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because of his fair skin and hair, was a vigorous sovereign, but he could not withstand the power of the Christians, who now held nearly the whole of Spain. He paid homage and tribute to Fernando and his son Alfonso the Learned, not, however, without more than one struggle to free himself from their yoke; and from that time forward Granada with its surrounding territory was generally let alone by the Christian kings, who had enough to do to settle their already vast acquired territory and to do away with local pretenders. From time to time the Moors made war upon their Christian neighbours, but eventually they had to make up their minds to a secondary position. The sum of twelve thousand gold ducats was the tribute paid by Mohammed X., in 1463, as a condition of peace. During these two centuries the Moorish territory had suffered little diminution. Gibraltar had been lost and won and lost again; other places, notably Algeciras, had become part of the Christian dominions; but the general extent of the Moslem realm remained in the third quarter of the fifteenth century much what it had been in the first half of the thirteenth.
[Ill.u.s.tration: SHIELD OF A KING OF GRANADA.]
During this period of comparative tranquillity, Granada had taken the place of Cordova as the home of the arts and sciences. Its architects were renowned throughout Europe; they had built the marvellous "Red Palace," _Alhambra_, so called from the colour of the ferruginous soil on which it stands, and they had covered it with the splendid gold ornament and Arabesque mouldings which are still the wonder of artists of all countries.[26] Granada itself, with its two castles, was a pearl of price. It stands on the border of a rich plain, the famous "Vega,"
lying at the feet of the snowy "mountains of the moon," the Sierra Nevada. From the heights of the city, and still better from the Alhambra, which stands sentinel over the plain like the Acropolis of Athens, the eye ranges over this beautiful Vega, with its streams and vineyards, its orchards and orange groves. No city in Andalusia was more favoured in site or climate; the breezes from the snow mountains made the hottest summer tolerable, and the land was fertile beyond compare.
The site chosen by the Moors for their celebrated Red Palace is a terrace bounded by precipitous ravines, at the foot of which, to the north, flow the waters of the river Darro. Solid walls of stone covered with stucco, and strengthened at frequent intervals by towers, surround the terrace. The enclosed s.p.a.ce is somewhat of the form of a lanceolate leaf lying on the table-land, with its greatest length (about half a mile) from east to west.
The visitor finds his way into the enclosure through a ma.s.sive embattled tower of orange and red pierced by the Gate of Justice under which the khalifs, like the judges of the Hebrews, were wont to sit in judgment.
Twenty-eight feet above the pavement, over the horseshoe arch, a cabalistic key and a gigantic hand are carved on two stones. Once inside the walls, the visitor finds himself in a square, on one side of which is an unfinished palace designed by Charles the Fifth. The corridor through which entrance is now gained to the Alhambra crosses an angle of this ruined structure and admits the visitor to the Court of the Myrtles, so called from the profusion of those shrubs which adorn its sides. A narrow pa.s.sage ushers us into a court one hundred and forty feet long, and half as broad, flooded with sunlight and gay with gold-fish, which disport themselves in a long pond that fills the larger part of the s.p.a.ce. Pillars and galleries adorn the sides and ends of the enclosure, and on the north the great square tower of Comares rises against the horizon. The court is a place of peace; the water scarcely makes a ripple as it gently oozes into the ample reservoir, and leaves it without a gurgle; the mult.i.tudinous goldfishes gleam and glitter in the profusion of sunshine; no suggestion of the outer world penetrates the stillness.
[Ill.u.s.tration: THE COURT OF THE LIONS IN THE ALHAMBRA.]
