The Memory Keeper's Daughter Part 19

And then they were crossing the room. David walked beside her, one hand lightly but firmly against her back, as if she might disappear unless he held her in place.

"Come in here," he said, stepping behind a display panel, where an unframed door was barely visible in the white wall. He guided her inside, swiftly, and shut the door behind them. It was a storage closet, small, one bare bulb raining light down on shelves full of paint and tools. They stood face-to-face, just inches apart. His scent filled the room, that sweetish cologne, and beneath it was a smell she remembered, something medicinal and tinged with adrenaline. The little room was hot, and she felt suddenly dizzy, silverfish flashing in her vision.

"Caroline," he said. "Good G.o.d, do you live here? In Pittsburgh? Why wouldn't you tell me where you were?"

"I wasn't hard to find. Other people found me," she said slowly, remembering Al walking up the alley, understanding for the first time the depth of his persistence. For if it was true that David Henry had not looked very hard, it was also true that she had wanted to be lost.

Outside the door there were footsteps, drawing near and then pausing. The rush and murmur of voices. She studied his face. All these years she'd thought about him every single day, and yet now she couldn't imagine what to say.

"Shouldn't you be out there?" she asked, glancing at the door.

"They'll wait."

They looked at each other then, not speaking. Caroline had held him in her mind all this time like a photograph, a hundred or a thousand photographs. In each of these David Henry was a young man full of a restless, determined energy. Now, staring at his dark eyes and fleshy cheeks, his hair so carefully styled, she realized that if she had pa.s.sed him on the street she might not have known him, after all.

When he spoke again his tone had softened, though a muscle still worked in his face. "I went to your apartment, Caroline. That day, after the memorial service. I went there, but you were already gone. All this time-" he began, and then he fell silent.

There was a light tap on the door, a m.u.f.fled questioning voice.

"Give me a minute," David called back.

"I was in love with you," Caroline said in a rush, astonished at her confession, for it was the first time she had ever voiced this, even to herself, though it was knowledge she had lived with for years. The admission made her feel light-headed, reckless, and she went on. "You know, I spent all sorts of time imagining a life with you. And it was in that moment by the church when I realized I hadn't crossed your mind at all, not really."

He'd bent his head as she spoke, and now he looked up.

"I knew," he said. "I knew you were in love with me. How could I have asked you to help me, otherwise? I'm sorry, Caroline. For years now, I have been-so sorry."

She nodded, tears in her eyes, that younger version of herself still alive, still standing by the edge of the memorial service, unacknowledged, invisible. It made her angry, even now, that he had not really seen her then. And that, not knowing her at all, he hadn't hesitated to ask her to take away his daughter.

"Are you happy?" he asked. "Have you been happy, Caroline? Has Phoebe?"

His question, and the gentleness in his voice, disarmed her. She thought of Phoebe, struggling to learn to shape letters, to tie her shoes. Phoebe, playing happily in the backyard while Caroline made phone call after phone call, fighting for her education. Phoebe, putting her soft arms around Caroline's neck for no reason at all and saying, I love you, Mom. I love you, Mom. She thought of Al, gone too much but walking through the door at the end of a long week, carrying flowers or a bag of fresh rolls or a small gift, something for her, always, and something for Phoebe. When she'd worked in David Henry's office she had been so young, so lonely and naive, that she imagined herself as some sort of vessel to be filled up with love. But it wasn't like that. The love was within her all the time, and its only renewal came from giving it away. She thought of Al, gone too much but walking through the door at the end of a long week, carrying flowers or a bag of fresh rolls or a small gift, something for her, always, and something for Phoebe. When she'd worked in David Henry's office she had been so young, so lonely and naive, that she imagined herself as some sort of vessel to be filled up with love. But it wasn't like that. The love was within her all the time, and its only renewal came from giving it away.

"Do you really want to know?" she asked at last, looking him straight in the eye. "Because you never wrote back, David. Except for that one time, you never asked a single thing about our lives. Not for years."

As Caroline spoke, she realized that this was why she had come. Not out of love at all, or any allegiance to the past, or even out of guilt. She had come out of anger and a desire to set the record straight.

"For years you never wanted to know how I was. How Phoebe was. You just didn't give a d.a.m.n, did you? And then that last letter, the one I never answered. All of a sudden, you wanted her back."

