The Moving Picture Girls Part 18

"No, I'll go home with you," Ruth answered. "I'm a bit tired to-day."

"I'd never tire of this!" exclaimed Alice, with enthusiasm.

"Come along then!" invited Paul. "Here's Miss Fillmore now," he added, as another member of the company entered.

There was a sudden cry of pain from the other side of the studio, and a moving picture camera ceased clicking.

"What's the matter now?" asked the manager, as he looked to where the safe robbery scene was being filmed.

"Oh, I caught my hand in the safe door!" exclaimed Pepper Sneed.

"Nearly took my finger off! I just knew something would happen to me to-day!"

"Great Scott! Another scene spoiled!" groaned Mr. Pertell. "Well, do it over. Had you run out much film?" he asked the operator.

"No, only a few feet."

"Well, try again. And, Pepper, look out for your head this time, that you don't get that caught in the safe. You might lose it."

"Uh!" grunted the human grouch.

Russ Dalwood came out of the developing room.

"That's going to be a great film!" he declared. It's one of the best I've ever seen. The pictures will show up fine."

"Glad to hear it," remarked the manager. "That's some good news in this day of trouble."

"Did I do all right?" asked Mr. DeVere, hoa.r.s.ely. "I would like to see myself--as others see me--and that's possible now, in the movies."

"Your pictures are fine," answered Ross.

"And I want to congratulate you," went on Mr. Pertell. "You are doing splendid work, and we are glad to have you with us. It is not everyone who can come from the legitimate stage and go into the movies with success; but you have."

"I am glad to hear it," declared the actor. "There was great necessity, or I should not have done it; but I am not sorry now. It is a great relief not to have to speak my lines."

"And you mustn't do much talking now, Daddy," cautioned Ruth. "You want your throat to get well, you know."

"Yes, I know, dear," replied her father, patting her on the shoulder.

"Good-bye!" called Alice, who with Paul, Miss Fillmore, and the camera operator, were going out for the exterior scenes. "I'll be home soon."

"I'll take care of her," promised Paul, and, as he and Alice went out, side by side, Ruth caught a sharp glance from Miss Dixon, who was narrowly watching the two.

"Well, everything seems to be going on all right now," observed Mr.

Pertell. "Here's Pop with the fence. Now, Mr. Switzer, and Miss Dixon----well, what is it?" he broke off with, as he saw Wellington Bunn approaching with an irritated air.

"I must refuse, sir, positively refuse, to go on with the part you have a.s.signed to me!" exclaimed the former Shakespearean player, striking what he thought was a dignified att.i.tude. "I cannot do it, Mr. Pertell, and I wonder that you expect it of me."

"What part is it you object to?" asked the manager. "Let's see, you're in 'A Man's Home;' aren't you?"

"Yes, and in one scene I am supposed to come home from the office, and get down on the floor to play with blocks with the children. I do not mind that so much, but I have to play horse, and ride the children around on my back, and then, to cap the climax, I have to turn a somersault."

"Well?" asked the manager, as the actor paused.

"Well, I positively refuse to do that somersault! The idea of me--Wellington Bunn--who has played in Shakespearean dramas, groveling on the floor and turning somersaults! The somersaults positively must be cut out."

"But they can't very well, Mr. Pertell!" broke in one of the other actors in the same drama. "Because when Mr. Bunn goes over that way he is supposed accidentally to upset the table, and the supper things fly all over, and the children laugh and think it's a great joke. The whole scene will be spoiled if Mr. Bunn doesn't turn his somersault."

"Then he'll turn it!" announced the manager, grimly.

"What! But I protest, sir! I protest!" cried the tragedian. "I will not do it! The idea of me--Wellington Bunn----"

"Somersault--or look for another engagement," was the terse rejoinder, and with a gesture of despair Mr. Bunn turned aside murmuring;

"Oh, that I should come to this! Oh, the pity of it! The pity! I'll never do it!"

But a little later, for the sake of his salary, he turned the somersault.

CHAPTER XIV

AN EMERGENCY

"Did you enjoy yourself, Alice?" asked Ruth, a little later that afternoon, when her sister had returned from her trip to the Brooklyn Bridge, and the Grand Central Terminal, with Paul.

"Indeed I did!" replied the younger girl. "It was really exciting.

And Paul is so nice!"

"Do you call him Paul?"

"Certainly--why not."

"And does he call you Alice?"

"Yes. He asked me if he couldn't, and I don't see any harm. He's just like a brother would be."

"Oh," remarked Ruth, with a little smile. "Tell me about it."

"Oh, there isn't much to tell. We went up in a car until we got to where the scenes were to be filmed. Then Paul and Miss Fillmore did what they had to do, and the pictures were taken.

"There was quite a crowd looking, on, too, and some of them got in the pictures," Alice went on.

"Purposely, do you mean--to spoil them?" asked Ruth.

"Oh, no, they belonged in. You see this was supposed to be a natural scene of Paul and Miss Fillmore meeting on the bridge. They walk along a little way, and part of the plot develops there. So there had to be other persons walking along to make it look natural. How odd it must be if those same persons happen to see the film play later, and recognize themselves in the pictures."

"Rather, I should say," agreed Ruth. "What next?"