All is calm, but it is not the dull, cold calm of ruin and death; we can but feel a sense of companionship with the former masters of the palace and the grounds. We walk through the Barca, or boat-shaped antechamber, to the Hall of the Amba.s.sadors, and imagine the khalif of the Omeyyads seated upon his throne at the end; while we gaze up into the lofty dome and allow our eyes to wander about the great apartment as we admire the medallions, the graceful characters of the Arabic inscriptions, the delicate patterns of the plaster-work with which the walls are adorned; the balconies, the white, blue, and gold of the cornice and ceiling; the circles, crowns, and stars moulded to imitate the vault of heaven. We stop before the window looking over the Darro to think how Ayesha once let Boabdil down in a basket from it five centuries ago; how Charles the Fifth said of the unfortunate Moor, "Ill-fated was the man who lost all this!" We bring up before us the discoverer of America, as tradition paints him, pleading in this place with the good Isabella for gracious permission to add another jewel to her crown--the bright gem of a New World. We climb to the terraced roof of the tower, following the narrow windings of the steep stairway once trodden by fair lady and gallant prince as they hastened to the lofty battlement to watch the approach of some army or anxiously to study the progress of a battle on the Vega.
Our eyes search the broad expanse for that bridge of Pinos where Moor and Christian more than once fought for the mastery. We remember that it was at that spot that Isabella's messenger overtook the despairing Columbus, as he conveyed to him the queen's recall, when the mariner was plodding towards other realms to carry his bold proposition to other and, as he hoped, more gracious sovereigns. We care not that it is tradition only which fixes the spot; tradition and romance are a portion of the charm of the Alhambra.
In our search through the intricate plan of the pile, we find ourselves in the boudoir of the Sultana, the windows of which command the same prospect over the Vega, a scene to which distance lends its greatest charm. We are reminded on every side of the luxury of the olden time, when we see the apertures in the white marble floor near the entrance, through which perfumes arose from drugs, which tradition says were burned beneath the floor to make the air of the lady's apartment redolent with their sweet scents. We look down into the garden of the Lindaraja, upon which Irving also looked when he occupied those apartments which have become historic on his account. The garden itself is scarcely worthy of notice, for it is a little-cultivated court; but near by are the baths of the Sultans, with their delicate filigree work, intricate tracery, and brilliant mosaics. There is the fountain which ripples in gentle cadence, as if keeping time to the harmony that the musicians poured down from the balconies when the ladies of the harim enjoyed the pleasures of the Oriental bath, or rested themselves upon cloth of gold. Each bath, cut from a single ma.s.s of white marble, was placed in its own vaulted chamber, and lighted through openwork of stars and roses.
[Ill.u.s.tration: PLAN OF THE CITY OF GRANADA]
Perhaps the most celebrated portion of the entire palace is the Court of the Lions, which occupies a s.p.a.ce somewhat smaller than that of the Court of the Myrtles. One hundred and twenty-eight white marble columns, arranged by threes and fours in symmetrical fashion, support galleries which rise to no very lofty height; but the extreme gracefulness and elegance of their varied capitals, the delicate traceries, the remnants of gold and colour, the raised orange-shaped cupolas, the graceful minarets, the innumerable arches, beautiful in their labyrinthine design, the empty basin into which the twelve stiff and unnatural "lions" once poured their constant streams of cooling waters, the alabaster reservoir, const.i.tute a whole that poetry and romance have lauded even to extravagance.
From this beautiful court, through a door ornamented with rare designs, one is ushered into the Hall of the Abencerrages, named from the legend that in its precincts the chiefs of that family were beheaded by order of Boabdil. Convenient spots in the stone floor are exhibited to credulous visitors as evidences that the blood was there spilt. The sweet and peaceful light which enters the apartment by sixteen airy windows in the star-shaped stalact.i.te roof, illuminating its arches ornamented in azure and scarlet, seem all inappropriate to such a scene of slaughter, and charity would lead us, if history did not, to doubt that the stain should rest upon the memory of Boabdil.
Time would fail us to go through all the courts and halls of the comprehensive building, and we must make our way over the road that crosses the ravine of Los Molinos, bordered with figs and pistachios, laurels and roses, to the other palace, the Generalife, or "Garden of the Surveyor." This is the "Country House" of the greater palace, and, so far as the exterior of the building is concerned, presents the usual simplicity of Oriental structures. Here are the walls without windows, the terraces, the galleries, the arcades--all of which are in a state of ruin. The delicate arabesques are covered with thick layers of whitewash; the fine sculptures have disappeared, and the internal beauty of the edifice has long since departed; but the charm of the gardens and waters remains. A rapid stream runs through an artificial channel of marble the entire length of the enclosure under a series of arcades and leafy screens formed by curiously twisted yews, while cypresses and orange trees cast their cooling shadows upon the waters. Jets and fountains, rapid-flowing streams and placid ponds, little basins nestling under ancient bays, murmuring rivulets and winding courses reflecting the blue of the sky, are intermingled with the utmost perfection of skill, and the combination forms one of the most charming effects that can be imagined.
