The Mountebank Part 7

"Do you think that's a dignified way for General Andrew Lackaday, C.B., to make his living--in the green skin tights of Pet.i.t Patou?"

We talked far into the night. My sleep was haunted by the nightmare of the six foot four of the stringy, bony emaciation of General Lackaday in green skin tights.

Chapter V

To realize Pet.i.t Patou in the British General of Brigade, we must turn to the ma.n.u.script mentioned at the beginning of this story.

We meet him, a raw youth, standing, one blazing summer day on the Bridge of Avignon. He insists on this episode, because, says he, the bridge is a.s.sociated with important events in his life. It was not, needless to remark, the Pont d'Avignon of the gay old song, for the further arch of that was swept away by floods long ago, and it now remains a thing of pathetic uselessness. Three-quarters of the way across the Rhone might you go, and then you would come to abrupt nothingness, just the swirling river far below your arrested feet. It was the new suspension bridge, some three hundred yards further up, sadly inharmonious with the macchiolated battlements of the city and the austere ma.s.s, rising above them, of the Palace of the Popes on the one side, and, on the other, the grey antiquity of the castle of Villeneuve brooding like an ancient mother over its aged offspring, the cl.u.s.tering sun-baked town. The joyous generation of the Old Bridge has long since pa.s.sed away, but to the present generation the New Bridge affords the same wonder and delight. For it entices like the old, from stifling streets to the haunts of Pan. There do you find leafy walks, and dells of shade, and pathways by the great cool river leading to sequestered spots where you may sit and forget the clatter of flagstones and the stuffy apartment above them for which the rent is due; where the air of early June is perfumed by wild thyme and marjoram and the far-flung sweetness of new mown hay, and where the nightingales sing. So, whenever it can, all Avignon turns out, as it has turned out for hundreds of years, on its to and fro adventure across the Bridge of Promise.

It was on a Sunday afternoon when young Lackaday stood there, leaning moodily over the parapet, regarding it not as a bridge of Promise, but as a Bridge of Despair. He had fled from the dressing-room of the little music-hall just outside the city walls, which he shared with three others of the troupe, from its horrible reek of escaping gas and drainage and grease-paint and the h.o.a.rded human emanations of years, and had come here instinctively to breathe the pure air that swept down the broad stream.

He had come for rest of mind and comfort of soul; but only found himself noisily alone amid an unsympathetic mult.i.tude.

He had failed. He had learned it first from the apathy of the audience.

He had learned it afterwards from the demeanour and the speech far from apathetic of the manager and leader of the troupe. They were a company of six, Les Merveilleux, five jugglers, plate spinners, eccentric musicians, ventriloquists, and one low comedian. Lackaday was the low comedian, his business to repeat in burlesque most of the performance of his fellow artists. It was his first engagement, outside the Cirque Rocambeau, his first day with the troupe. Everything had gone badly. His enormous lean length put the show out of scale. The troupe, accustomed to the business of a smaller man, whose sudden illness caused the gap which Lackaday came from Paris to fill, resented the change, and gave him little help. They demanded impossibilities. Although they had rehea.r.s.ed--and the rehearsals had been a sufficient nightmare of suffering--everybody had seemed to devote a ferocious malice to his humiliation. Where the professional juggler is accustomed to catch things at his hip, they threw them at his knees; they appeared to decide that his head should be on the level of his breast. The leading lady, Madame Coincon, wife of the manager, a compact person of five foot two, roundly declared that she could not play with him, and in his funniest act, dependent on her co-operation, she left him to be helplessly funny by himself. The tradition of the troupe required the comedian to be attired in a loud check suit, green necktie and white felt bowler hat. On the podgy form of Lackaday's predecessor it produced its comic effect. On the lank Lackaday it was characterless. In consequence of all this, he had been nervous, he had missed cues, he had fumbled when he ought to have been clear, and been clear when he ought comically to have fumbled. He had gone about his funny business with the air of a curate marrying his vicar to the object of his hopeless affections.

And Coincon had devastatingly insulted him. What worm was in the head of Moignon (the Paris music-hall agent) that he should send him such a monstrosity? He wasn't, _nom de Dieu_, carrying about freaks at a fair. He wanted a comedian and not a giant. No wonder the Cirque Rocambeau had come to grief, if it depended on such canaries as Lackaday. Didn't he know he was there to make the audience laugh?--not to give a representation of Monsieur Mounet-Sully elongated by the rack.

"_Hop, man pet.i.t_," said he at last. "_F---- moi le camp_," which is a very vulgar way of insisting on a person's immediate retirement. "Here is your week's salary. I gain by the proceeding. The baggage-man will see us through. He has done so before. As for Moignon--"

Although Lackaday regarded Moignon as a sort of G.o.d dispensing fame and riches, enthroned on una.s.sailable heights of power, he trembled at the awful destiny that awaited him. He would be cast, like Lucifer from heaven.

He would be stripped of authority. Coincon's invective against him was so terrible that Lackaday pitied him even more than he pitied himself. Yet there was himself to consider. As much use to apply to the fallen Moignon for an engagement as to the Convent of the Daughters of Calvary. He and Moignon and their joint fortunes were sent hurtling down into the abyss.

