The Moving Picture Girls Part 24

It seemed to go off very well--at least, as far as the girls could tell. Alice, as a rather hoydenish school girl, home for the summer, played havoc with the admirers of the romantic Ruth, who seemed to fill the role to perfection.

"You're doing well, little girl," whispered Paul to Alice, when she stepped out of the scene for a moment, while another part of the play went on.

"Do you really mean it?" she asked him.

"I certainly do. Say, you've got the other two guessing, all right."

"What other two?"

"Miss Pennington and Miss Dixon."

"Oh, I'm so sorry."

"Sorry for what?"

"I mean, I don't want them to dislike me," returned Alice.

"Oh, don't worry about that, little girl. They don't like anyone who can do better than themselves. But they're the only ones. The rest of us like you!"

"Really?"

"Well I should say!" and there was more energy in the words than was actually necessary. Alice blushed, but looked pleased.

"Very good!" observed the manager, after an effective scene in which Alice and Ruth took part. "You are doing excellent work. If this play is a hit I'll star you two in something more elaborate next week."

"Will you, really?" asked Ruth, as she came out of the scene.

"I really will," answered Mr. Pertell. "That's a promise!"

CHAPTER XVIII

A HIT

"Ruth, I do hope it's a success; don't you?" asked Alice.

"Of course I do. It means a whole lot."

"You mean to Mr. Pertell?"

"And to us, dear."

"What do you mean? Tell me."

The two girls were resting after the performance of the play "A False Count." The last scene had been filmed, and the long strips of celluloid, with the hidden pictures, sent to the dark room for development. Not until then could it be told whether the affair had been a success from a mechanical standpoint. And then, later, would come the test before the great public.

"Did you hear what Mr. Pertell said to me?" asked Ruth.

"Well, he said so much, directing us, and all that--I'm sure I don't recall anything special. What was it?"

"Why, he told me that if this play was a success--I mean if we showed up well in it--he'd give us parts in a big drama he's getting ready.

Won't that be splendid?"

"Of course it will. But I liked this one very much. I wish I could see the real pictures."

"You can!" exclaimed a voice back of the girls, and, turning they saw Russ. "I'll take you to see them when the positives are made," he said.

"Oh, but I mean in a regular moving picture theater," went on Alice.

"I'd like to see how the public takes us."

"I'll do that, too," agreed Russ. "As soon as the pictures are released we'll find some place where they are being shown, and you can watch yourself doing your act."

"That will be fine!" cried Ruth.

"What does 'released' mean?" asked Alice.

"Well, you know the moving picture business is something like the a.s.sociated Press," explained Russ. "The a.s.sociated Press is an organization for getting news. Often news has to be gotten in advance--say a thing like the President's message, or a speech by a big man.

"The a.s.sociated Press gets a copy in advance, and sends duplicates of it out to the newspapers that take its service. And on each duplicate copy is stamped a notice that it is to be released for publication on a certain day--or at even a certain hour. That is, it can't be used by the newspapers until that time.

"It's somewhat like that with moving pictures. The reels of new plays are sent out to the different theaters, and to fix it so a theater quite a distance from New York won't be at a disadvantage with one right here, which would get the film sooner, there is a certain date set for the release of the film. That means that though one theater gets it first it can't use it until the date set, when all the playhouses are supposed to have it."

"Oh, that's the way they do it?" observed Alice.

"Yes," went on Russ. "Of course the best stuff is what is called 'first run,'" he went on to explain. "That is, it is a reel of film of a new play, never before shown in a certain city. The best moving picture theaters take the first run, and pay good prices for it.

Then, later on, second-rate theaters may get it at a lower price."

"And is our play a 'first run'?" asked Ruth.

"It will be for a time," answered Russ. "I think you girls did fine!"

he went on. "Acting comes natural to you, I guess."

"Well, we've seen enough of it around the house, with daddy getting ready for some of his plays," admitted Alice. "Oh, I wish I could do it all over again!" she cried, gliding over to her sister and whirling her off in a little waltz to the tune of a piano that was playing so that the performers in another play, representing a ball room scene, might keep proper time.

"Did you like your part, Ruth?" asked Russ, after Alice had allowed her sister to quiet down.

"Yes. I always like a romantic character."

"I like fun!" confessed Alice. "The more the better!"

"Oh, will you ever grow up?" asked Ruth.

"I hope not--ever!" laughed Alice, gaily.

Off in another part of the studio Miss Pennington and her chum, Miss Dixon, were going through their parts. They looked over at Ruth, Alice and Russ, and their glances were far from friendly.