[Ill.u.s.tration: GARDEN OF THE GENERALIFE, GRANADA.]
"Here," says Irving, "is everything to delight a southern voluptuary: fruits, flowers, fragrance, green arbours and myrtle hedges, delicate air and gushing water. Here I had an opportunity of witnessing those scenes which painters are fond of depicting about southern palaces and gardens. It was the saint's day of the Count's daughter, and she had brought up several of her youthful companions from Granada to sport away a long summer's day among the breezy halls and bowers of the Moorish palace. A visit to the Generalife was the morning's entertainment. Here some of the gay companions dispersed themselves in groups about the green walks, the bright fountains, the flight of Italian steps, the n.o.ble terraces, and marble bal.u.s.trades. Others, among whom I was one, took their seats in an open gallery or colonnade, commanding a vast prospect; with the Alhambra, the city, and the Vega far below, and the distant horizon of mountains--a dreamy world, all glimmering to the eye in summer sunshine. While thus seated, the all-pervading tinkling of the guitar and click on the castanets came stealing up the valley of the Darro, and half-way down the mountain we descried a festive party under the trees enjoying themselves in true Andalusian style; some lying on the gra.s.s, others dancing to the music."
From the ruined building one gains, perhaps, the most satisfactory view of the Alhambra, as its reddish line of half-demolished walls is traced along the undulations of the mountain on which it stands; while the white ridges of the Sierra Nevada furnish a magnificent background for the picture, and set off the heavy ma.s.s of the unfinished palace of Charles the Fifth.
Two centuries of prosperity, with a powerful Christian State almost at bow-shot, were as much as the Moors had any right to expect; and towards the third quarter of the fifteenth century there were signs that their knell was about to sound. The union of Aragon with Castile by the marriage of Ferdinand and Isabella was the note of doom. Two such sovereigns could not long leave the Moors undisturbed in their corner of the peninsula. Muley Aly, generally known by his surname, Abu-l-Hasan (which the Spaniards change into Alboacen, and many English writers into Aben Hasan), who was of a fiery and warlike nature, resolved to be beforehand with their Catholic majesties in opening the game of war. He refused to pay the customary tribute, and when the amba.s.sador of Ferdinand came to insist, he made answer: "Tell your sovereigns that the kings of Granada who paid tribute are dead: our mint now coins nothing but sword-blades!" To make his meaning unmistakable, he proceeded to carry a raid into the lands of the Christians. Zahara was the spot he selected for attack. A gifted American author has told the story of the last wars of the Moors in his own eloquent style; and we must follow Washington Irving in relating the a.s.sault of Zahara.[27]
[Ill.u.s.tration: PLAN OF THE ALHAMBRA]
"In the year of our Lord one thousand four hundred and eighty one, and but a night or two after the festival of the most blessed Nativity, the inhabitants of Zahara were sunk in profound sleep; the very sentinel had deserted his post, and sought shelter from a tempest which had raged without for three nights in succession; for it appeared but little probable that an enemy would be abroad during such an uproar of the elements. But evil spirits work best during a storm. In the midst of the night an uproar rose within the walls of Zahara, more awful than the raging of the storm. A fearful alarm-cry, 'The Moor!' 'The Moor!'
