The Mating of Lydia Part 4

She turned and went in search of him, making her way with difficulty through the piles of boxes. What could be in them all? Edmund must have been buying for years. Every now and then as she stooped to look at the labels pasted upon them, she caught names well known to her. Orbatelli, Via dei Bardi 13, Firenze; Bianchi, Via Mazzini 12, Lucca; Fratelli Masai, Via Manzoni, Pisa. And everywhere the recurrent word--_Antichita_.

How she hated the word!--how she hated the a.s.sociations linked with it, and with the names on the boxes. They were bound up with a score of humbling memories, the memories of her shabby, struggling youth. She thought of her father--the needy English artist, Robert Smeath, with just a streak, and no more than a streak, of talent, who had become rapidly "Italianate" in the Elizabethan sense--had dropped, that is, the English virtues, without ever acquiring the Italian. He had married her mother, a Florentine girl, the daughter of a small _impiegato_ living in one of the dismal new streets leading out of Florence on the east, and had then pursued a shifting course between the two worlds, the English and the Italian, ordering his household and bringing up his children in Italian fashion, while he was earning his keep and theirs, not at all by the showy pictures in his studio which no one would buy, but as jackal in _antichita_, to the richer English and American tourists. He kept a greedy eye on the artistic possessions still remaining in the hands of impoverished native owners; he knew the exact moment of debt and difficulty in which to bring a foreign gold to bear; he was an adept in all the arts by which officials are bribed, and pictures are smuggled.

And sometimes these accomplishments of his resulted in large accessions of cash, so that all the family lived on the fat of the land, bought gorgeous attire, and went to Livorno, or Viareggio, or the Adriatic coast, for the summer. And sometimes there was no luck, and therefore no money. Owners became unkindly patriotic and would not sell. Or some promising buyer, after nibbling for months, went off finally unhooked.

Then the apartment in the Via Giugno showed the stress of hard times. The girls wore their old clothes to rags; the mother did all the work of the house in a bedgown and slippers; and the door of the apartment was never opened more than a few inches to any applicant, lest creditors should get in.

And the golden intervals got fewer, and the poverty more persistent, as the years went on. Till at last, by the providence--or malice--of the G.o.ds, a rich and apparently prodigal Englishman, Edmund Melrose, hungry for _antichita_ of all sorts, arrived on the scene. Smeath became rapidly the bond-slave of Melrose, in the matter of works of art. The two made endless expeditions together to small provincial towns, to remote villas in the Apuan or Pisan Alps, to _palazzi_ in Verona, or Lucca, or Siena.

Melrose indeed had not been long in finding out that the little artist was both a poor judge and a bad agent. Netta's cheek always flamed when she thought of her father's boastings and blunderings, and of the way in which Edmund had come to treat him. And now the Smeath family were just as poor as ever again. Her little sisters had scarcely a dress to their backs; and she was certain her mother was both half-starved and over-worked. Edmund had not been at all kind to them since her marriage--not at all!

How had he come to marry her? She was well aware that it was an extraordinary proceeding on his part. He was well born on both sides, and, by common report among the English residents in Florence, enormously rich, though his miserly habits had been very evident even in the first days of their acquaintance. He might no doubt have married anybody he pleased; if he would only have taken the trouble. But nothing would induce him to take any trouble--socially. He resented the demands and standards of his equals; turned his back entirely on normal English society at home and abroad; and preferred, it seemed, to live with his inferiors, where his manners might be as casual, and his dress as careless as he pleased. The queer evenings and the queer people in their horrid little flat had really amused him. Then he had been ill, and mama had nursed him; and she, Netta, had taken him a pot of carnations while he was still laid up; and so on. She had been really pretty in those days; much prettier than she had ever been since the baby's birth. She had been attractive too, simply because she was young, healthy, talkative, and forthcoming; goaded always by the hope of marriage, and money, and escape from home. His wooing had been of the most despotical and patronizing kind; not the kind that a proud girl would have put up with. Still there had been wooing; a few presents; a frugal cheque for the trousseau; and a honeymoon fortnight at Sorrento.

Why had he done it?--just for a whim?--or to spite his English family, some member of which would occasionally turn up in Florence and try to put in claims upon him--claims which infuriated him? He was the most wilful and incalculable of men; caring nothing, apparently, one day for position and conventionality, and boasting extravagantly of his family and ancestors the next.

"He was rather fond of me--for a little," she thought to herself wearily, as she stood at the hall window, looking out into the rain. At the point which things had now reached she knew very well that she meant nothing at all to him. He would not beat her, or starve her, or even, perhaps, desert her. Such behaviour would disturb his existence as much as hers; and he did not mean to be disturbed. She might go her own way--she and the child; he would give her food and lodging and clothes, of a sort, so long as she did not interfere with his tastes, or spend his money.

Then, suddenly, while she stood wrathfully pondering, a gust of anger rose--childish anger, such as she had shown the night before, when she had tried to get out of the carriage. She turned, ran down the corridor to the door which she understood was the door of his study--and entered with a burst.

"Edmund!--I want to speak to you!"

Melrose, who was hanging, frowning and absorbed, over a carpenter who was freeing what seemed to be an old clock from the elaborate swathings of paper and straw in which it had been packed, looked up with annoyance.

"Can't you see, Netta, that I'm very busy?"

"I can't help it!--it's about baby."

With a muttered "D--n!" Melrose came toward her.

"What on earth do you want?"

Netta looked at him defiantly.

"I want to be told whenever the cart goes into Pengarth--there were lots of things to get for baby. And I must have something here that I can drive myself. We can't be cut off from everything."

"Give your orders to Mrs. Dixon then about the cart," said Melrose angrily. "What has it to do with me? As for a carriage, I have no money to spend on any nonsense of the kind. We can do perfectly well without it."

"I only want a little pony-cart--you could get it second-hand for ten or twelve pounds--and the farmer has got a pony."

She looked at him--sallow, and frowning.

Melrose pushed her into the pa.s.sage and drew the door to, behind him, so that the carpenter might not hear.

"Ten or twelve pounds! Do you expect I get money off the hedges? Can't you be content here like a reasonable woman, without getting me into debt?"

Netta laughed and tossed her head.

"You shouldn't leave your business letters about!"

"What do you mean?"

"There was a cheque among your papers one day last week!--I saw it before you could hide it away. It was for 3,000--a dividend from something--a coal mine, I think. And the week before you had another--"

Her husband's eyes shed lightnings.

"I'll not have you prying into my affairs!" he said violently. "All I have is wanted--and more."

"And nothing of course--to give _me_--your wife!--for any comforts or pleasures! That never enters into your head!"

Her voice came thickly already. Her chest began to heave.

"There now--crying again!" said Melrose, turning on his heel. "Can't you sometimes thank your stars you're not starving in Florence, and just put up with things a little?"

Netta restrained herself.

"So I would"--she said, choking--"if--"

"If what--"

For all answer, she turned and hurried away toward the hall. Melrose looked after her with what appeared like exasperation, then suddenly recaptured himself, smoothed his brow, and, returning to the study, gave himself with unruffled zest and composure to the task of unpacking the Boule clock.

Netta repaired to the drawing-room, and threw herself on to the uncomfortable sofa, struggling with her tears. For about a fortnight after her marriage she had imagined herself in love with Melrose; then when the personal illusion was gone, the illusion of position and wealth persisted. He might be queer, and behave queerly in Italy. But when they returned to England she would find herself the wife of a rich English gentleman, and the gingerbread would once more be gilt. Alack! a few weeks in a poor London Lodging with no money to spend on the shops which tempted her woman's cupidity at every step; Edmund's final refusal, first laughing, then stubborn, to present her to "my devilish relations"; the complete indifference shown to her wishes as to the furnishings of the Tower; these various happenings had at last brought her to an unwelcome commerce with the bare truth. She had married a selfish eccentric, who had chosen her for a caprice and was now tired of her. She had not a farthing, nor any art or skill by which to earn one. Her family was as penniless as herself. There was nothing for it but to submit. But her temper and spirits had begun steadily to give way.

_Firenze!_ As she sat in her cheerless drawing-room, hating its ugly shabbiness, and penetrated with the damp chill of the house, there swept through her a vision of the Piazza del Duomo, as she had last seen it on a hot September evening. A blaze of light--delicious all-prevailing warmth--the moist bronzed faces of the men--the girls with the look of physical content that comes in hot countries with the evening--the sun flooding with its last gold, now the new marbles of the _facciata_, now the alabaster and bronze of the Baptistery, and now the moving crowds--the flowers-baskets--the pigeons--

She lifted her eyes with a sobbing breath, and saw the gray cloud-curtain--the neglected garden--the solitary pony in the field--with the shafts of rain striking across it. Despair stirred in her--the physical nostalgia of the south. A happy heart might have silenced the craving nerves; but hers was far from happy.

The door opened. A head was thrust in--the head of a fair-haired girl.

There was a pause.

"What do you want?" said Mrs. Melrose, haughtily, determined to a.s.sert herself.

Thyrza came in slowly. She held a bunch of dripping Michaelmas daisies.

"Shall I get a gla.s.s for them? I thowt mebbe you'd like 'em in here."

Netta thanked her ungraciously. She remembered having seen the girl the night before, and Anastasia had mentioned her as the daughter of the _Contadino_.

Thyrza put the flowers in water, Netta watching her in silence; then going into the hall, she returned with a pair of white lace curtains.

"Shall I put 'em up? It 'ud mebbe be more cheerful."

Netta looked at them languidly.

"Where do they come from?"

"Mr. Tyson brought 'em from Pengarth. He thowt you might like 'em for the drawing-room."

Mrs. Melrose nodded, and Thyrza mounted a chair, and proceeded to put up the curtains, turning an observant eye now and then on the thin-faced lady sitting on the sofa, her long fingers clasped round her knees, and her eyes--so large and staring as to be rather ugly than beautiful in Thyrza's opinion--wandering absently round the room.

"It's a clashy day," Thyrza ventured at last.