The Middy and the Moors Part 13

Foster tried hard to talk to her "only with his eyes." He even added some amazing motions of the lips which were meant to convey--"What's the matter with you?" but they conveyed nothing, for Hester only shook her head and looked miserable.

A mild choke at that moment caused the maid to fall into statuesque composure, and the painter to put his frowning head tremendously to one side as he stepped back in order to make quite sure that the last touch was really equal, if not superior, to Michael Angelo himself!

The Moor resumed his mouthpiece with a suspicious glance at both slaves, and Foster, with the air of a man who feels that Michael was fairly overthrown, stepped forward to continue his work. Truly, if Peter the Great had been there at the time he might have felt that he also was fairly eclipsed in his own particular line!

Foster now became desperate, and his active mind began to rush wildly about in quest of useful ideas, while his steady hand pursued its labour until the Moor smoked himself into another slumber.

Availing himself of the renewed opportunity, the middy wrapped a small piece of pencil in a little bit of paper, and, with the reckless daring of a man who had boarded a pirate single-handed, flung it at his lady-love.

His aim was true--as that of a midshipman should be. The little bomb struck Hester on the nose and fell into her lap. She unrolled it quickly, and an expression of blank disappointment was the result, for the paper was blank and she had expected a communication. She looked up inquiringly, and beaming intelligence displaced the blank when she saw that Foster made as though he were writing large text on his drawing.

She at once flattened the bit of paper on her knee--eyeing the Moor anxiously the while--and scribbled a few words on the paper.

A loud cough from Foster, followed by a violent sneeze, caused her to crush the paper in her hand and again become intensely statuesque.

Prompt though she was, this would not have saved her from detection if the violence of Foster's sneeze had not drawn the Moor's first glance away from her and towards himself.

"Pardon me," said the middy, with a deprecatory air, "a sneeze is sometimes difficult to repress."

"Does painting give Englishmen colds?" asked the Moor sternly.

"Sometimes it does--especially if practised out of doors in bad weather," returned Foster softly.

"H'm! That will do for to-day. You may return to your painting in the garden. It will, perhaps, cure your cold. Go!" he added, turning to Hester, who immediately rose, pushed the paper under the cushion on which she had been sitting, and left the room with her eyes fixed on the ground.

As the cat watches the mouse, Foster had watched the girl's every movement while he bent over his paint-box. He saw where she put the paper. In conveying his materials from the room, strange to say, he slipped on the marble floor, close to the cushion, secured the paper as he rose, and, picking up his scattered things with an air of self-condemnation, retired humbly--yet elated--from the presence-chamber.

Need we say that in the first convenient spot he could find he eagerly unrolled the paper, and read--

"I am lost! Oh, save me! Osman has come! I have _seen_ him!

_Hateful_! He comes to-morrow to--"

The writing ended abruptly.

"My hideous sneeze did that!" growled Foster savagely. "But if I had been a moment later Ben-Ahmed might have--well, well; no matter. She _must_ be saved. She _shall_ be saved!"

Having said this, clenched his teeth and hands, and glared, he began to wonder _how_ she was to be saved. Not being able to arrive at any conclusion on this point, he went off in search of his friend Peter the Great.

He found that worthy man busy mending a rake in a tool-house, and in a few eager words explained how matters stood. At first the negro listened with his wonted, cheerful smile and helpful look, which hitherto had been a sort of beacon-light to the poor midshipman in his troubles, but when he came to the piece of paper and read its contents the smile vanished.

"Osman home!" he said. "If Osman come back it's a black look-out for poor Hester! And the paper says to-morrow," cried Foster; "to take her away and marry her, no doubt. Peter, I tell you, she must be saved _to-night_! You and I must save her. If you won't aid me I will do it alone--or die in the attempt."

"Geo'ge, if you was to die a t'ousan' times dat wouldn't sabe her. You know de Kasba?"

"Yes, yes--go on!"

"Well, if you was to take dat on your shoulders an' pitch 'im into de sea, _dat_ wouldn't sabe her."

"Yes it would, you faint-hearted n.i.g.g.e.r!" cried the middy, losing all patience, "for if I could do that I'd be able to wring the neck of every pirate in Algiers--and I'd do it too!"

