The Mischief-Maker Part 1

The Mischief Maker.

by E. Phillips Oppenheim.

BOOK ONE

CHAPTER I

SYMPATHY AND SELFISHNESS

The girl who was dying lay in an invalid chair piled up with cushions in a sheltered corner of the lawn. The woman who had come to visit her had deliberately turned away her head with a murmured word about the sunshine and the field of b.u.t.tercups. Behind them was the little sanitarium, a gray stone villa built in the style of a chateau, overgrown with creepers, and with terraced lawns stretching down to the sunny corner to which the girl had been carried earlier in the day.

There were flowers everywhere--beds of hyacinths, and borders of purple and yellow crocuses. A lilac tree was bursting into blossom, the breeze was soft and full of life. Below, beyond the yellow-starred field of which the woman had spoken, flowed the Seine, and in the distance one could see the outskirts of Paris.

"The doctor says I am better," the girl whispered plaintively. "This morning he was quite cheerful. I suppose he knows, but it is strange that I should feel so weak--weaker even day by day. And my cough--it tears me to pieces all the time."

The woman who was bending over her gulped something down in her throat and turned her head. Although older than the invalid whom she had come to visit, she was young and very beautiful. Her cheeks were a trifle pale, but even without the tears her eyes were almost the color of violets.

"The doctor must know, dear Lucie," she declared. "Our own feelings so often mean nothing at all."

The girl moved a little uneasily in her chair. She, also, had once been pretty. Her hair was still an exquisite shade of red-gold, but her cheeks were thin and pinched, her complexion had gone, her clothes fell about her. She seemed somehow shapeless.

"Yes," she agreed, "the doctor knows--he must know. I see it in his manner every time he comes to visit me. In his heart," she added, dropping her voice, "he must know that I am going to die."

Her eyes seemed to have stiffened in their sockets, to have become dilated. Her lips trembled, but her eyes remained steadfast.

"Oh! madame," she sobbed, "is it not cruel that one should die like this! I am so young. I have seen so little of life. It is not just, madame--it is not just!"

The woman who sat by her side was shaking. Her heart was torn with pity. Everywhere in the soft, sunlit air, wherever she looked, she seemed to read in letters of fire the history of this girl, the history of so many others.

"We will not talk of death, dear," she said. "Doctors are so wonderful, nowadays. There are so few diseases which they cannot cure. They seem to s.n.a.t.c.h one back even from the grave. Besides, you are so young. One does not die at nineteen. Tell me about this man--Eugene, you called him. He has never once been to see you--not even when you were in the hospital?"

The girl began to tremble.

"Not once," she murmured.

"You are sure that he had your letters? He knows that you are out here and alone?"

"Yes, he knows!"

There was a short silence. The woman found it hard to know what to say.

Somewhere down along the white, dusty road a man was grinding the music of a threadbare waltz from an ancient barrel-organ. The girl closed her eyes.

"We used to hear that sometimes," she whispered, "at the cafes. At one where we went often they used to know that I liked it and they always played it when we came. It is queer to hear it again--like this....

Oh, when I close my eyes," she muttered, "I am afraid! It is like shutting out life for always."

The woman by her side got up. Lucie caught at her skirt.

"Madame, you are not going yet?" she pleaded. "Am I selfish? Yet you have not stayed with me so long as yesterday, and I am so lonely."

The woman's face had hardened a little.

"I am going to find that man," she replied. "I have his address. I want to bring him to you."

The girl's hold upon her skirt tightened.

"Sit down," she begged. "Do not leave me. Indeed it is useless. He knows. He does not choose to come. Men are like that. Oh! madame, I have learned my lesson. I know now that love is a vain thing. Men do not often really feel it. They come to us when we please them, but afterwards that does not count. I suppose we were meant to be sacrificed. I have given up thinking of Eugene. He is afraid, perhaps, of the infection. I think that I would sooner go out of life as I lie here, cold and unloved, than have him come to me unwillingly."

The woman could not hide her tears any longer. There was something so exquisitely fragile, so strangely pathetic, in that prostrate figure by her side.

"But, my dear," she faltered,--

"Madame," the girl interrupted, "hold my hand for a moment. That is the doctor coming. I hear his footstep. I think that I must sleep."

Madame Christophor--she had another name, but there were few occasions on which she cared to use it--was driven back to Paris, in accordance with her murmured word of instruction, at a pace which took little heed of police regulations or even of safety. Through the peaceful lanes, across the hills into the suburbs, and into the city itself she pa.s.sed, at a speed which was scarcely slackened even when she turned into the Boulevard which was her destination. Glancing at the slip of paper which she held in her hand, she pulled the checkstring before a tall block of buildings. She hurried inside, ascended two flights of stairs, and rang the bell of a door immediately opposite her. A very German-looking manservant opened it after the briefest of delays--a man with fair moustache, fat, stolid face and inquisitive eyes.

"Is your master in," she demanded, "Monsieur Estermen?"

The man stared at her, then bowed. The appearance of Madame Christophor was, without doubt, impressive.

"I will inquire, madame," he replied.

"I am in a hurry," she said curtly. "Be so good as to let your master know that."

A moment later she was ushered into a sitting-room--a man's apartment, untidy, reeking of cigarette smoke and stale air. There were photographs and souvenirs of women everywhere. The windows were fast-closed and the curtains half-drawn. The man who stood upon the hearthrug was of medium height, dark, with close-cropped hair and a black, drooping moustache. His first glance at his visitor, as the door opened, was one of impertinent curiosity.

"Madame?" he inquired.

"You are Monsieur Estermen?"

He bowed. He was very much impressed and he endeavored to a.s.sume a manner.

"That is my name. Pray be seated."

She waved away the chair he offered.

"My automobile is in the street below," she said. "I wish you to come with me at once to see a poor girl who is dying."

He looked at her in amazement.

"Are you serious, madame?"

"I am very serious indeed," she replied. "The girl's name is Lucie Renault."

For the moment he seemed perplexed. Then his eyebrows were slowly raised.

"Lucie Renault," he repeated. "What do you know about her?"