The Mystic Arts Of Erasing All Signs Of Death Part 41

-Yeah.

-Time to grow up, man. Yeah?

-Yeah. I seem to be hearing that from a lot of people lately.

-Could be there's a reason for that.

-Yeah.

-OK. Well, one way or another, we'll deal with the van. After the little errand you and Gabe did last night, I don't think I'll be talking Morton into returning it, but it was insured. In the end, it'll cost me some ha.s.sle and a little higher premium. And better to bring the s.h.i.t with Morton to a head now than later. Not that any of that is meant to make you feel better, but that's about how it sizes up. That it? Got it all off your chest?

I looked around me, saw the horizon, the place where the ocean spilled over the sharp edge of a flat world, the sucking drain that flood would draw me into if I didn't get turned about soon.

And I cranked the wheel hard over.

-It's not just that I left the office. I left the office and got into some stupid s.h.i.t. And that's why the van was stolen. Morton didn't steal it. Some other guys did. Some really dangerous guys. They have it.

No pause this time.

-Motherf.u.c.ker!

-They have it and they have something else.

-Motherf.u.c.ker!

-They have the girl.

-Motherf.u.c.ker what?

-Po Sin, they have Soledad. And I want to help her. And.

-Motherf.u.c.ker.

-And I need your help.

Which, when you think about it, wasn't the kind of request you'd expect would make him pause again, as opposed to continuing to say his favorite word when called upon to express how near he was to a stroke.

But it did.

And we had a conversation. And I promised to call again soon. And then I made another call, this one yet more pleasant. If you can imagine bliss.

-Hi, is Soledad there?

-What?

-Can I talk to Soledad, please?

-Who is this?

-It's the guy you sent to get your almonds.

-The what? Oh, right. Hey Harris, it's the guy.

The phone on the other end was fumbled around.

-You got my can?

A tricky question given the circ.u.mstances, but I was prepared.

-We're ready to make the swap.

-Who's we we?

-Me and Jaime.

-That jacka.s.s? Didn't say a word about that jacka.s.s bein' involved.

-No, you didn't, but you did tell me to get you your can and your almonds, and seeing as I had no clue what you were talking about, I thought it best I involve someone with some expertise on the subject.

-Hn. Funny.

I watched Jaime through the smeared window gla.s.s of Jim's, as his Mortal Kombat fighter pulled out the spine of its opponent.

-What's funny?

-Funny you didn't mouth off like that when you were in the same room with me.

-Well, I can explain that. See, you were in the same room with me, and you had a gun, that inspired me to pretty much keep my mouth shut. Now, in this case, I'm on a phone, so it's a slightly different situation and I'm feeling less inclined to worry about you shooting me if I say the wrong thing. Seeing as you can't and all.

-Hn. Yeah, mouthin' off. OK, well, you're right, can't do nothin' 'bout that over this phone. Not to you you anyway. If you can follow that without it bein' spelled for you. anyway. If you can follow that without it bein' spelled for you.

Having been a teacher, I didn't need it spelled for me.

-I understand.

-Good, 'cause without you here in person for me to take my aggression out on, I might need to settle for what's at hand.

-I said, I understand. I understand.

-Good. So, s'pose you want to talk to your girl.

-She's not really my girl.

-Not the picture she paints.

I stopped walking nervous circles around a garbage can.

-Really? Like, what did she say?

-You can ask when you get here with the almonds.

-You just said I could talk to my girl.

-No, I said, s'pose you'd like to talk with your girl. s'pose you'd like to talk with your girl. Way you do that is to get over here with my can. 'Sides, just said she's Way you do that is to get over here with my can. 'Sides, just said she's not not your girl. your girl.

-I know what I said.

-So, what's to talk with her?

-Just tell me where to go.

He told me and I let my jaw drop the appropriate amount.

-You're f.u.c.king kidding me.

-h.e.l.l would I be kidding you?

I scooped my jaw up.

-No reason. Anyway, it's not you, it's just G.o.d playing fun with me.

-Boy.

-Yeah.

-Don't go making jokes about G.o.d with me. I don't have that kind of humor.

-No. I didn't think you did.

-And tell that jacka.s.s Jaime, he don't come up with what he owes us for the room here and our meals, this whole thing's gonna go up in his face.

And he hung up.

I closed the phone, looked back through the window at Jaime, still pumping his fist with every ripped limb, and walked down to the edge of the parking lot and looked west up Anaheim.

