The Moving Picture Girls Part 29

"Do you live there all alone?" asked Ruth, for the young farmer had been introduced to the members of the company.

"No, my father and mother are there with me. Father is Mr. Felix Apgar--maybe you've heard of him?" the young man asked the manager, innocently.

"No, I don't think so," and Mr. Pertell had hard work to repress a smile.

"Well, he used to ship a lot of asparagus to New York, but maybe that was before your day," went on Sandy. "Pop is too feeble to work now, so I'm running the farm for him. And it--it's sorter hard," he added, rather pathetically. "Especially when you ain't got any too much money. I come to New York to raise some," he went on, "but folks don't seem to want to part with any--especially on a second mortgage."

"Is that what you came for?" asked Mr. Pertell.

"Yep. I come to raise some money--we need it bad, out our way, but I couldn't do it."

"Suppose you tell me," suggested Mr. Pertell. "I may be able to help you."

"Say, Mister, I reckon you've got enough troubles of your own, without bothering with mine," said Sandy. "Besides, maybe Pop wouldn't like me to tell. No, I'll jest make another try somewhere else. But we sure do need cash!"

"What for?" asked the manager, impulsively.

"Oh, maybe pop wouldn't like me to say. Never mind. It was sure good of you to ask me for this ride. The folks at Beatonville won't believe me when I tell 'em. But say, if ever you folks come out there, we'll give you a right good time--at Oak Farm!" he added, generously.

"Is your farm a large one?" asked the manager.

"Hundred and sixty acres. Some woodland, some flat, a lot of it hilly and stony, and part with a big creek on it."

"Hum," mused Mr. Pertell. "That sounds interesting. I've been looking for a good farm to stage several rural dramas on, and your place may be just what I need."

"To buy?" asked Sandy, eagerly.

"Oh, no. But I might rent part of it for a time. I'll talk to you about it later. I've got to get some of these scenes going now," and the manager went to confer with Russ.

CHAPTER XXI

OVERHEARD

The trip down the bay on the yacht was enjoyed by all, even though much of the time was taken up in depicting scenes from the drama.

Sandy Apgar looked on curiously while the drama was being filmed, and when Ruth and Alice were not acting they talked to the young farmer.

They found him good-natured and rather simple, yet with a fund of homely wit and philosophy that stood him in good stead. He described Beatonville to them, and the farm where he and his aged parents tried to wrest a living from nature--that was none too kind.

"I've had quite a little vacation since I come to New York," Sandy said, "though it did take quite a bit of money. I reckon pop, though, will be disappointed that I can't bring back with me the promise of some cash."

"Then you need money very badly?" asked Alice.

"Yes, Miss. And I guess there ain't many farmers but what do.

Leastways, I never met any that was millionaires. Though if the folks back home could see me now they'd think I was one, sittin' here doin'

nothin'. It sure is great!"

The girls were called away to enact some of the scenes requiring their presence, and when they came back they found Sandy in conversation with the manager.

The girls saw Mr. Pertell give Sandy some bills, and when the young farmer protested, the manager said:

"Now never mind that!! You saved me more than that in stopping that runaway horse from spoiling my film and scene. You just take it, and when I get a chance I'll run up to your farm and look it over.

"I haven't got all my plans made yet, but I'm thinking of making a series of plays with an old-fashioned farm as a background. Is your place old-fashioned?" he asked.

"That's what some city folks said once, when they stopped in their automobile to get a gla.s.s of milk," replied Sandy. "We haven't any electric lights, nor even a telephone. So I guess we're old-fashioned, all right."

"I should say so," laughed Mr. Pertell. "Well, it may be the very thing I need when I go out on the rural circuit with my company. If it is, I could pay for the use of your farm, and it wouldn't interfere with your getting in the crops. In fact, I would probably want some scenes of harvesting, and the like."

"Well, come and we'll make you welcome," responded Sandy, warmly.

"Only I never expected to get paid for stopping a runaway horse," he added as he looked at the roll of bills.

"Well, take it and have a good time during the rest of your stay in New York," advised the manager.

"Money's too scarce to waste on a good time," replied the young farmer, cautiously. "I'll use this to make up what I spent on railroad fare. My trip was a failure, but pop and mom will be glad it didn't cost me as much as I calculated, thanks to you. I hope you will get out to Oak Farm."

"Oh, you'll probably see me," Mr. Pertell a.s.sured him. "Give me your address."

The making of the films went on, and the water scenes of this latest and most elaborate drama were nearly all taken.

"Now we will have the scene in the small boat, where the party puts off to visit friends on the other vessel," announced Mr. Pertell.

"They don't actually get there, as the alarm on board this vessel brings them back. But we'll have to show the start. Now, Mr. Sneed, you are to go in the small boat first."

Some of the sailors on board the yacht prepared to lower a boat from the davits, but Pepper Sneed held back.

"Do I have to get into that small boat?" he asked, dubiously.

"Certainly!" replied Mr. Pertell. "There is no danger."

"No danger!" cried Pepper Sneed. "What! In that small boat? Look at the waves!" and he pointed over the side. There was only a gentle swell on.

"It's as calm as a mill pond," spoke one of the sailors.

"Mill pond! Don't say mill pond to me!" cried the grouchy actor. "I fell in one once."

"Well, you won't fall now," declared the manager. "Get in the boat. I want to show it being lowered over the side with you in it."

"Well, if I have to--I'll have to, I suppose," groaned Mr. Sneed.

"But I know something will happen."

But matters seemed going smoothly enough. The sailors were carefully lowering the small craft, and it was nearly at the surface of the water. Russ, up in the bow of the yacht, where he could get a good view, was making the pictures.

Suddenly, when the boat was a few feet from the ripples on the bay, one of the ropes slipped quickly through the davit block. One end of the boat went down quite fast and Pepper Sneed was heard to yell:

"Here I go! I knew something would happen! Help! I'm going to sink!