The Mating of Lydia Part 67

Next morning Tatham was in his library before eleven, making a pretence of attending to some County Council business, but in truth restless with expectation, and thinking of nothing but the events immediately ahead.

What was going to happen?

Faversham no doubt was going to propose some division of the Melrose inheritance with Felicia, and some adequate provision for the mother.

Only a few weeks before this date Tatham had been in a mood to loathe the notion that Felicia should owe a fortune, small or great, to the charity of a greedy intruder. To-day he awaited Faversham's visit as a friend, prepared to welcome his proposals in the spirit of a friend, to put, that is, the best and not the worst interpretation upon them. After all, the fortune was legally his; and if Melrose had died intestate, Felicia and her mother would only have shared with some remote heirs with far less claim than Faversham.

He owed this change of temper--he knew--simply to the story which Undershaw had brought him of the last scene between Faversham and Melrose. That final though tardy revolt had fired the young man's feelings and drowned his wraths. In his secret mind, he left Brand's shot uncondemned; and the knowledge that before that final _coup_ was given, the man whom Melrose had alternately bribed and bullied had at last found strength to turn upon him in defiance, flinging his money in his face, had given infinite satisfaction to Harry's own hatred of a tyrant.

Faversham, even more than Brand, had avenged them all. The generous, pugnacious youth was ready to take Faversham to his heart.

And yet, not without uneasiness, some dread of reaction in himself, if--by chance--they were all mistaken in their man! Neither Boden, nor Undershaw, nor he had any definite idea of the conclusions to which Faversham had come. He had not had a word to say to them on that head; although, during these ghastly weeks, when they had acted as buffers between him and an enraged populace, relations of intimacy had clearly grown up between him and Boden, and both Undershaw and Tatham had been increasingly conscious of liking, even respect, for a much-abused man.

Oh, it was--it would be--all right! Lydia would see to it!

Lydia! What a letter that was the post had brought him--what a letter, and what a woman! He sighed, thinking with a rueful though satiric spirit of all those protestations of hers in the summer, as to independence, a maiden life, and the rest. And now she confessed that, from the beginning, it had been Faversham. Why? What had she seen in him? The young man's vanity no less than his love had been sore smitten. But the pain was pa.s.sing. And she was, and would always be, a dear woman, to whom he was devoted.

He had pushed aside his letters, and was pacing his library. Presently he turned and went into a small inner room, his own particular den, where he kept his college photographs, some stuffed and now decaying beasts, victims of his earliest sport, and many boxes of superb toy soldiers, the pa.s.sion of his childhood. There on the wall, screened from vulgar eyes, hung five water-colour drawings. He went to look at them--sentimentally.

Had the buying of anything in the world ever given him so much pleasure?

As he stood there, he was suddenly aware of a voice--girl's voice overhead, singing. He turned and saw that the window was open to the mild December air. No doubt the window on the story above was open too. It was Felicia--and the sound ceased as suddenly as it had risen. Just a phrase, a stormy phrase, from an Italian folk-song which he had heard her sing to his mother. He caught the usual words--"_morte"_--"_amore."_ They were the staple of all her songs; to tell the truth he was often bored by them. But the harsh, penetrating note--as though it were a note of anger--in the sudden sound, arrested him; and when it became silent, he still thought of it. It was a strange, big voice for so small a creature.

He was glad to hear that she could sing again. n.o.body imagined that she could regret her father; but certainly the murder had sharply affected her nerves and imagination. She had got hold of the local paper before they could keep it from her; and for nights afterward, according to his mother she had not been able to sleep. He himself had tried of late to distract her. He had asked her to ride with him; he had brought her books and flowers. To no avail. She was very short and shy with him; only happy, apparently, with his mother, to whom her devotion was extraordinary. To her own mother, so Lady Tatham reported, she was as good--as gentle even--as her temperament allowed. But there was a deep discrepancy between them.

As to Mrs. Melrose, whose life, according to the doctor, was only a matter of weeks, possibly months, Victoria believed that the shock of her old father's death had affected her much more acutely than the murder of her husband. She fretted perpetually that she had left her father to strangers, and that she could not help to lay him in his grave. Felicia too had cried a little, but had soon consoled herself with the sensible reflection--so it seemed to Tatham--that at least her poor old Babbo was now out of his troubles.

His thoughts strayed on to the coming hour and Felicia's future. It amused the young man's mere love of "eventful living" to imagine her surprise, if what he shrewdly supposed was going to happen, did happen.

But no one could say--little incalculable thing!--how she would take it.

The handle of the door was turned, and some one entered. He looked round, and saw Felicia. Her black dress emphasized the fairylike delicacy of her face and hands; and something in her look--some sign of smothered misery or revolt--touched Tatham sharply. He hurried to her, biding her good morning, for she had not appeared at breakfast.

"And I wanted to see you before they all come. How is your mother?"

"Just the same." She allowed him but the slightest touch of her small fingers before she turned abruptly to the row of water-colours. "Who painted those?"

"Miss Penfold. Don't you know what a charming artist she is?"

"They are not at all well done!" said Felicia. "Amateurs have no business to paint."

"She is not an amateur!" cried Tatham. "She--"

Then again he noticed that she was hollowed-eyed, and her lip was twitching. Poor little girl!--in her black dress--soon to be motherless--and with this critical moment in front of her!

