The Moon out of Reach Part 1

The Moon out of Reach.

by Margaret Pedler.

EMPTY HANDS

Away in the sky, high over our heads, With the width of a world between, The far Moon sails like a shining ship Which the Dreamer's eyes have seen.

And empty hands are outstretched, in vain, While aching eyes beseech, And hearts may break that cry for the Moon, The silver Moon out of reach!

But sometimes G.o.d on His great white Throne Looks down from the Heaven above, And lays in the hands that are empty The tremulous Star of Love.

MARGARET PEDLER.

NOTE:--Musical setting by Adrian b.u.t.t. Published by Edward Schuberth & Co., 11 East 22nd Street, New York.

THE MOON OUT OF REACH

CHAPTER I

THE SHINING SHIP

She was kneeling on the hearthrug, grasping the poker firmly in one hand.

Now and again she gave the fire a truculent prod with it as though to emphasise her remarks.

"'Ask and ye shall receive'! . . . '_Tout vient a point a celui qui sait attendre_'! Where on earth is there any foundation for such optimism, I'd like to know?"

A sleek brown head bent determinedly above some sewing lifted itself, and a pair of amused eyes rested on the speaker.

"Really, Nan, you mustn't confound French proverbs with quotations from the Scriptures. They're not at all the same thing."

"Those two run on parallel lines, anyway. When I was a kiddie I used to pray--I've prayed for hours, and it wasn't through any lack of faith that my prayers weren't answered. On the contrary, I was enormously astonished to find how entirely the Almighty had overlooked my request for a white pony like the one at the circus."

"Well, then, my dear, try to solace yourself with the fact that 'everything comes at last to him who knows how to wait.'"

"But it doesn't!"

Penelope Craig reflected a moment.

"Do you--know--how to wait?" she demanded, with a significant little accent on the word "know."

"I've waited in vain. No white pony has ever come, and if it trotted in now--why, I don't want one any longer. I tell you, Penny"--tapping an emphatic forefinger on the other's knee--"you never get your wishes until you've out-grown them."

"You've reached the mature age of three-and-twenty"--drily. "It's a trifle early to be so definite."

"Not a bit! I want my wishes _now_, while I'm young and can enjoy them--lots of money, and amus.e.m.e.nt, and happiness! They'll be no good to me when I'm seventy or so!"

"Even at seventy," remarked Penelope sagely, "wealth is better than poverty--much. And I can imagine amus.e.m.e.nt and happiness being quite desirable even at three score years and ten."

Nan Davenant grimaced.

"Philosophers," she observed, "are a highly irritating species."

"But what do you want, my dear? You're always kicking against the p.r.i.c.ks.

What do you really _want_?"

The coals slipped with a grumble in the grate and a blue flame shot up the chimney. Nan stretched out her hand for the matches and lit a cigarette. Then she blew a cloud of speculative smoke into the air.

"I don't know," she said slowly. Adding whimsically: "I believe that's the root of the trouble."

Penelope regarded her critically.

"I'll tell you what's the matter," she returned. "During the war you lived on excitement--"

"I worked jolly hard," interpolated Nan indignantly.

The other's eyes softened.

"I know you worked," she said quickly. "Like a brick. But all the same you did live on excitement--narrow shaves of death during air-raids, dances galore, and beautiful boys in khaki, home on leave in convenient rotation, to take you anywhere and everywhere. You felt you were working for them and they knew they were fighting for you, and the whole four years was just one pulsing, throbbing rush. Oh, I know! You were caught up into it just the same as the rest of the world, and now that it's over and normal existence is feebly struggling up to the surface again, you're all to pieces, hugely dissatisfied, like everyone else."

"At least I'm in the fashion, then!"

Penelope smiled briefly.

"Small credit to you if you are," she retorted. "People are simply shirking work nowadays. And you're as bad as anyone. You've not tried to pick up the threads again--you're just idling round."

"It's catching, I expect," temporised Nan beguilingly.

But the lines on Penelope's face refused to relax.

"It's because it's easier to play than to work," she replied with grim candour.

"Don't scold, Penny." Nan brought the influence of a pair of appealing blue eyes to bear on the matter. "I really mean to begin work--soon."

"When?" demanded the other searchingly.

Nan's charming mouth, with its short, curved upper lip, widened into a smile of friendly mockery.

"You don't expect me to supply you with the exact day and hour, do you?

Don't be so fearfully precise, Penny! I can't run myself on railway time-table lines. You need never hope for it."

"I don't"--shortly. Adding, with a twinkle: "Even I'm not quite such an optimist as that!"