David gave a short, startled laugh. "Is that how you saw it? Is that why you stopped writing?"

"How else could I see it?"

He shook his head slowly. "Caroline, I asked you for your address. Again and again-every time I sent money. And in that final letter I simply asked you to invite me back into your life. What more could I do? Look, I know you don't realize this, but I kept every letter you ever sent. And when you stopped writing, I felt like you'd slammed a door in my face."

Caroline thought of her letters, all her heartfelt confessions flowing into ink on paper. She couldn't remember anymore what she'd written: details about Phoebe's life, her hopes and her dreams and her fears.

"Where are they?" she asked. "Where do you keep my letters?"

He looked surprised. "In my darkroom filing cabinet: bottom drawer. It's always locked. Why?"

"I didn't think you even read them," Caroline said. "I felt I was writing into a void. Maybe that's why I felt so free. Like I could say anything at all."

David rubbed his hand on his cheek, a gesture she remembered him using when he was tired or discouraged. "I read them. At first I had to force myself, to be honest. Later, I wanted to know what was happening, even though it was painful. You gave me little glimpses of Phoebe. Little sc.r.a.ps from the fabric of your lives. I looked forward to that."

She didn't answer, remembering the satisfaction she'd felt on that rainy day, when she'd sent Phoebe upstairs with her kitten, Rain, to change out of her wet clothes while she stood in the living room, tearing his letter in four pieces, then eight, then sixteen, and dropping it like confetti in the trash. Satisfaction, and a sense of pleasure at having the matter closed. She'd felt those things, oblivious-unconcerned, even-about what David had been feeling.

"I couldn't lose her," she said. "I was angry with you for a long, long time, but by then I was mostly afraid that if you met her you'd take her away. That's why I stopped writing."

"That was never my intention."

"You didn't intend any of this," Caroline answered. "But it happened anyway."

David Henry sighed, and she imagined him in her deserted apartment, walking from room to room and realizing she was gone for good. Tell me your plans, Tell me your plans, he'd said. he'd said. That's all I ask. That's all I ask.

"If I hadn't taken her," she added softly. "You might have chosen differently."

"I didn't stop you," he said, meeting her gaze again. His voice was rough. "I could have. You wore a red coat that day at the memorial service. I saw you and I watched you drive away."

Caroline felt suddenly depleted, almost faint. She did not know what she had hoped for from this night, but when she had imagined this conversation, she had not imagined this contention: his grief and anger, and her own.

"You saw me?" she said.

"I went straight to your apartment afterward. I expected you to be there."

Caroline closed her eyes. She had been driving toward the highway, then, on her way here, to this life. She'd probably missed David Henry's visit by minutes, an hour. How much had turned on that moment. How differently her life might have unfolded.

"You didn't answer me," David said, clearing his throat. "Have you been happy, Caroline? Has Phoebe? Is her health okay? Her heart?"

"Her heart's fine," Caroline said, thinking of the early years of constant worry over Phoebe's health-all the trips to the doctors and dentists and cardiologists and ear, nose, and throat specialists. But she had grown up; she was well; she shot baskets in the driveway and loved to dance. "The books I read when she was still small predicted she'd be dead by now, but she's fine. She was lucky, I guess; she never had a problem with her heart. She loves to sing. She has a cat named Rain. She's learning how to weave. That's where she is right now. At home. Weaving." Caroline shook her head. "She goes to school. Public school, with all the other kids. I had to fight like h.e.l.l for them to take her. And now she's nearly grown I don't know what will happen. I have a good job. I work part-time in an internal medicine clinic at the hospital. My husband-he travels a lot. Phoebe goes to a group home each day. She has a lot of friends there. She's learning how to do office work. What else can I say? You missed a lot of heartache, sure. But David, you missed a lot of joy."

"I know that," he said. "Better than you think."

"And you?" she asked, struck again by how he'd aged, still trying to a.s.similate the fact of his presence, here with her, in this small room after all these years. "Have you been happy? Has Norah? And Paul?"

"I don't know," he said slowly. "As happy as anyone ever is, I suppose. Paul's so smart. He could do anything. What he wants is to go to Juilliard and play the guitar. I think he's making a mistake, but Norah doesn't agree. It's caused a lot of tension."

Caroline thought of Phoebe, how she loved to clean and organize, how she sang to herself while washing the dishes or mopping the floors, how she loved music with her whole heart and would never have a chance to play the guitar.

"And Norah?" she asked.

"She owns a travel agency," David said. "She's away a lot too. Like your husband."

"A travel agency?" Caroline repeated. "Norah?"

"I know. It surprised me too. But she's owned it for years now. She's very good at it."

The doork.n.o.b turned, and the door swung open a few inches. The curator of the show stuck his head inside, his blue eyes bright with curiosity and concern. He ran one hand through his dark hair nervously, as he spoke. "Dr. Henry?" he said. "You know, there are a lot of people out here. There's a kind of expectation that'll you'll-ah-mingle. Is everything all right?"

David looked at Caroline. He was hesitating, but he was impatient too, and Caroline knew that in an instant he would turn, adjust his tie, and walk away. Something that had endured for years was ending in this moment. Don't, Don't, she thought, but the curator cleared his throat and gave an uncomfortable laugh, and David said, "No problem. I'm coming.... You'll stay, won't you?" he said to Caroline, taking her elbow. she thought, but the curator cleared his throat and gave an uncomfortable laugh, and David said, "No problem. I'm coming.... You'll stay, won't you?" he said to Caroline, taking her elbow.

"I need to get home," she said. "Phoebe's waiting."

"Please." He paused outside the door. She met his eyes and saw the same sadness and compa.s.sion she remembered from so long ago, when they were both much younger. "There so much to say, and it's been so many years. Please say you'll wait? It shouldn't be long." She felt sick to her stomach, an uneasiness she couldn't place, but she nodded slightly, and David Henry smiled. "Good. We'll have dinner, all right? All this glad talk-I have to do it. But I was wrong, all those years ago. I want more than just the sc.r.a.ps."

His hand was on her arm and they were moving back into the crowd. Caroline couldn't seem to speak. People were waiting, glancing frankly in their direction, curious and whispering. She reached into her purse and handed David the envelope she'd prepared, with the latest photographs of Phoebe. David took it, met her eyes and nodded seriously, and then a slight woman in a black linen dress was taking him by the arm. It was the woman from the audience again, beautiful and faintly hostile, asking another question about form.

Caroline stood where she was for a few minutes, watching him gesture to a photo that resembled the dark branches of a tree, talking to the woman in the black dress. He had been handsome and he was still. Twice he glanced in Caroline's direction and then, seeing her, turned his attention fully to the moment. Wait, Wait, he'd said. he'd said. Please wait. Please wait. And he'd expected that she would. The sick feeling rose up in her stomach again. She didn't want to wait; that was it. She'd spent too much of her young life waiting-for recognition, for adventure, for love. It wasn't until she'd turned with Phoebe in her arms and left the home in Louisville, not until she packed up her things and moved away, that her life had really begun. Nothing good had ever come to her from waiting. And he'd expected that she would. The sick feeling rose up in her stomach again. She didn't want to wait; that was it. She'd spent too much of her young life waiting-for recognition, for adventure, for love. It wasn't until she'd turned with Phoebe in her arms and left the home in Louisville, not until she packed up her things and moved away, that her life had really begun. Nothing good had ever come to her from waiting.

David was standing with his head bent, nodding, listening to the woman with dark hair, the envelope clasped in his hands, behind his back. As she watched, he reached up and put the envelope casually in his pocket, as if it contained something trivial and mildly unpleasant-a utility bill, a traffic ticket.

In moments she was outside, hurrying down the stone steps into the night.

It was spring, the air crisp and damp, and Caroline was too agitated to wait for the bus. Instead she walked quickly, block after block, oblivious to the traffic or the people pa.s.sing or even the slight danger involved in being out by herself at this hour. Moments came back to her, in swirls and glimpses, strange disconnected details. There had been a patch of dark hair over his right ear, and his fingernails had been clipped down to the quick. Square-tipped fingers, she remembered those, but his voice had changed, become more gravelly. It was disconcerting: the images she'd kept in her mind all this time had altered the moment she had seen him.

And for herself? How had she seemed to him tonight? What had he seen, what had he ever seen, of Caroline Lorraine Gill? Of her secret heart? Nothing. Nothing at all. And she'd known that too, she'd known it for years, ever since the moment outside the church when the circle of his life had closed against her, when she had turned and left. In some deep place in her heart, Caroline had kept alive the silly romantic notion that somehow David Henry had once known her as no one else ever could. But it was not true. He had never even glimpsed her.

She had walked five blocks. It had started to rain. Her face was wet, her coat and shoes. The chill night seemed to have entered her, seeped beneath her skin. She was near a corner when a 61B squealed to a stop and she ran to catch it, brushing off her hair, sitting on the cracked plastic of the seat. Lights, neon, and the watery red blur of headlights moved across the windows. The early spring air was cool and damp on her face. The bus lumbered through the streets, picking up speed as it reached the dark stretches of the park, the long low hill.

She got off in the center of Regent Square. A roar, shouts, swelled out of the tavern as she pa.s.sed, and through the gla.s.s she glimpsed the shadowy figures of the players she'd seen earlier, gla.s.ses in their hands now and fists pumping in the air as they gathered around the television. Light from the jukebox cast stripes of neon blue across the arm of the waitress as she turned from the table nearest the window. Caroline paused, the wild adrenaline rush of her meeting with David Henry suddenly gone, dissipating into the spring night like mist. She felt her own isolation acutely, the figures in the bar joined by a common purpose, the people moving around her on the sidewalk drawn along the lines of their lives to places she could not even imagine.

Tears rose in her eyes. The television screen flickered and another cheer swelled through the gla.s.s. Caroline moved off, jostling a woman carrying a paper sack of groceries, stepping over a pile of fast-food trash someone had left on the sidewalk. Down the hill and then up the alley to her house, the city lights giving way to those so well known and so familiar: the O'Neills, where a golden glow spilled out over the dogwood tree; the Soulards, with their dark stretch of garden, and finally the Margolis lawn, moonflowers growing wild up the hillside in the summertime, beautiful and chaotic. Houses in a row like so many steps down a hill and then, finally, her own.

She paused in the alley, looking at her tall, narrow house. She had closed the blinds, she was sure of it, but now they were open and she could see clearly through the dining room windows. The chandelier glowed over the table where Phoebe had spread out her yarns. She was bent over the loom, moving the shuttle back and forth, calmly, intently. Rain was curled on her lap, a fluffy orange ball. Caroline watched, worried at how vulnerable her daughter seemed, how exposed to the world that swirled so mysteriously in the darkness behind her. She frowned, trying to remember that moment-her hand turning the narrow plastic stick and the blinds falling closed. Then she glimpsed a movement deeper in the house, a shadow shifting beyond the French doors to the living room.

Caroline caught her breath, startled but not yet alarmed, and then the shadow took shape and she relaxed. This was no stranger but only Al, home early from his travels, puttering through the house. She was surprised and strangely gladdened; Al had been taking more jobs and was often gone two weeks at a time. But here he was; he had come home. He had opened the blinds, giving her this moment to savor, this glimpse of her life, contained within these brick walls, framed by the buffet she had refinished, the ficus tree she had not yet managed to kill off, the layers of gla.s.s and paint she'd washed so lovingly all these years. Phoebe glanced up from her work, staring unseeing out the window at the dark wet lawn, running her hand along the cat's soft back. Al walked through the room, holding a cup of coffee in one hand. He stood beside her and gestured to the rug she was weaving with his cup.

It was raining harder now, her hair was soaked, but Caroline didn't move. What had been an emptiness outside the tavern window, a bleak vacancy real enough and fearful, was banished by the sight of her family. Rain hit her cheeks and streaked down the windows, beaded on her good wool coat. She took off her gloves and fumbled in her purse for her keys, then realized that the door would be unlocked. In the darkness of the lawn, as the eternal cars swooshed past on the freeway, their headlights catching in the dense lilac bushes she'd planted as a screen so many years ago, Caroline stood still a moment longer. This was her life. Not the life she had once dreamed of, not a life her younger self would ever have imagined or desired, but the life she was living, with all its complexities. This was her life, built with care and attention, and it was good.

She shut her purse, then. She climbed the steps. She pushed the back door open and went home.

II.

SHE WAS A PROFESSOR OF ART HISTORY AT CARNEGIE MELLON and she was asking him about form. and she was asking him about form. What is beauty? What is beauty? she wanted to know, her hand on his arm, guiding him across the gleaming oak floors, between the white walls on which his photos hung. she wanted to know, her hand on his arm, guiding him across the gleaming oak floors, between the white walls on which his photos hung. Is beauty to be found in form? Is meaning? Is beauty to be found in form? Is meaning? She turned, and her hair swung back; she swept it behind her ear with one hand. She turned, and her hair swung back; she swept it behind her ear with one hand.

He stared down at her, at the white part in her hair, at her smooth pale face.

"Intersections," he said mildly, glancing back to where Caroline lingered by a photo of Norah on the beach, relieved to see her still there. With an effort, he turned back to the professor. "Convergence. That's what I'm after. I don't take a theoretical approach. I photograph what moves me."

"No one lives outside of theory!" she exclaimed. But she paused in her questions then, eyes narrowing, lightly biting the edge of her lip. He couldn't see her teeth but he imagined them, straight and white and even. The room swirled around him, voices rose and fell; in an instant of silence he became aware that his heart was pounding, that he still held the envelope Caroline had given him. He glanced across the room again-yes, good, she was still there-and tucked it carefully into his shirt pocket; his hands were trembling faintly.

Her name was Lee, the dark-haired woman was saying now. She was the visiting critic-in-residence. David nodded, only half listening. Did Caroline live in Pittsburgh, or had she seen the show advertised and come from somewhere else, from Morgantown or Columbus or Philadelphia? She had mailed letters to him from all these places, and then she had stepped forward out of this anonymous audience, looking so much the same yet older, tauter and tougher somehow, the softness of her youth long gone. David, don't you know me? David, don't you know me? And he had, even when he hadn't let that knowledge in. And he had, even when he hadn't let that knowledge in.

He scanned the room for her again and did not see her, and the first threads of panic began, tiny, pervasive, like the filaments of mushrooms hidden in a log. She had come all this way; she had said she would stay; surely she would not leave. Someone pa.s.sed with a tray of champagne gla.s.ses and he took one. The curator was there again, introducing him to the sponsors of the show. David pulled himself together enough to speak intelligently, but he was still thinking of Caroline, hoping to glimpse her at the edge of the room. He had walked away believing that she'd wait, but now, uneasily, he remembered that long-ago morning at the memorial service, Caroline standing on the fringes in her red coat. He remembered the coolness of the new spring air, and the sunny sky, and Paul kicking beneath the blankets in his carrier. He remembered that he'd let her walk away.

"Excuse me," he murmured, interrupting the speaker. He walked with purpose across the hardwood floors to the foyer of the main entrance, where he paused and turned back to survey the gallery room, searching the crowd. Surely, having found her after all this time, he couldn't possibly lose her again.

But she was gone. Beyond the windows, the lights of the city glittered seductively, scattered like sequins all over the undulating, dramatic hills. Somewhere, here or nearby, Caroline Gill washed dishes, swept the floor, paused to look out a darkened window. Loss and grief: they rushed up through him like a wave, so powerful that he leaned against the wall and bent his head, fighting a deep nausea. They were excessive, his emotions, disproportionate. He'd lived without seeing Caroline Gill for many years, after all. He took a deep breath, running through the periodic table in his mind-silver cadmium indium tin-but he could not seem to still himself.

David reached into his pocket and took out the envelope she'd given him; maybe she'd left an address or a phone number. Inside were two Polaroids, stiff, the color poor, muted and toned with gray. The first showed Caroline, smiling, her arm around the girl beside her, who wore a stiff blue dress, low-waisted, with a sash. They were outside, posed against the brick wall of a house, and the sun-washed air bleached the scene of color. The girl was st.u.r.dy; the dress fit her well but did not make her graceful. Her hair fell around her face in soft waves and she smiled a bright smile, her eyes nearly closed in her pleasure at the camera or whoever stood behind it. Her face was wide, gentle-seeming, and it might have been only the angle of the camera that made her eyes slant slightly upward. Phoebe on her birthday, Phoebe on her birthday, Caroline had written on the back. Caroline had written on the back. Sweet Sixteen. Sweet Sixteen.

He slid the first photo behind the second, more recent one. Here was Phoebe again, playing basketball. She was poised to shoot, her heels lifting off the asphalt. Basketball, the sport Paul refused to play. David looked at the back and checked the envelope again, but there was no address. He drained his champagne and put his gla.s.s down on a marble-topped table. The gallery was still crowded, buzzing with conversation. David paused in the doorway and watched for a moment with curious detachment, as if this scene were something he'd stumbled on by accident, nothing to do with him. Then he turned away and stepped out into the soft, cool, rain-dampened air. He slipped Caroline's envelope with its photos in his breast pocket and, without knowing where he was going, he began to walk.

Oakland, his old college neighborhood, was changed and yet not changed. Forbes Field, where he had spent so many afternoons hunched high in the bleachers, soaking in the sun, cheering when bats cracked and the b.a.l.l.s rose over the bright green fields, was gone. A new university building, square and blunt, rose into the air where the cheers of thousands had once roared. He paused, turning to the Cathedral of Learning, that slender gray monolith, a shadow against the night sky, to regain his bearings.

He walked on, down the dark city streets, past people emerging from restaurants and theaters. He did not really think about where he was going, though he knew. He saw he'd been caught, frozen for all these years in that moment when he handed Caroline his daughter. His life turned around that single action: a newborn child in his arms-and then he reached out to give her away. It was as if he'd taken pictures all these years since to try and give another moment similar substance, equal weight. He'd wanted to try and still the rushing world, the flow of events, but of course that had been impossible.

He kept walking, agitated, muttering to himself now and then. What had been held still in his heart all this time had been set in motion again by his meeting with Caroline. He thought of Norah, who had become a self-sufficient and powerful woman, who courted corporate accounts with glittery a.s.surance and came in from dinners smelling of wine and rain, traces of laughter, triumph, and success still on her face. She'd had more than one affair over the years, he knew that, and her secrets, like his own, had grown up into a wall between them. Sometimes in the evening he glimpsed, for the briefest instant, the woman he had married: Norah, standing with Paul as an infant in her arms; Norah, her lips stained with berries, tying on an ap.r.o.n; Norah as a fledgling travel agent, staying up late to balance her accounts. But she had shed these selves like skins, and they lived together now like strangers in their vast house.

Paul suffered for it, he knew that. David had tried so hard to give him everything. He had tried to be a good father. They'd collected fossils together, organizing and labeling them and displaying them in the living room. He'd taken Paul fishing at every chance. But however hard he worked to make Paul's life smooth and easy, the fact remained that David had built that life on a lie. He had tried to protect his son from the things he himself had suffered as a child: poverty and worry and grief. Yet his very efforts had created losses David never antic.i.p.ated. The lie had grown up between them like a rock, forcing them to grow oddly too, like trees twisting around a boulder.

The streets converged, coming together at odd angles, as the city narrowed to the point where the great rivers met, the Monongahela and the Allegheny, their confluence forming the Ohio, which traveled to Kentucky and beyond before it poured itself into the Mississippi and disappeared. He walked to the very tip of the point. As a young man, a student, David Henry had come here often, standing at the edge of land, watching the two rivers converge. Time and again he had stood here with his toes suspended above the dark skin of the river, wondering in a detached way how cold this black water might be, whether he would be strong enough to swim to sh.o.r.e if he fell in. Now, as then, the wind cut through the fabric of his suit, and he looked down, watching the river move between the tips of his shoes. He edged out an inch farther, changing the composition. A glimmer of regret flashed through his weariness: this would be a good photo, but he'd left his camera in the hotel safe.

Far below the water swirled, foamed white against the cement piling, surged away. The arch of his foot, that's where David felt the pressure of the concrete edge. If he fell or jumped and couldn't finally swim to safety, they would find these things: a watch with his father's name inscribed on the back, his wallet with $200 in cash, his driver's license, a pebble from the stream near his childhood home that he had carried with him for thirty years. And the photos, in the envelope tucked into the pocket above his heart.

His funeral would be crowded. The cortege would stretch for blocks.

But it would stop there, the news. Caroline might never know. Nor would word travel any farther, back to where he'd been born.

Even if it did, no one there would recognize his name.

The letter had been waiting for him, tucked behind the empty coffee can of the corner store, one day after school. No one said anything, but everyone watched him, knowing what it was; the University of Pittsburgh logo was clear. He'd carried the envelope upstairs and placed it on the table by his bed, too nervous to open it. He remembered the gray sky of that afternoon, flat and blank beyond the window, broken by the leafless branch of an elm.

For two hours he had not allowed himself to look. And then he did, and the news was good: he had been accepted with a full scholarship. He sat on the edge of the bed, too stunned, too wary of good news-as he would always be, all his life-to allow himself real joy. It is my pleasure to inform you... It is my pleasure to inform you...

But then he noticed the error, the dull truth rising up and fitting just where he'd expected it, in that hollow place just below his ribs: the name on the letter was not his. The address was right, and every other detail from his date of birth to his social security number-all these were correct. And his first two names, David for his father and Henry for his grandfather, those were fine as well, typed precisely by a secretary who had perhaps been interrupted by a phone call, by a visitor. Or maybe it was only the lovely spring air that made her look up from her work, dreaming herself into the evening, her fiance there with flowers in his hands and her own heart trembling like a leaf. Then a door slammed. Footsteps sounded, her boss. She started, drew herself together and back into the present. Blinking, she hit the return carriage and went back to work.

David Henry she had typed already, correctly.

But his last name, McCallister, had been lost.

He had never told anyone. He had gone off to college and registered, and no one ever knew. It was, after all, his true name. Still, David Henry was a different person from David Henry McCallister, that much he knew, and it seemed clear it was as David Henry he was meant to go to college, a person with no history, unburdened by the past. A man with a chance to make himself anew.

And he had done just that. The name had allowed it; to some extent, the name had demanded it: strong and a bit patrician. There had been Patrick Henry, after all, a statesman and an orator. In the early days, during those conversations where he had felt himself to be at sea, surrounded by people wealthier and better connected than he would ever be, by people utterly at ease in the world he was so desperately trying to join, he would sometimes allude, though never directly, to a distant but important lineage, invoking false ancestors to stand behind him and lend support.

This was the gift he'd tried to give Paul: a place in the world that no one could question.

The water between his feet was brown, edged with a sickly white foam. The wind rose, and his skin became as porous as his suit. The wind was in his blood, and the swirling water flashed, drew closer, and then there was acid in his throat and he was on his hands and knees, the stones cold beneath his hands, vomiting into the wild gray river, heaving until nothing more could be expelled. He lay there for a long time, in the darkness. Finally, slowly, he stood, wiped the back of his hand against his mouth, and walked back into the city.

He sat in the Greyhound terminal all night, dozing and jerking awake, and in the morning he caught the first bus to his childhood home in West Virginia, traveling deep into the hills that surrounded him like an embrace. After seven hours, the bus stopped where it always had, on the corner of Main and Vine, and then roared away, leaving David Henry in front of the grocery store. The street was quiet, a newspaper plastered against a telephone pole and weeds growing up through cracks in the sidewalk. He'd worked in this store to earn his room and board above it, the smart kid come down from the hills to study, astonished by the sounds of bells and traffic, the housewives shopping, the schoolchildren cl.u.s.tering to buy sodas at the fountain, the men gathering in the evenings, spitting tobacco and playing cards and pa.s.sing the time with stories. But that was gone now, all of it. Red and black graffiti covered the plywood-covered windows, bleeding into the grain, unreadable.

Thirst was a fire in David's throat. Across the street, two men, middle-aged, one bald, one with thin graying hair to his shoulders, sat playing checkers on the porch. They looked up, curious, suspicious, and for a moment David saw himself as they would, his pants stained and wrinkled, his shirt a day and night old, his tie gone, his hair flattened from his fitful sleep on the bus. He did not belong here, never had. In the narrow room above the store, books spread out on his bed, he'd been so homesick he couldn't concentrate, and yet when he went back to the mountains, his yearning did not diminish. In the small clapboard house of his parents, set firmly into the hill, the hours stretched and grew, measured out by the tamping of his father's pipe against the chair, his mother's sighs, the stirrings of his sister. There was the life below the creek and the life above it, and loneliness opening everywhere, a dark flower.