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The Metropolis Part 11

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"Perhaps," said the other. "So is the Jungfrau; but I prefer something more comfortable."

"What's Chappie de Peyster beauing her around for?" asked Mrs. Venable.

"Is he a candidate?"

"Maybe his debts are troubling him again," said Mistress Betty. "He must be in a desperate plight.--Did you hear how Jack Audubon proposed to her?"

"Did Jack propose?" exclaimed the Major.

"Of course he did," said the girl. "His brother told me." Then, for Montague's benefit, she explained, "Jack Audubon is the Major's nephew, and he's a bookworm, and spends all his time collecting scarabs."

"What did he say to her?" asked the Major, highly amused.

"Why," said Betty, "he told her he knew she didn't love him; but also she knew that he didn't care anything about her money, and she might like to marry him so that other men would let her alone."

"Gad!" cried the old gentleman, slapping his knee. "A masterpiece!"

"Does she have so many suitors?" asked Montague; and the Major replied, "My dear boy--she'll have a hundred million dollars some day!"

At this point Oliver put in appearance, and Betty got up and went for a stroll with him; then Montague asked for light upon Miss Hegan's remark.

"What she said is perfectly true," replied the Major; "only it riled Betty. There's many a gallant dame cruising the social seas who has stowed her old relatives out of sight in the hold."

"What's the matter with old Simpkins?" asked the other.

"Just a queer boy," was the reply. "He has a big pile, and his one joy in life is the divine Yvette. It is really he who makes her ridiculous--he has a regular press agent for her, a chap he loads up with jewellery and cheques whenever he gets her picture into the papers."

The Major paused a moment to greet some acquaintance, and then resumed the conversation. Apparently he could gossip in this intimate fashion about any person whom you named. Old Simpkins had been very poor as a boy, it appeared, and he had never got over the memory of it. Miss Yvette spent fifty thousand at a clip for Paris gowns; but every day her old uncle would save up the lumps of sugar which came with the expensive lunch he had brought to his office. And when he had several pounds he would send them home by messenger!

This conversation gave Montague a new sense of the complicatedness of the world into which he had come. Miss Simpkins was "impossible"; and yet there was--for instance--that Mrs. Landis whom he had met at Mrs.

Winnie Duval's. He had met her several times at the show; and he heard the Major and his sister-in-law chuckling over a paragraph in the society journal, to the effect that Mrs. Virginia van Rensselaer Landis had just returned from a successful hunting-trip in the far West. He did not see the humour of this, at least not until they had told him of another paragraph which had appeared some time before: stating that Mrs. Landis had gone to acquire residence in South Dakota, taking with her thirty-five trunks and a poodle; and that "Leanie" Hopkins, the handsome young stock-broker, had taken a six months' vow of poverty, chast.i.ty, and obedience.

And yet Mrs. Landis was "in" Society! And moreover, she spent nearly as much upon her clothes as Miss Yvette, and the clothes were quite as conspicuous; and if the papers did not print pages about them, it was not because Mrs. Landis was not perfectly willing. She was painted and made up quite as frankly as any chorus-girl on the stage. She laughed a great deal, and in a high key, and she and her friends told stories which made Montague wish to move out of the way.

Mrs. Landis had for some reason taken a fancy to Alice, and invited her home to lunch with her twice during the show. And after they had got home in the evening, the girl sat upon the bed in her fur-trimmed wrapper, and told Montague and his mother and Mammy Lucy all about her visit.

"I don't believe that woman has a thing to do or to think about in the world except to wear clothes!" she said. "Why, she has adjustable mirrors on ball-bearings, so that she can see every part of her skirts!

And she gets all her gowns from Paris, four times a year--she says there are four seasons now, instead of two! I thought that my new clothes amounted to something, but my goodness, when I saw hers!"