resounded through the streets, mingled with the clash of arms, the shriek of anguish, and the shout of victory. Muley Abu-l-Hasan, at the head of a powerful force, had hurried from Granada, and pa.s.sed un.o.bserved through the mountains in the obscurity of the tempest. While the storm pelted the sentinel from his post and howled around tower and battlement, the Moors had planted their scaling-ladders, and mounted securely into both town and castle. The garrison was unsuspicious of danger until battle and ma.s.sacre burst forth within its very walls. It seemed to the affrighted inhabitants as if the fiends of the air had come upon the wings of the wind, and possessed themselves of tower and turret. The war-cry resounded on every side, shout answering shout, above, below, on the battlements of the castle, in the streets of the town; the foe was in all parts, wrapped in obscurity, but acting in concert by the aid of preconcerted signals. Starting from sleep, the soldiers were intercepted and cut down as they rushed from their quarters; or, if they escaped, they knew not where to a.s.semble, or where to strike. Whenever lights appeared, the flashing scimitar was at its deadly work, and all who attempted resistance fell beneath its edge. In a little while the struggle was at an end. Those who were not slain took refuge in the secret places of their houses, or gave themselves up as captives. The clash of arms ceased, and the storm continued its howling, mingled with the occasional shout of the Moorish soldiery roaming in search of plunder. While the inhabitants were trembling for their fate, a trumpet resounded through the streets, summoning them all to a.s.semble, unarmed, in the public square. Here they were surrounded by soldiery, and strictly guarded until daybreak. When the day dawned, it was piteous to behold this once prosperous community, which had lain down to rest in peaceful security, now crowded together without distinction of age, or rank, or s.e.x, and almost without raiment, during the severity of a winter storm. The fierce Muley Abu-l-Hasan turned a deaf ear to all remonstrances, and ordered them to be conducted captives to Granada. Leaving a strong garrison in both town and castle, with orders to put them in a complete state of defence, he returned flushed with victory to his capital, entering it at the head of his troops, laden with spoil, and bearing in triumph the banners and pennons taken at Zahara. While preparations were making for jousts and other festivities in honour of this victory over the Christians, the captives of Zahara arrived--a wretched train of men, women, and children, worn out with fatigue and haggard with despair, and driven like cattle into the city gates by a detachment of Moorish soldiery."
The civilized people of Granada were shocked at the cruelty of Abu-l-Hasan, and felt that this was the beginning of the end. "Woe to Granada!" they cried. "The hour of its desolation is at hand. The ruins of Zahara will fall upon our own heads!"
Retribution was not far off. The redoubtable Marquess of Cadiz captured the castle of Alhama by surprise, and thus planted a Christian garrison in the heart of the Moslem territory, within a short distance of Granada itself. In vain did Muley Abu-l-Hasan invest the captured castle; the Christians within performed prodigies of valour in its defence, and held the place till their friends came to their support. _Ay de mi Alhama!_ "Woe for my Alhama!" was the cry that arose in Granada; "Alhama is fallen; the key of Granada is in the hands of the infidels!" Byron has made every one familiar with the plaintive ballad which he mistranslated:
Pasavase el rey Moro Por la ciudad de Granada, Desde las puertas de Elvira Hasta las de Bivarambla.
Ay de mi Alhama!
Henceforward, the castle proved a sore thorn in the side of the Moorish kings; for thence the brave Count of Tendillo harried the Vega and wrought infinite destruction. "It was a pleasing and refreshing sight,"
says the Jesuit chronicler[28] invented by Washington Irving, "to behold the pious knight and his followers returning from one of these crusades, leaving the rich land of the infidel in smoking desolation behind them: to behold the long line of mules and a.s.ses laden with the plunder of the Gentiles, the hosts of captive Moors, men, women, and children; droves of st.u.r.dy beeves, lowing kine and bleating sheep--all winding up the steep acclivity to the gates of Alhama, p.r.i.c.ked on by the Catholic soldiery.... It was an awful spectacle at night to behold the volumes of black smoke, mingled with lurid flames, that rose from the burning suburbs, and the women on the walls of the towns wringing their hands and shrieking at the desolation of their dwellings."