On the parapet of the Bridge of Despair leant young Lackaday, gazing unseeingly down into the Rhone. His sudden misfortune had been like the stunning blow of a sandbag. His brain still reeled. What had happened was incomprehensible. He knew his business. He could conceive no other. He had been trained to it since infancy. There was not a phase of clown's work with which he was not familiar. He was a pa.s.sable gymnast, an expert juggler, a trick musician, an accomplished conjurer. All that the Merveilleux troupe act required from him he had been doing successfully for years. Why then the failure? He blamed the check suit, the ill-will of the company, the unreason of Madame Coincon....

It did not occur to him that he had emerged from an old world into a new.

That between the old circus public and the new music-hall public there was almost a generation's change of taste and critical demand. The Cirque Rocambeau had gone round without perceiving that the world had gone round too. It wondered why its triumphant glory had declined; and it could not take steps to adapt itself to the new conditions which it could not appreciate. Everyone grew old and tradition-bound in the Cirque Rocambeau, even the horses, until gradually it perished of senile decay. Andrew Lackaday carrying on the traditions of his foster father, the clown Ben Flint, had remained with it, princ.i.p.al clown, to the very end. Now and then, rare pa.s.sers through from the outer world, gymnasts down on their luck, glad to take a makeshift engagement while waiting for better things, had counselled him to leave the antiquated concern. But the Cirque Rocambeau had been the whole of his life, childhood, boyhood, young manhood; he was linked to it by the fibres of a generous nature. All those elderly anxious folk were his family. Many of the children, his contemporaries, trained in the circus, had flown heartlessly from the nest, and the elders had fatalistically lamented. Madame Rocambeau, bowed, wizened, of uncanny age, yet forceful and valiant to the last--carrying on for the old husband now lying paralysed in Paris who had inherited the circus from his father misty years ago, would say to the young man, when one of these defections occurred: "And you Andre, you are not going to leave us? You have a fine position, and if you are dissatisfied, perhaps we can come to an arrangement. You are a child of the circus and I love you like my own flesh and blood. We shall turn the corner yet. All that is necessary is faith--and a little youth." And Andrew, a simple soul, who had been trained in the virtues of honour and loyalty by the brave Ben Flint, would repudiate with indignation the suggestion of any selfish desire to go abroad and seek adventure.

At last, one afternoon, when the tent, a miserable gipsy thing compared with the proud pavilion of the days of the glory of Billy the pig, was pitched on the outskirts of a poor little town, they found Madame Rocambeau dead in the canvas box-office which she had occupied for fifty years, the heartbreaking receipts in front of her, counted out into little piles of bronze and small silver. The end had come. The circus could not be sold as a going concern. It crumbled away. Somebody bought the old horses, Heaven knows for what purpose. Somebody bought the antiquated harness and moth-eaten trappings. Somebody else bought the tents and fittings. But n.o.body bought the old careworn human beings, riders and gymnasts and stable hands who crept away into the bright free air of France, dazed and lost, like the prisoners released from the Bastille.

It was not so long ago; long enough ago, however, for young Andrew Lackaday to have come perilously near the end of his savings in Paris, before the Almighty Moignon (now curse-withered), but then vast and unctuous, reeking of fat food and diamonds and great cigars, had found him this engagement at Avignon. He had journeyed thither full of the radiant confidence of twenty.

He stood on the bridge overwhelmed by the despair whose Tartarean blackness only twenty can experience.

Not a gleam anywhere of hope. His humiliation was absolute. The maniacal Coincon had not even given him an opportunity of redeeming his failure. He had been paid to go away. The disgusting yet necessary price of his shame rattled in his pockets. To-night the baggage man would play his part--a being once presumably trained, yet sunk so low in incompetence that he was glad to earn his livelihood as baggage man. And he, Andrew Lackaday, was judged more incompetent even than this degraded outcast. Why? How could it be? What was the reason? He dug his nails into his burning temples.

The summer sun beat down on him, and set a-glitter the currents in the Rhone. The ceaseless, laughing stream of citizens pa.s.sed him by. Presently youth's need of action brought him half-unconsciously to an erect position.

He glanced dully this way and that, and then slowly moved along the bridge towards the Villeneuve bank. Girls bare-headed, arm-in-arm, looked up at him and laughed, he was so long and lean and comical with his ugly lugubrious face and the little straw hat perched on top of his bushy carroty poll. He did not mind, being used to derision. In happier days he valued it, for the laugh would be accompanied by a nudge and a "_Voila Auguste!_" He took it as a tribute. It was fame. Now he was so deeply sunk in his black mood that he scarcely heeded. He walked on to the end of the bridge, and turned down the dusty pathway by the bank.