Then Alice went on to describe the unpacking of fourteen trunks, which had just come up from the custom-house that day. Mrs. Virginia's couturiere had her photograph and her colouring (represented in actual paints) and a figure made up from exact measurements; and so every one of the garments would fit her perfectly. Each one came stuffed with tissue paper and held in place by a lattice-work of tape; and attached to each gown was a piece of the fabric, from which her shoemaker would make shoes or slippers. There were street-costumes and opera-wraps, robes de chambre and tea-gowns, reception-dresses, and wonderful ball and dinner gowns. Most of these latter were to be embroidered with jewellery before they were worn, and imitation jewels were sewn on, to show how the real ones were to be placed. These garments were made of real lace or Parisian embroidery, and the prices paid for them were almost impossible to credit. Some of them were made of lace so filmy that the women who made them had to sit in damp cellars, because the sunlight would dry the fine threads and they would break; a single yard of the lace represented forty days of labour. There was a pastel "batiste de soie" Pompadour robe, embroidered with cream silk flowers, which had cost one thousand dollars. There was a hat to go with it, which had cost a hundred and twenty-five, and shoes of grey antelope-skin, buckled with mother-of-pearl, which had cost forty.

There was a gorgeous and intricate ball-dress of pale green chiffon satin, with orchids embroidered in oxidized silver, and a long court train, studded with diamonds--and this had cost six thousand dollars without the jewels! And there was an auto-coat which had cost three thousand; and an opera-wrap made in Leipsic, of white unborn baby lamb, lined with ermine, which had cost twelve thousand--with a thousand additional for a hat to match! Mrs. Landis thought nothing of paying thirty-five dollars for a lace handkerchief, or sixty dollars for a pair of spun silk hose, or two hundred dollars for a pearl and gold-handled parasol trimmed with cascades of chiffon, and made, like her hats, one for each gown.

"And she insists that these things are worth the money," said Alice.

"She says it's not only the material in them, but the ideas. Each costume is a study, like a picture. 'I pay for the creative genius of the artist,' she said to me--'for his ability to catch my ideas and apply them to my personality--my complexion and hair and eyes.

Sometimes I design my own costumes, and so I know what hard work it is!'"

Mrs. Landis came from one of New York's oldest families, and she was wealthy in her own right; she had a palace on Fifth Avenue, and now that she had turned her husband out, she had nothing at all to put in it except her clothes. Alice told about the places in which she kept them--it was like a museum! There was a gown-room, made dust-proof, of polished hardwood, and with tier upon tier of long poles running across, and padded skirt-supporters hanging from them. Everywhere there was order and system--each skirt was numbered, and in a chiffonier-drawer of the same number you would find the waist--and so on with hats and stockings and gloves and shoes and parasols. There was a row of closets, having shelves piled up with dainty lace-trimmed and beribboned lingerie; there were two closets full of hats and three of shoes. "When she went West," said Alice, "one of her maids counted, and found that she had over four hundred pairs! And she actually has a cabinet with a card-catalogue to keep track of them. And all the shelves are lined with perfumed silk sachets, and she has tiny sachets sewed in every skirt and waist; and she has her own private perfume--she gave me some. She calls it Occur de Jeannette, and she says she designed it herself, and had it patented!"

And then Alice went on to describe the maid's work-room, which was also of polished hardwood, and dust-proof, and had a balcony for brushing clothes, and wires upon which to hang them, and hot and cold water, and a big ironing-table and an electric stove. "But there can't be much work to do," laughed the girl, "for she never wears a gown more than two or three times. Just think of paying several thousand dollars for a costume, and giving it to your poor relations after you have worn it only twice! And the worst of it is that Mrs. Landis says it's all nothing unusual; you'll find such arrangements in every home of people who are socially prominent. She says there are women who boast of never appearing twice in the same gown, and there's one dreadful personage in Boston who wears each costume once, and then has it solemnly cremated by her butler!"

"It is wicked to do such things," put in old Mrs. Montague, when she had heard this tale through. "I don't see how people can get any pleasure out of it."

"That's what I said," replied Alice.

"To whom did you say that?" asked Montague. "To Mrs. Landis?"

"No," said Alice, "to a cousin of hers. I was downstairs waiting for her, and this girl came in. And we got to talking about it, and I said that I didn't think I could ever get used to such things."

"What did she say?" asked the other.

"She answered me strangely," said the girl. "She's tall, and very stately, and I was a little bit afraid of her. She said, 'You'll get used to it. Everybody you know will be doing it, and if you try to do differently they'll take offence; and you won't have the courage to do without friends. You'll be meaning every day to stop, but you never will, and you'll go on until you die.'"