Inflamed by their respective conquests, both sides busied themselves in raids such as these, with little result, save general devastation and exasperation. The Christians at last attempted a movement on a larger scale. They resolved to invade the province of Malaga, and, marshalling the forces of the south, led by the Marquess of Cadiz and other noted warriors, they set out upon their fateful march. "It was on a Wednesday[29] that the pranking army of high-mettled warriors issued forth from the ancient gates of Antequera. They marched all day and night, making their way secretly, as they supposed, through the pa.s.ses of the mountains. As the tract of country they intended to maraud was far in the Moorish territories, near the coast of the Mediterranean, they did not arrive there till late in the following day. In pa.s.sing through these stern and lofty mountains, their path was often along the bottom of a barranca, or deep rocky valley, with a scanty stream dashing along it, among the loose rocks and stones which it had broken and rolled down in the time of its autumnal violence. Sometimes their road was a mere rambla, or dry bed of a torrent cut deep into the mountains and filled with their shattered fragments. These barrancas and ramblas were overhung by immense cliffs and precipices, forming the lurking-places of ambuscades during the wars between the Moors and Spaniards, as in after times they have become the favourite haunts of robbers to waylay the unfortunate traveller.
"As the sun went down, the cavaliers came to a lofty part of the mountains, commanding, to their right, a distant glimpse of a part of the fair Vega of Malaga, with the blue Mediterranean beyond, and they hailed it with exultation, as a glimpse of the promised land. As the night closed in they reached the chain of little valleys and hamlets, locked up among those rocky heights, and known among the Moors by the name of Axarquia. Here their vaunting hopes were destined to meet the first disappointment. The inhabitants had heard of their approach; they had conveyed away their cattle and effects, and with their wives and children had taken refuge in the towers and fortresses of the mountains.
"Enraged at their disappointment, the troops set fire to the deserted houses, and pressed forward, hoping for better fortune as they advanced.
Don Alonzo de Aguilar, and the other cavaliers in the van-guard, spread out their forces to lay waste the country, capturing a few lingering herds of cattle, with the Moorish peasants who were driving them to some place of safety.
"While this marauding party carried fire and sword in the advance, and lit up the mountain cliffs with the flames of the hamlets, the Master of Santiago, who brought up the rear-guard, maintained strict order, keeping his knights together in martial array, ready for attack or defence should an enemy appear. The men-at-arms of the Holy Brotherhood attempted to roam in quest of booty; but he called them back and rebuked them severely.
"At last they came to a part of the mountain completely broken up by barrancas and ramblas, of vast depth, and s.h.a.gged with rocks and precipices. It was impossible to maintain the order of march; the horses had no room for action, and were scarcely manageable, having to scramble from rock to rock, and up and down frightful declivities, where there was scarce footing for a mountain goat. Pa.s.sing by a burning village, the light of the flames revealed their perplexed situation. The Moors, who had taken refuge in a watch-tower on an impending height, shouted with exultation when they looked down upon these glistening cavaliers, struggling and stumbling among the rocks. Sallying forth from their tower, they took possession of the cliffs which overhung the ravine, and hurled darts and stones upon the enemy.
"In this extremity the Master of Santiago despatched messengers in search of succour. The Marquess of Cadiz, like a loyal companion-in-arms, hastened to his aid with his cavalry. His approach checked the a.s.saults of the enemy, and the master was at length enabled to extricate his troops from the defile....
"The Adalides, or guides, were ordered to lead the way out of this place of carnage. These, thinking to conduct them by the most secure route, led them by a steep and rocky pa.s.s, difficult for the foot soldiers, but almost impracticable to the cavalry. It was overhung with precipices, from whence showers of stones and arrows were poured upon them, accompanied by savage yells, which appalled the stoutest heart. In some places they could pa.s.s but one at a time, and were often transpierced, horse and rider, by the Moorish darts, impeding the progress of their comrades by their dying struggles. The surrounding precipices were lit up by a thousand alarm fires; every crag and cliff had its flames, by the light of which they beheld their foes bounding from rock to rock, and looking more like fiends than mortal men. Either through terror and confusion, or through real ignorance of the country, their guides, instead of conducting them out of the mountains, led them deeper into their fatal recesses. The morning dawned upon them in a narrow rambla; its bottom formed of broken rocks, where once had raved along the mountain torrent; while above them beetled huge arid cliffs, over the brows of which they beheld the turbaned heads of their fierce and exulting foes....