He came nearer to her in the shy, courteous way that made a dissonance so attractive with his great height and strength.

"Dear Felicia! I may, mayn't I? We're cousins. Don't be nervous--or afraid. I think it's all coming right."

She looked at him angrily.

"I'm not nervous--not the least bit! I don't care what happens."

And holding her curly head absurdly high, she went back into the library, which Victoria, Undershaw, and Cyril Boden had just entered. Tatham regretted that he had not made more time to talk with her; to prepare her mind for alternatives. It might have been wiser. But Faversham's summons had been sudden; and his own expectations were so vague!

However, there was no time now. Lydia arrived, and she and Tatham withdrew into the inner room for a few minutes, deep in consultation.

Felicia watched them with furious eyes. And when they came out again, a soft flush on Lydia's cheeks, it was all that Felicia could do to prevent herself from rushing upstairs again, leaving them to have their horrid meeting to themselves.

But flight was barred. Faversham entered, accompanied by the senior solicitor to the Threlfall estate and by old Dixon, shaking with nervousness, in a black Sunday suit. Chairs had been provided. They took their seats. Tatham cleared his own table.

"No need!" said the solicitor, a gentleman with a broad, benevolent face slightly girdled by whiskers. "It's very short!"

And smiling, he took out of his pocket a doc.u.ment consisting apparently of two sheets of square letter paper, and amid the sudden silence, he began to read.

The first and longer sheet was done. Felicia, sitting on the edge of a stiff chair, her small feet dangling, was staring at the lawyer. Victoria was looking at her son bewildered. Boden wore an odd sort of smile.

Undershaw, impa.s.sive, was playing with his watch-chain. Lydia radiant and erect, in a dress of gray-blue tweed, a veil of the same tint falling back from the harmonious fairness of her face, had her eyes on Felicia.

There was a melting kindness in the eyes--as though the maternity deep in the girl's nature spoke.

A deed of gift, _inter vivos_, conveying the whole personality and real estate, recently bequeathed to Claude Faversham by Edmund Melrose, consisting of so-and-so, and so-and-so,--a long catalogue of shares and land which had taken some time to read--to Felicia Melrose, daughter of the late Edmund Melrose, subject only to an annuity to her mother, Antonetta Melrose, of 2,000 a year, to a pension for Thomas Dixon and his wife, and various other pensions and small annuities; Henry, Earl Tatham, and Victoria, Countess Tatham, appointed trustees, and to act as guardians, till the said Felicia Melrose should attain the age of twenty-four; no mention of any other person at all; the whole vast property, precisely as it had pa.s.sed from Melrose to Faversham, just taken up and dropped in the lap of this little creature with the dangling feet without reservation, or deduction--now that it was done, and not merely guessed at, it showed plain for what in truth it was--one of those acts wherein the energies of the human spirit, working behind the material veil, swing for a moment into view, arresting and stunning the spectator.

"But the collections!" said Tatham, remembering them almost with relief, speaking in his mother's ear; "what about the collections?"

"We come now to the second part of the deed of gift," said the silvery voice of the lawyer. And again the astounded circle set itself to listen.

"The collections of works of art now contained in Threlfall Tower, I also convey in full property and immediate possession to the said Felicia Melrose, but on the following conditions:

"Threlfall Tower, or such portions of it as may be necessary, to be maintained permanently as a museum in which to house the said collection: a proper museum staff to be appointed; a sum of money, to be agreed upon between Claude Faversham and Felicia Melrose, to be set aside for the maintenance of the building, the expenses of installation, and the endowment of the staff; and a set of rooms in the west wing to be appropriated to the private residence of a curator, who is to be appointed, after the first curatorship, by--"

Certain public officials were named, and a few other stipulations made.

Then with a couple of legal phrases and a witnessed signature, the second sheet came to an end.

There was a silence that could be heard. In the midst of it Faversham rose. He was agitated and a little incoherent.

"The rest of what has to be said is not a formal matter. If Miss Melrose, or her guardians, choose to make me the first Curator of the Threlfall Tower Museum, I am willing to accept that office at their hands, and--after, perhaps, a year--I should like to occupy the rooms I have mentioned in the west wing--with the lady who has now promised to be my wife. I know perhaps better than any one else what the house contains; and I could spend, if not my life, at any rate a term of years, in making the Tower a palace of art, a centre of design, of training, of suggestion--a House Beautiful, indeed, for the whole north of England.

And my promised wife says she will help me."

He looked at Lydia. She put her hand in his. The sight of most people in the room had grown dim.

But Felicia had jumped up.

"I don't want it all! I won't have it all!" she said in a pa.s.sionate excitement. "My father hated me. I told him I would never take his money.

Why didn't you tell me--why didn't you warn me?" She turned to Tatham, her little body shaking, and her face threatening tears.

"Why should Mr. Faversham do such a thing? Don't let him!--don't let him!

And I ought--I ought--to have been told!"

Faversham and Lydia approached her. But suddenly; putting her hands to her face, she ran to the French window of the library, opened it, and rushed into the garden.

Tatham and his mother looked at each other aghast.

"Run after her!" said Victoria in his ear. "Take this shawl!" She handed him a wrap she had brought in upon her arm.