"Now, Geo'ge, keep cool. I's on'y p'intin' out what you can't do; but p'r'aps somet'ing may be done. Yes," (he struck his forehead with his fist, as if to clinch a new idea),--"yes, I knows! I's. .h.i.t it!"

"What!" cried Foster eagerly.

"Dat you's got nuffin to do wid," returned the negro decisively. "You must know not'ing, understand not'ing, hear an' see not'ing, for if you do you'll be whacked to deaf. Bery likely you'll be whacked anyhow, but dat not so bad. You must just shut your eyes an' mout' an' trust all to _me_. You understand, Geo'ge?"

"I think I do," said the relieved middy, seizing the negro's right hand and wringing it gratefully. "Bless your black face! I trust you from the bottom of my soul."

It was, indeed, a source of immense relief to poor Foster that his friend not only took up the matter with energy, but spoke in such a cheery, hopeful tone, for the more he thought of the subject the more hopeless did the case of poor Hester Sommers appear. He could of course die for her--and would, if need were--but this thought was always followed by the depressing question, "What good would that do to _her_?"

Two hours after the foregoing conversation occurred Peter the Great was seated in a dark little back court in a low coffee-house in one of the darkest, narrowest, and most intricate streets of Algiers. He sat on an empty packing-box. In front of him was seated a stout negress, in whom an Ethiopian might have traced some family likeness to Peter himself.

"Now, Dinah," said he, continuing an earnest conversation which had already lasted for some time, "you understand de case properly--eh?"

"Ob course I does," said Dinah.

"Well, den, you must go about it at once. Not a minute to lose. You'll find me at de gardin door. I'll let you in. You know who you's got to sabe, an' you must find out your own way to sabe her, an'--now, hol'

your tongue! You's just a-goin' to speak--I must know nuffin'. Don'

tell me one word about it. You's a cleber woman, Dinah."

"Yes, my brudder. I wasn't born yesterday--no, nor yet the day before."

"An', Samson, will you trust _him_?"

"My husband is as good as gold. I trust him wid eberyt'ing!" replied this pattern wife.

"An' Youssef--what ob him?"

"He's more'n t'ree quarters blind. Kin see not'ing, an' understan's less."

"Dinah, you's a good woman," remarked her appreciative brother, as he rose to depart. "Now, remember, dis am de most important job you an' I hab had to do since we was took by de pirits out ob de same ship. An' I do t'ink de Lord hab bin bery good to us, for He's gi'n us good ma.s.sas at last, though we had some roughish ones at fust. Foller me as quick as you can."

Dinah, being a warm-hearted woman, and very sympathetic, did not waste time. She reached Ben-Ahmed's villa only half an hour later than her brother, with a basket of groceries and other provisions that Peter had purchased in town. Peter took care that the young negress, whom we have already introduced as an attendant in the house, should be sent to receive the basket, and Dinah took care that she should not return to the house until she had received a bouquet of flowers to present to the young English girl in the harem. Inside of this bouquet was a little note written by Peter. It ran thus--

"Tri an git owt to de gardin soons yoo kan."

When Hester Sommers discovered this note, the first ray of hope entered into her fluttering heart, and she resolved to profit by it.

Meanwhile, Dinah, instead of quitting the place after delivering her basket, hid herself in the shrubbery. It was growing dark by that time, and Peter made a noisy demonstration of sending one of the slaves to see that the garden gate was locked for the night. Thereafter he remained all the rest of the evening in his own apartments in pretty loud conversation with the slaves.

Suddenly there was a cry raised, and several slaves belonging to the inner household rushed into the outer house with glaring eyes, shouting that the English girl could not be found.

"Not in de house?" cried Peter, starting up in wild excitement.

"No--nowhar in de house!"

"To de gardin, quick!" shouted Peter, leading the way, while Ben-Ahmed himself, with undignified haste, joined in the pursuit.

Lanterns were lighted, and were soon flitting like fireflies all over the garden, but no trace of the fugitive was found. Peter entered into the search with profound interest, being as yet utterly ignorant of the method of escape devised by his sister. Suddenly one of the slaves discovered it. A pile of empty casks, laid against the wall in the form of a giant staircase, showed how Hester had climbed, and a crushed bush on the other side testified to her mode of descent.

Ben-Ahmed and Peter ran up to the spot together. "Dey can't hab gone far, ma.s.sa. You want de horses, eh?" asked the latter.