Suddenly he became aware of sounds of music and revelry, and a few yards further on he came to a broad dell shaded by plane trees and set out as a restaurant garden, with rude tables and benches, filled with good-humoured thirsty folk; on one side a weather-beaten wooden chalet, having the proud t.i.tle of Restaurant du Rhone, served apparently but to house the supply of drinks which nondescript men and st.u.r.dy bare-headed maidens carried incessantly on trays to the waiting tables. On the dusty midway s.p.a.ce--the garden boasted no blade of gra.s.s--couples danced to the strains of a wheezing hurdy-gurdy played by a white bearded ancient who at the end of each tune refreshed himself with a draught from a chope of beer on the ground by his side, while a tiny anaemic girl went round gathering sous in a sh.e.l.l. When the music stopped you could hear the whir and the click of the bowls in an adjoining dusty and rugged alley and the harsh excited cries of the players. During these intervals the serving people in an absent way would scatter an occasional carafe-full of water on the dancing floor to lay the dust.

Young Lackaday hung hesitatingly on the outskirts under the wooden archway that was at once the entrance and the sign-board. The music had ended. The tables were packed. He felt very thirsty and longed to enter and drink some of the beer which looked so cool in the long gla.s.ses surmounted by its half inch of white froth--inviting as sea-foam. Shyness held him. These prosperous, care-free bourgeois, almost indistinguishable one from the other by racial characteristics, and himself a tragic failure in life and physically unique among men, were worlds apart. It had never occurred to him before that he could find himself anywhere in France where the people were not his people. He felt heart-brokenly alien.

Presently the hurdy-gurdy started the ghostly tinkling of the _Il Bacio_ waltz, and the ingenuous couples of Avignon rose and began to dance. The thirst-driven Lackaday plucked up courage, and strode to a deserted wooden table. He ordered beer. It was brought. He sipped luxuriously. One tells one's thirst to be patient, when one has to think of one's sous. He was half-way through when two girls, young and flushed from dancing together, flung themselves down on the opposite bench--the table between.

"We don't disturb you, Monsieur?"

He raised his hat politely. "By no means, Mesdemoiselles."

One of them with a quick gesture took up from the table a forgotten newspaper and began to fan herself and her companion, to the accompaniment of giggling and chatter about the heat. They were very young. They ordered grenadine syrup and eau-de-seltz. Andrew Lackaday stared dismally beyond them, at the dancers. In the happy, perspiring girls in front of him he took no interest, for all their youth and comeliness and obviously frank approachability. He saw nothing but the fury-enflamed face of Coincon and heard nothing but the rasping voice telling him that it was cheaper to pay him his week's salary than to allow him to appear again. And "_f---- moi le camp!_" Why hadn't he taken Coincon by the neck then and there with his long strong fingers and strangled him? Coincon would have had the chance of a rabbit. He had the strength of a dozen Coincons--he, trained to perfection, with muscle like dried bull's sinews. He could split an apple between arm and forearm, in the hollow of his elbow. Why shouldn't he go back and break Coincon's neck? No man alive had the right to tell him to _f---- le camp!_

"You don't seem very gay," said a laughing voice.

With a start he recovered consciousness of immediate surroundings. Instead of two girls opposite, there was only one. Vaguely he remembered that a man had come up.

"_Un tour de valse, Mademoiselle?_"

"_Je vieux bien_."

And one of the girls had gone, leaving her just sipped grenadine syrup and seltzer-water. But it had been like some flitting unreality of a dream.

At his blinking recovery the remaining girl laughed again.

"You look like a somnambulist."

He replied: "I beg pardon, Mademoiselle, but I was absorbed in my reflections."

"Black ones--_hein?_ They have made you little infidelities?"

He frowned. "They? Who do you mean--they?"

"_Un joli garcon is not absorbed in his reflections_"--she mimicked his tone--"unless there is the finger of a _pet.i.te femme_ to stir them round and darken them."

"Mademoiselle," said he, seriously. "You are quite mistaken. There's not a woman in the world against whom I have the slightest grudge."

He spoke truly. It was a matter of love, and Mme Coincon's hostility did not count.

"Word of honour," he added looking into the smiling ironical face.

Love had entered very little into his serious scheme of life. He had had his entanglements of course. There was Francine Dumesnil, who had fluttered into the Cirque Rocambeau as a slack wire artist, and after making him vows of undying affection, had eloped a week afterwards with Hans Petersen, the only man left who could stand on the bare back of a horse that was not thick with resin. But the heart of Andrew Lackaday had nothing to do with the heart of Francine Dumesnil. He had agreed with the aged Madame Rocambeau. _Sales types_, both of them.

"If it had been _chagrin d'amour_--sorrow of love, Mademoiselle,"

said he, "I should not have been so insensible to the presence of two such charming young ladies."

"We are polite, all the same," she remarked approvingly.

She sipped her grenadine. Having nothing further to say he sipped his beer.

Presently she said:

"I saw you this afternoon at the _boite_." He looked at her with a touch of interest. No one would allude to the music-hall as the "box"

except a fellow professional engaged there.

"You too?" he asked.

She nodded. She belonged to a troupe of dancing girls. As they were the first number, they got away early. She and her friend had gone for a walk and found this restaurant. It was gay, wasn't it? He said, soberly: