounds in the yard, and its call takes the marquis thirty years back, reminds him of his campaigns in Algeria, the high ramparts of Constantine, the arrival of Mora at the regiment, and the duels, and the little parties. Ah! how well life began then! What a pity that those cursed cards--ps--ps--ps--Well, it's something to have saved appearances.

"Your bath is ready, sir," said the attendant.

At that moment, breathless and pale, Mme. Jenkins was entering Andre's studio, where an instinct stronger than her will had brought her--the wish to embrace her child before she died. When she opened the door (he had given her a key) she was relieved to find that he was not there, and that she would have time to calm her excitement, increased as it was by the long walk to which she was so little accustomed. No one was there.

But on the table was the little note which he always left when he went out, so that his mother, whose visits were becoming shorter and less frequent on account of the tyranny of Jenkins, could tell where he was, and wait for him or rejoin him easily. The two had not ceased to love each other deeply, tenderly, in spite of the cruelty of life which forced into the relations of mother and son the clandestine precautions of an intrigue.

"I am at my rehearsal," said the note to-day, "I shall be back at seven."

This attention of the son, whom she had not seen for three weeks, yet who persisted in expecting her all the same, brought to the mother's eyes the flood of tears which was suffocating her. She felt as if she had just entered a new world. This little room was so pure, so quiet, so elevated. It kept the last rays of the setting sun on its windows, and seemed, with its bare walls, hewn from a corner of the sky. It was adorned only with one great portrait, hers, nothing but hers, smiling in the place of honour, and again, down there, on the table in a gilt frame. This humble little lodging, so light when all Paris was becoming dark, made an extraordinary impression on her, in spite of the poverty of its spa.r.s.e furniture, scattered in two rooms, its common chintz, and its chimney garnished with two great bunches of hyacinths--those flowers which are hawked round the streets in barrowsful. What a good and worthy life she could have led by the side of her Andre! And in her mind's eye she had arranged her bed in one corner, her piano in another, she saw herself giving lessons, and caring for the home to which she was adding her share of ease and courageous gaiety. How was it that she had not seen that her duty, the pride of her widowhood, was there? By what blindness, what unworthy weakness?

It was a great fault, no doubt, but one for which many excuses might be found in her easy and tender disposition, and the clever knavery of her accomplice, always talking of marriage, hiding from her that he himself was no longer free, and when at last obliged to confess it, painting such a picture of his dull life, of his despair, of his love, that the poor creature, so deeply compromised already, and incapable of one of those heroic efforts which raise the sufferer above the false situations, had given way at last, had accepted this double existence, so brilliant and so miserable, built on a lie which had lasted ten years. Ten years of intoxicating success and unspeakable unhappiness--ten years of singing, with the fear of exposure between each verse--where the least remark on irregular unions wounded her like an allusion--where the expression of her face had softened to the air of mild humility, of a guilty woman begging for pardon. Then the certainty that she would be deserted had come to spoil even these borrowed joys, had tarnished her luxury; and what misery, what sufferings borne in silence, what incessant humiliations, even to this last, the most terrible of all!

While she is thus sadly reviewing her life in the cool of the evening and the calm of the deserted house, a gust of happy laughter rose from the rooms beneath; and recalling the confidences of Andre, his last letter telling the great news, she tried to distinguish among all these fresh and limpid voices that of her daughter Elise, her son's betrothed, whom she did not know, whom she would never know. This reflection added to the misery of her last moments, and loaded them with so much remorse and regret that, in spite of her will to be brave, she wept.

Night comes on little by little. Large shadows cover the sloping windows, where the immense depth of the sky seems to lose its colour, and to deepen into obscurity. The roofs seem to draw close together for the night, like soldiers preparing for the attack. The bells count the hours gravely, while the martins fly round their hidden nests, and the wind makes its accustomed invasion of the rubbish of the old wood-yard.

To-night it sighs with the sound of the river, a shiver of the fog; it sighs of the river, to remind the unfortunate woman that it is there she must go. She shivers beforehand in her lace mantle. Why did she come here to reawaken her desire for a life impossible after the avowal she was forced to make? Hasty steps shake the staircase; the door opens precipitately; it is Andre. He is singing, happy, in a great hurry, for they are waiting dinner for him below. But, as he is striking the match, he feels that someone is in the room--a moving shadow among the shadows at rest.

"Who is there?"

Something answers him like a stifled laugh or a sob. He believes that it is one of his little neighbours, a plot of the children to amuse themselves. He draws near. Two hands, two arms, seize and surround him.

"It is I."

And with a feverish voice, hurrying as if to a.s.sure herself, she tells him that she is setting out on a long journey, and that before going--

"A journey! And where are you going?"

"Oh, I do not know. We are going over there, a long way, on business in his own part of the world."

"What! You will not be here for my play? It is in three days. And then, immediately after, my marriage. Come now, he cannot hinder you from coming to my marriage?"

She makes excuses, imagines reasons, but her hands burning between her son's, and her altered voice, tell Andre that she is not speaking the truth. He is going to strike a light; she prevents him.

"No, no; it is useless. We are better without it. Besides, I have so much to get ready still. I must go away."

They are both standing up, ready for the separation, but Andre will not let her go without telling him what is the matter, what tragic care is hollowing that fair face where the eyes--was it an effect of the dusk?--shone with a strange light.

"Nothing; no, nothing, I a.s.sure you. Only the idea of not being able to take part in your happiness, your triumph. At any rate, you know I love you; you don't mistrust your mother, do you? I have never been a day without thinking of you: do the same--keep me in your heart. And now kiss me and let me go quickly. I have waited too long."

Another minute and she would have the strength for what she had to do.

She darts forward.

"No, you shall not go. I feel that something extraordinary is happening in your life which you do not want to tell. You are in some great trouble, I am sure. This man has done some infamous thing."

"No, no. Let me go! Let me go!"

But he held her fast.

"Tell me, what is it? Tell me."

Then, whispering in her ear, with a voice tender and low as a kiss:

"He has left you, hasn't he?"

The wretched woman shivers, hesitates.

"Ask me nothing. I will say nothing. Adieu!"

He pressed her to his heart:

"What could you tell me that I do not know already, poor mother? You did not guess, then, why I left six months ago?"

"You know?"

"I know everything. And what has happened to you to-day I have foreseen for long, and hoped for."

"Oh, wretch, wretch that I am, why did I come?"

"Because it is your home, because you owe me ten years of my mother. You see now that I must keep you."

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The Nabob Part 40 summary

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