I looked back inside Jim's to make sure Jaime was well stocked with quarters, and then walked a couple blocks along Anaheim to Flint and took a left at the used-truck lot; a dirt yard fenced with corrugated steel and barbwire, filled with big rigs. Less than a block down from there, past a row of turquoise stucco bungalows, I found the Harbor Inn. I walked down the alley that ran along the north side and looked at a back wall dotted with little bathroom windows. I continued down the alley that wrapped around the whole building. No doors other than the emergency exit at the back. The Harbor Inn, a long two-story corridor of rooms, windows on the outer walls. I looked at the rear southeast corner, on the ground floor. I looked down another alley that ran away to the east, a pa.s.sage of ridged cargo container steel, chopped from abandoned cans. I walked back to the street. Looked at the road-beaten rig with Yosemite Sam painted on the hood parked at the curb across the street between two campers. I nodded at the guy standing out front of the Inn with a Heineken in his one hand and a Tijuana Bible in the other.

The first thing I noticed about holding a gun for the first time in my life was that the d.a.m.n thing was heavy. The second thing was that shaking it and just kind of handling it didn't make any noise like it does in the movies and on TV where you'd swear guns must be full of little tiny moving parts that click and rattle all the time. A real gun only makes noise when you do something to it. Like work the slide or snap the safety off, or pull the trigger. The last thing I realized about a gun was that holding one felt seriously f.u.c.king cool and dangerous at the same time. I didn't like that feeling.

I found a b.u.t.ton on the side of the gun that was far enough from the trigger to make me feel reasonably secure nothing terrible would happen if I pushed it. I thumbed it in and the end of the clip popped out of the bottom of the grip. I pulled it free, finding more resistance than I expected, and set the gun on the seat. One by one I flicked the bullets from the clip and into the palm of my other hand. Having seen what they do to a body, I didn't much want to touch them, but I did. Once the clip was empty I dribbled the sh.e.l.ls into the breast pocket of my bowling shirt, and then slipped it back into the gun and pressed until I felt a firm click. I had the gun back in the glove box when I remembered something from one of L.L.'s screenplays. I took the gun out and looked at it. I made sure the little safety lever was firmly set to o o, and, taking care to aim the d.a.m.n thing out the open door of the Apache at the ground away from Jim's or the truck wash or Dreams, I pulled the slide back and watched the bullet Jaime had been stupid enough to keep chambered pop out and arc behind the seat and down into the hollow where Chev stored his tool bag.

-s.h.i.t.

I gentled the slide back into place and found that the hammer was c.o.c.ked. I placed my thumb over it, and, for what I swore would be the only time in my life, I pulled the trigger of a gun. Nothing happened, of course. I mean, there was a snap and the hammer came loose and I lowered it into place, but the gun didn't go off by some weird alignment of having a hidden bullet and my thumb not being strong enough to hold the hammer back or anything like that. But until I put the thing back in the glove box, I kept expecting it to fire of its own will and send a round ricocheting over the parking lot and through a window and into someone else's life.

But that didn't happen. Which was a huge relief.

Next I made a final call to Po Sin and told him what he needed to know. Beyond that information, there seemed to be little excuse for conversation. Especially seeing as he was clearly still contemplating bailing on the whole deal.

I thought it best not to think about what that could mean. And succeeded in doing so. Not thinking about bad things being a gift of mine.

Finally, I got out of the truck and walked to the storm drain in the middle of the lot and dropped the bullets down between the grates to splash into the dirty soapy runoff from the truck wash.

-What's up?

I looked up at Jaime as he came from the diner.

I shrugged.

-Just killing time.

I started back to the truck.

-We should get going.

-Fine by me. Where's my gun?

I got in and knocked on the glove box.

-In there. But for f.u.c.k sake don't shoot anyone with it.

He took the gun out. -Shoot anyone? -Shoot anyone? It's a gun. That's what it's for. I mean, what am I supposed to use with Harris to make him give Soledad back so I can get the f.u.c.king money you owe me? It's a gun. That's what it's for. I mean, what am I supposed to use with Harris to make him give Soledad back so I can get the f.u.c.king money you owe me?

-We don't need a gun, we have a plan.

-f.u.c.king plan? You never told me about a plan. A gun is better than a plan. A gun is a guarantee. What you -planning -planning to do when your to do when your -plan -plan doesn't work and you need something to persuade Harris to go along? doesn't work and you need something to persuade Harris to go along?

I took out the envelope with the shipping doc.u.ments.

-I thought we'd use these.

He grabbed the envelope from me and stuck it in my face.

-a.s.shole, they seized the terminal. The law has the almonds.

I had a sudden flashback to the cla.s.sroom. The effort it could take on some days to explain rudimentary principles of the English language to twelve-year-olds.

-Jaime, I know this is an abstract concept, but follow me here. Harris, he doesn't know he doesn't know the almonds were seized. the almonds were seized.

-Yeah, but.

-Jaime. He. Does. Not. Know. The. Almonds. Were. Seized.

He opened his mouth. Froze. Nodded.

-Yeeeaaah, man. He doesn't know. He doesn't know. Yeah, that's good. Hey a.s.shole, that's really f.u.c.king good. Great twist, man, great twist. Yeah, that's good. Hey a.s.shole, that's really f.u.c.king good. Great twist, man, great twist.

He slapped the envelope on his thigh.