"What did you say to that?"

"Nothing," answered Alice. "Just then Mrs. Landis came in, and Miss Hegan went away."

"Miss Hegan?" echoed Montague.

"Yes," said the other. "That's her name--Laura Hegan. Have you met her?"

CHAPTER VIII

The Horse Show was held in Madison Square Garden, a building occupying a whole city block. It seemed to Montague that during the four days he attended he was introduced to enough people to fill it to the doors.

Each one of the exquisite ladies and gentlemen extended to him a delicately gloved hand, and remarked what perfect weather they were having, and asked him how long he had been in New York, and what he thought of it. Then they would talk about the horses, and about the people who were present, and what they had on.

He saw little of his brother, who was squiring the Walling ladies most of the time; and Alice, too, was generally separated from him and taken care of by others. Yet he was never alone--there was always some young matron ready to lead him to her carriage and whisk him away to lunch or dinner.

Many times he wondered why people should be so kind to him, a stranger, and one who could do nothing for them in return. Mrs. Billy Alden undertook to explain it to him, one afternoon, as he sat in her box.

There had to be some people to enjoy, it appeared, or there would be no fun in the game. "Everything is new and strange to you," said she, "and you're delicious and refreshing; you make these women think perhaps they oughtn't to be so bored after all! Here's a woman who's bought a great painting; she's told that it's great, but she doesn't understand it herself--all she knows is that it cost her a hundred thousand dollars. And now you come along, and to you it's really a painting--and don't you see how gratifying that is to her?"

"Oliver is always telling me it's bad form to admire," said the man, laughing.

"Yes?" said the other. "Well, don't you let that brother of yours spoil you. There are more than enough of blase people in town--you be yourself."

He appreciated the compliment, but added, "I'm afraid that when the novelty is worn off, people will be tired of me."

"You'll find your place," said Mrs. Alden--"the people you like and who like you." And she went on to explain that here he was being pa.s.sed about among a number of very different "sets," with different people and different tastes. Society had become split up in that manner of late--each set being jealous and contemptuous of all the other sets.

Because of the fact that they overlapped a little at the edges, it was possible for him to meet here a great many people who never met each other, and were even unaware of each other's existence.

And Mrs. Alden went on to set forth the difference between these "sets"; they ran from the most exclusive down to the most "yellow,"

where they shaded off into the disreputable rich--of whom, it seemed, there were hordes in the city. These included "sporting" and theatrical and political people, some of whom were very rich indeed; and these sets in turn shaded off into the criminals and the demi-monde--who might also easily be rich. "Some day," said Mrs. Alden "you should get my brother to tell you about all these people. He's been in politics, you know, and he has a racing-stable."

And Mrs. Alden told him about the subtle little differences in the conventions of these various sets of Society. There was the matter of women smoking, for instance. All women smoked, nowadays; but some would do it only in their own apartments, with their women friends; and some would retire to an out-of-the-way corner to do it; while others would smoke in their own dining-rooms, or wherever the men smoked. All agreed however, in never smoking "in public"--that is, where they would be seen by people not of their own set. Such, at any rate, had always been the rule, though a few daring ones were beginning to defy even that.

Such rules were very rigid, but they were purely conventional, they had nothing to do with right or wrong: a fact which Mrs. Alden set forth with her usual incisiveness. A woman, married or unmarried, might travel with a man all over Europe, and every one might know that she did it, but it would make no difference, so long as she did not do it in America. There was one young matron whom Montague would meet, a raging beauty, who regularly got drunk at dinner parties, and had to be escorted to her carriage by the butler. She moved in the most exclusive circles, and every one treated it as a joke. Unpleasant things like this did not hurt a person unless they got "out"--that is, unless they became a scandal in the courts or the newspapers. Mrs. Alden herself had a cousin (whom she cordially hated) who had gotten a divorce from her husband and married her lover forthwith and had for this been ostracized by Society. Once when she came to some semi-public affair, fifty women had risen at once and left the room! She might have lived with her lover, both before and after the divorce, and every one might have known it, and no one would have cared; but the convenances declared that she should not marry him until a year had elapsed after the divorce.

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The Metropolis Part 11 summary

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