"All day they made ineffectual attempts to extricate themselves from the mountains. Columns of smoke rose from the heights where, in the preceding night, had blazed the alarm fire. The mountaineers a.s.sembled from every direction: they swarmed at every pa.s.s, getting in the advance of the Christians, and garrisoning the cliffs, like so many towers and battlements.
"Night closed again upon the Christians, when they were shut up in a narrow valley traversed by a deep stream, and surrounded by precipices which seemed to reach the sky, and on which the alarm fires blazed and flared. Suddenly a new cry was heard resounding along the valley.
Ez-Zagel! Ez-Zagel! echoed from cliff to cliff. 'What cry is that?' said the master of Santiago. 'It is the war-cry of Ez-Zagel, the Moorish general,' said an old Castilian soldier; 'he must be coming in person with the troops of Malaga.'
"The worthy Master turned to his knights: 'Let us die,' said he, 'making a road with our hearts, since we cannot with our swords. Let us scale the mountains, and sell our lives dearly, instead of staying here to be tamely butchered.'
"So saying, he turned his steed against the mountain, and spurred him up its flinty side. Horse and foot followed his example, eager, if they could not escape, to have at least a dying blow at the enemy. As they struggled up the height, a tremendous storm of darts and stones was showered upon them by the Moors. Sometimes a fragment of rock came bounding and thundering down, ploughing its way through the centre of their host. The foot soldiers, faint with weariness and hunger, or crippled by wounds, held by the tails and manes of their horses, to aid them in their ascent, while the horses, losing their footing among the loose stones, or receiving some sudden wound, tumbled down the steep declivity, steed, rider, and soldier rolling from crag to crag, until they were dashed to pieces in the valley. In this desperate struggle the Alferez, or standard-bearer of the Master, with his standard was lost, as were many of his relations and dearest friends. At length he succeeded in attaining the crest of the mountain; but it was only to be plunged in new difficulties. A wilderness of rocks and rugged dells lay before him, beset by cruel foes. Having neither banner nor trumpet, by which to rally his troops, they wandered apart, each intent upon saving himself from the precipices of the mountains and the darts of the enemy.
When the pious Master of Santiago beheld the scattered fragments of his late gallant force he could not restrain his grief, 'O G.o.d!' exclaimed he, 'great is Thy anger this day against Thy servants! Thou hast converted the cowardice of these infidels into desperate valour, and hast made peasants and boors victorious over armed men of battle!'
"He would fain have kept his foot soldiers and gathered them together, and have made head against the enemy; but those around him entreated him to think only of his personal safety. To remain was to perish without striking a blow; to escape was to preserve a life that might be devoted to vengeance on the Moors. The Master reluctantly yielded to their advice. 'O Lord of Hosts,' exclaimed he again, 'from Thy wrath do I fly, not from these infidels. They are but instruments in Thy hands to chastise us for our sins!' So saying, he sent the guides in advance, and, putting spurs to his horse, dashed through a defile of the mountain before the Moors could intercept him. The moment the Master put his horse to speed, his troops scattered in all directions: some endeavoured to follow his traces, but were confounded among the intricacies of the mountain. They fled hither and thither, many perishing among the precipices, others being slain by the Moors, and others taken prisoners."
The horrors of that night among the mountains of Malaga were not speedily forgotten by the Christians. They burned for vengeance; and when "Boabdil" (properly Abu-Abdallah), the King of Granada, who had temporarily ousted his father from the sovereignty, sallied forth on a sweeping raid into the lands of the Christians, they took a signal revenge. Boabdil marched secretly by night; but his movements were not long undetected. Beacon fires blazed from the hill-tops, and the Count of Cabra, aroused by their flames, sounded the alarm, and a.s.sembled the chiefs of the district. They fell upon the Moors near Lucena, and, aided by the cover of the woods, made so skilful an attack, that the enemy turned. "Remember the mountains of Malaga!" was the ominous cry, as the Christian knights set spurs to their horses in pursuit of the Moslems: with shouts of St. James they dashed upon them, and the retreat became an utter rout. When the fugitives entered the gates of Granada a great wave of lamentation pa.s.sed through the city: "Beautiful Granada, how is thy glory faded! The flower of thy chivalry lies low in the land of the stranger; no longer does the Bivarambla echo to the tramp of steed and sound of trumpet; no longer is it crowded with thy youthful n.o.bles, gloriously arrayed for the tilt and tourney. Beautiful Granada! the soft note of the lute no longer floats through thy moonlit streets; the serenade is no more heard beneath thy balconies; the lively castanet is silent upon thy hills; the graceful dance of the Zambra is no more seen beneath thy bowers. Beautiful Granada! why is the Alhambra so forlorn and desolate? The orange and myrtle still breathe their perfumes into its silken chambers; the nightingale still sings within its groves; its marble halls are still refreshed with the plash of fountains and the gush of limpid rills! Alas! the countenance of the king no longer shines within those halls. The light of the Alhambra is set for ever!"
[Ill.u.s.tration: A WINDOW IN THE ALHAMBRA.]
Boabdil, indeed, had been made prisoner and was now a captive on his way to Cordova, while Ferdinand ravaged the Vega, and old Muley Abu-l-Hasan, who now returned to his kingdom, ground his teeth in impotent rage behind his stout ramparts.
[Ill.u.s.tration]
[Ill.u.s.tration]
XIII.
THE FALL OF GRANADA.
The capture of Boabdil by the Christian sovereigns was a fatal blow to the Moorish power. The loss of the prince himself was the smallest part of the misfortune. Boabdil, though he could show true Moorish courage in the battle-field, was a weak and vacillating man, and was perpetually oppressed by the conviction that destiny was against him. He was known as Ez-Zogoiby, "the Unlucky;" and he was ever lamenting his evil star, against which he felt it was useless to struggle. "Verily," he would exclaim, after every reverse, "it was written in the book of fate that I should be unlucky, and that the kingdom should come to an end under my rule!" Boabdil could easily be spared; but innocuous as he was in himself, he might become dangerous in the hands of a clever adversary; and events showed that Boabdil's subjection to Ferdinand contributed as much as any other cause to the overthrow of the Moorish power in Andalusia. The Catholic sovereigns received him with honour at Cordova, and, by friendly persuasion and arguments drawn from his own desperate situation and the strongly contrasted successes of the Christians, they induced him to become their instrument and va.s.sal.
As soon as they felt that they had completely mastered their tool, the politic king and queen suffered him to return to Granada, where his father, Abu-l-Hasan, once more held the fortress of the Alhambra.
Favoured by his old supporters in the Albaycin quarter of the city, Boabdil managed to effect an entrance, and to seize the citadel or keep called Alcazaba, whence he carried on a guerilla warfare with his father in the opposite fort. The quarrel was further embittered by the rivalry between the wives of Abu-l-Hasan. Ayesha, the mother of Boabdil, was intensely jealous of a Christian lady, Zoraya, whom Abu-l-Hasan loved far beyond his other wives; and the chief courtiers took up the cause of either queen. Thus arose the celebrated antagonism between the Zegris, a Berber tribe from Aragon, who supported Ayesha, and the Abencerrages, or Beny-Serraj, an old Cordovan family, which ended in the celebrated ma.s.sacre of the Abencerrages in the Palace of Alhambra, though whether Boabdil was the author of this butchery is still matter of doubt.
Supported by the Zegris, Boabdil for some time held his ground in the citadel. Old Abu-l-Hasan was too strong for him, however, and the son was soon compelled to take refuge at Almeria. Henceforward there were always two kings of Granada: Boabdil, on the one hand, always unlucky, whether in policy or battle, and despised by good Moors as the va.s.sal of the common enemy; on the other, Abu-l-Hasan, or rather his brother Ez-Zaghal, "the Valiant," for the old king did not long survive the misfortunes which his son's rebellion had brought upon the kingdom. He lost his sight, and soon afterwards died, not without suspicion of foul play.